Mayor Bill de Blasio with members of the Explorers youth program Thursday after announcing the stop-and-frisk case settlement. Joshua Bright for The New York Times
New York City will settle its long-running legal battle over the Police Department’s practice of stopping, questioning and often frisking people on the street — a divisive issue at the heart of the mayoral race last year — by agreeing to reforms that a judge ordered in August, Mayor Bill de Blasio announced on Thursday.
In making the announcement, which he said he hoped would end a turbulent chapter in the city’s racial history, Mr. de Blasio offered a sweeping repudiation of the aggressive policing practices that had been a hallmark of his predecessor, Michael R. Bloomberg, but that had stoked anger and resentment in many black and Latino neighborhoods. He essentially reversed the course set by Mr. Bloomberg, whose administration had appealed the judge’s ruling.
“We’re here today to turn the page on one of the most divisive problems in our city,” Mr. de Blasio said at a news conference. “We believe in ending the overuse of stop-and-frisk that has unfairly targeted young African-American and Latino men.”
The judge, Shira A. Scheindlin of Federal District Court in Manhattan, found that the department’s stop-and-frisk tactics were unconstitutional, and that it had resorted to “a policy of indirect racial profiling.” At the height of the program, in the first quarter of 2012, the police stopped people — mostly black and Latino men — on more than 200,000 occasions. A vast majority of those stopped were found to have done nothing wrong.
Judge Scheindlin had ordered the appointment of a monitor to develop, in consultation with the parties, widespread reforms of the department’s “policies, training, supervision, monitoring and discipline regarding stop-and-frisk.” That process will go forward as part of the agreement.
Breakfast at Onomo’s, 2013. Photograph: Antoine Tempé
Back in the 80s, my classmates and I piled into Mbabane’s local cinema to watch Top Gun. We’d turn to each other, channeling our best version of Val Kilmer to spout “You can be my wing man anytime” – followed by intense laughter. Who doesn’t have a favourite line, an iconic moment from film lodged in our minds?
Dakar-based photographers Omar Victor Diop and Antoine Tempé were counting on just that, the shared experience and ubiquity of film, when the hotel group Onomo International invited them to create a series of photographs using the hotel as a backdrop. They turned to the silver screen, to iconic moments they’ve held onto to and mined for their collaborative project, ONOMOllywood.
In 20 images that pay homage to characters such as Truman Capote’s Holly Golightly in Breakfast at Tiffany’s, these reinventions begin with the a humble “what if…” A question looking to how popular global cultural translates to the local, what could it look like, and what new memories would it create. The project has created conversation, accolades and blowback, but in an interview with Another Africa, Diop takes it all in stride. American Beauty, 2013. Photograph: Omar Victor Diop
Missla Libsekal | Representational art usually puts artists in the hot seat, audiences tend to have strong opinions. For example Samuel Fosso’s self-portraits as famous political figures or Pieter Hugo’s Nollywood series. Mimicry steps on the nerve of nostalgia, the sacred or even challenges the status quo. What tale doesONOMOllywood tell and does it hit any nerves? Omar Victor Diop |ONOMOllywood is a celebration of cinema, as an artistic discipline and of the magic of a great movie. For Antoine Tempé (the co-author of the series who created 10 out of the 20 images) and myself, what makes a great movie is the fact that the strength of its characters, plot and scenes transcends all geographic, temporal and racial barriers. A great movie is more than a series of sequences, it becomes a moment that is lived across the globe by people who have very little in common, but who relate to extraordinary stories that allow them to dream.
The example I always give is the magic of a James Bond movie; back when I was a kid, I didn’t care whether Roger Moore was white or black, or whether I was a British citizen… to me, he was a hero I could impersonate. After watching A View To A Kill, I firmly believed my pajamas were a tuxedo and that my mom’s kitchen was actually some concrete jungle where I would chase after criminals… That’s what cinema has brought to me and it still somehow does, to my adult life. A great movie is a dream. Psycho, 2013. Photograph: Antoine Tempé
ONOMOllywood did hit some nerves, especially in the US: after one of my interviews was published on CNN.COM. We were taken aback by the racial dimension of some readers’ comment. To my great surprise, I realised that this series could be seen by some as a sort of “revenge” of black people against a too “white” Hollywood. The “race war” in the comments section was quite epic!
