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MUSIC MONDAY: “AfroPunk: Reggae Meets Punk” Playlist (LISTEN)

by Marlon West (FB: marlon.west1 Threads: @stlmarlonwest IG: stlmarlonwest Spotify: marlonwest)

While Reggae is a true import from Jamaica, it really gained a global footing in England. It and Punk both arose out of the economic depression and social inequality in the late 1960’s and 1970’s.

Many Reggae songs of the time like Bob Marley’s “Punky Reggae Party” and “Concrete Jungle” were overt commentary on life in London, while many Punk artists adopted some of these traits and spreading a message of rebellion against the Establishment.

The Clash, The Police, and others used reggae beats in the early tracks. “(White Man) In Hammersmith Palais” tells he story of The Clash’s Joe Strummer, Don Letts and others attending an all-night reggae showcase that was headlined by Dillinger, Leroy Smart and Delroy Wilson.

He was not the only one to see that punks and Rastas shared a same idea of freedom and of rebellion against social norms and the setting of said norms.

Hope you enjoy this free-wheeling collection of songs celebrating the intersection of Reggae and Punk. As always, stay, safe, sane, and kind.

I’ve included tracks for the “Second Wave” of ska where bands like The Specials, English Beat, and Selector combined traditional ska song and grooves with a sped-up rhythms of punk music, introducing ska to new generations.

I’ve also included tracks from “Rocket To Kingston” credited to Bobby Ramone. It is a melding of the isolated vocal tracks from Bob Marley dropped over edited Ramones backing tracks. It shouldn’t work, but it does.

Marlon West

MUSIC MONDAY: “Ultimate Soul of the Season” – The Black Christmas Soundtrack – Expanded Edition 2023

by Jeff Meier (FB: Jeff.Meier.90)

Welcome to the holiday season, Good Black News family!  We hope you had a wonderful Thanksgiving – and are counting down the 25 days of Christmas now that it’s December.

In what’s become a holiday tradition, we’ve updated our now massive Black Christmas music Spotify playlist with a whole heap of new songs. The month of November was spent searching far and wide across the internet for new releases, old classics now on Spotify, and other tunes and artists we missed in previous years.

So here it is – a refreshed and revived “Ultimate Soul of the Season – The Black Christmas Soundtrack – Expanded Edition 2023”.

We’ve now got over 700 songs across 40+ hours (and we’ll add more if some crucial tunes get released in the next few weeks) – with the goal to be one of the most definitive Black Christmas playlists around.

If you’re still subscribed to the list from a previous year, we’re here to let you know it’s now updated and bigger/better than ever.

If you’ve not subscribed, check it out while you are wrapping presents, baking cookies, decorating your tree, or just sitting cozily in front of a nice roaring fire, with football on mute in the next room.

As a reminder, we set out to make a mainstream Christmas radio station that you can use in the background all season long. But in the GBN tradition, the focus is on Black artists (plus occasional duet partners and a little Robin Thicke).

While other holiday radio focuses on Brenda Lee and Bing Crosby, we’ve got Ella Fitzgerald and Nat King Cole. When they play Michael Buble, we play John Legend, or Hamilton star Leslie Odom.

Of course, we’ve got The Jackson 5, Donny Hathaway, the original Eartha Kitt version of “Santa Baby,” Stevie Wonder, and two different renditions of The Temptations doing “Silent Night.” And just like everyone else, Mariah Carey!

We’ve sequenced the list carefully – so that you don’t overload on the same songs, tempos or artists too frequently. You can just let it play – or hit shuffle. Or you can even use it as a base of songs to edit down into your own personal list of favorites.

In addition to soul and pop, there’s some jazz, some gospel, some blues, some a capella, and even disco, reggae and Black country in the mix. Hopefully you find all the classics you need, and some brand new surprises you didn’t know you wanted.

