Alicia Keys, Kendrick Lamar, and Pharrell Williams are combining their musical superpowers. The all-star trio has collaborated on a song for The Amazing Spider-Man 2. Produced by Pharrell, the Keys-led “It’s On Again” features Kendrick and will appear on the film’s soundtrack.
“I’m very excited to be a part of such a powerful collaboration with Kendrick Lamar, Pharrell Williams, and Hans Zimmer,” said Keys (via Billboard). “This is the next chapter in the Spider-Man legacy and we really feel ‘It’s On Again’ captures the experience, the story—and most importantly—the meaning behind the film, which is that we all have the potential to be extraordinary. There’s a little bit of a super hero in all of us.”
Pharrell added, “Hans has created an iconic score theme and it was exciting to collaborate with him again on this song. When I was making the song, I knew Alicia and Kendrick had to be on it. They take the song to a whole new level.”
Posts tagged as “Pharrell Williams”
In our quest for great music, we didn’t hesitate to add Pharrell Williams‘ latest release GIRL to our must-have list. He is, after all, the man who makes us “Happy.”
GIRL celebrates women in this insightful, sultry, melodically delicious album. Giving the ladies much more than a superficial “I get you” wink, Pharrell lyrically dedicates this album to all the amazing women he’s ever come across, and had me swooning from track one. Listen closely to “Marilyn Monroe” — he celebrates ALL females and all of our differences. In our current climate of technology-based put downs (social media rants) and the ever-increasing desire for perfect beauty, Pharrell thoughtfully doles out the love no matter who you are or what you look like. He wants a different girl… and it’s refreshing.
My personal favorites on the album are “Hunter”, “Come Get It Bae”, “Lost Queen” (I love when he sing/talks on this one), “It Girl” and a fun song with Justin Timberlake called “Brand New” — all great turn-it-up-and-blast songs. There’s something about the smoothness of Pharrell’s voice paired with his incomparable, artistic use of beats, lyrics and vocals that make me want to run, bounce, dance, drive… MOVE! Simply put, this album will make you… yes, I’m saying it again, but in all caps now – HAPPY. Additionally, Alicia Keys lends her vocals to the inspirational track “Know Who You Are.” Great beats for the boys with melodic compliments to empower the girls. This man pleases all while provoking deeper feelings.
And seriously, when I heard there was even a controversy about Pharrell’s choice of cover models (hysteric claims of no brown girls)… I sighed. Who doesn’t know that Pharrell likes brown girls, all girls… and why do we even care what models he chose? Slow your roll haters and get your facts straight — Williams is extremely inclusive. P.S. there is a black model featured.
GIRL is non-stop fun and a timeless keeper which should capture audiences of various ages. I’ve been arguing with my youngest sister for years over who the original Pharrell fan is in the family. She actually tried to claim that she’s loved/known about “Skateboard P.” the longest. It’s pretty cute but I can’t ever let her have this. I’ve been digging Pharrell since, well… I’m not going to date myself. Just trust that Mr. Williams has been making me dance for quite some time and there are no signs of him stopping any time soon.
Oh, and about Pharrell using “GIRL” as the album’s title before everyone starts — yes, of course sometimes calling a woman a “girl” can be condescending and even worse, derogatory. But that’s certainly not Pharrell’s intention here. It’s a fun, inclusive and tender use of the word, and truth be told, I don’t think there is a woman out there who doesn’t want to be somebody’s girl. I’m winking back… thanks, Pharrell.
GIRL by Pharrell Williams – GBN highly recommended
12 Years A Slave topped off its amazing awards-season run by earning the Best Picture Oscar tonight at the 86th Academy Awards. 12 Years director/producer Steve McQueen and producer Brad Pitt accepted the award at the end of a night that also saw writer John Ridley win for Best Adapted Screenplay, and rising star Lupita Nyong’o triumph in the Best Supporting Actress category. According to Variety.com, McQueen made history by becoming the first black producer to ever win an Academy Award for Best Picture.
The star-studded night also saw an energizing performance of “Happy” by Original Song nominee Pharrell Williams (who danced with Nyong’o, Meryl Streep and Amy Adams in the aisles), a brief a cappella version of “Eye on the Sparrow” from Darlene Love during the Best Feature Documentary acceptance speech for 20 Feet From Stardom and Oscar presentations from Will Smith, Whoopi Goldberg, Jamie Foxx, Michael B. Jordan, Tyler Perry, Gabourey Sidibe, Academy President Cheryl Boone Isaacs, and the first black man to ever win a Leading Actor Oscar, Sidney Poitier.