It was rather amusing to see the way some readers resolutely eluded the fact that this project is the product of a collaboration between a French-American photographer and a Senegalese photographer. It was “just some black dude painting Hollywood in black because the world looked better like this”.
I guess this can be explained by a set of contextual factors. The article about ONOMOllywood was published in late July 2013, after a heated debate over a series of race-related affairs like the Trayvon Martin case in the US, a series of blackface incidents in fashion magazines in Europe, etc. I guess people from both sides were already prepared to shoot at anything that could be seen as an attempt to see the world from a racial perspective… Interesting experience indeed, we’re glad this project started a conversation in other continents, that’s the purpose of art, even though for us, ONOMOllywood remains a celebration, a well deserved homage to geniuses of cinema, to timeless moments. Frida, 2013. Photograph: Omar Victor Diop
The Dr. Frank S. Greene Scholars Program dedicates its focus on preparing and challenging students in the fields of science, technology, engineering and math, also know as the STEM fields. Now in its 12th year, the Greene Scholar Programs (GSP) Science Fair, held this past weekend in San Jose, Calif., has been one of the most-dynamic events focusing on the excellence of African-American students in the Bay Area.
The San Jose Mercury News reported on the event, and spoke with several of the young participants, ranging from grades from third to 12th. One sixth-grader’s science presentation was rather impressive given his young age, and the 11-year-old raised a fine question with his experiment regarding the Tesla Motors electric car. “As a car guy, I wondered if this small change would alter the aerodynamics of the car,” said Ayinde Olukotun, who attends Jane Lathrop Stanford Middle School in Palo Alto.
Olukotun’s experiment studied the effect of the electric car manufacturers’ decision to raise the body of the Model S version of the vehicle after some reported battery fires. Olukotun compared the energy efficiency of model cars of different shapes and sizes, although he notes Tesla did the right thing in addressing the issue while possibly raising another. He says he “might e-mail” Tesla concerning his finds.
Program Director Gloria Whitaker-Daniels, who began at Dr. Frank S. Greene Scholars Program as a parent volunteer in 2001, has been heading the GSP for the last five years. With the South Bay area’s lower number of African-American residents, Ms. Whitaker-Daniels boasts that 100 percent of its students enter college and that 90 percent of them graduate.
More than 40 percent of GSP participants major in STEM fields, which reportedly is five times the national average for Black students. Learn more about the excellent work of the Dr. Frank S. Greene Scholars Program here. article by D.L. Chandler via newsone.com
Pharrell Williams, Daft Punk and Nile Rodgers accepting Best Duo/Group Performance Grammy Award
Although he easily could have been remembered solely for his avant garde Vivienne Westwood hat this Grammy year, Pharrell Williams‘ musical forays trumped his sartorial whims last night, garnering him Producer of the Year, Record of the Year and Best Pop Duo/Group Performance honors. Williams also has partial claim to the Album of the Year award, which electronic duo Daft Punk won for Random Access Memories (featuring two Pharrell collaborations.) Other notable winners were Mackelmore & Ryan Lewis, (Best New Artist, Best Rap Performance, Best Rap Song, Best Rap Album), Alicia Keys (Best R&B Album), Bruno Mars (Best Pop Vocal Album), Ziggy Marley (Best Reggae Album) and Jay Z and Justin Timberlake, who won Best Rap/Sung Collaboration for “Holy Grail.” Beyoncé and Jay Z opened the show with the steamy, risqué “Drunk in Love,” kicking off a night filled with larger-than-life performances including Pink‘s literal and vocal acrobatics on “Try” and “Just Give Me A Reason,” Katy Perry‘s witchy snap vibe on “Dark Horse” with Juicy J , Kendrick Lamar and Imagine Dragons‘ brilliant, burning mash up of “m.A.A.d City” and “Radioactive,” and Pharrell, Nile Rodgers and Daft Punk with Stevie Wonder on a version of “Get Lucky” that flawlessly blended in Chic’s “Le Freak” and Wonder’s “Another Star.”
