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Virtual Instruments CEO John W. Thompson Replaces Bill Gates as Chairman of Microsoft Board

John W. Thompson, Chairman, Microsoft Board of Directors (Image: File)

John W. Thompson, CEO of Virtual Instruments and former CEO of Symantec Corp, has been named chairman of Microsoft’s board of directors, according to reports.  An industry leader for more than 40 years, he has made phenomenal strides in technology, having served as the only African American leading a major tech company during his time at Symantec. The Florida A&M and MIT alumnus is credited with growing the software giant’s revenues from $632 million to $6.2 billion and leading the growth of its worldwide workforce to more than 17,500 employees.

Thompson has served as an independent director on the board of Microsoft and also brings his experience as a former vice-president at IBM to his current post.  An early innovator and investor in tech advances in Silicon Valley, Thompson has also been included among Black Enterprise’s “100 Most Powerful African Americans in Corporate America,” and was named “Corporate Executive of the Year” as head of Symantec in 2004.
The West Palm Beach, Fla. native was recognized early for his knack for sales and has had a go-getter approach to his advancement. In a recent New York Times article, Thompson shared the following on career and business lessons he’s learned through the years: “First, never take yourself too seriously, or work is boring. Next, people make the difference. You can have great technology, but if it’s not complemented by great people, it won’t go anywhere. Finally, customers buy from people they like. I can always circle back to former customers and suggest they might want to take a look at our products.”
article by Janell Hazelwood via blackenterprise.com

ABC’s Anthony Anderson/Kenya Barris Pilot Adds Larry Wilmore As Showrunner

wilmoreWhat do you do when you have a show about what it means to be black in today’s society that is in a need of a showrunner? You turn to an expert. ABC’s untitled Anthony Anderson/Kenya Barris comedy pilot (formerly Black-ish) has tapped The Daily Show’s senior black correspondent Larry Wilmore as executive producer/showrunner. Written by Barris and loosely based on his personal experiences, the project centers on an upper-middle-class black man (Anderson) who struggles to raise his children with some sense of cultural identity despite constant contradictions and obstacles coming from his liberal wife, old-school father, and his own assimilated, color-blind kids. Wilmore tackled similar issues on his Fox comedy series The Bernie Mac Show. The Anderson/Barris pilot hails from ABC Studios, Laurence Fishburne‘s Cinema Gypsy and Principato Young, with Wilmore executive producing alongside Anderson, Barris, Cinema Gypsy’s Fishburne, Helen Sugland and Tom Russo as well as PYE’s Peter Principato, Paul Young and Brian Dobbins. Fishburne may also guest star.
article by Nellie Andreeva via deadline.com

Chicago Artist Savannah Wood Aims For Engagement, Empowerment With South Side Book Exchange (VIDEO)

[youtube https://www.youtube.com/watch?v=WyMplbQkEg0&w=560&h=315]
CHICAGO — If Baltimore native and Chicago transplant Savannah Wood has one regret, it’s that she didn’t take enough time to read all the books she said surrounded her as a youngster.  Though the Chicago-based artist and Rebuild Foundation instructor said she was surrounded by incredible books, she laments that she didn’t stumble upon a book like Richard Wright’s 1940 novel Native Son, which she said she received as part of a book exchange while she was studying abroad in France as a student of the University of Southern California. Reading Native Son, which tells the story of a 20-year-old Chicago man feeling alienated like an expat in his own country, was an experience, she told The Huffington Post, that resonated deeply.  “That was the beginning of my being interested in black literature as a reflection of black life, the positive imagery in black lit,” Wood said in a recent interview. “I want to share that with other people.”
Last week, Wood launched an Indiegogo fundraising campaign for Black Ink Book Exchange, an initiative that will eventually become “not quite a library and not quite a bookstore” focused on works written by and about those from the African Diaspora and located inside the University of Chicago’s Arts Incubator in the city’s Washington Park neighborhood.  Wood told HuffPost she was inspired to launch the pop-up exchange after working with renowned Chicago artist Theaster Gates to create a library focused on the works of black authors for a private client. With the Black Ink Book Exchange, she hopes to take that idea and make it publicly accessible in a way that serves as a focal point for the predominately black neighborhood to engage with the arts. She plans to open the space by spring and, during the summertime, move it to other locations on Chicago’s South Side.
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“I’m hoping to really activate the space and give people a place they can feel they can take some ownership of,” Wood said. “It’s not just to be looked at, but handled.”
Part of the interactivity Wood is aiming for entails the offering of free creative writing and crafting workshops taught in the space by guest artists. Money donated to the project’s $6,000 fundraising goal will go toward paying the artists a stipend for their services, in addition to purchasing books to supplement donated books, furniture and covering administrative costs.
“You can get hands on and make things here too,” Wood said of what makes the exchange different from a traditional library or bookstore. “I’ve been making things my whole life and I think it’s an empowering skill to have to produce something and put it out into the world.”
Visit the Black Ink Book Exchange’s Indiegogo page for additional information about donating funds or books toward the project.
article by Joseph Erbentraut via huffingtonpost.com

