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How “Decoration Day” in May 1865, Held by African Americans in South Carolina Led to Memorial Day

How “Decoration Day” in May 1865, Held by African Americans in South Carolina Led to Memorial Day

By goodblacknews on May 30, 2022

by Lori Lakin Hutcherson (@lakinhutcherson)

On Memorial Day 2022, we take a look at the African American origins of the federal holiday established to remember America’s fallen soldiers.

To read about it, read on. To hear about it, press PLAY:

[You can follow or subscribe to the Good Black News Daily Drop Podcast through Apple Podcasts, Spotify, Google Podcasts, rss.com or create your own RSS Feed. Or just check it out every day here on the main website. Full transcript below]:

Hey, this is Lori Lakin Hutcherson, founder and Editor-in-Chief of goodblacknews.org, here to share with you a daily drop of Good Black News for Monday, May 30th, 2022, which is also Memorial Day, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing.

Although May 30, 1868 is cited as the first national commemoration of Memorial Day at Arlington National Cemetery, events lead by African Americans in Charleston, South Carolina to decorate the graves of fallen Civil War soldiers occurred on May 1, 1865, less than a month after the Confederacy surrendered.

Reports of this early version of Memorial Day or “Decoration Day” as it was called, were rediscovered in the Harvard University archives in the late 1990s by historian David Blight, author of the 2018 biography Frederick Douglass: Prophet of Freedom.

To quote from history.com:

When Charleston fell and Confederate troops evacuated the badly damaged city, those freed from enslavement remained. One of the first things those emancipated men and women did was to give the fallen Union prisoners a proper burial. They exhumed the mass grave and reinterred the bodies in a new cemetery with a tall, whitewashed fence inscribed with the words: “Martyrs of the Race Course.”

And then on May 1, 1865, something even more extraordinary happened. According to two reports that Blight found in The New York Tribune and The Charleston Courier, a crowd of 10,000 people, mostly freed slaves with some white missionaries, staged a parade around the race track.

Three thousand Black schoolchildren carried bouquets of flowers and sang “John Brown’s Body.” Members of the famed 54th Massachusetts and other Black Union regiments were in attendance and performed double-time marches. Black ministers recited verses from the Bible.

Despite the size of the gathering and newspaper coverage, the memory of this event was “suppressed by white Charlestonians in favor of their own version of the day,” Blight stated in the New York Times in 2011.

On May 31, 2010, near a reflecting pool at Hampton Park, the city of Charleston reclaimed this history by installing a plaque commemorating the site as the place where Blacks held the first Memorial Day on May 1, 1865.

During the dedication of the plaque, the city’s mayor at the time, Joe Riley, was present to celebrate the historic occasion which included a brass band and a reenactment of the Massachusetts 54th Regiment.

In 2017, the City of Charleston erected yet another sign reclaiming the history and commemorating the event:

“On May 1, 1865 a parade to honor the Union war dead took place here. The event marked the earliest celebration of what became known as “Memorial Day.” The crowd numbered in the thousands, with African American school children from newly formed Freedmen’s Schools leading the parade. They were followed by church leaders, Freedpeople, Unionists, and members of the 54th Massachusetts 34th and 104th U.S. Colored Infantries. The dead were later reinterred in Beaufort.”

To learn more about African Americans’ role in the creation of Memorial Day, check out the links to sources provided in today’s show notes and in the episode’s full transcript posted on goodblacknews.org.

This has been a daily drop of Good Black News, written, produced and hosted by me, Lori Lakin Hutcherson.

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Families of Charleston Church Massacre Victims Reach $88 Million Settlement with U.S. Justice Department

Families of Charleston Church Massacre Victims Reach $88 Million Settlement with U.S. Justice Department

By goodblacknews on October 28, 2021

The U.S. Department of Justice announced today it has reached an agreement to settle the civil cases arising out of the June 2015 Mother Emanuel AME Church mass shooting in Charleston, South Carolina.

Nine people were killed when 21-year-old white supremacist Dylann Roof entered Mother Emanuel African Methodist Episcopal Church during Bible study and began shooting the congregants. He later confessed, saying he acted in hopes of igniting a race war.

Plaintiffs agreed to settle claims that the FBI was negligent when it failed to prohibit the sale of a gun by a licensed firearms dealer to Roof, a self-proclaimed white supremacist, who specifically targeted the 200-year-old historically African-American congregation.

