Laurence Fishburne (L), Lorenz Tate (photo via eurweb.com)
article via eurweb.com
Laurence Fishburne and Larenz Tate have joined forces for a new 10-part podcast called “Bronzeville,” which is set to begin streaming in January, according to The Hollywood Reporter.
Written by Josh Olsen, an original screenplay Oscar nominee for 2005’s “A History of Violence,” the series is set in the African-American Bronzeville neighborhood of Chicago and follows the lives of players who ruled the numbers games, the illegal lottery that swept through the black community in the 1940s before it was taken over by the mafia.
Tika Sumpter, Lance Reddick, Brittany Snow and Mitch Pileggi are also among the voice cast.
Fishburne’s Cinema Gypsy Productions and Tate’s TateMen Entertainment have partnered with digital audio ad sales company Audio HQ on the project, which is billed as an audio-drama.
Fishburne, Tate and Kc Wayland are directing Bronzeville, with Wayland also serving as producer.
To read more, go to: http://www.eurweb.com/2016/10/laurence-fishburne-larenz-tate-team-podcast-series-bronzeville/
article via thegrio.com
Harry Belafonte (l) and Jesse Williams (r) [photo via theroot.com]
“Grey’s Anatomy” star and actvist Jesse Williams has plans to produce and star in a biopic about his fellow civil rights icon and entertainer Harry Belafonte. Williams announced the project during an appearance on Denzealots, a podcast by comedians W. Kamau Bell and Kevin Avery.
During the episode, Williams admitted that he cared more about activism than acting. “I have an awesome job that I love,” he said, “but there’s this magnetic force that is constantly pulling me toward activism. I just have to do it.”
If you’re into social media, you probably already knew that. Williams is highly influential on Twitter, boasting more than one million followers. The young actor’s gained his influence, not with selfies, but with insightful tweets and short commentaries on issues impacting people of color. He was heavily involved in the Justice for Flint concert which brought together residents, celebrities and performers to raise awareness on the water crisis.
Source: Jesse Williams to produce, star in upcoming Harry Belafonte biopioc | theGrio
Pullman Porters (photo via socialwelfarehistory.com)
article via jbhe.com
In 2014 Oregon State University received the African American Railroad Porter Oral History Collection. The audio recordings made between 1983 and 1992 tell the stories of Black railroad porters in Oregon in the early and mid-twentieth century.
The collection includes 29 reel-to-reel tapes of interviews conducted by filmmaker Michael Grice that were used as background for his documentary Black Families and the Railroad in Oregon and the Northwest.
Now the university has received a grant from the Oregon Cultural Trust to digitize the collection and create a website to feature the digitized recordings and their transcripts.
To read more, go to: https://www.jbhe.com/2016/03/oregon-state-university-to-digitize-oral-histories-of-black-railroad-porters/
Dr. Martin Luther King Jr.
On February 6, 1964, Dr. Martin Luther King Jr. spoke at the New School in New York City. It was the first of 15 talks given by civil rights leaders that semester as part of the American Race Crisis Lecture Series. The King lecture was entitled “The Summer of Our Discontent.” The talk was later revised and expanded in King’s 1964 book Why We Can’t Wait.
The New School archives contain a tape of a question and answer period that followed Dr. King’s address but did not include a recording of the actual speech.
Recently, a reel-to-reel tape was found at the student radio station at Amherst College in Massachusetts that indicated it was Dr. King’s New School speech. Not wanting to risk damaging the tape by playing it, the college had the recording digitized. It turned out the reel had been accurately labeled.
The speech had been rebroadcast on the college radio station on December 8, 1964 as part of a weekly program of pre-recorded lectures, some given at Amherst College and some obtained through arrangements with other institutions. The King recording is one of 46 open reel audio tapes transferred to the Amherst College Archives and Special Collections by the radio station in 1989.
The recording has now been made available to the public. You may listen to the speech here. A transcript of the address can be read here.
article via jbhe.com
Martin Luther King Jr. speaks to National Press Club in July 1962 (photo via press.org)
In celebration of the Dr. Martin Luther King Jr. holiday, SiriusXM’s Urban View (channel 126) will air audio of Dr. King’s ‘Lost’ speech, first delivered at the National Press Club in 1962 more than 50 years ago.
