Chadwick Boseman, the 41-year-old star of Black Panther, may have Oscar-winner and 2018 nominee Denzel Washington to thank for some of his success. While studying at Howard University in the late ’90s, Boseman and some of his peers applied to a prestigious summer theater program at The University of Oxford. The group of students got in, but they couldn’t afford to go.
One of their acting teachers at Howard, actress Phylicia Rashad from The Cosby Show, “pushed for us,” Boseman told Rolling Stone. “She essentially got some celebrity friends to pay for us to go.” It wasn’t until after the program when he got a beneficiary letter and found out who funded the program: “Denzel paid for me. I’m sure he has no idea. … I’ve been waiting to meet him, so I can tell him.”
Boseman wrote Washington a thank-you letter, but he didn’t tell anyone else about it for two decades. “I’ve basically been holding this secret my whole career,” he told Jimmy Fallon on The Tonight Show, explaining that he didn’t want Washington to feel like he owed him anything else.
Boseman wanted to meet Washington in person before saying anything. He hadn’t met him before the Rolling Stone interview but, after 20 years, he figured it was OK to reveal the detail. As Boseman told Fallon: “I think I’ve made it to the point where he’s not going to think I’m trying to get something from him by saying it.”
Coincidentally, just before the Rolling Stone feature came out, Boseman got to meet his benefactor. Washington came to the New York premiere of “Black Panther,” and, “I met him, before the article came out,” Boseman told Fallon. “So I actually lived up to what I originally wanted to do. It was amazing.”
When Fallon asked how the introduction went, Boseman recalled how he thanked him for paying for Oxford a while back, to which Washington jokingly replied: “Oh, so that’s why I’m here. You owe me money! I came to collect!”
The cultural impact of Black Panther has continued to increase in magnitude since its Feb. 16 release. Shattering records with each tick of the clock, the Marvel film gained historic steam with praise from moviegoers and positive reviews. Now, while the superhero reel plans to surpass the Titanic, it aims to break yet another record, this time in Saudi Arabia.
According to Variety, Black Panther will premiere on April 18 in the Middle Eastern country, dissolving its 35-year ban on movie theaters. The debut will be accompanied by a gala and take place in the newly-constructed AMC theater, based in Riyadh.
A plan to cease the cinema ban occurred in Dec. 2017, CNN reports. The Saudi Ministry of Culture gave AMC the green light to begin rolling out 30 theaters across the country, possibly projecting a $1 billion revenue stream for Saudi Arabia’s economy.
The billion-dollar movie currently holds the title as the highest-grossing superhero motion picture. Upon its release, director Ryan Coogler wrote an open letter thanking fans for their insurmountable support. “For the people who bought out theaters, who posted on social about how lit the film would be, bragged about our awesome cast, picked out outfits to wear, and who stood in line in theaters all over the world,” he wrote, “all before even seeing the film.”
by VANESSA FRIEDMAN and ELIZABETH PATON via nytimes.com
Virgil Abloh, the founder of the haute street wear label Off-White and a longtime creative director for Kanye West, will be the next artistic director of men’s wear at Louis Vuitton, one of the oldest and most powerful European houses in the luxury business. He becomes Louis Vuitton’s first African-American artistic director, and one of the few black designers at the top of a French heritage house. Olivier Rousteing is the creative director of Balmain, and Ozwald Boateng, from Britain, was the designer for Givenchy men’s wear from 2003 to 2007.
“I feel elated,” Mr. Abloh said via phone on Sunday, adding that he planned to relocate his family to Paris to take the job at the largest brand in the stable of LVMH Moët Hennessy Louis Vuitton, the world’s largest luxury group. “This opportunity to think through what the next chapter of design and luxury will mean at a brand that represents the pinnacle of luxury was always a goal in my wildest dreams. And to show a younger generation that there is no one way anyone in this kind of position has to look is a fantastically modern spirit in which to start.”
The appointment, widely rumored in recent months, is part of a shake-up on the men’s wear side of LVMH, which began in January with the departure of Kim Jones, Mr. Abloh’s predecessor at Louis Vuitton. Last week, it was announced that Mr. Jones would become the men’s wear designer at LVMH stablemate Christian Dior, replacing Kris van Assche.
