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Posts tagged as “Whoopi Goldberg”

Filmmaker Tyler Perry Donates $500,000 to New York’s Famed Apollo Theater

According to variety.com, filmmaker Tyler Perry announced he’s donating $500,000 to New York’s famed Apollo Theater during the venue’s annual spring benefit gala yesterday.

Perry made the offer during his acceptance speech for the organization’s Impact Award, which was presented to him by Whoopi Goldberg.

“My studio [in Georgia] was once a former Confederate-owned army base where there were 3.9 million negroes and slaves at the time, and there were Confederate soldiers plotting and planning how to keep them enslaved,” Perry said.

“While now that land is owned by one negro and I know the importance of what it means to honor that and honor the history of what it has been, and what it has been and to redirect it and rechange it. So it’s very important to me that we all give and support, and with that said, I’d like to give a half-million dollars to make sure this place continues to grow and thrive.”

To quote Variety.com:

Perry concluded his speech by sharing that 98 percent of the people he paid last year with his $154 million payroll were Black. He then implored those listening not to give up on their career goals, using his own uplift of Black people in the industry as an example of the good that can come from Black people’s success.

“That is the power of us, that is the power of understanding our stories, our messages, whether who gets it or who don’t. Long as you walk you path, you understand who you’re talking to, you know your audience. If you’ve got a dream in this room, please hear me when I say this, do not give up on your dreams,” Perry said.

“If I would have given up, I don’t know who would have given that payroll, or if they would be in Hollywood, if people wouldn’t let them in the door. When you come to Tyler Perry Studios, you see the most diverse group of people who have ever worked in the industry, and for that I am grateful.”

Including Perry’s gift, the Apollo raised a record-breaking $3.7 million last night as comedian Kenan Thompson hosted the fundraising event.

Read more: https://variety.com/2022/scene/news/tyler-perry-apollo-theater-1235293971/#recipient_hashed=e4ade4bb4c820e62c1711f6b9f58ef75312251d8145e19a72a9f5413dbe0fb9e

Born On This Day in 1894: American Comedy Pioneer Moms Mabley (LISTEN)

by Lori Lakin Hutcherson (@lakinhutcherson)

Today’s GBN’s Daily Drop podcast features Jackie “Moms” Mabley, the first woman comedian in the U.S. to have a long-lasting and successful career.

It’s based on the Saturday, March 19 entry from the Black Comedians category called “Yeah, You Funny”in our “A Year of Good Black News” Page-A-Day®️ Calendar for 2022:

You can follow or subscribe to the Good Black News Daily Drop Podcast through Apple Podcasts, Spotify, Google Podcasts, rss.com or create your own RSS Feed. Or just check it out every day here on the main website (transcript below):

SHOW TRANSCRIPT:

Hey, this Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a daily drop of Good Black News for Saturday, March  19th, 2022, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing. It’s in the category for Black Comedians we call, “Yeah, You Funny”:

Jackie “Moms” Mabley was the first woman comedian in the U.S. to have a long-lasting and successful career. Born #onthisday in 1894, in Brevard, North Carolina, Mabley got her start performing on vaudeville’s “chitlin’ circuit” for years before becoming widely known from the 1940s to the 1970s for her movie appearances, hit comedy albums, variety show guest spots, and as a headlining stand-up act at venues such as the Apollo Theater, where she appeared more than any other performer in history.

Mabley mostly played the character of an older woman in a housedress who offered subtle commentary on politics, racism, sexism… all while musing on her desire for younger men.

Today we share one of Mabley’s clever quips of the latter variety, which juxtaposed so greatly with her presentation and still feels contemporary:

“There ain’t nothin’ an old man can do for me but bring me a message from a young one.”

To learn more about Moms Mabley, check out the Whoopi Goldberg-directed documentary on her from 2013 called Moms Mabley: I’ve Got Somethin’ To Tell You, watch her in movies such as Amazing Grace from 1974, Killer Diller or Boarding House Blues, both from 1948, or check out her comedy albums like Moms Mabley at the Playboy Club, Moms Mabley at the Geneva Conference, Young Men, Si – Old Men – No, Moms Mabley at the U.N. or her Top 40 pop and Top 20 R&B hit version of “Abraham, Martin & John” from 1969.

