According to New York Amsterdam News, on Saturday the northeast corner of 123rd Street and Saint Nicholas Avenue in Harlem was renamed in honor of famed acting and civil rights couple Ossie Davis and Ruby Dee (Purlie Victorious, Countdown At Kusini, Do The Right Thing, Jungle Fever).
The Dwyer Cultural Center hosted the ceremonial unveiling of ‘Ruby Dee Place’ and ‘Ossie Davis Way’. Dee and Davis’ children, Nora Day HasnaMuhammad and Guy Davis, attended the event, as did the Rev. Al Sharpton, former New York City mayor David Dinkins, Assemblywoman Inez Dickens and State Sen. Brian Benjamin.
The Dwyer opened its gallery to the public to view an exhibit dedicated to Dee and Davis with numerous storyboards displayed related to the work of the couple and Cliff Frazier. The public also participated in a community mosaic mural.
According to jbhe.com, the student body of Georgetown University in Washington, D.C. recently voted on a proposal to add a semester fee of $27.20 that would go toward a fund to benefit descendants of the 272 enslaved persons once owned and then sold in 1838 by the university to pay off debt. The referendum passed by a vote of 2,541 to 1,304, which means nearly two-thirds of enrolled students are in favor of the new fee.
“The university values the engagement of our students and appreciates that 3,845 students made their voices heard in yesterday’s election,” said Todd Olson, Georgetown’s Vice President for Student Affairs, in an official statement. “Our students are contributing to an important national conversation and we share their commitment to addressing Georgetown’s history with slavery.”
Georgetown administrators, however, have said the student referendum is nonbinding, and the school’s 39-member board of directors would have to vote on the measure, according to the school’s student newspaper, the Hoya.
If Georgetown’s board approves, reports The Huffington Post, it would be one of the first major U.S. institutions to create a fund for slavery reparations.
Critics of the reparations fund have argued that it should not be current students’ responsibility to atone for the school’s past.
Nationally, the issue of reparations has been in the spotlight lately. Earlier this week, the New York Times published an opinion piece entitled “When Slaveowners Got Reparations”, pointing out how President Lincoln signed a bill in 1862 that paid up to $300 to slaveholders for every enslaved person freed when he emancipated those in bondage in Washington D.C. In 2014, journalist and best-selling author Ta-Nehisi Coates wrote “The Case for Reparations,” for The Atlantic, highlighting the topic, and even typically conservative NY Times writer David Brookswrote in March why he’s come around to the cause.
At the 50thNAACP Image Awards, the NAACP announced its historic “Jamestown to Jamestown” event partnership with Ghana, marking the 400th year enslaved Africans first touched the shores of what would become the United States of America.
An official event of Ghana’s “Year of Return,” Jamestown to Jamestown will allow for NAACP leadership, NAACP members, and members of the African American community to honor both ancestors and the struggle for Black liberation in a groundbreaking trek from Jamestown, Virginia to Jamestown in Accra, Ghana in August of this year.
“Jamestown to Jamestown represents one of the most powerful moments in the history of the Black Experience,” said NAACP President and CEO Derrick Johnson. “We are now able to actualize the healing and collective unity so many generations have worked to achieve in ways which bring power to our communities in America, Africa and throughout our Diaspora.”
The Jamestown to Jamestown events kickoff August 18 in Washington D.C., where participants will travel via bus to Jamestown, Virginia for a prayer vigil and candle- ighting ceremony marking the African “Maafa,” a term describing the horrific suffering embedded in the past four centuries related to the enslavement process.
Participants will then travel back to DC for a gathering at the National Museum of African American History and Culture (which was designed by Ghanaian architect Sir David Adjaye) prior to departing to Ghana on a direct flight for 7 to 10 days of cultural, spiritual and cathartic experiences designed to connect the present to the African past.
Some trip events include:
• Prayer Vigil at Jamestown, VA Settlement
• Direct Chartered Flight to Ghana from Washington, DC
According to the Washington Post, the Association of Black Seminarians, who are comprised of Princeton Theological Seminary students, have petitioned for and are calling on the institution to offer reparations for its role in and past ties to slavery. To quote the Post:
“A group of black seminarians has collected more than 400 signatures in an online petition calling on the institution to “make amends” by setting aside $5.3 million annually — or 15 percent of what the seminary uses from its endowment for its operating expenses — to fund tuition grants for black students and establish a Black Church Studies program.
As a progressive seminary, Princeton could become a pioneer by distributing reparations, said Justin Henderson, president of the Association of Black Seminarians, the group behind the petition. The school has confessed and repented for the “sin” of its role in slavery, but “repentance doesn’t end with confession,” said Henderson, who will finish his master of divinity studies in May.