This year’s big new Christmas releases include albums from Brandy (currently starring in the new Netflix hit Best. Christmas. Ever!), jazz star Gregory Porter, and hot new soul star October London.

Ace producer Adam Blackstone has assembled an album with friends that include Keke Palmer and Boyz II Men. And on the traditional side, Grammy-winning Best New Artist Samara Joy has issued an EP, and the legendary Johnny Mathis has issued new tracks as well. We’ve got a couple songs from all of these.

MUSIC MONDAY: “AfroBeatles” – A Soul-Filled Beatles Collection (LISTEN)

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Happy Monday, y’all!

I’m back with another collection in my “Afro” playlist series — AfroBeatles.”

Earlier this month the first new Beatles song “Now And Then” dropped with the help of master filmmaker, Peter Jackson, and the surviving members. It is the first new release from the group in 45 years.

The Beatles are rightly known for the unmatched songwriting partnership of John Lennon and Paul McCartney. Towards their later years, George Harrison and Ringo Starr also pitched in with originals. Together, the group created a body of work that inspired no shortage of covers.

Few songwriters have been so thoroughly covered as Lennon/McCartney, and the diversity of Beatles covers is a tribute to their indelible mark on pop music. Here at Good Black News, we are going to focus on the covers by Black artists around the world.

The Beatles (and The Rolling Stones) cut their teeth opening for Little Richard; both bands came away forever altered by his singing style and stage presence.

Paul McCartney and Mick Jagger have made no secret of biting his vocal stylings and dance moves. When it came to doing covers they overt about acknowledging it.

On their first five albums of 1963-1965, almost all of the covers were originally recorded by Black soul artists, including Arthur Alexander’s “Anna (Go To Him)”, The Cookies“Chains”, The Shirelles“Boys” & “Baby It’s You”, The Top Notes“Twist & Shout”, The Marvelettes“Please Mr. Postman”, The Miracles“You Really Got A Hold On Me”, The Donays“Devil In Her Heart”, Barrett Strong’s “Money (That’s What I Want)” and Larry Williams“Dizzy Miss Lizzy.”

They are all included here, including their versions of Chuck Berry, Little Richard, and other greats of Soul giants, though the lion’s share of the collection is devoted to R&B, reggae, ska, and jazz covers of Beatles songs.

Here are hours of Beatles music by Stevie Wonder, Bill Withers, Nina Simone, Marica Griffiths, Gary Clark, Jr., and so many others. Please enjoy AfroBeatles!!

And as always, stay safe, sane, and kind.

Marlon West (photo courtesy Marlon West)

Kendrick Lamar’s pgLang and Global Citizen Partner to Establish 1st Major Touring Circuit Across African Continent

K Dot is making his mark on the world of music yet again.

According to Variety.com, Grammy Award and Pulitzer Prize-winning artist Kendrick Lamar and Dave Free‘s company, pgLang, is teaming up with philanthropic organization Global Citizen to create a major music touring circuit across the continent of Africa.

The initiative’s kickoff event Move Afrika: Rwanda,  is slated to take place Dec. 6 with Lamar as the headliner.

Additionally, over the next five years, pgLang has committed to curating more “Move Africa” shows, with an expansion to producing shows in Rwanda’s neighboring countries by 2025.

To quote from Variety.com:

“Global Citizen has been operating on the continent since our very inception,” says Global Citizen co-founder and CEO Hugh Evans, whose organization is renowned for its all-star consciousness-raiser concerts. “We were honored to be there to celebrate Mandela’s 100th anniversary in 2018, alongside Beyonce and Jay Z and so many incredible artists.

The CEO noted that Lamar has a history with his org that goes back to first performing at a Global Citizen Festival back in 2016. “I sat down recently with Kendrick and the pgLang team, and whether it’s Kendrick, Dave Free, Anthony or their entire team, they all share this massive passion to see that touring across the entire continent would become as prolific as it has become across Latin America, across North America, across Europe, across Australasia and across so many other continents.