One of the biggest highlights of the evening was Nyong’o’s acceptance speech, where she honored those who suffered so she could shine:
Thank you to the Academy for this incredible recognition. It doesn’t escape me for one moment that so much joy in my life is thanks to so much pain in someone else’s. And so I want to salute the spirit of Patsey for her guidance. And for Solomon, thank you for telling her story and your own.
Nyong’o then went on to thank McQueen, co-star and Best Actor nominee Chiwetel Ejiofor, her family and her chosen family, before closing with encouragement to children everywhere:
When I look down at this golden statue, may it remind me and every little child that no matter where you’re from, your dreams are valid. Thank you.
Two of the bigger albums of 2014, will be released next Tuesday, March 4th, but eager fans can listen to Pharrell and Rick Ross’ new projects now for free. iTunes launched the G I R L radio station last night which will be streaming The Neptunes frontman’s 10-track second solo album. Featuring appearances from Justin Timberlake, Miley Cyrus and Alicia Keys, Pharrell’s looks to carry his 2013 success into the new year.
Rick Ross’ Mastermind is the Boss’ sixth album of his career, but he’s never been in a position to prove so much to so many. His public image took a huge hit after rapping about slipping Molly into a woman’s drink. Despite offering a delayed apology, the flap cost him a lucrative Reebok shoe endorsement. Ross is due for a comeback and with a track list featuring, Diddy, Meek Mill, Jay Z, and Houston legend Scarface, he will be carrying the MMG flag in 2014.
Will you be purchasing Mastermind or G I R L? Click on the links below and let us know what you think in the comments.
Pharrell – G I R L stream
Rick Ross – Mastermind stream
article by Kyle Harvey via thegrio.com
The Academy of Motion Picture Arts and Sciences announced Tuesday that Pharrell Williams will perform his Oscar-nominated song “Happy” at the 2014 Oscars.
“Happy,” which Williams wrote and produced for the animated film Despicable Me 2, is nominated for the original song category alongside “Ordinary Love” from Mandela: Long Walk to Freedom, “Let it Go” from Frozen and “The Moon Song” from Her.
“I wanted to send a reminder: There are lots of reasons to smile,” the 40-year-old told the Los Angeles Times in an interview in December on his nominated song. “You can be resilient with your smile. Why is it so cool to be mad all the time? Some songs, everybody’s so upset.”
The song “Happy” has a “lyric version” — a video featuring the film’s minions making mischief around the song’s words in bold fonts. It also has a website launched for the song, 24hoursofhappy.com, where the song is played on repeat for 24 hours straight.
“Each take starting every hour is me,” he told The Times. “So I did 24 four-minute takes of ‘Happy.’ From 1:00-1:04, I perform ‘Happy.’ Then at 1:04, the next person does it. We picked all kinds of people, all types. Every hour is 15 takes.”
Williams, a seven-time Grammy Award winner, was named Billboard’s producer of the decade in 2010. Most recently, he collaborated on two of 2013’s top Billboard hits: Robin Thicke‘s “Blurred Lines,” which he co-wrote and produced, and Daft Punk‘s “Get Lucky,” which he co-wrote and also sang.
The Oscars, hosted by Ellen DeGeneres, will be held March 2 at the Dolby Theatre in Hollywood and broadcast live on ABC.
“Happy,” which Williams wrote and produced for the animated film Despicable Me 2, is nominated for the original song category alongside “Ordinary Love” from Mandela: Long Walk to Freedom, “Let it Go” from Frozen and “The Moon Song” from Her.
“I wanted to send a reminder: There are lots of reasons to smile,” the 40-year-old told the Los Angeles Times in an interview in December on his nominated song. “You can be resilient with your smile. Why is it so cool to be mad all the time? Some songs, everybody’s so upset.”
The song “Happy” has a “lyric version” — a video featuring the film’s minions making mischief around the song’s words in bold fonts. It also has a website launched for the song, 24hoursofhappy.com, where the song is played on repeat for 24 hours straight.
“Each take starting every hour is me,” he told The Times. “So I did 24 four-minute takes of ‘Happy.’ From 1:00-1:04, I perform ‘Happy.’ Then at 1:04, the next person does it. We picked all kinds of people, all types. Every hour is 15 takes.”
Williams, a seven-time Grammy Award winner, was named Billboard’s producer of the decade in 2010. Most recently, he collaborated on two of 2013’s top Billboard hits: Robin Thicke‘s “Blurred Lines,” which he co-wrote and produced, and Daft Punk‘s “Get Lucky,” which he co-wrote and also sang.
The Oscars, hosted by Ellen DeGeneres, will be held March 2 at the Dolby Theatre in Hollywood and broadcast live on ABC.