“Restitution is evidence of the repentance,” he said. “This is how we know the person has repented.”
2019 is arguably the year of #OscarsSoBlack. According to the Los Angeles Times, this year set the record for the most individual Black winners of Academy Awards, with seven victors in six categories.
Regina King kicked it all off by winning first award of the evening for Best Supporting Actress for her work in “If Beale Street Could Talk.” Already a recipient of a Golden Globe for the same role, King gave an emotional, touching acceptance speech.
“To be standing here, representing one of the greatest artists of our time, James Baldwin, is a little surreal,” King said. “James Baldwin birthed this baby, and Barry [Jenkins, the director], you nurtured her, you surrounded her with so much love and support. So it’s appropriate for me to be standing here because I am an example of what happens when support and love is poured into someone.”
“Black Panther” collaborators Ruth E. Carter and Hannah Beachler made history with their wins, becoming the first African Americans to take home Oscars for Best Costume Design and Best Production Design, respectively.
“Marvel may have created the first black superhero, but through costume design, we made him an African king,” Carter said. Among those she thanked was director Ryan Coogler, whom she called “a guiding force.”
Beachler also acknowledged Coogler in her acceptance speech. “I stand here with agency and self-worth because of [director] Ryan Coogler, who not only made me a better designer, a better storyteller, a better person. When you think things are impossible, remember ‘I did my best, and my best is good enough.’”
Spike Lee, along with writers Charlie Wachtel, David Rabinowitz and Kevin Willmott (who is black), won the Oscar for Best Adapted Screenplay for “Black KkKlansman.”
After full-body hugging presenter (and “Jungle Fever” alum) Samuel L. Jackson, in his acceptance speech Lee paid tribute to his grandmother, whose mother was a slave, who lived to be 100 years old and put him through Morehouse College and New York University film school.
Lee also made the first direct political comments of the night: “The 2020 presidential election is around the corner. Let’s all mobilize, let’s all be on the right side of history. Make the moral choice between love versus hate,” he said.
“Let’s do the right thing!” Lee added. “You know I had to get that in there.”
Additionally, Peter Ramsey, co-director of “Spider-Man: Into the Spider-Verse” won for Best Animated Feature.
Mahershala Ali won the Best Supporting Actor award for the second time in his career for his portrayal of pianist Don Shirley in “Green Book.” That movie also went on later in the evening to win the Best Original Screenplay and Best Picture categories.
Below is the full list of winners:
“The Favourite” “Green Book” (WINNER)
“A Star Is Born”
Spike Lee, “BlacKkKlansman”
Pawel Pawlikowski, “Cold War”
Yorgos Lanthimos, “The Favourite” Alfonso Cuarón, “Roma” (WINNER)
Adam McKay, “Vice”
Yalitza Aparicio, “Roma”
Glenn Close, “The Wife” Olivia Colman, “The Favourite” (WINNER)
Lady Gaga, “A Star Is Born”
Melissa McCarthy, “Can You Ever Forgive Me?”
Christian Bale, “Vice”
Bradley Cooper, “A Star Is Born”
Willem Dafoe, “At Eternity’s Gate” Rami Malek, “Bohemian Rhapsody” (WINNER)
Viggo Mortensen, “Green Book”
“All The Stars” from “Black Panther” by Kendrick Lamar, SZA
“I’ll Fight” from “RBG” by Diane Warren, Jennifer Hudson
“The Place Where Lost Things Go” from “Mary Poppins Returns” by Marc Shaiman, Scott Wittman “Shallow” from “A Star Is Born” by Lady Gaga, Mark Ronson, Anthony Rossomando, Andrew Wyatt and Benjamin Rice (WINNER)
“When A Cowboy Trades His Spurs For Wings” from “The Ballad of Buster Scruggs” by David Rawlings and Gillian Welch
“BlacKkKlansman,” Terence Blanchard “Black Panther,” Ludwig Goransson (WINNER)
“If Beale Street Could Talk,” Nicholas Britell
“Isle of Dogs,” Alexandre Desplat
“Mary Poppins Returns,” Marc Shaiman, Scott Wittman
Additionally, plaques in his memory will be mounted on the campuses of four HBCUs where he served on the faculty: Fisk University, Tuskegee University, Howard University, and Tougaloo College.
Dr. Brady was born in Louisville, Kentucky in 1884. He earned a bachelor’s degree from Fisk in 1908. After graduating from Fisk, he taught for four years at Tuskegee before leaving to earn his Ph.D. at U. of Illinois. He returned to teach at Tuskegee once again, followed by positions at Tougaloo, Howard, and Fisk. He served as chair of the chemistry departments at both Howard and Fisk. Dr. Brady passed away on December 25, 1966.