One of the biggest, funnest surprises of the evening came late in the show when Queen Latifah introduced Mackelmore & Ryan Lewis, Mary Lambert and Trombone Shorty‘s performance of “Same Love.” Midway through the song, Latifah re-appeared to officiate a wedding ceremony for thirty-three couples – heterosexual and homosexual – in the aisles of the Los Angeles Staples Center. As they said their “I dos”, Madonna strolled out in a white suit, hat and cane, melding the chorus of “Open Your Heart” into “Same Love.”
A full list of the Grammy winners follows below: Album of the Year: “Random Access Memories,” Daft Punk
Record of the Year: “Get Lucky,” Daft Punk feat. Pharrell Williams Song of the Year: “Royals,” Joel Little, Ella Yelich O’Connor (Lorde) Best Country Album: “Same Trailer, Different Park,” Kacey Musgraves Best Pop Vocal Album: “Unorthodox Jukebox,” Bruno Mars Best Rap/Sung Collaboration: “Holy Grail,” Jay Z and Justin Timberlake Best Pop Solo Performance: Lorde Best Rock Song: “Cut Me Some Slack,” Dave Grohl, Paul McCartney, Krist Novoselic, Pat Smear Best Pop Duo/Group Performance: “Get Lucky,” Daft Punk Best New Artist: Macklemore & Ryan Lewis
Award-winning entrepreneur Andrew Mupuya was just 16 years old when he decided to take on the world. That was back in 2008, when both of Mupuya’s parents had lost their jobs and could only afford to cover his school fees. “I had to get to meet my basic needs by myself,” remembers the Ugandan businessman. “I decided to face the world alone.”
Inadvertently, the government of Uganda came to Mupuya’s aid. At the time, officials in the country announced that they were considering a ban on plastic bags to curb environmental damage. Mupuya, who was still in secondary school, immediately saw this as an opportunity to launch a paper bag production company. “I conducted a feasibility study, market research around retail shops, kiosks, supermarkets around Kampala and discovered there is need and potential market for paper bags.”
To start out his small operation, Mupuya figured out he needed a capital of 36,000 Ugandan shillings ($14). He raised the first $11 from selling 70 kilos of used plastic bottles he’d collected over one week. Mupuya then borrowed the remaining $3 from his school teacher and embarked on his entrepreneurial journey producing paper bags on a small scale. Since then, the business has grown extensively and today, at the age of 21, Mupuya is the owner of Youth Entrepreneurial Link Investments (YELI), the first registered Ugandan company to make paper bags.
Numa Perrier and Desmond Faison star in “The Couple”
Aficionados of Black cinema and television arts are ecstatic about the announcement of a TV deal involving Black & Sexy TV’s hit web series The Couple and powerhouse cable television network HBO. Rumor has it the deal will also involve legendary filmmaker Spike Lee as an executive producer. Black & Sexy co-creator Numa Perrier recently confirmed to JETmag.com that the Web superstars did clinch a deal with HBO.
News first leaked Monday at Sundance Film Festival during the Blackhouse Digital Panel, which included Black & Sexy TV founders Dennis Dortch and Numa Perrier, actor Jay Ellis (The Game), Lena Waithe (Dear White People), Edwin Benton and was moderated by Brickson Diamond. The deal was revealed while Diamond and Dortch discussed the task of how to maneuver creative content to new platforms.
For those unfamiliar, the Black & Sexy TV original web series, starring Numa Perrier and Desmond Faison, follows a young Black couple, chronicling the everyday nuances of dating and living together in a hilariously fresh way. Some may recall the unprecedented 2012 Kickstarter campaign that surpassed an original $25,000 goal to raise more than $32,000 in an effort to turn the web series into a film.