Mr. Abloh’s appointment is also a reflection of the increasing consumer-driven intermingling of the luxury and street wear sectors, which helped boost global sales of luxury personal goods by 5 percent last year to an estimated 263 billion euros (about $325 billion in today’s dollars), according to a recent study by the global consulting firm Bain & Company. And it is an acknowledgment on the part of the luxury industry that it must respond to contemporary culture in new ways.
According to latimes.com, acclaimed author Jacqueline Woodson, who won a National Book Award for “Brown Girl Dreaming,” just won the 2018 Astrid Lindgren Memorial Award on Tuesday. The award comes with a prize of $608,000, which is funded by the government of Sweden. Publishers Weekly reports that Woodson is the 18th person or organization to win the prize, which is considered one of the most prestigious children’s literary awards in the world.
The Lindgren Award, named after the Swedish creator of “Pippi Longstocking,” caps a list of many honors Woodson has won over her career. In addition to her National Book Award, the author has won the Coretta Scott King Award twice and a Newbery Award four times.
Recently, Good Black News was invited to cover the launch of “One Strange Rock,” a ten-part space/science series on the National Geographic Channel that premieres Monday, 3/26, and is hosted and narrated by Will Smith. It is director Darren Aronofsky‘s (“Black Swan,” “mother!,” “Requiem For a Dream”) first foray into television, and the series is produced by Jane Root through her production company Nutopia. It is a cinematic look at Earth from a variety of perspectives – from space, from the sea, from the desert – and across all continents.
From the episodes I’ve seen, “One Strange Rock” is a gorgeous, meditative, eye-opening look at our planet, and Smith is a welcome, friendly guide along the journey to get to know Earth and all its ecosystems in ways we haven’t seen or previously considered. But what honestly got me excited about “One Strange Rock” was the opportunity to sit down one-on-one with Dr. Mae Jemison, the first African-American female to travel into space (and one of my personal she-ros) to speak with her about her participation in “One Strange Rock,” as well as her other current projects (100 Year Starship and Look Up).
As I start to record the interview (this is moments after I fangirl and tell Dr. Jemison I dressed up as her one Halloween, entered a costume contest and won a 25-dollar gift card to Virgin Records), I state into my Voice Memo app the date, time, and that I’m about to interview Dr. Mae Jemison, she charmingly interrupts.
Mae Jemison: How about if we do it in Star Date Time? 2018.01.13, right?
Good Black News: Way better! That’s a Trekkie for you! I appreciate that, thank you, Dr. Jemison. Well, first I want to ask you about your involvement in “One Strange Rock.” Why, of all the different entities out there covering space, space travel, space exploration, did you want to lend your voice to this project?
MJ: So “One Strange Rock” is the story of the extraordinary journey of Earth. It’s about our home planet and how we went from this collection of rock and gases to something that supports life and an incredible diversity of life, and I wanted to be a part of that. When people think about space, so frequently they think about it just as the stars and the pictures and images and the rockets. But actually, space allows us to see our world that we live on. Space allows us to understand that when we look up at the stars, we’re actually made of the stuff of stars. Right? Inside of us is the heart of an old star. Doesn’t that make you feel like you belong to this universe and that you’re supposed to be here?
Absolutely. So is your hope with this particular project that more people will get that understanding that there isn’t a separation?
MJ: “One Strange Rock” does this incredible thing – it takes us from the smallest microbe, or to how oxygen is generated in small bubbles, all the way to the vistas of continents or being able to see our atmosphere, and connects it together. And so for me, one of the things we need to understand at some point in time – we’ve got to figure this out – is that we’re Earthlings and that we’re connected to this planet. So when I went into space, one of the things that happened to me is that I had an affirmation of something that I always believed. You know when people say, “Save the Earth”? They’re mistaken – the Earth will be here. The difference is, can we act in such a way that it continues to support our life form? You see, what “One Strange Rock” shows is how integrated life is on this planet and we as humans are part of that life. If we go to another world – just go to the space station – we have to carry some of the Earth with us. We have to carry that environment with us because this is where we evolved, this is where we developed. That doesn’t mean we shouldn’t leave – obviously I want to leave -I want to go and explore other places. But it’s the recognition that there are a… unique series of coincidences, events and everything that led us to this day, to humans, to me sitting talking to you. And they started billions of years ago.
