Yesterday the Jackie Robinson West All Stars — the U.S. champions in this year’s Little League World Series — stopped by the White House for a visit with the President and the First Lady.
Hailing mainly from the South Side of Chicago, Jackie Robinson West captured the world’s attention this summer on their extraordinary run through the Little League World Series. Along with being the first Chicago-area team to make it to the Little League World Series in 31 years, Jackie Robinson West also made history as the first all-black team to win the U.S. title.
Before the world championship game against South Korea, the President tweeted that “we’re all so proud” of the team. Even though South Korea won the final game 8-4, Jackie Robinson West had already secured a special place in the hearts of Americans across the country.
The young players’ victorious run held even more meaning, however, for the city that they came from. Chicago has grabbed headlines nationwide for its increased gun violence and high murder rate, and many of the Jackie Robinson West players come from neighborhoods suffering from this violence as well as disproportionate levels of poverty. But the team’s run this summer helped provide a respite from some of the city’s troubles, with the players’ hard work and upstanding example ultimately bringing hope, inspiration, and unity to their community.
The Smithsonian’s National Museum of African Art announced Monday that the entire Cosby collection will go on view in November in a unique exhibit juxtaposing African-American art with African art.
The collection, which will be loaned to the museum, includes works by such leading African-American artists as Beauford Delaney, Faith Ringgold, Jacob Lawrence, Augusta Savage and Henry Ossawa Tanner. The Cosby collection of more than 300 African American paintings, prints, sculptures and drawings has never been loaned or seen publicly, except for one work of art.
“It’s so important to show art by African-American artists in this exhibition,” Cosby said in a written statement. “To me, it’s a way for people to see what exists and to give voice to many of these artists who were silenced for so long, some of whom will speak no more.”
The exhibit, “Conversations: African and African American Artworks in Dialogue”, will open November 9th and will be on view through early 2016 in Washington. It will be organized by themes, placing pieces from African artists in the Smithsonian collection near similar works from African-American artists in Cosby’s collection. Curators said it will explore ideas about history, creativity, power, identity and artistry.
Some highlights include rare 18th and early 19th-century portraits by Baltimore-based artist Joshua Johnston, explorations of black spirituality in the 1894 piece “The Thankful Poor” by Henry Ossawa Tanner and Cosby family quilts.
“The exhibition will encourage all of us to draw from the creativity that is Africa, to recognize the shared history that inextricably links Africa and the African diaspora and to seek the common threads that weave our stories together,” said museum director Johnnetta Betsch Cole, in announcing the exhibit.
The exhibition of Cosby’s collection is part of the African art museum’s 50th anniversary.
article via theguardian.com