Black & Sexy TV offers original programming that is intentionally and unapologetically for us and is responsible for creating breakout web series hits such as Roomieloverfriends—which is also produced by Awkward Black Girl’s Issa Rae, That Guy and a new docu-series Yellow, which explores the “pleasures and problems of the light skinned Black man.”
The development deal with HBO is said to still be in its early stages. article by Marissa Wallace via jetmag.com
According to Variety.com, while Lionsgate’s I, Frankenstein failed to spark audience interest, delivering only an estimated $8.3 million in three days, the domestic box office still saw signs of life, thanks to solid holds from such films as the Kevin Hart/Ice Cube comedy Ride Along and the Mark Wahlberg-starrer Lone Survivor, which led with $21.2 million and $12.6 million, respectively.
In its second outing, Ride Along fell just 49%, lifting its Stateside totals to a sizable $75.4 million; while Lone Survivor, which dropped just 43% in its fifth frame, reached $93.6 million domestically.
The full list of this weekend’s Top 10 follows below: Film(Weeks in release): 3-day gross*; Locations; Per-theater average; Cume*; Percentage change
Elizabeth “Bessie” Coleman was an American civil aviator. She was the first female pilot of African American descent and the first person of African-American descent to hold an international pilot license. Coleman was born in Atlanta,Texas, the tenth of thirteen children to sharecroppers George, who was part Cherokee, and Susan Coleman.
In 1915, at the age of 23, she moved to Chicago, Illinois, where she lived with her brothers and she worked at the White Sox Barber Shop as a manicurist, where she heard stories from pilots returning home from World War I about flying during the war. She could not gain admission to American flight schools because she was black and a woman. No black U.S. aviator would train her either. Robert S. Abbott, founder and publisher of the Chicago Defender, encouraged her to study abroad.
[youtube http://www.youtube.com/watch?v=wckEiKzCBqc&w=560&h=315]
Coleman raised money, studied French, and then traveled to Paris on November 20, 1920. She learned to fly in a Nieuport Type 82 biplane, with “a steering system that consisted of a vertical stick the thickness of a baseball bat in front of the pilot and a rudder bar under the pilot’s feet.” On June 15, 1921, Coleman became not only the first African-American woman to earn an international aviation license from the Fédération Aéronautique Internationale, and the first American of any gender or ethnicity to do so, but the first African-American woman to earn an aviation pilot’s license. Determined to polish her skills, Coleman spent the next two months taking lessons from a French ace pilot near Paris, and in September 1921 sailed for New York. She became a media sensation when she returned to the United States.
To learn more about Coleman’s life and career, click here or watch the Smithsonian Channel video above. article via wikipedia.com
Mariah Carey and her husband Nick Cannon plan to release a holiday children’s picture book featuring their twins.
The “Queen of Christmas,” known for her best-selling holiday digital single “All I Want for Christmas Is You,” makes it no secret that she loves the holidays, and is preparing to release the couple’s first book in fall 2014 — just in time for the holiday season.
The celebrity couple have paired up with children’s book heavyweight Scholastic Press to publish the festive picture book, Roc and Roe’s Twelve Days of Christmas. The book, which is a spin on the classic Christmas carol “The Twelve Days of Christmas,” will feature the couple’s twins Moroccan “Roc” Cannon and Monroe “Roe” Cannon. The illustrations will be handled by New York Times best-selling artist AG Ford.
The Carey-Cannon clan say they are “excited to work with the Scholastic team on our Roc and Roe picture book and we can’t wait until this holiday season. ”
“It’s been such a fun and collaborative process and we are thrilled to be working with Nick Cannon and Mariah Carey on this exciting project. Roc and Roe’s Twelve Days of Christmas is the perfect book to read with your little ones—an adorable spin on a classic tale, sprinkled with humor and heart,” said Ken Geist, VP and editorial director for Scholastic Press Picture Books.
This will be the first book for both Carey and Cannon, but knowing her love for Christmas this may not be her last festive collaboration. In the meantime, Carey is preparing her new album The Art of Letting Go to be released this spring. Cannon serves as the host of America’s Got Talent. article by M.L. Ward via uptownmagazine.com