The settlement provides $63 million for families of those killed in the shooting rampage and $25 million for survivors, according to lawyers involved in the agreement. For those killed in the shooting, the settlements range from $6 million to $7.5 million per claimant. For the survivors, the settlements are for $5 million per claimant.

The parties have been in litigation since 2016, including before the district court and the federal court of appeals.

“The mass shooting at Mother Emanuel AME Church was a horrific hate crime that caused immeasurable suffering for the families of the victims and the survivors,” said Attorney General Merrick B. Garland. “Since the day of the shooting, the Justice Department has sought to bring justice to the community, first by a successful hate crime prosecution and today by settling civil claims.”

On June 17, 2015, Mother Emanuel congregants welcomed a stranger who had entered their church. They invited him to participate in their Wednesday night bible study.

Tragically, at the close of the bible study, Roof shot and killed Cynthia Hurd, Susie Jackson, Tywanza Sanders, Sharonda Coleman-Singleton, Daniel L. Simmons, Ethel Lee Lance, Myra Thompson, Rev. Depayne Middleton-Doctor and Mother Emanuel’s pastor, Reverend Clementa Pinckney, also a South Carolina State Senator.

The families of the Emanuel Nine, as well as the five survivors who were inside the church at the time of the shooting, sued the government. They sought to recover for wrongful death and physical injuries arising from the shooting.

Plaintiffs asserted that the FBI’s National Instant Criminal Background Checks System (NICS) failed to timely discover that the shooter was a person prohibited by federal law from possessing a firearm. Plaintiffs alleged that because of this delay, the shooter was able to purchase the handgun that he used to commit the atrocity.

The families sued after the FBI revealed that its system for conducting background checks failed to catch a fact that should have blocked the sale of the gun Roof used in the shooting. He bought the Glock 41 two months earlier at a shopping mall in West Columbia.

Read more: https://www.npr.org/2021/10/28/1050035997/charleston-church-shooting-doj-settlement-families

https://www.justice.gov/opa/pr/justice-department-announces-multi-million-dollar-civil-settlement-principle-mother-emanuel

HISTORY: Honoring Memorial Day and its African American Origins

HISTORY: Honoring Memorial Day and its African American Origins

By goodblacknews on May 31, 2021

[Photo/Image via chicagocrusader.com]

Although May 30, 1868 is cited as the first national commemoration of Memorial Day at Arlington National Cemetery, events lead by African Americans in Charleston, SC to decorate the graves of fallen Civil War soldiers occurred on May 1, 1865, less than a month after the Confederacy surrendered.

Reports of this early version of Memorial Day or “Decoration Day” as it was called, were rediscovered in the Harvard University archives in the late 1990s by historian David Blight, author of the 2018 biography Frederick Douglass: Prophet of Freedom.

To quote from history.com:

When Charleston fell and Confederate troops evacuated the badly damaged city, those freed from enslavement remained. One of the first things those emancipated men and women did was to give the fallen Union prisoners a proper burial. They exhumed the mass grave and reinterred the bodies in a new cemetery with a tall whitewashed fence inscribed with the words: “Martyrs of the Race Course.”

And then on May 1, 1865, something even more extraordinary happened. According to two reports that Blight found in The New York Tribune and The Charleston Courier, a crowd of 10,000 people, mostly freed slaves with some white missionaries, staged a parade around the race track. Three thousand Black schoolchildren carried bouquets of flowers and sang “John Brown’s Body.” Members of the famed 54th Massachusetts and other Black Union regiments were in attendance and performed double-time marches. Black ministers recited verses from the Bible.

Despite the size of the gathering and newspaper coverage, the memory of this event was “suppressed by white Charlestonians in favor of their own version of the day,” Blight stated in the New York Times in 2011.

On May 31, 2010, near a reflecting pool at Hampton Park, the city of Charleston reclaimed this history by installing a plaque commemorating the site as the place where Blacks held the first Memorial Day on May 1, 1865.

During the dedication of the plaque, the city’s mayor at the time, Joe Riley, was present to celebrate the historic occasion which included a brass band and a reenactment of the Massachusetts 54th Regiment.

