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Posts tagged as ““Girls Trip””

Queen Latifah Partners with Procter & Gamble to Launch the Queen Collective – a Program for Women Filmmakers

Queen Latifah (PHOTO: PAUL ARCHULETA/FILMMAGIC)

by Suzy Byrne via huffingtonpost.com

Award-winning actress and singer Queen Latifah recently announced the Queen Collective to help women make films — or, as she tells Yahoo Entertainment, to ensure “that the queens have an opportunity.” In a partnership with Procter & Gamble, the initiative will find two unknown and diverse female directors, give them all the resources they need to tell their stories “from A to Z,” and then distribute the films.

“There are just not enough female directors,” the star of films from Girls Trip” to “Chicago” says of her push to bolster gender equality in the film business. “This is a small part of what we’d like to do to help change the disparity that we see out there in terms of all the dollars that are given to male directors, all the support that’s given to male directors, and everything we see, yet we’re at least half of who’s watching these movies and buying these products. So we want to make sure women have an opportunity… that the queens have an opportunity. The Queen Collective will make sure that happens.”

Being a voice for women isn’t new for Queen Latifah, who was among the founders of We Do It Together, the celebrity-backed, female-centric, non-profit production company focusing on female empowerment in films, TV, and other media. Her commitment can actually be traced back to her teen years as a young rapper.

“I try to support anything I can in terms of making sure women have an opportunity,” she says. “That’s just who I am. Before I really knew what a feminist was, I was already helping to promote the feminist cause. I was just a 15-year-old rapper. I had no idea that the fact that I wanted to be looked at with respect and treated as such — and that I wrote about that in my rhymes and made records about it that people heard — was really pushing that forward, affecting other young girls and women who felt the same way, and giving other women a voice who felt that they were a little voiceless in hip-hop at that time. Finally, there was someone that was speaking their language.”

Since Queen Latifah, 48, started rapping about female issues in the ’80s — “All Hail the Queen” came out in 1989, when she was 19 — isn’t she frustrated that she still has to fight so hard just so women’s voices can be heard?

“I would say it’s frustrating — it can be to a point — but we are talking about thousands of years of male patriarchy,” she says. “So I can’t be mad because I started rapping about it in the late ’80s and early ’90s that everything hasn’t changed in a few decades. We have a lot of ideas to bring down the walls of, if you will. I think actually we’ve made a lot of progress in a short amount of time. But the more we bring it to the attention of the public, the more people fight behind the scenes and make sure this is seen in front of the scenes, then we will affect every element of how people see the world.”

She wants to see the world represented equally — and realistically.

“We are fighting to make sure everyone is represented in an equal way — and for who they truly are, not some stereotype of who you are. This is something I had to fight against as a rapper: Every rapper is from the ghetto and went through hell and got shot sometimes. No, we didn’t. I went to Catholic school from third to ninth grade,” the East Orange, N.J., native laughs.

“I didn’t have a lot of money, but this was my experience, and I know many people who lived like that. I listened to rock-and-roll growing up — and so did a lot of my homeboys. Why? ‘Cause we’re from New Jersey, and we love Bon Jovi and Springsteen. We like hip-hop too. But if you let the media tell you, its ‘black people don’t listen to rock-and-roll; they just like R&B and rap.’” She predicts that “millennials will have a big part of changing all these ideas that have been pumped down our throats in our day.”

Queen Latifah says the encouragement she has received through the years by female fans has encouraged her in turn to continue to try to be a trailblazer for women.

“I would run into them along the way, and they had no idea the encouragement they gave me to continue to speak in that way, to feel confident about moving in that way, and moving my career in that way,” says Latifah, who made the jump to TV in the early ’90s, followed later by the jump to film. “All throughout the years I’ve been encouraged by young girls… And not just girls, but girls with different bodies. Just becoming a CoverGirl made them feel different about what they can accomplish. Or being someone who is bigger than a size 10 thinks, ‘Oh, I can be a successful singer because Queen Latifah did it.’ I had no idea I could influence other people.”

