Press "Enter" to skip to content

Good Black News

HBCU Hackathons Expand Black Business Opportunities

By goodblacknews on February 3, 2014
hbcu hackathons

Last year may have been the year of the historically black hack-a-thon. Several of the nations’ most prominent black colleges welcomed students of varying majors and interests to a whirlwind experience of innovation, entrepreneurial spirit and networking.  Almost makes you wish there was an app for that, but that’s HBCU Hack-a-thons are all about; taking individuals with little-to-no tech or coding experience and pairing their creativity with tech savvy developers and marketers to make a new generation of black entrepreneurs in emerging tech markets.

Morehouse, Spelman, Clark Atlanta, Howard and Morgan State participated in the 2013 HBCU Hack-a-thon experience. Students compete for prizes, exposure, and for some, their first visions of owning their own company in a field in which they never imagined working.
“It sparks students from across all kinds of disciplines to come together to develop an idea that can be brought to the marketplace,” says Omar Muhammad, Director of the Entrepreneurial Development and Assistance Center of the Earl G. Graves School of Business and Management at Morgan State University. “They get hands on experience with working groups, and understanding what it means to start a business. The individuals who come in as entrepreneurs really help the students to learn how to move their businesses forward.”
Muhammad says the nature of hack-a-thons inspires collaboration, and melds ideas from different backgrounds, industries and social constructs to bring out the essence of innovation. The movement was started by the Black Founders, a group of working black tech professionals who wanted to spur more African-American ownership in tech industries.  One of the Founders and University of Maryland Eastern Shore alumna, Hadiyah Mujhid, told Black Enterprise Magazine in 2013 about the importance of the hack-a-thon effort on HBCU campuses.

Rare Martin Luther King Jr. Speech Found in Arizona, Available for Listening on ASU Website

By goodblacknews on February 3, 2014
Martin Luther King Jr
MONTGOMERY, AL – MAY 1956: Civil rights leader Reverend Martin Luther King, Jr. relaxes at home in May 1956 in Montgomery, Alabama. (Photo by Michael Ochs Archives/Getty Images)
PHOENIX (AP) — Mary Scanlon had no idea a $3 purchase from a Goodwill store in Phoenix would turn out to be a rare link to the civil rights movement’s most revered leader.  Last April, Scanlon was at the thrift store when she spotted a pile of 35 vintage reel-to-reel tapes, including one labeled with the Rev. Martin Luther King Jr.’s name. Despite the moldy and torn packaging, she snapped up all of them. “I didn’t really necessarily have any expectation that this tape would be rare,” Scanlon said.
Arizona State University archivists have found that tape is the only known recording of speeches the slain civil rights leader gave at ASU and at a Phoenix church in June 1964. The hour-long audio has since been digitized and is now available for listening on ASU’s website through June 30.
The tape illustrates that King had been eager to visit supporters in Arizona, a state that would draw criticism more than 20 years later for rescinding the Martin Luther King Jr. holiday.  Scanlon, who donated all the tapes to the school, said the find is one of the high points of her life.  “To have anything about myself connected in any way to Martin Luther King, what more could a person ask for? I’m so proud,” Scanlon said.
Rob Spindler, a university archivist and curator, said it’s miraculous that the audio was still intact. When he first spoke with Scanlon, he immediately warned her not to try and play the tape.  “When the material is that old, sometimes you only get one shot to preserve it,” Spindler said.
The tapes were taken from the Ragsdale Mortuary, which was owned by Lincoln Ragsdale, a civil rights leader in Phoenix who died in 1995, Goodwill employees said. Spindler sent the tapes to a company in Kentucky to copy them to a digital format. On May 17, Spindler, Scanlon, a university librarian and two ASU professors who have researched King gathered to listen to the recording for the first time. Hearing King’s voice brought most of them to tears.
“It answers a question we’ve had for decades,” said Spindler, who believes it was King’s first public appearance in Arizona. “What did Martin Luther King say to us that night and how did he arrive here in Phoenix? Now we have a much better idea of those things.”
Arizona was the last stop on a West Coast tour King had been doing, Spindler said. The university and the local chapter of the National Association for the Advancement of Colored People worked to get the preacher to come. About 8,000 people attended the June 3 speech at Goodwin Stadium that started about 8 p.m. In his remarks, King focused on the Civil Rights Act, which at the time was stuck in a filibuster in the U.S. Senate.