“pgLang are going to be involved in every aspect of this initiative. They’re going to be involved from a musical curation point of view, helping to determine which artists are involved following in Kendrick’s footsteps. But they’re also going to be involved creatively as well, thinking through the creative rollout of the campaigns over the years, the look and feel, and the global broadcast. They really have become partners in this endeavor. And personally, I can’t think of anyone better on the planet than Kendrick Lamar and pgLang to be the curator. Kendrick has spent so much time on the continent himself; he’s so passionate about it. So when they said that the first performance that he does on the continent will be with Move Afrika, it’s a huge honor for this initiative.”

“The most exciting thing, honestly, is the hunger I see from the artist community to achieve this dream. I don’t think this is Global Citizen’s dream per se; I think this is the world’s dream,” he says. “I think everyone has dreamed of doing this, and we’re just working to modestly try to create some scaffolding around it. In fact, probably not a week goes by when I don’t speak to an artist about their dream to do more across Africa.”

To learn more about Move Afrika, including how to obtain tickets for the December show, go to this Global Citizen page, or via text on WhatsApp at +250 790 008 555.

MUSIC MONDAY: “AfroZeppelin” – A Rhythm & Blues-Filled Led Zeppelin Collection (LISTEN)

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Happy Labor Day, y’all! It is no toil for me to offer up another playlist on this holiday Monday.

After June’s AfroBowie collection, our editor-in-chief, Lori Lakin Hutcherson, suggested a few more in a series of collections of rock musicians inspired by and in collaboration with Black artists.

So here is the second offering: AfroZeppelin. While David Bowie championed and collaborated with Black music-makers throughout his long career, Led Zeppelin’s connections were not as overt.

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Outselling the Beatles and toppling them as icons of a new era of rock and roll, Zeppelin was the perfect combo of the Delta blues, London’s swinging scene and the myriad of cultural influences.

The influence of the street-tough Chicago blues of Muddy Waters and Howlin’ Wolf taught them much about swinging boogie. Over the decades many of their famous riffs and lyrics would come under fire. The allegations have brought several lawsuits as well, most of them settled out of court discreetly.

In the case of “Whole Lotta Love”, the song credits were later amended to include Willie Dixon, who claimed Robert Plant used his lyrics from “You Need Love”.

“The Lemon Song” is an expansion of a musical phrase featured in Robert Johnson’s “Traveling Riverside Blues”.

I’ve gathered many of the songs covered and referenced by Led Zeppelin, and their own versions of said tracks. Of course, they have been covered many times themselves.

I’ve included Zeppelin covers by Mary J. Blige, Lizz Wright, and Stanley Jordan. You’ll also find many classic cuts that feature Led Zeppelin samples too.

Here’s Beyoncé, Ice T, Jurassic 5, D12, Dr. Dre, Beastie Boys and many others.

This collection of great tracks stands as another example that no artist creates in a vacuum. Whether the influences are readily acknowledged, each creator makes offerings informed by what came before.

Do enjoy! Until next month! Stay safe, sane, and kind.

Marlon West (photo courtesy Marlon West)

Documentary “Donayle Luna: Super Model” on 1st Black Supermodel Debuts September 13 on HBO

“Donayle Luna was the first Black woman to be on the cover of Vogue. Why don’t we know more about her?”

This pointed question from the recently released trailer for Donyale Luna: Super Model will hopefully no longer be relevant after the feature-length documentary about Luna’s life and career debuts on HBO September 13.

Born Peggy Anne Freeman in Detroit, Donyale Luna went on to revolutionize the fashion industry in the 1960s and 1970s, becoming the muse to some of the foremost photographers of the 20th century until her untimely death at the age of 33 in 1979.

Though Luna was one of the first Black models who graced the covers of both Vogue and Harper’s Bazaar in Europe, today, most people have never heard of her.