“This landmark designation recognizes the outstanding accomplishments and leadership impact that Dr. Brady has had on the chemical profession,” says ACS Immediate Past President Peter K. Dorhout, who presented the plaque at the designation ceremony on February 5.
“I am proud to be an alumnus of the university that was part of his legacy — dreaming, designing and executing the creation of four outstanding and impactful chemistry programs that have each worked to ensure access to higher education and the chemical professions for so many young African-American men and women over the last century.”
If you are a medical professional (particularly a Black medical professional), or just an overall Black history buff, you likely have heard of Mary Eliza Mahoney.
For those who have been denied tales of Mahoney’s excellence, she is heralded as the first African-American licensed nurse.
Mahoney worked in nursing for almost 40 years before retiring, but during her time as a medical professional, as well as long after, she was a champion of women’s rights. A trailblazer, not just as a Black person, but also as a woman.
Even as a teenager, Mahoney knew she wanted to become a nurse, and she began working at the New England Hospital for Women and Children, which, as its name suggests, provided health care exclusively to women and their children. At the time, the hospital was also known for its all-women staff of doctors.
There, Mahoney worked from the ground up over the next 15 years, in jobs such as janitor, cook and washerwoman, while also seizing the opportunity to work as a nurse’s aide.
The hospital operated one of the first nursing schools in the United States, and as you can probably guess, in 1878 a then 33-year-old Mahoney was allowed to enter the hospital’s professional graduate school for nursing. During the intensive 16-month training program, students attended lectures and got hands-on experience in the hospital.
The program was rigorous, and according to the Women’s History Museum, of the 42 students who entered the program, only four, including Mahoney, completed the requirements in 1879. In the same breath, she became the first Black person in the U.S. to earn a professional nursing license.
Mahoney would go on to serve as a private-duty nurse for the remainder of her impeccable career (she decided against public nursing because of the rampant discrimination there) and became known across the East Coast for her “efficiency, patience and caring bedside manner,” according to the Women’s History Museum.
A staunch advocate of those within the profession, Mahoney became a member of the Nurses Associated Alumnae of the United States and Canada (NAAUSC, later known as the American Nurses Association) in 1896. But she faced discrimination at NAAUSC, which had a predominantly white membership, so Mahoney took it upon herself to co-found the National Association of Colored Graduate Nurses (NACGN) in 1908.
It’s official — the upcoming third season of National Geographic’s scripted anthology series Geniuswill be devoted to the Queen of Soul Aretha Franklin, who died in August at age 76. The announcement was made Sunday at TCA.
Suzan-Lori Parks, Pulitzer Prize award-winning playwright of Topdog/Underdog, will be executive producer and showrunner of the project, from Imagine Television and Fox 21 TV Studios. Music mogul and longtime Franklin collaborator Clive Davis as well as Atlantic Records chairman and CEO Craig Kallman also executive produce.
Genius was renewed for a third season in April, with author Mary Shelley revealed as its subject, to follow Albert Einstein and Picasso. The Mary Shelley story remains in consideration for future installments of the anthology series.
The idea of doing a Franklin-centered Genius came together quickly following the music icon’s August 16 death, spearheaded by Imagine’s Brian Grazer. The project had been moving full steam ahead since, with securing access to Franklin’s music considered the one key element that would clinch a green light.
Bringing David, Kallman and Warner Music Group on board was very important in that aspect, with the producers currently able to use about 80% of Franklin’s catalog and working to secure the remaining titles.
Young cadets Queen Anunay and Kishia Clemencia stood out in their class at the D.C. Fire Academy as being among the few women in a male-dominated field. Of the department’s 1,550 members at the time, 35 were women.
Fast forward nearly three decades, and Anunay and Clemencia are the ones in charge.
The two women were appointed in recent months to battalion chief posts at the department — promotions that made them the third and fourth women to hold the positions in the 135-year-old department’s history. There were no women among the department’s 41 battalion chiefs late last year before their promotions.
In their new roles, Anunay, 45, and Clemencia, 44, help oversee nearly 100 firefighters at 11 firehouses in the District. They were selected among a pool of 44 candidates — the only two women who qualified during an interview process measuring their preparedness for the high-ranking position.
“They will create a path for all of our young, female firefighters that shows them, ‘Oh, I can do that. That’s within my reach.’ ” D.C. Fire Chief Gregory M. Dean said. “They’re pioneers.”