Russell Wilson Proves Doubters Wrong, Becomes 2nd African-American Quarterback to Win Super Bowl

By goodblacknews on February 3, 2014
NYC PAPERS OUT. Social media use restricted to low res file max 184 x 128 pixels and 72 dpi
Russell Wilson hoists the Lombardi Trophy in just his second season as an NFL quarterback. (ROBERT SABO/NEW YORK DAILY NEWS)

He didn’t dominate, and he didn’t dazzle. He just won. Again.  And this time, Seattle Seahawks quarterback Russell Wilson did it on the biggest stage possible, in Super Bowl XLVIII at MetLife Stadium, leading his underdog Seattle Seahawks to a 43-8 demolition of Peyton Manning’s Denver Broncos on Sunday night.

In a game where he was supposed to be the “other” quarterback, the second-year pro did exactly what he had to do to win the Lombardi Trophy. Very quietly, he passed for 206 yards and two touchdowns, becoming the first African-American quarterback to win a Super Bowl since Doug Williams led the Washington Redskins to victory in Supe XXII.
“It’s something I think about, to be the second African-American to win the Super Bowl,” Wilson said. “That’s history right there, man. It’s something special and it’s real.  There are so many guys before (me) who have tried to change the game and have done a great job of it.”
While Manning bumbled his way to two interceptions and meaningless Super Bowl passing records, Wilson never tried to do too much. He just calmly completed seven of his first 10 passes on the first two drives — including a 37-yarder to Doug Baldwin — to set up a pair of early field goals and set the tone in the runaway win. He was efficient the entire evening, completing 18 of 25 passes.
Not bad for a quarterback who said he routinely faced doubts because he stands just 5-11.  “I think the biggest thing is playing great situational football,” Wilson said. “We want to be smart. I just try to do my part. When we need a big play, I always try to make it, and keep the guys going.”

Kevin Hart/Ice Cube Comedy "Ride Along" Scores Rare 3rd Straight Top Box Office Finish With $12.3 Million

By goodblacknews on February 2, 2014

Ride Along Movie

Continuing its high-flying ride at the domestic box office, Universal’s stalwart holdover Ride Along posted its third straight weekend victory, estimating $12.3 million for a Stateside cume of $93 million and counting.  The Super Bowl weekend’s only two wide releases — Focus Features’ That Awkward Moment and Paramount’s Labor Day, both of which are targeted squarely at female audiences — underperformed, grossing $9 million and $5.3 million, respectively.
Internationally, Disney had another standout weekend with its toon all-star Frozen, which grossed an estimated $24 million from 45 territories, representing approximately 90% of the overseas market place.  So far, the film has collected north of $504 million internationally, with $360 million Stateside (pic’s sing-along re-release contributed $2.2 million out of a total estimated $9.3 million this weekend), making Frozen the second-highest grossing original toon of all time globally, behind Finding Nemo.  Domestic totals managed to stay in line roughly with this time last year, down just 2%, though first-quarter 2013 box office was especially mopey.
As the clear highlight so far this year, Ride Along’s third-straight win at the domestic box office matches what only three films total managed last year — The Butler, Gravity and The Hobbit: The Desolation of Smug — none of which bowed during the first quarter.
Speaking of Gravity, Warner Bros.’ large-screen re-release of the Oscar-nominated 3D epic earned more than half of its $2 million three-day gross in Imax. Gravity has cumed nearly $264 million domestically in over four months.  Among the other Academy Award contenders, both American Hustle and The Wolf of Wall Street became milestone box office achievements for their respective directors: Hustle now stands as David O. Russell’s highest-grossing film, with $133.6 million, while Martin Scorsese’s Wolf is the director’s third-highest, at $104.1 million, surpassing The Aviator.
Film (Weeks in release): 3-day gross*; Locations; Per-theater average; Cume*; Percentage change

  1. Ride Along (3): $12.3; 2,867; $4,295; $93.0; -42%
  2. Frozen (11): $9.3; 2,754; $3,381; $360.0; +2%
  3. That Awkward Moment (1): $9.0; 2,809; $3,208; $9.0; –
  4. The Nut Job (3): $7.6; 3,472; $2,193; $50.2; -37%
  5. Lone Survivor (6): $7.2; 3,285; $2,180; $104.9; -44%
  6. Jack Ryan: Shadow Recruit (3): $5.4; 2,907; $1,858; $39.0; -41%
  7. Labor Day (1): $5.3; 2,584; $2,051; $5.3; –
  8. American Hustle (8): $4.3; 2,216; $1,940; $133.6; -39%
  9. The Wolf of Wall Street (6): $3.6; 1,607; $2,209; $104.1; -35%
  10. I, Frankenstein (2): $3.5; 2,753; $1,279; $14.5; -59%