Directed by Nailah Jefferson, produced by Melissa Kramer, Isoul H. Harris, Melanie Sharee and executive produced by Jonathan Chinn, Simon Chinn, Jeff Friday, Dream Cazzaniga, participants in the doc include Luna’s daughter, Dream Cazzaniga, husband, Luigi Cazzaniga, supermodels Beverly Johnson and Pat Cleveland; Vogue global editor-at-large Hamish Bowles; photographers David Bailey, David McCabe, and Gideon Lewin; and many more.

GBN highlighted Luna last February in our post GBN’s Daily Drop: Donyale Luna – the First Black Supermodel (LISTEN) based on our entry about her in the Good Black News Page-A-Day Calendar for 2022.

We are looking forward to learning even more about this mostly unsung trailblazer in the global fashion industry.

MUSIC MONDAY: “AfroBowie” – A Soul-Filled David Bowie Collection (LISTEN)

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

I’m back with another batch of tracks. AfroBowie” is a collection devoted to David Bowie, who,  in a 1976 Playboy interview, described his own album Young Americans as “the definitive plastic soul record. It’s the squashed remains of ethnic music as it survives in the age of Muzak, written and sung by a white limey.”

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Though those funky soulful tracks made Bowie one of the few white performers to be invited to perform on Soul Train.

He would also go on to call out MTV on not featuring Black artists: “I’m floored by the fact that there are so few Black artists featured on [MTV]. Why is that?” “The only few black artists one does see are on in about 2:30 in the morning until 6:00,” Bowie continued, “Very few are featured prominently during the day.”

Almost a decade before James Brown would become constantly sampled, the Godfather of Soul would borrow Carlos Alomar’s guitar riff from David Bowie’s crossover hit “Fame” to create his track “Hot”.

Bowie would later team up with Queen Latifah for a version “Fame” in 1990. This collection features Bowie covers from Black artists like Robert Glasper & Bilal, Durand Jones & The Indications, Rhonda Dakar and others.

There are Bowie tracks written with his longtime collaborator Alomar including: “D.J.”, “Fame”, “Never Let Me Down”, “Red Money” and “The Secret Life of Arabia”. And of course his team-up with young Luther Vandross on “Young Americans” is in the mix.

I’ve included David Bowie’s covers of “Almost Grown” by Chuck Berry, Nina Simone’s “Wild is the Wind” and versions of “Knock on Wood” (by Eddie Floyd) and “Here Today, Gone Tomorrow” (by Ohio Players) from DAVID LIVE.

There are a few tracks from Ziggy Stardub, a spectacular reggae recasting “Ziggy Stardust” by the Easy Star All-Stars.

There are also songs from the tribute record Modern Love. It features covers from across Bowie’s catalog by Helado Negro, Khruangbin, Jeff Parker, We Are KING, Meshell Ndegeocello, and more. P

lus, Seu Jorge’s beautiful set of Bowie covers from Wes Anderson’s The Life Aquatic with Steve Zissou. Hope you enjoy AfroBowie as much as I’ve enjoyed making it.

As always, stay safe, sane, and kind. See ya next month.

Marlon West (photo courtesy Marlon West)

MUSIC MONDAY: “Summer Breeze” – Summer Songs Playlist for 2023 (LISTEN)

by Jeff Meier (FB: Jeff.Meier.90)

This July, as we endure the latest triple digit temperature heatwave, or navigate flight cancellations in our attempts at a vacation, we can always count on summer music to lighten the mood and keep our heads cool in the comfort of our own backyard.

So, with that in mind, we’re back again this holiday week with the latest update to our popular playlist entitled Summer Breeze – Soulful Summer Songs.” We introduced this playlist a few years ago and have been updating it annually with both new and old musical finds uncovered deep in the recesses of Spotify.