She continues: “So this Queen Collective is really important because there’s something special about seeing a woman who comes up with her own idea, who is able to take that idea, hire her own crew, make sure that idea is shot and done and edited and comes to the public eye, and they have a chance to see her vision. She will inspire so many other people by making that happen… This is what you need to be able to show in order to inspire other people, particularly the young girls and men, and let them know this is a normal thing and this is OK. This should not be an anomaly. This should be the norm.”

Read more: https://www.huffingtonpost.com/entry/queen-latifah-helping-women-make-movies_us_5b438393e4b048036ea0ffad?a8j%3Futm_hp_ref=black-voices&ir=Black%2BVoices

Essence Magazine to Honor ‘Game-Changers’ Haddish, Waithe, Among Others at Black Women in Hollywood Awards

Tiffany Haddish is one of four women being honored at the March 1, 2018 event in Beverly Hills, Calif. (Photo by Charles Sykes/Invision/AP, File) (Associated Press)
by Associated Press via washingtonpost.com
NEW YORK — “Girls Trip” changed the game for Tiffany Haddish, and now she’s being honored as one of Essence Magazine’s “game-changers” at its annual “Black Women in Hollywood” awards.
“Girls Trip” was one of last year’s big hits and made Haddish a breakout star. The comedian is one of four women being honored at the March 1 event in Beverly Hills, California.
“The Chi” creator and “Master of None” star Lena Waithe will also be celebrated; she became the first black woman to win an Emmy for comedy writing last year.
Danai Gurira of “The Walking Dead” stars in the upcoming “Black Panther.” Gurira also created the Tony-nominated “Eclipsed,” among other works. Tessa Thompson broke new ground in her role in last fall’s superhero hit “Thor.”
Essence magazine editor Vanessa De Luca says the honorees are “raising their voices to benefit all women.”
Source: https://www.washingtonpost.com/entertainment/celebrities/essence-honors-game-changers-haddish-waithe-among-others/2018/02/06/54083e84-0b46-11e8-998c-96deb18cca19_story.html?utm_term=.ad9ee8c26f95

Tiffany Haddish's She Ready Production Company Signs First-Look Deal With HBO

by  and  via Variety.com
Tiffany Haddish has signed a first-look deal with HBO.
The two-year pact with Haddish and her She Ready production company comes on the heels of a breakout year for the comic, who won a New York Film Critics Circle best supporting actress award for her performance in 2017’s “Girls Trip.” Her book “The Last Black Unicorn,” released last month by Gallery Books, was named a New York Times best seller. Her new stand-up special “Tiffany Haddish: She Ready!” premiered on Showtime last year, and Haddish recently announced 2018 dates for her new stand-up tour.
Haddish will next star opposite Tracy Morgan in TBS’ “The Last OG,” which premieres in April on TBS. She will also star alongside Kevin Hart in Universal’s feature film “Night School,” set to premiere in September.
Among her other upcoming projects are starring roles in New Line’s “The Kitchen” and Universal’s “The Temp,” with Haddish set to serve as executive producer on the latter film. The comic also has “Limited Partners” in development at Paramount, and is set to star in and serve as an exec producer on the project. She recently wrapped production on “The Oath” alongside Ike Barinholtz.
Source: http://variety.com/2018/tv/news/tiffany-haddish-hbo-1202675335/

"Girls Trip, "Get Out," "Black-ish," Garner Multiple Wins at 49th NAACP Image Awards

The cast and crew of “black-ish” accepts award for outstanding comedy series at the 49th annual NAACP Image Awards at the Pasadena Civic Auditorium, in Pasadena, Calif. Pictured from left are Laurence Fishburne, Anthony Anderson, Jeff Mecham, Jenifer Lewis, Tracee Ellis Ross, Kenya Barris, Yara Shahidi, Miles Brown, Peter Mackenzie, Marsai Martin, and Marcus Scribner (Credit: Photo by Chris Pizzello/Invision/AP/Shutterstock)

by Lori Lakin Hutcherson (@lakinhutcherson)

The winners of the 49th NAACP Image Awards were announced last night during the live broadcast from the Pasadena Civic Auditorium which aired on TV One. The two-hour live special was hosted by Anthony Anderson and opened with a powerful moment in support of #TIMESUP featuring Angela Robinson, Kerry Washington, Jurnee Smollett-Bell, Laverne Cox, Lena Waithe and Tracee Ellis Ross.