article by Andrew Stewart via Variety.com

"12 Years a Slave" Nabs Top Prize at London Critics’ Circle Awards

By goodblacknews on February 2, 2014
'12 Years Slave' Nabs Top Prize
LONDON — Steve McQueen’s 12 Years a Slave took top prize Sunday at the London Critics’ Circle Film Awards, which started with a tribute to Philip Seymour Hoffman, whose death was announced earlier in the day. 12 Years a Slave also won for Best Actor (Chiwetel Ejiofor) and Supporting Actress (Lupita Nyong’o).  McQueen said that the critic who mattered the most to him was his mother, who had approved of the film. “There’s critics, there’s scholars, but then there’s your mum, so I’m very pleased about that,” he told the Daily Mail.
Alfonso Cuaron took the directing award for Gravity, which was also honored for its special effects, as Tim Webber received the technical achievement award.  The Coen Brothers were named best scriptwriters for Inside Llewyn Davis. The actress prize went to Cate Blanchett for Blue Jasmine, and the supporting actor award was taken hostage by Barkhad Abdi for Captain Phillips.
LONDON CRITICS’ CIRCLE FILM AWARDS
Film – 12 Years a Slave
Foreign-language Film – Blue Is the Warmest Colour
Documentary – The Act of Killing
British Film – The Selfish Giant
Director – Alfonso Cuaron, Gravity
Screenwriter – Ethan Coen & Joel Coen, Inside Llewyn Davis
Actor – Chiwetel Ejiofor, 12 Years a Slave
Actress – Cate Blanchett, Blue Jasmine
Supporting Actor – Barkhad Abdi, Captain Phillips
Supporting Actress – Lupita Nyong’o, 12 Years a Slave
British Actor – James McAvoy, Filth/Trance/Welcome to the Punch
British Actress – Judi Dench, Philomena
Young British Performer – Conner Chapman, The Selfish Giant
Breakthrough British Filmmaker – Jon S. Baird, Filth
Technical Achievement Award – Tim Webber, Gravity special effects
Dilys Powell Award for Excellence in Film – Gary Oldman
article by Leo Barraclough via Variety.com

Nine Year-Old Leukemia Patient Jayvon Felton Serves as Detroit Police Chief For a Day

By goodblacknews on February 2, 2014

Detroit mayor for a day

Motor City had a new police chief on Friday, as a young boy with leukemia had a lifelong dream fulfilled by serving as honorary “Chief for a Day.”  Nine-year-old fourth-grader Jayvon Felton was celebrated in a ceremony coordinated by Detroit police Capt. Darwin Roche. Jayvon, who was diagnosed with leukemia in April, was decked out in a blue S.W.A.T. uniform, complete with a gold badge and officer’s cap.

Jayvon arrived by helicopter and was then ihntroduced to a group of officers, police dogs, classmates, Detroit mascots and family, according to The Associated Press.  Jayvon has always dreamed of being a police officer and smiled broadly as Detroit’s real police chief, James Craig, swore him in.  Jayvon’s mother, Amanda Clinkscales, told The Detroit News that her son has been melancholy lately because he doesn’t feel like he is a normal boy. “I told him, ‘You are a regular boy. What you have is not your fault. We’re going to get through it because God said so, and you’ll be just fine, and I love you,’” Clinkscales said.

The new chief wasn’t a tough task-master during his day in the front office. The Detroit News reported that when asked if he had any orders, Jayvon responded, “Take the day off.”

article by Elisha Fieldstadt via nbcnews.com

Mayor Bill de Blasio Says New York City Will Settle Suits on Stop-and-Frisk Tactics

By goodblacknews on January 31, 2014

Mayor Bill de Blasio with members of the Explorers youth program Thursday after announcing the stop-and-frisk case settlement. Joshua Bright for The New York Times

New York City will settle its long-running legal battle over the Police Department’s practice of stopping, questioning and often frisking people on the street — a divisive issue at the heart of the mayoral race last year — by agreeing to reforms that a judge ordered in August, Mayor Bill de Blasio announced on Thursday.

In making the announcement, which he said he hoped would end a turbulent chapter in the city’s racial history, Mr. de Blasio offered a sweeping repudiation of the aggressive policing practices that had been a hallmark of his predecessor, Michael R. Bloomberg, but that had stoked anger and resentment in many black and Latino neighborhoods. He essentially reversed the course set by Mr. Bloomberg, whose administration had appealed the judge’s ruling.

“We’re here today to turn the page on one of the most divisive problems in our city,” Mr. de Blasio said at a news conference. “We believe in ending the overuse of stop-and-frisk that has unfairly targeted young African-American and Latino men.”