So with all of that, you talk in the first episode about the “Overview Effect” – about seeing the planet and essentially what you just communicated to me. How do you get people who don’t have the opportunity to go into space to understand that boundaries and countries and all of these things that we do as human beings to identify in all these different ways is a way of looking at Earth that isn’t going to help foster the survival of our species?
MJ: So I want to make one thing clear – I know a lot of astronauts talk about the “Overview Effect” – that everything belongs right here on this planet – for me when I went into space… I knew damn well that water crosses from one country to another, that our sky is over different countries and weather affects everyone. What “One Strange Rock” does is help people to understand and feel that. So I can maybe mumble words and give you statistics and stuff, but it’s not the same thing as having that emotional connection. What I’m so proud about with “One Strange Rock” is that it takes images from lots of different countries, from African countries, from South American countries – it goes down underneath the Earth and goes up to the top. And all those things help us to see this planet and the imagery from people, to animals, to… desolate locations. And so, it’s not so much again about mumbling the words, or even saying the words very clearly, it’s about allowing people to see and be there with you. And not just from space, because we get down to the detail. We see kids playing, we see folks who’ve been collecting salt for generations from one location. All of those things are important for us to understand our connectedness to this world. And it’s not about preaching and it’s not about how fast the Space Station is orbiting the Earth or any of that kind of stuff – it’s that vantage point.Continue reading “Pioneering Astronaut Mae Jemison Offers Insight and Forward Thinking to New National Geographic Channel Series “One Strange Rock””→
For the first time, the twin island Caribbean nation of Trinidad and Tobago has a woman president. After an electoral college win in January, Paula Mae Weekes, a retired Court of Appeal judge was sworn in on Monday, Latin American network TeleSUR reported. Weekes’ inauguration makes Trinidad the only nation in the region to have a woman as head of state after Chile’s Michelle Bachelet vacated her position on March 11.
Obstacles still remain
Despite making history, Weekes is taking office at a challenging time for the nation, known best for its Carnival and for robust oil and natural gas exports. She replaces Anthony Carmona who leaves behind an extremely high murder rate — nearly 400 people in Trinidad have been victims of homicide in in 2017, according to the Trinidad Guardian. She’ll also have to take on an increasing unemployment rate, which rose to 5.3 percent in the second quarter of 2017, Trading Economics reported.
In her inaugural speech, she pledged to take on these and other problems head on. “None of us is blind or foolish enough to deny that Trinidad and Tobago is going through dark times, but I echo the words of C.S. Lewis when I say: ‘this a good world gone wrong but it still retains the memory of what ought to have been’.”
Weekes, 59, worked in both the public and private sectors after graduating law school. Beginning in 1982 she worked in the Office of the Director of Public Prosecutions for 11 years before going into private practice. In 1996, she became a judge at the Criminal Division of Trinidad’s High Court, and in 2005 she was promoted to the Court of Appeal. She also served as Justice of Appeal in Turks and Caicos for three years. She was also Chancellor of the Anglican Church, where she oversaw all finances.
“Black Panther” continues to dominate the North-American box office for the fourth weekend in a row, earning $41.1 million , according to Variety.com. In second place is the Ava DuVernay‘s family-friendly fantasy adventure “A Wrinkle in Time” with $33.5 million, not only giving Disney the two top movies for the weekend, but the first weekend in box office history where the top two movies are directed by African-Americans.
With $562 million in 24 days, “Black Panther” is now the seventh-highest domestic grosser of all time. It’s the first film since “Star Wars: The Force Awakens” to lead the North American box office for four straight weekends and it’s grossed $1.08 billion worldwide, 21st highest of all time. The Ryan Coogler tentpole is the 33rd movie to gross $1 billion. It’s the 16th Disney film to reach this milestone, and the fifth Marvel film to do so — joining the ranks of “The Avengers,” “Avengers: Age of Ultron,” “Iron Man 3,” and “Captain America: Civil War.”