Considered of significant historical value, Dr. King became the first African American to speak at the Club and delivered the captivating speech in front of a segregated establishment just days after being released from jail in Albany, Georgia. In it, he reiterates his vision for non-violent protest as the best way to achieve racial equality.
An audio recording was made of the speech and filed away in the Club’s Archives and later transferred to the Library of Congress. No television footage of the speech in its entirety exists. Excerpts of King’s speech were unveiled this past Tuesday at a National Press Club event moderated by SiriusXM host Joe Madison.
Press Club President John Hughes also unveiled a permanent Club memorial to Dr. King’s speech. “Martin Luther King’s 1962 speech was one of the most important events to ever happen at the National Press Club,” Hughes said. “I am honored this event at long last is getting proper recognition with such distinguished guests.”
SiriusXM Urban View will air full audio on Monday, January 18 at 6:00 am, 8:00 am, 8:00 pm and 10:00 pm. All times are ET. Continue reading
Nas and Rakim are part of the NY Met’s Hip Hop Project (photo via ambrosiaforheads.com)
Hip-Hop and art have once again merged in an exciting way, thanks to the inventive mind of a graduate student. Regina Flores Mir is the brains behind the Hip-Hop Project, a program being implemented at the Metropolitan Museum of Art that allows visitors to navigate the various collections with guiding narration from MCs. Lyrics from songs by artist including Missy Elliott, Notorious B.I.G., Eric B. & Rakim, Kendrick Lamar, Nas, Queen Latifah, and more are used as keywords and then cross-referenced with the Met’s massive archive of art, providing listeners with a Hip-Hop-centric blueprint by which to examine and understand the museum’s collections.
According to the Hip-Hop Project’s website, “although the rap lyric may not be directly correlated to the art work in meaning, it allows visitors to see work that they may not have otherwise known existed,” allowing for the kind of accidental discovery that could inspire Heads to establish bridges between music and art in uniquely individualized ways.
As Kari Paul wrote for Vice’s Motherboard channel, the relationship between the lyrics and pieces of art in question aren’t necessarily straightforward, but are nevertheless engaging. “For example, in ‘Juicy’ when the Notorious B.I.G. says ‘fuck all y’all hoes,’ the Hip-Hop Project pulls up an ancient hoe artifact. Users can click on it and explore this work and others,” she explains. The Hip-Hop Project’s site allows users to experience the museum tour without a trip to the Met, simply by picking a rapper and delving into the lyrical matches to items available for viewing. Heads will also appreciate the website’s domain (www.rappersdelight.nyc).
article by Bonita via ambrosiaforheads.com
Paras Griffin–FilmMagicDavid Oyelowo attends the Variety Purpose Summit in Los Angeles, Calif. on June 25, 2015.
David Oyelowo announced Wednesday that he will join the long line of actors—from Roger Moore to Sean Connery to Pierce Brosnan to Daniel Craig—who have portrayed Ian Fleming’s legendary secret agent, James Bond. But the role won’t require Oyelowo to don Bond’s dapper formalwear, as he’s booked not for a movie but an audiobook.
Oyelowo was asked by Fleming’s estate to voice Bond and other characters in the audiobook version of Trigger Mortis, a forthcoming novel by Anthony Horowitz commissioned by Fleming’s estate. The book, to be published Sept. 8, picks up two weeks after Goldfinger left off, in 1957, and reunites Bond with Pussy Galore.
Oyelowo, who has worked as an actor for more than 15 years, rose to fame for his depiction of Martin Luther King, Jr. in Ava DuVernay’s Selma, released in 2014. Though he won’t appear onscreen, he will be the first black actor to portray Bond. And as he is scheduled only for the audiobook, fans still hoping that those Idris Elba rumors might pan out need not feel threatened by the news—the Bond family is ever expanding.
article by Eliza Berman via time.com