All albums are available to stream on Apple Music and some of them are also on Spotify. You can also check out Wanda SykesEmmy-nominated portrayal of Moms Mabley in the Amazon original series The Marvelous Mrs. Maisel.

Links to these sources and more are provided in today’s show notes and in the episode’s full transcript posted on goodblacknews.org.

This has been a daily drop of Good Black News, based on the “A Year of Good Black News Page-A-Day Calendar for 2022,” published by Workman Publishing. Beats provided by freebeats.io and produced by White Hot.

If you like these Daily Drops, please consider following us on Apple, Google Podcasts, RSS.com, Amazon, Spotify or wherever you get your podcasts. Leave a rating or review, share links to your favorite episodes, or go old school and tell a friend.

For more Good Black News, check out goodblacknews.org or search and follow @goodblacknews anywhere on social.

And today, in honor of Moms Mabley’s birthday, we’re closing with a snippet of her version of “Abraham, Martin and John,” written by Dick Holler:

[Excerpt of “Abraham, Martin and John”]

Sources:

R.I.P. Mary Wilson, 76, Rock and Roll Hall of Famer, Motown Legend and Co-Founder of the Supremes (VIDEO)

by Lori Lakin Hutcherson (@lakinhutcherson)

It certainly was unwelcome news to wake up to this morning – the news that singing legend Mary Wilson had passed away suddenly and unexpectedly at her home in Las Vegas at 76, news that has been confirmed by her manager.

As an original member of the Supremes, Wilson, along with Florence Ballard and Diana Ross, made history as pop and R&B chart toppers with classic songs like “Where Did Our Love Go?” “Stop! In the Name of Love,” “You Keep Me Hangin’ On” and “Someday We’ll Be Together.”

Although the Supremes line-up changed multiple times over the years, Mary Wilson remained its one steadfast member and continued to perform with the group over the decades, even as she offered music as a solo singer.

Above is an incredible clip of Wilson taking lead vocals on  the Supremes cover of “Can’t Take My Eyes Off You” at the Hollywood Palace in 1969.

In 1986, Wilson wrote the New York Times bestseller Dreamgirl: My Life as a Supreme and in 2019 offered Supreme Glamour, a retrospective on the group and their iconic costumes and ensembles, its forward written by Whoopi Goldberg.

Recently Wilson was a celebrity contestant on ABC’s Dancing with the Stars and was planning to release a new album later this year.

To learn more about Mary Wilson’s life, career and music, click below:

https://www.npr.org/2021/02/09/965713448/mary-wilson-founding-member-of-the-supremes-dies-at-76

https://www.latimes.com/entertainment-arts/music/story/2021-02-09/diana-ross-reacts-to-death-of-mary-wilson-supremes

Good Black News hopes to offer a tribute playlist to Wilson later in the week.

(paid links)

BHM: “The Color Purple” Returns to Movie Theaters on February 23 to Celebrate 35th Anniversary

From “The Color Purple” (photo courtesy J2 Communications)

This year, THE COLOR PURPLE, written by Alice Walker (screenplay by Menno Meyjes), produced by Quincy Jones and directed by Steven Spielberg, celebrates its 35th anniversary.  In honor of the occasion, Fathom Events and TCM are presenting this indelible film in theaters for one special day only: tomorrow, Sunday February 23, 1 p.m. and 5 p.m. (local time) on more than 600 U.S. movie screens.

Based on Walker’s Pulitzer Prize-winning novel*, THE COLOR PURPLE introduced movie audiences to Whoopi Goldberg and Oprah Winfrey, both of whom, along with Margaret Avery, were Oscar nominated for their performances.

Their nods were three of the 11 Academy Award nominations for the film, which was also named 1985’s best film at the NAACP Image Awards and by the National Board of Review.

The movie also stars Danny Glover, Adolph Ceasar, Akosua Busia and Rae Dawn Chong in supporting roles.

This presentation is part of the yearlong TCM Big Screen Classics series, and tickets are available now at the Fathom Events website or at participating theater box offices.