Last week, model Anok Yai made history at Prada‘s Fall 2018 show during Milan Fashion Week.
The 19-year-old became the second black model to ever open a Prada show. The first was Naomi Campbell back in 1997. Yes, it’s been over two decades since a woman of color opened a Prada runway.
Anok took to Instagram to thank Miuccia Prada, along with her team, for the opportunity, writing, “Can’t believe I’m the first black woman to open for Prada since queen @iamnaomicampbell, forever grateful.”
The model’s monumental runway walk is especially incredible as she was just discovered last fall while attending Howard University’s homecoming. Weeks later, she signed with Next Models. And just one month ago, she made her runway debut at Prada’s Menswear Fall 2018 show.
Of course, the fact that Prada hasn’t cast a woman of color to open its show in over two decades is problematic in itself. In the past, the brand has come under scrutiny for its lack of diversity both on the runway and in its campaigns. Hopefully, Anok opening the Fall 2018 show is an indication the Italian fashion house is headed in the right direction when it comes to diversity.
Extremely slowly, but surely, more and more brands are recognizing the importance of casting diverse runways. This season’s Fall 2018 shows at New York Fashion Week marked the most racially diverse of all time—with women of color accounting for 37.3% of all castings. Still, there’s a lot of work to be done.
by Dave McNary via Variety.comDisney-Marvel’s “Black Panther” is re-writing the record books, topping “Star Wars: The Last Jedi” for the second-highest four-day domestic opening of all time, with $242 million at 4,020 North American locations.The superhero pic set a record for top Monday domestic gross ever, with $40.2 million, edging the previous high set by “Star Wars: The Force Awakens” at $40.1 million. The Monday total came in $7 million above the studio’s projections and lifted the four-day haul to $242 million.
“Black Panther” has grossed the second-highest four-day total of all time, behind only “Star Wars: The Force Awakens” at $288.1 million and $400,000 ahead of “Star Wars: The Last Jedi.”
Disney also reported Tuesday that the international total has reached $184.6 million to lift the worldwide take to $426.6 million, led by South Korea at $27.1 million and the U.K. at $26.7 million.
The tentpole, starring Chadwick Boseman and directed by Ryan Coogler, has blown past its original tracking. The film, which carries an estimated $200 million production budget, had been tracking to bring in between an impressive $100 and $120 million when first projections emerged on Jan. 25.
Since then, “Black Panther” has become a must-see event as it’s veered into record-setting territory and has continued to shatter all projections since then. It has the highest three-day debut ever for a February film and the fifth-biggest of all time behind only “Star Wars: The Force Awakens” at $248 million, “Star Wars: The Last Jedi” at $220 million, “Jurassic World” at $208.8 million, and “The Avengers” at $207.4 million.
“Black Panther” has demolished the record for the largest Presidents Day weekend, blowing past “Deadpool’s” 2016 mark of $152 million.
With just a few more days until its release, Marvel‘s next installment into their cinematic universe, Black Panther, has already started shaping the imaginations of a generation of kids.
London-based Nigerian photographer Àsìkò, who goes by @asiko_artist on social media, decided to highlight this by recreating the sensational character posters with kids inspired by the film. Àsìkò shared a few individual pictures from the series on Instagram and wrote about why Black Panther matters and what it means to him as comic lover.
“As a kid who read comics black panther was one of the very few superheroes I came across,” he wrote. “For a child it is a beautiful thing to see yourself represented in a positive light in pop culture. What is also great is that it’s a hero steeped in culture and heritage and not drug deals or street thugging.”
“The images are inspired by the movie character posters and will be displayed at the BFI on its opening film night this Friday evening,” he added.
Àsìkò wrote that the photos were commissioned by the Talent Agency @lookslikemeuk. On his page, he posted a series of pictures featuring young kids channeling characters from the film, along with captions that include moving letters from fans on why black representation in film matters.