In 2017, the City of Charleston erected yet another sign reclaiming the history and commemorating the event:

Read more:

Malachi Jones, 17, Wins Prestigious $10,000 Scholastic Art & Writing Award for 2018

By goodblacknews on March 31, 2018
Teen Wins Prestigious Writing Award That Stephen King, Capote, and Other Famous Writers Won
Malachi Jones (Charleston County School of the Arts Middle & High School)

by  via blackenterprise.com

Malachi Jones, the 17-year-old wunderkind who is heading to Columbia University this fall, has been awarded a Gold Medal Portfolio, the highest honor of the 2018 Scholastic Art & Writing Awards presented by the nonprofit Alliance for Young Artists & Writers.
The high school senior, who attends the Charleston County School of the Arts in Charleston, South Carolina, says he greeted the news, which he received by phone, with a “loud silence.”
“I felt like a siren was going off inside my head, but I was speechless,” Malachi is quoted as saying in a Charleston Chronicle article. “I had been submitting work to Scholastic since 7th grade, so it is insane to me to think an audience outside my family and peers wants to read and appreciate my work.”
The honor includes a scholarship of $10,000.
Malachi has joined a prestigious group of former youth winners, now all household names, including Truman Capote, Sylvia Plath, Joyce Carol Oates, and Stephen King, according to the Post and Courier website.
None of them, however, have grappled in their writing with the constraints of race in the arresting way Malachi has. According to the Post and Courier, Malachi has rejected the trope of the stereotypical black man and instead chosen to forge his own way of being black in the world.
The article states, “Jones’s award-winning work—a collection of lyric essays and free-verse poems—revolves around his experience as a black teenager struggling with and finally coming to terms with his identity.
“In a poem titled ‘Pantoum for my Mother,’ Jones writes, ‘Stripped of my blackness, / uprooted by judgement. / I was never dark enough for you / or for the ones who called me whitewashed.’
“It’s about the questions and judgment he endures from both his white and black peers for not fitting the stereotypical ‘formula of a black male.’”
According to the Poetry Foundation, a pantoum is a Malaysian verse form.
To read more: http://www.blackenterprise.com/17-year-old-wins-prestigious-writing-honor-10k-scholarship/

African American Heritage Commission of South Carolina Launches New 'Green Book,' Names State's Top Black History Sites

By goodblacknews on January 16, 2018

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The African-American History Monument on grounds of Statehouse in Columbia, SC (photo via postandcourier.com)

by Adam Parker via postandcourier.com
Many — perhaps most — African Americans can trace family roots back to Charleston. About 40 percent of enslaved Africans brought to North America arrived on ships that docked in Charleston Harbor.
Slaves then were sold to plantation owners throughout the Antebellum South. During the “Great Migration,” about 6 million blacks moved from the South to the Northeast, Midwest and West between 1916 and 1970, chastened by the ghosts of their oppressed ancestors and motivated by the prospect of a better life.
On the cusp of the Civil War, the U.S. was home to 4 million slaves, 400,000 of whom lived in South Carolina. Their labor created enormous wealth for white rice and cotton planters, and it built whole cities, including Charleston.
Now, 50 years since the death of Martin Luther King Jr., the South Carolina African American Heritage Commission has named 10 top black history sites to visit in the state, including several associated with King and the civil rights movement. The commission also has compiled a much larger list of about 300 sites for its new online travel guide, Green Book of South Carolina (www.GreenBookofSC.com).
Dawn Dawson-House, an ex officio board member who works for the S.C. Department of Parks, Recreation and Tourism, said the initiative is meant to raise awareness of black history and to assist the commission’s efforts to identify, preserve, mark and protect the state’s many sites connected to black history and heritage.
Black history sites abundant in Charleston
“In the past 24 years, more than 200 markers have been added to the official state markers program,” Dawson-House said. “When the commission started, there were only about 35 markers dedicated to black history.”
She said historical sites can be found throughout the state, and many local people know about the ones near them.
“No matter where you are in South Carolina, there is an important African-American heritage element or place to visit,” Dawson-House said. “But the entire story is not told collectively. It’s told in bits and pieces in everybody’s community. At the commission we’ve decided we have to pull together an entire portrait of this history.”
Michael Allen, a founding board member of the commission, said the Green Book — “a manifestation of out 24-year journey” meant to assist anyone interested in black history — is a reference to the Jim Crow-era guide that African Americans used when traveling through the South. The old guide provided information about black-owned businesses (gas stations, hotels, restaurants, hospitals) that were safe for black travelers during the period of legal segregation.
“When you went traveling some place, you cooked your food, packed your food, the food was in your car,” Allen said. “You planned visits according to where relatives lived, or drove straight to where you needed to be.”
The modern iteration of the Green Book, instead, is meant for everybody, Allen said. “We think this is a great opportunity to connect the community, the history, the legacy and the African American experience of South Carolinians and the traveling public,” he said.