Vanity Fair's 2014 Hollywood Issue Features Biggest Display of Diversity in its Cover History

Julia Roberts poses with (fromt lef) Chiwetel Ejiofor, Idris Elba and George Clooney on the March cover of Vanity Fair.
Julia Roberts poses with (front left) Chiwetel Ejiofor, Idris Elba and George Clooney on the March cover of Vanity Fair. (ANNIE LEIBOVITZ EXCLUSIVELY FOR VANITY FAIR)
Vanity Fair released a sneak peek of its 20th annual Hollywood Issue on Monday, and it may be the most groundbreaking one yet.  The magazine has apparently taken steps toward emphasizing the diversity of Hollywood. For the first time since it began putting out the annual special in 1995, six of the 12 celebrated thespians gracing the 2014 cover are not white.  The magazine has come under fire in the past for an apparent lack of diversity. Just a few years ago, as Buzzfeed has pointed out, a 2010 the cover featured nine actresses — all white, thin and under 40 years old.
Over the years the annual selection has included one or two minority actors — such as Angela Bassett in 1995, and Lucy Liu and Salma Hayek in 2004 — but this year’s edition shows how expansive the African-American film scope has grown across several genres.
(From left): Chiwetel Ejiofor, Julia Roberts, Idris Elba, George Clooney,  Michael B. Jordan, Jared Leto, Lupita Nyong’o, Naomie Harris, Brie Larson, Chadwick Boseman, Margot Robbie and Léa Seydoux.
From left: Chiwetel Ejiofor, Julia Roberts, Idris Elba, George Clooney, Michael B. Jordan, Jared Leto, Lupita Nyong’o, Naomie Harris, Brie Larson, Chadwick Boseman, Margot Robbie and Léa Seydoux. (ANNIE LEIBOVITZ EXCLUSIVELY FOR VANITY FAIR)

Among those featured on the three-panel foldout are many of Hollywood’s most heralded actors of the past year, including Oscar nominees Julia Roberts, for August: Osage County, Jared Leto, who is the front-runner in his Best Supporting Actor category for Dallas Buyers Club, and Chiwetel Ejiofor and Lupita Nyong’o from 12 Years A Slave.

Pharrell Williams to Perform Oscar-Nominated Song "Happy" at Academy Awards

Pharrell Williams

The Academy of Motion Picture Arts and Sciences announced Tuesday that Pharrell Williams will perform his Oscar-nominated song “Happy” at the 2014 Oscars.
“Happy,” which Williams wrote and produced for the animated film Despicable Me 2, is nominated for the original song category alongside “Ordinary Love” from Mandela: Long Walk to Freedom, “Let it Go” from Frozen and “The Moon Song” from Her.
“I wanted to send a reminder: There are lots of reasons to smile,” the 40-year-old told the Los Angeles Times in an interview in December on his nominated song. “You can be resilient with your smile. Why is it so cool to be mad all the time? Some songs, everybody’s so upset.”
The song “Happy” has a “lyric version” — a video featuring the film’s minions making mischief around the song’s words in bold fonts. It also has a website launched for the song, 24hoursofhappy.com, where the song is played on repeat for 24 hours straight.
“Each take starting every hour is me,” he told The Times. “So I did 24 four-minute takes of ‘Happy.’ From 1:00-1:04, I perform ‘Happy.’ Then at 1:04, the next person does it. We picked all kinds of people, all types. Every hour is 15 takes.”
Williams, a seven-time Grammy Award winner, was named Billboard’s producer of the decade in 2010. Most recently, he collaborated on two of 2013’s top Billboard hits: Robin Thicke‘s “Blurred Lines,” which he co-wrote and produced, and Daft Punk‘s “Get Lucky,” which he co-wrote and also sang.
The Oscars, hosted by Ellen DeGeneres, will be held March 2 at the Dolby Theatre in Hollywood and broadcast live on ABC.