Although he easily could have been remembered solely for his avant garde Vivienne Westwood hat this Grammy year, Pharrell Williams‘ musical forays trumped his sartorial whims last night, garnering him Producer of the Year, Record of the Year and Best Pop Duo/Group Performance honors. Williams also has partial claim to the Album of the Year award, which electronic duo Daft Punk won for Random Access Memories (featuring two Pharrell collaborations.) Other notable winners were Mackelmore & Ryan Lewis, (Best New Artist, Best Rap Performance, Best Rap Song, Best Rap Album), Alicia Keys (Best R&B Album), Bruno Mars (Best Pop Vocal Album), Ziggy Marley (Best Reggae Album) and Jay Z and Justin Timberlake, who won Best Rap/Sung Collaboration for “Holy Grail.”
Beyoncé and Jay Z opened the show with the steamy, risqué “Drunk in Love,” kicking off a night filled with larger-than-life performances including Pink‘s literal and vocal acrobatics on “Try” and “Just Give Me A Reason,” Katy Perry‘s witchy snap vibe on “Dark Horse” with Juicy J , Kendrick Lamar and Imagine Dragons‘ brilliant, burning mash up of “m.A.A.d City” and “Radioactive,” and Pharrell, Nile Rodgers and Daft Punk with Stevie Wonder on a version of “Get Lucky” that flawlessly blended in Chic’s “Le Freak” and Wonder’s “Another Star.”
One of the biggest, funnest surprises of the evening came late in the show when Queen Latifah introduced Mackelmore & Ryan Lewis, Mary Lambert and Trombone Shorty‘s performance of “Same Love.” Midway through the song, Latifah re-appeared to officiate a wedding ceremony for thirty-three couples – heterosexual and homosexual – in the aisles of the Los Angeles Staples Center. As they said their “I dos”, Madonna strolled out in a white suit, hat and cane, melding the chorus of “Open Your Heart” into “Same Love.”
A full list of the Grammy winners follows below:
Album of the Year: “Random Access Memories,” Daft Punk
Record of the Year: “Get Lucky,” Daft Punk feat. Pharrell Williams
Song of the Year: “Royals,” Joel Little, Ella Yelich O’Connor (Lorde)
Best Country Album: “Same Trailer, Different Park,” Kacey Musgraves
Best Pop Vocal Album: “Unorthodox Jukebox,” Bruno Mars
Best Rap/Sung Collaboration: “Holy Grail,” Jay Z and Justin Timberlake
Best Pop Solo Performance: Lorde
Best Rock Song: “Cut Me Some Slack,” Dave Grohl, Paul McCartney, Krist Novoselic, Pat Smear
Best Pop Duo/Group Performance: “Get Lucky,” Daft Punk
Best New Artist: Macklemore & Ryan Lewis
Song of the Year: “Royals,” Joel Little, Ella Yelich O’Connor (Lorde)
Best Country Album: “Same Trailer, Different Park,” Kacey Musgraves
Best Pop Vocal Album: “Unorthodox Jukebox,” Bruno Mars
Best Rap/Sung Collaboration: “Holy Grail,” Jay Z and Justin Timberlake
Best Pop Solo Performance: Lorde
Best Rock Song: “Cut Me Some Slack,” Dave Grohl, Paul McCartney, Krist Novoselic, Pat Smear
Best Pop Duo/Group Performance: “Get Lucky,” Daft Punk
Best New Artist: Macklemore & Ryan Lewis
This morning, the Academy of Motion Picture Arts and Sciences announced the nominees for its 86th annual Awards, and recent Golden Globes Best Picture winner 12 Years A Slave was honored nine times, including nods for Best Supporting Actress (Lupita Nyong’o), Best Supporting Actor (Michael Fassbender), Best Adapted Screenplay (John Ridley), Best Actor (Chiwetel Ejiofor), Best Director (Steve McQueen) and Best Picture (Brad Pitt is one of the producers).
Other notable nominations include Barkhad Abdi for Best Supporting Actor in Captain Phillips, Pharrell Williams for Original Song (“Happy” from Despicable Me 2) and U2 for Original Song (“Ordinary Love” from Mandela: Long Walk To Freedom).
American Hustle and Gravity tied for most nominations with ten nominations each, and will likely provide the stiffest competition for 12 Years during the March 2nd awards ceremony.
The full list of nominations follows below:
BEST PICTURE
“12 Years a Slave”
“American Hustle”
“Captain Phillips”
“Dallas Buyers Club”
“Gravity”
“Her”
“Nebraska”
“Philomena”
“The Wolf of Wall Street”
After ten weeks of cutting, sewing and styling, South Carolina native Sergio Hudson came out on top as the winner of Rihanna’s Styled To Rock design competition. The pop star, along with judges/mentors Mel Ottenberg, Erin Wasson, and Pharrell Williams, chose the father of three over runner up Laura Petrielli-Pulice from Chicago, for his envelope-pushing aesthetic and strong structuring skills. Hudson walks away with a $100,000 cash prize, a fashion feature in Glamour magazine and a spot on Rihanna’s official design team.