Ava DuVernay was honored as the NAACP Entertainer of the Year. NAACP Chairman Leon W. Russell presented the NAACP Chairman’s Award to William Lucy, NAACP President and CEO Derrick Johnson presented the NAACP President’s Award to Danny Glover and several members of the Memphis Sanitation “I Am A Man” Workers were also in attendance – they were presented with the NAACP Vanguard Award earlier in the week during a press conference at the National Civil Rights Museum in Memphis, TN.

Gap Band leader Charlie Wilson was honored with the Music Makes a Difference honor which is bestowed upon an individual within the recording industry who has achieved worthwhile success and inspiration for civic engagement, criminal justice, education, economic opportunity, or criminal justice.

“Girls Trip” triumphed as the winner in the Outstanding Motion Picture category, and picked up a second award for its breakout star Tiffany Haddish in the Supporting Actress category.

Jordan Peele

Jordan Peele‘s horror opus “Get Out” received three awards, including Best Actor honors for lead Daniel Kaluuya, and Best Director and Best Writing wins for Peele. “Black-ish” took home the award for best television series, while host Anderson won Best Actor, Tracee Ellis Ross repeated as Best Actress and Marsai Martin won for Best Supporting Actress in a TV series.
In recording, Bruno Mars took home awards for Outstanding Male Artist, Outstanding Music Video/Visual Album  and Outstanding Song – Traditional for “That’s What I Like.” Kendrick Lamar owned the Outstanding Album, Outstanding Song – Contemporary and Outstanding Duo, Group or Collaboration categories (the latter with Rihanna).

The winners of the 49th NAACP Image Awards in the non-televised categories were announced during a gala dinner celebration that took place Sunday, January 14, 2018, at the Pasadena Conference Center – the event was hosted by The Real’s Adrienne Houghton, Loni Love, Jeannie Mai and Tamera Mowry-Housley.

The NAACP Image Awards is the premiere multicultural awards show. It celebrates the accomplishments of people of color in the fields of television, music, literature and film, and also honors individuals or groups who promote social justice through creative endeavors.

For all information and the latest news, please visit the official NAACP Image Awards website at: http://www.naacpimageawards.net.

Below are all of the winners for the 49th NAACP Image Awards:

MOTION PICTURE

Outstanding Motion Picture – “Girls Trip” (Universal Pictures)

Outstanding Directing in a Motion Picture – Jordan Peele – “Get Out” (Universal Pictures)

Outstanding Actor in a Motion Picture – Daniel Kaluuya – “Get Out” (Universal Pictures)

Outstanding Actress in a Motion Picture – Octavia Spencer – “Gifted” (Fox Searchlight Pictures)

Outstanding Supporting Actor in a Motion Picture – Idris Elba – “THOR: Ragnarok” (Marvel Studios)

Outstanding Supporting Actress in a Motion Picture – Tiffany Haddish – “Girls Trip” (Universal Pictures)

Outstanding Independent Motion Picture – “Detroit” (Annapurna Pictures)

Outstanding Writing in a Motion Picture – Jordan Peele – “Get Out” (Universal Pictures)

"Girls Trip" Star Tiffany Haddish Sets Two Movies With New Line and Universal

Tiffany Haddish (via vanity fair.com)

by Justin Kroll via Variety.com
After making history as the first black female stand-up comedian to host “Saturday Night Live,” Tiffany Haddish is looking to continue to stay busy by landing lead roles in New Line’s “The Kitchen” and Universal’s “The Temp.”
Haddish is in talks to join the ensemble of “The Kitchen,” which is the directorial debut for “Straight Outta Compton” screenwriter Andrea Berloff, who is also writing the script. The film is based on the comic book series by Ollie Masters and Ming Doyle for Vertigo from DC Entertainment. The series has gained a cult following since debuting in 2014 to critical acclaim. The Irish mafia story is set in Hell’s Kitchen, N.Y., in the 1970s. When the FBI comes in and does a sweep of the mob, several men are arrested. Their wives end up taking over and running the business much more viciously than the men ever did.
“The Temp,” which is set to be produced by Will Packer, who also produced the hit comedy “Girls Trip” featuring Haddish’s breakout performance.
Universal acquired the original pitch for “The Temp” from Dana Fox, who will also write the female-driven comedy. Fox will produce alongside Packer who will produce through his Universal-based Will Packer Productions. Will Packer Productions’ James Lopez will also produce and Haddish will serve as executive producer.