http://www.latimes.com/entertainment/envelope/moviesnow/la-et-mn-pharrell-williams-oscars-20140204,0,5694271.story#ixzz2sONfjm7t

Apply Now! Here Are The Top Black History Month Scholarships

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Great news for students! For Black History Month many companies — through their foundations — have announced scholarship programs. Dallas Weekly recently highlighted the top 10. Act fast–the deadlines are in February.  Here are five of the newspaper’s choices for the college-goer in your life to consider:
1) The Frito-Lay “Create to Celebrate” Black History Month Art Contest: Do you have artistic talent? Show it off here by submitting an original piece of art. The piece, which can be in any medium (video, song, photo, sculpture, painting, etc), must celebrate African-American achievement.
2) The Coca-Cola Pay It Forward Scholarship Program: This program offers once-in-a-lifetime apprenticeship experiences to African-American youth.
3) The RBC Black History Month Student Essay Competition: This Royal Bank of Canada scholarship is strictly for Canadian students. Applicants must write a 750-words or less essay on how black Canadians have contributed toward the heritage of Canada.
4) The 100 Black Men of America Future Leader Scholarship Program: Based on academic achievement and community service, this scholarship is open to high school seniors along with college freshmen, sophomores, juniors and seniors.
5)  The Jerry Bartow Scholarship Fund: The Black Executive Exchange Program awards three scholarships each year for HBCU  undergraduate students majoring in business, engineering, technology, or education.
To find other 2014 scholarships, click here.
See more at: http://madamenoire.com/345755/apply-now-top-black-history-month-scholarships/#sthash.l9t3x37S.dpuf

Lifetime’s “The Gabby Douglas Story” Earns 3.8 Million Viewers

the gabby douglas story
Imani Hakim as Gabby Douglas in Lifetime’s “The Gabby Douglas Story” (Source: Lifetime)

This past Saturday, Lifetime aired The Gabby Douglas Story. And apparently many were anxious to see it. The cable network movie pulled in 3.8 million viewers according to Nielsen Research. And immediately after her Lifetime movie debuted, the network broadcast a documentary called Beyond the Headlines: The Gabby Douglas Story, which averaged 3 million viewers.
In addition to views, according to Nielsen SocialGuide, the cable movie premiere was also the most-tweeted program of the night across all of television, excluding sporting events. The Gabby Douglas Story stars Regina King as Gabrielle’s mother, S. Epatha Merkerson as her grandmother and Imani Hakim (Tonya from Everybody Hates Chris) as the teenaged Douglas.
article by Veronica Wells via madamenoire.com

HBCU Hackathons Expand Black Business Opportunities

hbcu hackathons

Last year may have been the year of the historically black hack-a-thon. Several of the nations’ most prominent black colleges welcomed students of varying majors and interests to a whirlwind experience of innovation, entrepreneurial spirit and networking.  Almost makes you wish there was an app for that, but that’s HBCU Hack-a-thons are all about; taking individuals with little-to-no tech or coding experience and pairing their creativity with tech savvy developers and marketers to make a new generation of black entrepreneurs in emerging tech markets.

Morehouse, Spelman, Clark Atlanta, Howard and Morgan State participated in the 2013 HBCU Hack-a-thon experience. Students compete for prizes, exposure, and for some, their first visions of owning their own company in a field in which they never imagined working.
“It sparks students from across all kinds of disciplines to come together to develop an idea that can be brought to the marketplace,” says Omar Muhammad, Director of the Entrepreneurial Development and Assistance Center of the Earl G. Graves School of Business and Management at Morgan State University. “They get hands on experience with working groups, and understanding what it means to start a business. The individuals who come in as entrepreneurs really help the students to learn how to move their businesses forward.”
Muhammad says the nature of hack-a-thons inspires collaboration, and melds ideas from different backgrounds, industries and social constructs to bring out the essence of innovation. The movement was started by the Black Founders, a group of working black tech professionals who wanted to spur more African-American ownership in tech industries.  One of the Founders and University of Maryland Eastern Shore alumna, Hadiyah Mujhid, told Black Enterprise Magazine in 2013 about the importance of the hack-a-thon effort on HBCU campuses.