[spotifyplaybutton play=”https://open.spotify.com/playlist/1xgE7qFwobhbEshljcxyPs?si=f9ead573a45d4295″]

The goal of the playlist is simple – find music by Black artists (or, in a few cases, soul-influenced artists of various ethnic backgrounds) that have the word “summer” in their song title – these songs are literally written about summer.

Some are big BBQ standards, like “Summer Breeze” by the Isley Brothers, Will Smith‘s “Summertime”, Sly & The Family Stone‘s “Hot Fun in the Summertime” and “Summer” by War.

But many are lesser known from across the decades, from artists ranging from Nat King Cole and Nancy Wilson to Anderson.Paak and Aloe Blacc – all unified by their seasonal theme.

This year we’ve added 35 new songs, sprinkled throughout the list. Some are fresh out of the oven, like Chris Brown‘s “Summer Too Hot” and “Summer Renaissance” by Beyoncé. Others include older songs we found anew on Spotify since our last update, from name artists like Uncle Charlie Wilson (“Just Like Summertime”), Rick James (“Summer Love”), Tony! Toni! Toné! (“Til Last Summer”), reggae group Big Mountain (“Reggae Inna Summertime”) and Kelly Rowland (“Summer Dreaming”).

For this OG soul music fan, the most fun, perhaps, is uncovering via the magic of Spotify all sorts of artists new to my ears. Many are already successful with millions of monthly Spotify listeners, such as SiR (“Summer in November”), Fana Hues (a lovely cover of Stevie’s “Never Dreamed You’d Leave in Summer”), girl group FLO (“Summertime”), Khruangbin (a cool new take on “Summer Madness”) and KYLE (“SummertimeSoul”). 

We’ve also got songs from newcomers like Kenya Vaun (“Summer”), Tay Iwar with Juls (“Summer Breeze”), and NoMBe (“Summer’s Gone” remix with Sonny Alven and Thutmose).

Spotify has opened up American ears to artists from all over the globe that we may never have heard before the internet. South Africa’s Soweto-born DJ Kent brings us the hypnotic “Summer Heartbreak.” Suriname-born Jeangu Macrooy (“Summer Moon”) has represented Netherlands in Eurovision. Pheelz (“Pheelz Like Summer”) is a prolific Nigerian producer/artist with a following in both his home country and throughout Europe. And from the UK comes newcomer Debbie, with her tune “Summer in December.”

Of course, we also had to dig for a few more deep classics. Those include the Chic-like British soul tune “Summer Grooves” by Mirage, doo-wop classics from Ruby & The Romantics (“My Summer Love”), The Danleers (“One Summer Night”), and The Tymes (“Summer Day”), and some newly found standards, including a lovely version of “The Summer Knows” from Leslie Uggams and Sarah Vaughan‘s “The Green Leaves of Summer.” And, love it or hate it, you simply must check out LGBT icon Sylvester‘s version of the Porgy & Bess standard “Summertime” in which the disco star merges Gershwin with Soft Cell’s “Tainted Love.”

If you’ve enjoyed this playlist in the past, here’s the annual reminder to check in with it again for some fresh additions. And if you are new to it, check out all the above and more on what is now a full day’s worth of summer songs with a soulful sensibility to explore. Feel free to let us know in the comments your favorite “summer” songs, including any we’ve missed!

Enjoy!

Apple Adds $25 Million to Racial Equity and Justice Initiative, Increasing Financial Commitment to over $200M since 2020

This week, Apple announced its Racial Equity and Justice Initiative (REJI), a long-term global effort to advance equity and expand opportunities for Black, Hispanic/Latinx, and Indigenous communities, has more than doubled its initial financial commitment to total more than $200 million over the last three years.

Since launching REJI in June 2020, Apple has supported education, economic empowerment, and criminal justice reform work across the U.S., with recent expansion to Australia, the U.K., and Mexico.

Apple launched REJI at a pivotal moment in the U.S., as protests against racial injustice in the wake of the murders of Ahmaud Arbery, George Floyd and Breonna Taylor swept the nation.