Haddish’s other upcoming projects include starring alongside Tracy Morgan in TBS’ “The Last OG,” which will be released in 2018; she recently wrapped production on Universal’s “Night School” opposite Kevin Hart. She also has “Limited Partners” in development with Paramount, which she will star in and serve as an executive producer on the project as well.
Outside of her film and TV projects, she is also set to release her book “The Last Black Unicorn,” which comes out Dec. 5, and just announced 2018 dates for her new stand-up tour “She Ready.”
To read full article, go to: http://variety.com/2017/film/news/tiffany-haddish-girls-trip-new-line-universal-1202614732/

FEATURE: ‘Girls Trip’ Star Tiffany Haddish’s Remarkable Rise

Comedian and actor Tiffany Haddish (photo via theatlantic.com)

by Michael P. Jeffries via theatlantic.com
When comedian Tiffany Haddish was 9, her stepfather tampered with the brakes on her mother’s car, hoping to kill his partner and her four children. Rather than going out with her mom that day, Haddish asked to stay home and look after her younger siblings—sparing her from the horrific accident that left her mother mentally impaired. As the oldest child, Haddish did what she could to help for three years, from tying her mother’s shoes to paying bills, but eventually Haddish and her siblings were placed in foster care.
Haddish used the trauma and tragedy of her upbringing to ignite what is now a blazing comedy career. As a child, the Girls Trip star was teased for being a foster kid, but Haddish has also talked about maintaining a strong sense of self worth in her recent Showtime standup special, She Ready!: From the Hood to Hollywood. “The state of California paid so much money to make sure I don’t die ‘cause they knew I was gonna be special,” Haddish tells her audience. “They knew it. They was like, ‘This one right here, she gonna be a unicorn.’ And they was right. I’m the last black unicorn, bitch!”
Haddish’s ascent in recent years—debuting on NBC’s The Carmichael Show in 2015 and appearing in the 2016 action comedy Keanu and the summer hit Girls Trip—is a testament to her talent and resilience. But her story also offers insight into what it takes for a black woman in comedy to become successful today. Haddish’s rise points to where systemic roadblocks still lie for performers of color, particularly women, when they first enter the business—and how some barriers to entry may be falling as comedy enters a new golden age, with fewer gatekeepers and more platforms for artists to reach their fans.
Even though Girls Trip has a black director and writers, Haddish faced questions about her low profile. Her agent initially told her that studio executives were looking for someone with a bigger name to play her character, Dina. Haddish told her agent to tell them, “I’ve had a name since 1979. Okay? I was born with a name.” In the end, her rare comedic gifts won out, and reviews of Girls Trip regularly singled Haddish out for praise.

"Girls Trip" Debuts with $30.4 Million at Box Office, Best Live-Action Comedy Opening of 2017

“Girls Trip” (photo via comingsoon.net)

by Lori Lakin Hutcherson (@lakinhutcherson)
According to Deadline.com, Universal’s Girls Trip  has earned director Malcolm D. Lee not only his second A+ CinemaScore following 2013’s The Best Man Holiday, but also the best opening of his career at the domestic B.O. with $30.4M, beating Holiday‘s $30.1M. This is an incredible start for a movie that cost under $20M, is getting across-the-board positive reviews (plus, Tiffany Haddish‘s viral Will-and-Jada swamp story on “Jimmy Kimmel” exists because of this movie, so even more reason to give it up to “Girls Trip”) and it’s great for comedies in a marketplace. On Friday, the film made $11.7M and eased 5% on Saturday for $11.1M.
RelishMix sees Girls Trip‘s momentum fueled by its cast’s passion to promote on social media. “It’s encouraging to see an entire cast get behind a film — every cast member is social and activated, which is a true rarity. So, many of the YouTube views are surely driven by the super-social cast, led by Queen Latifah’s 18M followers,” reported the social media firm. Jada Pinkett Smith counts 8.9M followers across Facebook and Twitter.
Girls Trip is a break-through comedy that is providing audiences with big entertainment, big laughs,” said Universal domestic distribution chief Nick Carpou, “Malcolm D. Lee is a master at creating characters and telling stories that resonate, and in conjunction with producers Will Packer and James Lopez, has brought us a fresh, raunchy, empowering comedy.”
In other box office news, World War II drama “Dunkirk” came in at number one this weekend, earning $50.5 million, but sci-fi spectacle “Valerian” crashed hard, collecting only $17M in its fifth-place debut. The top 5 were rounded out by holdovers “Spider-Man: Homecoming,” which earned $22M in its third week, and “War for the Planet of the Apes,” scoring $20.4M in its second.