The judge, Shira A. Scheindlin of Federal District Court in Manhattan, found that the department’s stop-and-frisk tactics were unconstitutional, and that it had resorted to “a policy of indirect racial profiling.” At the height of the program, in the first quarter of 2012, the police stopped people — mostly black and Latino men — on more than 200,000 occasions. A vast majority of those stopped were found to have done nothing wrong.

Judge Scheindlin had ordered the appointment of a monitor to develop, in consultation with the parties, widespread reforms of the department’s “policies, training, supervision, monitoring and discipline regarding stop-and-frisk.” That process will go forward as part of the agreement.

Fantasy Hollywood: Restaging Classic Films with Black Models

By goodblacknews on January 30, 2014
Black Hollywood Breakfast
Breakfast at Onomo’s, 2013. Photograph: Antoine Tempé

Back in the 80s, my classmates and I piled into Mbabane’s local cinema to watch Top Gun. We’d turn to each other, channeling our best version of Val Kilmer to spout “You can be my wing man anytime” – followed by intense laughter. Who doesn’t have a favourite line, an iconic moment from film lodged in our minds? 

Dakar-based photographers Omar Victor Diop and Antoine Tempé were counting on just that, the shared experience and ubiquity of film, when the hotel group Onomo International invited them to create a series of photographs using the hotel as a backdrop. They turned to the silver screen, to iconic moments they’ve held onto to and mined for their collaborative project, ONOMOllywood.
In 20 images that pay homage to characters such as Truman Capote’s Holly Golightly in Breakfast at Tiffany’s, these reinventions begin with the a humble “what if…” A question looking to how popular global cultural translates to the local, what could it look like, and what new memories would it create. The project has created conversation, accolades and blowback, but in an interview with Another Africa, Diop takes it all in stride.
Black Hollywood American Beauty
American Beauty, 2013. Photograph: Omar Victor Diop

Missla Libsekal | Representational art usually puts artists in the hot seat, audiences tend to have strong opinions. For example Samuel Fosso’s self-portraits as famous political figures or Pieter Hugo’s Nollywood series. Mimicry steps on the nerve of nostalgia, the sacred or even challenges the status quo. What tale doesONOMOllywood tell and does it hit any nerves? 
Omar Victor Diop | ONOMOllywood is a celebration of cinema, as an artistic discipline and of the magic of a great movie. For Antoine Tempé (the co-author of the series who created 10 out of the 20 images) and myself, what makes a great movie is the fact that the strength of its characters, plot and scenes transcends all geographic, temporal and racial barriers. A great movie is more than a series of sequences, it becomes a moment that is lived across the globe by people who have very little in common, but who relate to extraordinary stories that allow them to dream.
The example I always give is the magic of a James Bond movie; back when I was a kid, I didn’t care whether Roger Moore was white or black, or whether I was a British citizen… to me, he was a hero I could impersonate. After watching A View To A Kill, I firmly believed my pajamas were a tuxedo and that my mom’s kitchen was actually some concrete jungle where I would chase after criminals… That’s what cinema has brought to me and it still somehow does, to my adult life. A great movie is a dream.

Black Hollywood Psycho
Psycho, 2013. Photograph: Antoine Tempé

ONOMOllywood did hit some nerves, especially in the US: after one of my interviews was published on CNN.COM. We were taken aback by the racial dimension of some readers’ comment. To my great surprise, I realised that this series could be seen by some as a sort of “revenge” of black people against a too “white” Hollywood. The “race war” in the comments section was quite epic! 
It was rather amusing to see the way some readers resolutely eluded the fact that this project is the product of a collaboration between a French-American photographer and a Senegalese photographer. It was “just some black dude painting Hollywood in black because the world looked better like this”.
I guess this can be explained by a set of contextual factors. The article about ONOMOllywood was published in late July 2013, after a heated debate over a series of race-related affairs like the Trayvon Martin case in the US, a series of blackface incidents in fashion magazines in Europe, etc. I guess people from both sides were already prepared to shoot at anything that could be seen as an attempt to see the world from a racial perspective… Interesting experience indeed, we’re glad this project started a conversation in other continents, that’s the purpose of art, even though for us, ONOMOllywood remains a celebration, a well deserved homage to geniuses of cinema, to timeless moments.