*commissions earned on link

 

 

History-Making Tyler Perry Studios Has Grand Opening Gala in Atlanta with Oprah, Beyonce and More

Tyler Perry (photo via commons.wikipedia.org)

Actors, directors, musical artists, filmmakers and politicians such as Oprah Winfrey, Beyoncé, Stacey Abrams, Ava DuVernay, Viola Davis, Samuel L. Jackson, Spike Lee, Tiffany Haddish, Whoopi Goldberg, Reginald Hudlin and Halle Berry showed up to support filmmaker and entrepreneur Tyler Perry as he formally opened his Tyler Perry Studios in Atlanta.

Tyler Perry Studios marks the first time that an African-American person has owned and operated a major film studio anywhere in the U.S.

Perry also reportedly named his twelve sound stages after living and late legends such as Denzel Washington, Oprah Winfrey, Halle Berry, Sydney Poitier, Della Reese, Spike Lee, Harry Belafonte, Cicely Tyson, Whoopi Goldberg, Diahann Carroll and Will Smith.

“Why did it take so long?” Goldberg wondered in an interview with The Hollywood Reporter. “Why was he the first to get it? Now he’s the man who makes the decisions, chooses the movies, and he doesn’t have to ask anybody for shit. There’s nothing better than that. He’s never on his knees. He gets what he needs because he provided it.”

Davis concurred by saying, “Tonight is history. Tonight is not just entertainment and flamboyancy, it’s not just an excuse to get dressed up. It’s an excuse to celebrate a historic moment, which is a black artist taking control of their artistic life and the vision that God has for their life,” she said. “What’s happened with us historically is we’re waiting for people to get us. We’re waiting for people to throw us a crumb. That’s not what Tyler Perry has done. I want to be able to look back on this and say ‘I was there.'”

Winfrey added of Perry: “Tyler is my little big brother. To see him rise to this moment that I know he’s dreamed about, planned, defined, clarify for himself, it’s just a fulfillment of a dream. It’s wonderful to see.”

DuVernay, among others, touchingly reported on the momentous occasion on her Instagram and Twitter:

https://twitter.com/ava/status/1180950995892879361

To read and see more, go to: https://www.hollywoodreporter.com/news/inside-tyler-perry-studios-grand-opening-gala-1245752

Black While Funny and Female: Comedic Actresses Speak on Working in Hollywood

(Photos by Kirk McCoy via latimes.com)

by Tre’vell Anderson via latimes.com
Making it in Hollywood is no easy feat, and doing so as a woman is even more difficult. If that woman is black — or Latina or Asian or otherwise nonwhite — the odds just aren’t in her favor. But with the release of “Girls Trip,” four black women — Queen Latifah, Jada Pinkett Smith, Regina Hall and Tiffany Haddish — attempt a takeover of the buddy comedy, possibly the first time black women have led such a picture.
One reason as to why? The number of black women thought to be able to carry a studio-backed film is slim, and there hasn’t been a bona-fide black female comedic superstar since Whoopi Goldberg. We spoke to 18 funny black women about their industry experiences. Below are their thoughts:

Tracee Ellis Ross

“Girlfriends,” “black-ish”

While most probably know Tracee Ellis Ross as Rainbow on the hit “black-ish,” others see Joan Clayton of “Girlfriends,” the early 2000s show almost no one would argue about rebooting.
While most probably know Tracee Ellis Ross as Rainbow on the hit “Black-ish,” others see Joan Clayton of “Girlfriends” — the early 2000s show fans would love to see earn the revival or reunion treatment.
Regardless of her career experiences, Ross is just beginning to get her due recognition. In addition to nabbing a Golden Globe earlier this year, she’s earned her second consecutive Emmy nomination. Some might say she has all the makings of a comedic superstar.
But when she takes a moment to ponder other black women who fit the bill she’s forced to think hard.
“Regina Hall … Issa Rae … Jessica Williams,” she said after a moment, “but I shouldn’t have to search to come up with those names. The difficulty is, and I think what happens is, you might see somebody in a role and you’re like, ‘Holy …! She is so funny.’ Then she doesn’t get another opportunity, but she needs those roles because they help you build a career so everybody knows your name and knows what you’re capable of.
“And it’s not just black comedic women. There are, I’m sure, a lot of very funny Asian women and Latina women, and we know some of them, but it’s not because the talent doesn’t exist. The other thing is, the talent exists, but [performers] need the experience to keep getting better and have more depth.”
Ross is encouraged, however, by the likes of Rae.
“I think Issa is a beautiful example of ‘You’re not going to give me any real estate? Fine. I’m going to make it,’” she said. “There is revolution going on.”