Charleston-Born Artist Sunn M'Cheaux to Teach Gullah Language Class at Harvard

By goodblacknews on December 21, 2017

COURTESY OF SUNN M’CHEAUX

by  via charlestoncitypaper.com
A renewed interest in Gullah has propelled the language to one of the highest rungs in academia.
Charleston native and performance artist Sunn m’Cheaux spent the fall semester at Harvard teaching an introductory version of a course on Gullah: A language indigenous to the Lowcountry region often described as a combination of English and Central and West African languages.
The pidgin language originally allowed enslaved African people from various tribes to communicate with each other and with their overseers, and is still spoken by African-American communities across coastal regions of South Carolina, Georgia, and Florida.
The Gullah class is the first of its kind at the Ivy League school. It’s part of the African Language Program within the Department of African and African American Studies.
The class is the brainchild of a graduate student who knows m’Cheaux. The student phoned him and asked if he would be willing to meet with the head of the program, Dr. John Mugane. M’Cheaux, who graduated from Goose Creek High School and didn’t go to college, found that Dr. Mugane was impressed with how quickly m’Cheaux was able to teach him some Gullah basics.
“He starts talking about getting my information and taking a picture for the website, and I’m thinking to myself, ‘Wait a minute — did I just get hired?'” m’Cheaux said in a phone interview with CP.
Mugane argues that offering Gullah, along with the 44 other languages taught in the program, increases students’ chances of accurately portraying different communities. “To engage in intellectual and professional work in the Gullah community, we deem it necessary even critical that scholars be literate in Gullah whose basic demonstration is an ability to hold non-trivial conversations with the people they write about, including (and especially) in Gullah, the language of the people they write about,” Dr. Mugane said in an e-mail to CP.
M’Cheaux says that his time bouncing between Charleston, Los Angeles, and New York as an artist and activist influenced his teaching methods. “Ultimately, my arts and entertainment career kind of dovetailed into social activism and commentary, and in a sense, I feel like this is an extension of that as well,” m’Cheaux said. “How to use literal and figurative language to communicate with people and teach people how to make it their own.”
This kind of approach is especially necessary with Gullah — a language that is passed down orally without established standards for grammar and spelling. Aspects of the language may be familiar to English speakers, such as “han’ baby,” which means small infant, and “knee baby,” which can be interpreted as toddler in English.
“I want to build these students’ intuition in order to know when to apply something literally and figuratively, because that will help bring the language to life,” m’Cheaux said. “Those are figurative terms, not necessarily literal terms, but once you look at them literally, it makes total sense.”
M’Cheaux uses the few Gullah reference books and literature available as course materials, but has largely stuck to developing his own curriculum throughout the semester, which includes video chats between students and native speakers.
To read more, go to: https://charlestoncitypaper.com/TheBattery/archives/2017/12/19/harvard-introduces-gullah-class-taught-by-a-charleston-born-artist

New College Scholarship Program for African American Students to Honor Rev. Clementa Pinckney

By goodblacknews on March 31, 2016

Rev. Clementa Pinckney (photo via postandcourier.com)
Rev. Clementa Pinckney (photo via postandcourier.com)

article via jbhe.com
A group of anonymous donors has endowed a scholarship fund to honor the late Rev. Clementa C. Pinckney. Rev. Pinckney, who was a member of the state Senate in South Carolina, was murdered at the Mother A.M.E. Church in Charleston, South Carolina, along with eight other parishioners.
The $3.2 million fund will be administered by the Coastal Community Foundation in Charleston. Proceeds from the endowment will fund scholarships for African American college students. The Reverend Pinckney Scholars Program will award scholarships for students in need and provide them with other support services.
Scholarships will range from between $5,000 and $10,000 and will be renewable for up to four years. Preferences will be given to students of substantial financial need, high academic achievers, and those with leadership qualities. Immediate family members of the victims of the massacre at the Mother A.M.E. Church will also be given preference.