Black Hollywood Frida
Frida, 2013. Photograph: Omar Victor Diop

Black Students Shine At Greene Scholar Programs Science Fair In California

By goodblacknews on January 28, 2014
scientists
The Dr. Frank S. Greene Scholars Program dedicates its focus on preparing and challenging students in the fields of science, technology, engineering and math, also know as the STEM fields. Now in its 12th year, the Greene Scholar Programs (GSP) Science Fair, held this past weekend in San Jose, Calif., has been one of the most-dynamic events focusing on the excellence of African-American students in the Bay Area.
The San Jose Mercury News reported on the event, and spoke with several of the young participants, ranging from grades from third to 12th. One sixth-grader’s science presentation was rather impressive given his young age, and the 11-year-old raised a fine question with his experiment regarding the Tesla Motors electric car.  “As a car guy, I wondered if this small change would alter the aerodynamics of the car,” said Ayinde Olukotun, who attends Jane Lathrop Stanford Middle School in Palo Alto.
Olukotun’s experiment studied the effect of the electric car manufacturers’ decision to raise the body of the Model S version of the vehicle after some reported battery fires. Olukotun compared the energy efficiency of model cars of different shapes and sizes, although he notes Tesla did the right thing in addressing the issue while possibly raising another. He says he “might e-mail” Tesla concerning his finds.
Program Director Gloria Whitaker-Daniels, who began at Dr. Frank S. Greene Scholars Program as a parent volunteer in 2001, has been heading the GSP for the last five years. With the South Bay area’s lower number of African-American residents, Ms. Whitaker-Daniels boasts that 100 percent of its students enter college and that 90 percent of them graduate.
More than 40 percent of GSP participants major in STEM fields, which reportedly is five times the national average for Black students.  Learn more about the excellent work of the Dr. Frank S. Greene Scholars Program here.
article by D.L. Chandler via newsone.com

Pharrell Williams Tops Grammys with Producer, Record of the Year Wins

By goodblacknews on January 27, 2014

Pharrell Williams, Daft Punk and Nile Rodgers accept Best Duo/Group Grammy Award
Pharrell Williams, Daft Punk and Nile Rodgers accepting Best Duo/Group  Performance Grammy Award

Although he easily could have been remembered solely for his avant garde Vivienne Westwood hat this Grammy year, Pharrell Williams‘ musical forays trumped his sartorial whims last night, garnering him Producer of the Year, Record of the Year and Best Pop Duo/Group Performance honors.  Williams also has partial claim to the Album of the Year award, which electronic duo Daft Punk won for Random Access Memories (featuring two Pharrell collaborations.)  Other notable winners were Mackelmore & Ryan Lewis, (Best New Artist, Best Rap Performance, Best Rap Song, Best Rap Album), Alicia Keys (Best R&B Album), Bruno Mars (Best Pop Vocal Album), Ziggy Marley (Best Reggae Album) and Jay Z and Justin Timberlake, who won Best Rap/Sung Collaboration for “Holy Grail.”
Beyoncé and Jay Z opened the show with the steamy, risqué “Drunk in Love,” kicking off a night filled with larger-than-life performances including Pink‘s literal and vocal acrobatics on “Try” and “Just Give Me A Reason,” Katy Perry‘s witchy snap vibe on “Dark Horse” with Juicy J , Kendrick Lamar and Imagine Dragons‘ brilliant, burning mash up of “m.A.A.d City” and “Radioactive,” and Pharrell, Nile Rodgers and Daft Punk with Stevie Wonder on a version of “Get Lucky” that flawlessly blended in Chic’s “Le Freak” and Wonder’s “Another Star.”
One of the biggest, funnest surprises of the evening came late in the show when Queen Latifah introduced Mackelmore & Ryan Lewis, Mary Lambert and Trombone Shorty‘s performance of “Same Love.” Midway through the song, Latifah re-appeared to officiate a wedding ceremony for thirty-three couples – heterosexual and homosexual – in the aisles of the Los Angeles Staples Center.  As they said their “I dos”, Madonna strolled out in a white suit, hat and cane, melding the chorus of “Open Your Heart” into “Same Love.”
A full list of the Grammy winners follows below:
Album of the Year: “Random Access Memories,” Daft Punk

Record of the Year: “Get Lucky,” Daft Punk feat. Pharrell Williams
Song of the Year: “Royals,” Joel Little, Ella Yelich O’Connor (Lorde)
Best Country Album: “Same Trailer, Different Park,” Kacey Musgraves
Best Pop Vocal Album: “Unorthodox Jukebox,” Bruno Mars
Best Rap/Sung Collaboration: “Holy Grail,” Jay Z and Justin Timberlake
Best Pop Solo Performance: Lorde
Best Rock Song: “Cut Me Some Slack,” Dave Grohl, Paul McCartney, Krist Novoselic, Pat Smear
Best Pop Duo/Group Performance: “Get Lucky,” Daft Punk
Best New Artist: Macklemore & Ryan Lewis