“Building a more just and equitable world is urgent work that demands collaboration, commitment, and a common sense of purpose,” said Tim Cook, Apple’s CEO. “We are proud to partner with many extraordinary organizations that are dedicated to addressing injustice and eliminating barriers to opportunity. And we’ll continue to lead with our values as we expand our efforts to create opportunities, lift up communities, and help build a better future for all.”

Apple has reported that REJI’s education grants have reached more than 160,000 learners through in-person courses and out-of-school offerings, while committing over $50 million to Historically Black Colleges and Universities (HBCUs) and Hispanic-Serving Institutions (HSIs) to support science, technology, engineering, arts, and math opportunities.

With a focus on economic empowerment, REJI funds financial institutions — including venture capital firms, Community Development Financial Institutions, and Minority Depository Institutions — that support Black, Hispanic/Latinx, and Indigenous entrepreneurs and businesses.

As part of its expanding work, Apple also announced a new partnership with the My Brother’s Keeper Alliance (MBKA), a program of the Obama Foundation. Through this strategic partnership and funding, Apple aims to help close opportunity gaps faced by boys and young men of color by supporting training for community leaders and MBKA staff, expanding programming for boys and young men of color, and strengthening the MBKA network through targeted community impact microgrants. The program plans to train more than 500 leaders and engage over 50,000 youth across the U.S.

“Apple’s continued support of the My Brother’s Keeper Alliance empowers the foundation to develop and implement new initiatives that create opportunities for our young people,” said Valerie Jarrett, the Obama Foundation’s CEO. “Together, we are building a more inclusive educational system that nurtures creativity, fosters innovation, and transforms the lives of boys and young men of color across the country. We are grateful for their partnership and look forward to our continued collective efforts to ensure all youth can reach their full potential.”

REJI’s criminal justice reform grants are reported to have supported providing legal services, safe housing, identification services, healthcare access, and other vital reentry services for more than 19,000 justice-impacted individuals.

To combat systemic racism, REJI and Apple have partnered with several community colleges — including the Los Angeles Community College District, Delgado Community College in New Orleans, and Houston Community College — to implement programs to help incarcerated and paroled individuals learn new skills, prevent recidivism, and create economic opportunity for parolees and probationers.

Apple has also made meaningful contributions to various nonprofit organizations that advance equity and justice, including the Anti-Recidivism Coalition, Defy Ventures, Vera Institute of Justice, and The Last Mile.

To learn and read more about Apple’s Racial Equity and Justice Initiative, check out its REJI Impact Overview.

MUSIC MONDAY: “Speak No Evil: The Best of Wayne Shorter” Playlist (LISTEN)

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Happy Music Monday, you all. This collection celebrates another recently departed great, Wayne Shorter. He was a giant of jazz for six decades. He was a well-regarded improviser, bandleader, composer, and thinker.

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From his teen years with Art Blakey and Miles Davis to his work as a founder of Weather Report, to leading his own landmark quintet Shorter was among the greatest.

A well-known figure on the jazz circuit since the late 1950s, Shorter would go on to take a strong hand in shaping much of 20th Century jazz music.

The 12-time Grammy award winner played alongside several greats, including Carlos Santana, Steely Dan, Joni Mitchell, and Herbie Hancock.

In 1964 he was swooped away after several attempts by jazz legend Miles Davis to become part of Davis’ “Second Great Quintet.”

Wayne Shorter would also release solo albums by 1959, including the acclaimed Speak No Evil, Night Dreamer, and JuJu.

Among the dozen Grammy awards he won, Shorter received a Lifetime Achievement award in 2015

In 2018, Shorter received the Kennedy Center Honors Award from the John F. Kennedy Center for the Performing Arts for his lifetime of contributions to the arts.

Hope you enjoy the collection. As usual, stay safe, sane, and kind. See ya next month!

Marlon West (photo courtesy Marlon West)