Black While Funny and Female: Comedic Actresses Speak on Working in Hollywood

(Photos by Kirk McCoy via latimes.com)

by Tre’vell Anderson via latimes.com
Making it in Hollywood is no easy feat, and doing so as a woman is even more difficult. If that woman is black — or Latina or Asian or otherwise nonwhite — the odds just aren’t in her favor. But with the release of “Girls Trip,” four black women — Queen Latifah, Jada Pinkett Smith, Regina Hall and Tiffany Haddish — attempt a takeover of the buddy comedy, possibly the first time black women have led such a picture.
One reason as to why? The number of black women thought to be able to carry a studio-backed film is slim, and there hasn’t been a bona-fide black female comedic superstar since Whoopi Goldberg. We spoke to 18 funny black women about their industry experiences. Below are their thoughts:

Tracee Ellis Ross

“Girlfriends,” “black-ish”

While most probably know Tracee Ellis Ross as Rainbow on the hit “black-ish,” others see Joan Clayton of “Girlfriends,” the early 2000s show almost no one would argue about rebooting.
While most probably know Tracee Ellis Ross as Rainbow on the hit “Black-ish,” others see Joan Clayton of “Girlfriends” — the early 2000s show fans would love to see earn the revival or reunion treatment.
Regardless of her career experiences, Ross is just beginning to get her due recognition. In addition to nabbing a Golden Globe earlier this year, she’s earned her second consecutive Emmy nomination. Some might say she has all the makings of a comedic superstar.
But when she takes a moment to ponder other black women who fit the bill she’s forced to think hard.
“Regina Hall … Issa Rae … Jessica Williams,” she said after a moment, “but I shouldn’t have to search to come up with those names. The difficulty is, and I think what happens is, you might see somebody in a role and you’re like, ‘Holy …! She is so funny.’ Then she doesn’t get another opportunity, but she needs those roles because they help you build a career so everybody knows your name and knows what you’re capable of.
“And it’s not just black comedic women. There are, I’m sure, a lot of very funny Asian women and Latina women, and we know some of them, but it’s not because the talent doesn’t exist. The other thing is, the talent exists, but [performers] need the experience to keep getting better and have more depth.”
Ross is encouraged, however, by the likes of Rae.
“I think Issa is a beautiful example of ‘You’re not going to give me any real estate? Fine. I’m going to make it,’” she said. “There is revolution going on.”

How did you settle into comedic acting?

I loved making people laugh when I was younger. It was frowned upon during dinner time but I thought it was hilarious to make my sister laugh. It was often the thing that got me kicked out of class because I was always silly. It was one of the ways my shyness manifested and the way I protected myself and kept people at bay. And I’ve always been a very physical person so when I experience a feeling, I experience it in my entire body.
As I look back, it was a natural progression into the physical comedy and the ways I use my body. In terms of my career, I don’t know that it was a conscious choice that I moved into comedy, but it was an authentic choice. I don’t consider myself funny. I consider myself silly. I just tell the truth and my truth comes out in a way that makes people laugh. My goal isn’t to make people laugh, but I enjoy that exchange.

I think the difficulty for actors of any kind is when you get stuck with what other people assume is who you are. We’re actors and we can do anything.

— Tracee Ellis Ross

Who are some of your comedic inspirations?