Airing on Bravo, the music-meets-fashion competition series followed 12 up-and-coming coming designers, hand-picked by the pop-star, to create unique fashion pieces for some of the biggest names in entertainment. With celebrity guests such as Miley Cyrus and Kelly Osbourne, the designers experienced demanding real-life challenges, made to push their creative boundaries. Each week, with only a limited time frame, they were asked to create an innovative outfit and complete look based on the celebrities’ detailed brief. In the final challenge, the final two designers had to create two editorial looks specifically for Rihanna. Sergio’s denim ball gown and high-cut denim shorts were the stand out pieces.
Airing on Bravo, the music-meets-fashion competition series followed 12 up-and-coming coming designers, hand-picked by the pop-star, to create unique fashion pieces for some of the biggest names in entertainment. With celebrity guests such as Miley Cyrus and Kelly Osbourne, the designers experienced demanding real-life challenges, made to push their creative boundaries. Each week, with only a limited time frame, they were asked to create an innovative outfit and complete look based on the celebrities’ detailed brief. In the final challenge, the final two designers had to create two editorial looks specifically for Rihanna. Sergio’s denim ball gown and high-cut denim shorts were the stand out pieces.
Beyoncé pulled off a coup late last Thursday night when she released a terrific self-titled “visual album” – containing 14 songs, each with an accompanying video – straight to iTunes with zero advance warning or fanfare. The record is expected to easily top the weekly album chart despite being released midway through the stanza, and according to Apple, the album had already sold more than 800,000 digital copies by Monday morning. Not only does Beyoncé rank as the year’s most accomplished and engaging mainstream pop album by a rather laughable margin, but its calculatedly shrugged-off release strategy can’t help but read as an imperious kiss-off toward the singer’s competitors for the 2013 crown — Lady Gaga, Justin Timberlake, Miley Cyrus, Katy Perry, and even her husband Jay Z — all of whom worked up gallons of sweat and employed every eyeball-grabbing trick in the book to move their product, only to be upstaged by Beyoncé’s abrupt digital data-dump.
“I’ve been climbing up the walls, ’cause all this shit I hear is boring,” she sings on the album’s second track, by way of explanation. “All these record labels, boring.”
Of course, like Radiohead’s “name-your-price” release of In Rainbows in 2007, this is the sort of trick that can only be pulled off by an artist who has already spent decades tirelessly feeding the publicity machine, and it’s unlikely Beyoncé’s December surprise will “change the music business” any more than Radiohead’s did. Competition is Beyoncé’s lifeblood, and coming off of the commercially disappointing 4, it’s easy to see this as a gauntlet thrown down. Far more personal, confessional, and flat-out filthy than anything the singer has released in the past, Beyoncé offers some striking windows into the star’s personal life, while audio archival snippets from her early years shuttling between beauty contests and kiddie singing competitions are sprinkled throughout, hinting at the lifetime of rigorously maintained perfection and pageantry to which much of this record is a reaction.
Of course, like Radiohead’s “name-your-price” release of In Rainbows in 2007, this is the sort of trick that can only be pulled off by an artist who has already spent decades tirelessly feeding the publicity machine, and it’s unlikely Beyoncé’s December surprise will “change the music business” any more than Radiohead’s did. Competition is Beyoncé’s lifeblood, and coming off of the commercially disappointing 4, it’s easy to see this as a gauntlet thrown down. Far more personal, confessional, and flat-out filthy than anything the singer has released in the past, Beyoncé offers some striking windows into the star’s personal life, while audio archival snippets from her early years shuttling between beauty contests and kiddie singing competitions are sprinkled throughout, hinting at the lifetime of rigorously maintained perfection and pageantry to which much of this record is a reaction.
Congratulations go out to Pharrell Williams and his model wife Helen Lasichanh, who tied the knot in Miami yesterday (Oct. 12). The musician and his beautiful wife enjoyed music by pals Usher and Busta Rhymes, Us Weekly reports, and the Daily Mail adds that Justin Timberlake and Robin Thicke were also rumored to perform.
The couple’s wedding photographer was none other than Terry Richardson, photographer to the stars, adds Just Jared. Never one to play by the rules, Williams, 40, ditched the conventional tux and instead opted for a red tartan suit. Lasichanh, looking gorgeous, skipped the white dress and instead wore a voluminous blue and green plaid gown. The two have a son together, 4-year-old Rocket.
article via huffingtonpost.com
article via huffingtonpost.com