How did you settle into comedic acting?

I loved making people laugh when I was younger. It was frowned upon during dinner time but I thought it was hilarious to make my sister laugh. It was often the thing that got me kicked out of class because I was always silly. It was one of the ways my shyness manifested and the way I protected myself and kept people at bay. And I’ve always been a very physical person so when I experience a feeling, I experience it in my entire body.
As I look back, it was a natural progression into the physical comedy and the ways I use my body. In terms of my career, I don’t know that it was a conscious choice that I moved into comedy, but it was an authentic choice. I don’t consider myself funny. I consider myself silly. I just tell the truth and my truth comes out in a way that makes people laugh. My goal isn’t to make people laugh, but I enjoy that exchange.

I think the difficulty for actors of any kind is when you get stuck with what other people assume is who you are. We’re actors and we can do anything.

— Tracee Ellis Ross

Who are some of your comedic inspirations?

I was a Carol Burnett, Lucy [Ball], Lily Tomlin type of girl. They were the three women that etched it in for me. I remember looking back and seeing Goldie Hawn in “Private Benjamin.” I was drawn to all of that growing up. Those were the women that defined freedom and courage [for me]. From there so many funny women like Julia Louis-Dreyfus — I don’t even understand [how she does it].
And then Whoopi Goldberg did the Moms Mabley documentary, and I was so grateful that she did that because it really showed me that Moms Mabley is specifically one of the reasons I can do what I do. She carved something out and did something so consciously that allows me to be a black woman in comedy.
Read more from Ross here: http://www.latimes.com/entertainment/la-ca-black-women-comedy-tracee-ellis-ross-20170720-htmlstory.html

Tiffany Haddish

“Girls Trip,” “Keanu,” “The Carmichael Show”

Tiffany Haddish is legitimately having a moment. As a star of “Girls Trip,” opposite industry vets Queen Latifah, Jada Pinkett Smith and Regina Hall. Based on her performance, and with an upcoming Showtime comedy special, she’s on her way to household-name status.
But what else would you expect from “the last black unicorn?”

How did you get into comedy?

My social worker. [laughs] I was living in South Central L.A. and was being bused to Woodland Hills. I was getting in trouble because I was not sure how to make friends. So I made this imaginary friend up because I thought I was at the Nickelodeon Awards — I had never been around this many white people. I thought I was at the Nickelodeon Awards every day so I thought I needed to be all creative and entertaining because I thought white people lived in TV — my concept of people was really messed up.
I remember going to court and seeing the judge. I thought he was the judge from “People’s Court.” [laughs] By the time I got to 10th grade, it was bothering my social worker that she was getting called to the school every week. I was getting sent to the dean’s office for being racist because I had this bird named Cracker. It was this imaginary bird, and I would be like, “Cracker want a Polly?” And I would take actual crackers and break them up on my shoulder. Kids would laugh and stuff. We’d be taking a test and I would be like, “What’s the answer to number seven Cracker?” And they’d be like, “Go to the dean’s office!”
So my social worker was like, “You have two choices this time. You can go to Laugh Factory Academy Camp or you can go to psychiatric therapy. Which one you want to do this summer?” I was like, “Which one got drugs?” and I went to comedy camp. It was the first time a man ever told me I was beautiful and I didn’t feel like I was going to be hurt in some kind of way. They taught me confidence, communication skills, how to write, how to have stage presence.
Read more from Haddish here: http://www.latimes.com/entertainment/la-ca-black-women-comedy-tiffany-haddish-20170720-htmlstory.html

Leslie Jones Pays Touching Personal Tribute to Whoopi Goldberg on "The View" (VIDEO)

Leslie Jones (photo via celebuzz.com)
Leslie Jones (photo via celebuzz.com)

article by Lori Lakin Hutcherson (follow @lakinhutcherson)
While promoting her new film “Ghostbusters” on ABC’s “The View,” comedian and “Saturday Night Live” cast member Leslie Jones spent several minutes paying homage to “View” host and lifelong inspiration Whoopi Goldberg.  She holds herself back from tears as she thanks Whoopi for being someone who she could watch on TV as a young woman who finally looked like her, who she could look up to, and one day emulate.  It is a beautiful, sincere and poignant moment and we wanted to share it. Watch below:
[youtube https://www.youtube.com/watch?v=RUZFkY6rLfc&w=560&h=315]