I was a Carol Burnett, Lucy [Ball], Lily Tomlin type of girl. They were the three women that etched it in for me. I remember looking back and seeing Goldie Hawn in “Private Benjamin.” I was drawn to all of that growing up. Those were the women that defined freedom and courage [for me]. From there so many funny women like Julia Louis-Dreyfus — I don’t even understand [how she does it].
And then Whoopi Goldberg did the Moms Mabley documentary, and I was so grateful that she did that because it really showed me that Moms Mabley is specifically one of the reasons I can do what I do. She carved something out and did something so consciously that allows me to be a black woman in comedy.
Read more from Ross here: http://www.latimes.com/entertainment/la-ca-black-women-comedy-tracee-ellis-ross-20170720-htmlstory.html

Tiffany Haddish

“Girls Trip,” “Keanu,” “The Carmichael Show”

Tiffany Haddish is legitimately having a moment. As a star of “Girls Trip,” opposite industry vets Queen Latifah, Jada Pinkett Smith and Regina Hall. Based on her performance, and with an upcoming Showtime comedy special, she’s on her way to household-name status.
But what else would you expect from “the last black unicorn?”

How did you get into comedy?

My social worker. [laughs] I was living in South Central L.A. and was being bused to Woodland Hills. I was getting in trouble because I was not sure how to make friends. So I made this imaginary friend up because I thought I was at the Nickelodeon Awards — I had never been around this many white people. I thought I was at the Nickelodeon Awards every day so I thought I needed to be all creative and entertaining because I thought white people lived in TV — my concept of people was really messed up.
I remember going to court and seeing the judge. I thought he was the judge from “People’s Court.” [laughs] By the time I got to 10th grade, it was bothering my social worker that she was getting called to the school every week. I was getting sent to the dean’s office for being racist because I had this bird named Cracker. It was this imaginary bird, and I would be like, “Cracker want a Polly?” And I would take actual crackers and break them up on my shoulder. Kids would laugh and stuff. We’d be taking a test and I would be like, “What’s the answer to number seven Cracker?” And they’d be like, “Go to the dean’s office!”
So my social worker was like, “You have two choices this time. You can go to Laugh Factory Academy Camp or you can go to psychiatric therapy. Which one you want to do this summer?” I was like, “Which one got drugs?” and I went to comedy camp. It was the first time a man ever told me I was beautiful and I didn’t feel like I was going to be hurt in some kind of way. They taught me confidence, communication skills, how to write, how to have stage presence.
Read more from Haddish here: http://www.latimes.com/entertainment/la-ca-black-women-comedy-tiffany-haddish-20170720-htmlstory.html

Kenya Barris, Creator of "Black-ish", Signs Overall Movie Deal With Fox

NEW YORK, NY - JUNE 14: Writer Kenya Barris poses for a portrait at the American Black Film Festival on June 14, 2015 in New York City. (Photo by J. Countess/Getty Images Portrait)
NEW YORK, NY – JUNE 14: Writer Kenya Barris poses for a portrait at the American Black Film Festival on June 14, 2015 in New York City. (Photo by J. Countess/Getty Images Portrait)

article by Dave McNary via Variety.com
Kenya Barris, creator of ABC’s “Black-ish” and co-writer of “Barbershop:  The Next Cut,” has signed an overall deal at Fox for the development of feature projects.
“We are thrilled to be in business with Kenya,” said Stacey Snider, chairman and CEO of 20th Century Fox Film. “He is a creator with an incredibly authentic voice — at a time when original storytellers are more valuable than ever.”
The film pact will be administered through Barris’ new production company, Khalabo Ink Society, aimed at telling compelling stories that pull back the curtain on the parts of our society that typically go unnoticed, and forging conversations that expose our own hypocrisies.  “As we expand our comedic franchise we at Khalabo Ink Society are overjoyed to have found a partner in Fox, that shares our same sentiment in storytelling,” Barris said.
Khalabo also has a number of feature projects in the works, including “Cheaper by the Dozen,” “Stir Crazy,”  “Girls Trip,” “Ruff Ryderz,” and “Shaft.” Erynn Sampson is head of development for Khalabo Ink Society.
Barris currently has an overall deal with ABC Studios where he will continue to executive produce “Black-ish,” in addition to developing new series and projects for network, cable, and streaming, including “Unit Zero,” which he will executive produce along with Toni Collette, who will also star.
To read more, go to: http://variety.com/2016/film/news/blackish-kenya-barris-movie-deal-1201853782/