Alicia Keys, John Legend, Pharrell and Others Perform at "Shining A Light: Concert For Progress on Race in America" Airing Tonight on A+E Networks & Several Others

By goodblacknews on November 20, 2015
John Legend at "Shining A Light" Concert
John Legend at “Shining A Light” Concert

A+E Networks and iHeartMedia are simultaneously airing “Shining a Light: A Concert for Progress on Race in America” on Friday, November 20 at 8PM ET/PT.  The sold-out concert was recorded at The Shrine Auditorium in Los Angeles, CA on Wednesday, November 18th, and the two-hour special event will air across the entire A+E Networks portfolio in more than 130 territories globally, including A&E, HISTORY, Lifetime, H2, LMN and FYI, as well as on more than 130 iHeartMedia broadcast radio stations nationwide and the iHeartRadio digital platform.  Additionally, AOL has joined in the simulcast making the historic special event available to anyone with internet access across the globe on AOL.com.

Artists Aloe Blacc, Andra Day, Nick Jonas, Tom Morello, Smokey Robinson and Big Sean join the previously announced performers including Zac Brown Band, Eric Church, Jamie Foxx, Rhiannon Giddens, Tori Kelly, John Legend, Miguel, Pink, Jill Scott, Ed Sheeran, Sia, Bruce Springsteen, Sting and Pharrell Williams.  LL Cool J, Marshall Faulk, Morgan Freeman, George Lopez, Mario Lopez, Nicki Minaj, Kurt Warner and Nick Young are among the presenters joining the telecast.

Alicia Keys has joined John Legend and Pharrell on extraordinary journeys to Baltimore, Ferguson and Charleston, where they met with a diverse group of residents in communities at the center of the national conversation on racial inequality and violence.  Joined by NPR’s Michele Norris with John Legend in Ferguson, award-winning journalist Soledad O’Brien with Pharrell Williams in Charleston and ABC News’ Byron Pitts in Baltimore, these visits included intimate discussions and special private performances by each for those most effected.  These incredibly moving, heart wrenching and eye-opening moments will be featured throughout the two-hour concert, as well as in the one-hour special, “Shining a Light: Conversations on Race in America,” airing immediately following the concert on A&E Network and AOL.com at 10pm ET/PT.

To see Alicia Keys perform Donny Hathaway’s “Someday We Will All Be Free”, watch below:
https://youtu.be/vqt2OHsAFiU
The concert will kick off A+E Networks’ campaign to confront issues of race, and promote unity and progress on racial equity, inspired by the response of the Mother Emanuel family members in Charleston and others working for reconciliation and change around the country.
The concert and the ancillary programming will help raise money for the Fund for Progress on Race in America powered by United Way Worldwide (ShiningALightConcert.com).  The fund will provide grant funding to individuals and organizations fostering understanding, eliminating bias, as well as provide support to Mother Emanuel A.M.E. Church and the broader A.M.E. denomination. The fund will support efforts to address racism and bias through public policy change, individual innovation, and community mobilization.
Tickets for the concert on November 18 sold out within 3 hours of the on-sale date raising more than $150,000 to benefit the Fund for Progress on Race in America powered by The United Way Worldwide.
To see a clip of John Legend’s performance of “Bridge Over Troubled Water,” from the event, watch below:
https://youtu.be/F4PLzIrzI6k

article by Lori Lakin Hutcherson (follow @lakinhutcherson)

Mother Emanuel AME Shooting Suspect Dylann Roof Indicted On Federal Hate Crime Charges

By goodblacknews on July 22, 2015

Attorney General Loretta Lynch announces federal hate crime charges against Emanuel AME Church shooter Dylan Roof (photo: nytimes.com)
Attorney General Loretta Lynch announces federal hate crime charges against Emanuel AME Church shooter Dylan Roof (photo: nytimes.com)

The man accused of killing nine Black parishioners at the historic Mother Emanuel AME church in Charleston, S.C. was indicted on federal hate crime charges Wednesday, the New York Times reports.
Dylann Roof, 21, was also indicted on other charges, including killing someone while obstructing religious freedom, a charge eligible for the death penalty.
Roof, who admitted to police he killed the nine people attending a prayer meeting because they were Black, was already facing nine counts of murder in state court, but the Justice Department said “the shooting was so horrific and racially motivated that the federal government must address it,” the Times writes. In fact, as pointed out by Attorney General Loretta Lynch on Wednesday, South Carolina does not have hate crime laws, backing the reasoning for federal charges.
According to the NYT:

A grand jury was expected to return a federal indictment on Wednesday afternoon. It was not immediately clear how that indictment would affect the state prosecution. The Justice Department has the option to delay its case and wait to see how the state case ends before deciding whether to proceed with a second trial. Under federal law, a hate crime does not, by itself, carry a possible death sentence.