Candi Carter Promoted to Executive Producer of ABC's "The View" as it Heads into 20th Season

Candi Carter The View
“The View” Executive Producer Candi Carter (Photo COURTESY OF ABC)

article by Lori Lakin Hutcherson (@lakinhutcherson)

According to Variety.com, ABC has renewed “The View” for its 20th season, which will start in the fall of 2016,  and is naming Candi Carter as the show’s executive producer effective immediately.  Carter has served as the interim showrunner on “The View” since September, working with consultant Hilary Estey McLoughlin and co-executive producer Brian Teta, to help reboot the talk show, which has struggled since creator Barbara Walters retired in May 2013.  Carter is the first African-American executive producer in the show’s history.

It’s been an up-and-down period for “The View,” which saw viewership decline in season 18 after Rosie O’Donnell rejoined then departed the Hot Topics seat last February, and Rosie Perez and Nicolle Wallace left over the summer. But the numbers have slightly improved this season to date. “The View” is ranked first in viewers (2.97 million) for the second consecutive week, and it has beat CBS’ “The Talk” in the key demographic for four of the last six weeks.
In season 19, “The View” has tried to regain heat with its panel of Whoopi Goldberg, Joy Behar, Candace Cameron-Bure, Paula Faris, Michelle Collins and Raven-Symone. The show has increased its political debates during Hot Topics and landed interviews with presidential hopefuls such as Bernie Sanders, Carly Fiorina and Martin O’Malley.
Carter spent 15 years as a supervising producer at “The Oprah Winfrey Show,” and has produced for BET. “It’s an honor to be part of the extraordinary legacy built by Barbara Walters, the exceptional, funny and smart women at the table led by Whoopi Goldberg and a terrific team behind the scenes,” Carter said.  “Every day is a thrill.”
To read original article by Ramin Setoodeh, go to: http://variety.com/2016/tv/news/the-view-renewed-for-season-20-with-first-female-executive-producer-exclusive-1201712878/
 

Sherri Shepherd to Return for 19th Season of "The View"

sherri
Former co-host Sherri Shepherd has closed a deal to return to The View as a lead contributor for the upcoming 19th season. Shepherd is expected to appear in about 50 episodes.  The addition of Shepherd is part of The View overhaul this summer as ABC News is looking to reignite the veteran daytime talk show to its former ratings glory after a turbulent 18th season, the first without co-creator Barbara Walters.
JENNY MCCARTHY, SHERRI SHEPHERDShepherd was among the most popular View co-hosts of the past decade. She spent seven seasons on the show, sharing a hosting Emmy Award. She left last August after failing to agree on contract terms with ABC. Two months ago, Shepherd returned for the first time as a guest co-host.
Next season, The View will return to a five-host format after opting for four co-hosts this season. Confirmed for three of the chairs are Whoopi Goldberg, the only returning host, Raven-Symone, and Michelle Collins, to be joined by Candace Cameron Bure and Paula Faris. Shepherd is expected to lead a group of a half dozen or so contributors that also would include Stacey London and Molly Sims, among others.FRONT ROW, L-R: MEREDITH VIEIRA, WHOOPI GOLDBERG, SHERRI SHEPHERD, JENNY MCCARTHYBACK ROW, L-R: STAR JONES, DEBBIE MATENOPOULOS, JOY BEHAR, BARBARA WALTERS, LISA LING, ELISABETH HASSELBECK, ROSIE O'DONNELLIn the 11 months since leaving The View, Shepherd make her Broadway debut in Roger And Hammerstein’s Cinderella as the first black actress to play the Evil Stepmother, joined the cast of the TV Land comedy The Soul Man and filmed co-starring roles in the upcoming films Ride Along 2 and Woodlawn. She also stars in and executive produces Holy And Hungry, a new series for The Cooking Channel that premieres August 23.
Shepherd, who also has been traveling the country doing standup while working on a new book about love and life after divorce, a topic that has been a tabloid fodder for the past year.
original article by Nellie Andreeva via Deadline.com