Rare Martin Luther King Jr. Speech Found in Arizona, Available for Listening on ASU Website

Martin Luther King Jr
MONTGOMERY, AL – MAY 1956: Civil rights leader Reverend Martin Luther King, Jr. relaxes at home in May 1956 in Montgomery, Alabama. (Photo by Michael Ochs Archives/Getty Images)
PHOENIX (AP) — Mary Scanlon had no idea a $3 purchase from a Goodwill store in Phoenix would turn out to be a rare link to the civil rights movement’s most revered leader.  Last April, Scanlon was at the thrift store when she spotted a pile of 35 vintage reel-to-reel tapes, including one labeled with the Rev. Martin Luther King Jr.’s name. Despite the moldy and torn packaging, she snapped up all of them. “I didn’t really necessarily have any expectation that this tape would be rare,” Scanlon said.
Arizona State University archivists have found that tape is the only known recording of speeches the slain civil rights leader gave at ASU and at a Phoenix church in June 1964. The hour-long audio has since been digitized and is now available for listening on ASU’s website through June 30.
The tape illustrates that King had been eager to visit supporters in Arizona, a state that would draw criticism more than 20 years later for rescinding the Martin Luther King Jr. holiday.  Scanlon, who donated all the tapes to the school, said the find is one of the high points of her life.  “To have anything about myself connected in any way to Martin Luther King, what more could a person ask for? I’m so proud,” Scanlon said.
Rob Spindler, a university archivist and curator, said it’s miraculous that the audio was still intact. When he first spoke with Scanlon, he immediately warned her not to try and play the tape.  “When the material is that old, sometimes you only get one shot to preserve it,” Spindler said.
The tapes were taken from the Ragsdale Mortuary, which was owned by Lincoln Ragsdale, a civil rights leader in Phoenix who died in 1995, Goodwill employees said. Spindler sent the tapes to a company in Kentucky to copy them to a digital format. On May 17, Spindler, Scanlon, a university librarian and two ASU professors who have researched King gathered to listen to the recording for the first time. Hearing King’s voice brought most of them to tears.
“It answers a question we’ve had for decades,” said Spindler, who believes it was King’s first public appearance in Arizona. “What did Martin Luther King say to us that night and how did he arrive here in Phoenix? Now we have a much better idea of those things.”
Arizona was the last stop on a West Coast tour King had been doing, Spindler said. The university and the local chapter of the National Association for the Advancement of Colored People worked to get the preacher to come. About 8,000 people attended the June 3 speech at Goodwin Stadium that started about 8 p.m. In his remarks, King focused on the Civil Rights Act, which at the time was stuck in a filibuster in the U.S. Senate.

Russell Wilson Proves Doubters Wrong, Becomes 2nd African-American Quarterback to Win Super Bowl

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Russell Wilson hoists the Lombardi Trophy in just his second season as an NFL quarterback. (ROBERT SABO/NEW YORK DAILY NEWS)

He didn’t dominate, and he didn’t dazzle. He just won. Again.  And this time, Seattle Seahawks quarterback Russell Wilson did it on the biggest stage possible, in Super Bowl XLVIII at MetLife Stadium, leading his underdog Seattle Seahawks to a 43-8 demolition of Peyton Manning’s Denver Broncos on Sunday night.

In a game where he was supposed to be the “other” quarterback, the second-year pro did exactly what he had to do to win the Lombardi Trophy. Very quietly, he passed for 206 yards and two touchdowns, becoming the first African-American quarterback to win a Super Bowl since Doug Williams led the Washington Redskins to victory in Supe XXII.
“It’s something I think about, to be the second African-American to win the Super Bowl,” Wilson said. “That’s history right there, man. It’s something special and it’s real.  There are so many guys before (me) who have tried to change the game and have done a great job of it.”
While Manning bumbled his way to two interceptions and meaningless Super Bowl passing records, Wilson never tried to do too much. He just calmly completed seven of his first 10 passes on the first two drives — including a 37-yarder to Doug Baldwin — to set up a pair of early field goals and set the tone in the runaway win. He was efficient the entire evening, completing 18 of 25 passes.
Not bad for a quarterback who said he routinely faced doubts because he stands just 5-11.  “I think the biggest thing is playing great situational football,” Wilson said. “We want to be smart. I just try to do my part. When we need a big play, I always try to make it, and keep the guys going.”