Authorities have linked Mr. Roof to a racist Internet manifesto and said he was in contact with white supremacist groups before his attack on the Emanuel A.M.E. Church. He was photographed holding a Confederate flag and a handgun.

“I have no choice,” the manifesto reads. “I am not in the position to, alone, go into the ghetto and fight. I chose Charleston because it is most historic city in my state, and at one time had the highest ratio of blacks to Whites in the country. We have no skinheads, no real KKK, no one doing anything but talking on the Internet. Well someone has to have the bravery to take it to the real world, and I guess that has to be me.”

In all, Roof was indicted by a grand jury on 33 federal counts. His tentative trial is set for July 11, 2016.

article via newsone.com

Bree Newsome Speaks For The 1st Time After Taking Down Confederate Flag from State Capitol

By goodblacknews on June 29, 2015
Activist Bree Newsome Takes Down Confederate Flag from South Carolina State Capitol grounds (Photo via bluenationreview.com)

EDITOR’S NOTE: Over the weekend, a young freedom fighter and community organizer mounted an awe-inspiring campaign to bring down the Confederate battle flag. Brittany “Bree” Newsome, in a courageous act of civil disobedience, scaled a metal pole using a climbing harness, to remove the flag from the grounds of the South Carolina state capitol. Her long dread locks danced in the wind as she descended to the ground while quoting scripture. She refused law enforcement commands to end her mission and was immediately arrested along with ally James Ian Tyson, who is also from Charlotte, North Carolina.
Bree Newsome arrest feature
Earlier this week, social justice activist and blogger Shaun King offered a “bounty” on the flag and offered to pay any necessary bail bond fees. Newsome declined the cash reward, asking that all proceeds go to funds supporting victims of the Charleston church massacre. Social media users raised more than $75,000 to fund legal expenses. South Carolina House Minority Leader Todd Rutherford, a renowned defense attorney, has agreed to represent Newsome and Tyson as they face criminal charges.
Newsome released the following statement exclusively to Blue Nation Review:
Now is the time for true courage.
I realized that now is the time for true courage the morning after the Charleston Massacre shook me to the core of my being. I couldn’t sleep. I sat awake in the dead of night. All the ghosts of the past seemed to be rising.
Not long ago, I had watched the beginning of Selma, the reenactment of the 16th Street Baptist Church bombing and had shuddered at the horrors of history.
But this was neither a scene from a movie nor was it the past. A white man had just entered a black church and massacred people as they prayed. He had assassinated a civil rights leader. This was not a page in a textbook I was reading nor an inscription on a monument I was visiting.
This was now.
This was real.
This was—this is—still happening.
I began my activism by participating in the Moral Monday movement, fighting to restore voting rights in North Carolina after the Supreme Court struck down key protections of the 1965 Voting Rights Act.
I traveled down to Florida where the Dream Defenders were demanding justice for Trayvon Martin, who reminded me of a modern-day Emmett Till.
I marched with the Ohio Students Association as they demanded justice for victims of police brutality.
I watched in horror as black Americans were tear-gassed in their own neighborhoods in Ferguson, MO. “Reminds me of the Klan,” my grandmother said as we watched the news together. As a young black girl in South Carolina, she had witnessed the Klan drag her neighbor from his house and brutally beat him because he was a black physician who had treated a white woman.
I visited with black residents of West Baltimore, MD who, under curfew, had to present work papers to police to enter and exit their own neighborhood. “These are my freedom papers to show the slave catchers,” my friend said with a wry smile.
And now, in the past 6 days, I’ve seen arson attacks against 5 black churches in the South, including in Charlotte, NC where I organize alongside other community members striving to create greater self-sufficiency and political empowerment in low-income neighborhoods.