According to the Washington Post, brothers Collin, 13, Ryan, 10, and Austin Gill, 8, started their candle business Frères Branchiaux for two reasons: to afford the Nerf guns and video games they wanted and, more importantly, to help raise money to combat homelessness in the District.
“I want to give back to the community because they gave to us,” Ryan says.
The brothers donate 10 percent of their proceeds to homeless shelters in the area, a promise they’ve kept since launching Frères Branchiaux in 2017.
Demand has grown rapidly for their scented, soy-based candles, which can be purchased at several stores in D.C. and at select Macy’s across the country.
The Gill brothers are pretty busy with school and their business, so they would make the most of a D.C. dream day and explore some of their favorite places around the city, along with a few new ones.
While putting her 12 children through school and working full time to provide for her family, Ella Washington, 89, never abandoned her goal to continue her education. On Saturday, she walked across the stage at Liberty University’s commencement as the oldest graduate in the Class of 2018, earning her associate degree in interdisciplinary studies.
Washington grew up in rural North Carolina during the 1930s, when education came second to working on the family farm. She dropped out of school in the sixth grade. But when she got married and had children of her own, she wanted more for them.
“She has always been a lifelong learner,” said Washington’s daughter Ellen Mitchell. “Her desire for learning and for pursuing an education became a family tradition. She taught all of her children how to read, write, and do math prior to their beginning school, just as her grandmother taught her and her siblings.”
Thanks to her faith in God and her perseverance, Washington enrolled in an adult education program and earned her GED diploma in 1978 at age 49. She had always wanted to go to college, however. In 2012, she enrolled in Liberty’s online program after a recommendation from Mitchell. “Liberty is a great university,” Washington said. “I would recommend Liberty to anyone because I did well.”
But she isn’t stopping at her associate degree; she is already working toward a bachelor’s degree in history at Liberty. “To me, history is a great subject,” she said. “Everybody should know their history and learn more about it. A lot of people don’t know much about history. There’s nothing wrong with learning more.”
She moved to Washington, D.C., as a young mother and had a variety of jobs, ranging from a custodian at the Pentagon to an office assistant to a certified nursing assistant at an adult daycare. She was still working up until about six years ago. “Coming to D.C., there weren’t many opportunities for a poorly educated black woman,” Mitchell said. “But she worked hard doing whatever she could to make sure we were taken care of.”
Mitchell said it was her mother’s drive to better herself that has always inspired her children, who also worked to make education a priority in their lives. “My mother is a remarkable woman,” Mitchell said. “I learned how to be strong because of her example. Now, she has set the bar for her grandchildren and great-grandchildren.”
Washington said her advice to her fellow Class of 2018 graduates would be to keep their sights set on using their education to the fullest.
“Education will help you make the best life for yourselves and those who come after you,” she said.
TheNational Museum of Women in the Arts (NMWA) announces the acquisition of two works by Mildred Thompson (1939–2003) in celebration of the museum’s 30th-anniversary year. With a career spanning more than four decades, Thompson created paintings, drawings, prints and sculptures with a signature approach to abstraction.
Inspired by the Atlanta-based Thompson’s inclusion in the recent exhibition Magnetic Fields: Expanding American Abstraction, 1960s to Today, the Georgia Committee of NMWA purchased a painting from her “Magnetic Fields” series for the museum. Camille Ann Brewer gifted a second work by Thompson to the museum to honor the memory of the artist.
“We are thrilled that donor Camille Ann Brewer and the Georgia Committee—one of 20 outreach committees around the world that support NMWA—have both donated to the museum’s collection incredible works by Mildred Thompson from the earlier and later parts of her career,” said NMWA Director Susan Fisher Sterling. “It is an honor to announce this gift today, on her birthday, and during the museum’s third annual #5WomenArtists social media campaign, which aims to increase awareness of gender inequity in the art world.”
After living in Europe to escape the racism and sexism that she had experienced in the United States, Thompson moved back permanently and began her series of “Magnetic Fields” paintings in the early 1990s. The painting gifted to NMWA, as well as the series as a whole, reflects Thompson’s quest to create a personal visual language for depicting phenomena and effects not visible to the naked eye. She studied, and had a longstanding interest in, quantum physics, cosmology and theosophy. Through her art, she sought to connect scientific knowledge and metaphysical philosophy.
Thompson’s interest in scientific phenomena and theories ran counter to expectations of what ‘black art’ should be during her lifetime, causing her work to be chronically overlooked by critics, galleries and museums. Today, thanks to the dedicated efforts of her partner, Donna Jackson, and estate curator, Melissa Messina, her works are finally gaining the recognition that eluded them for so long.
In “Magnetic Fields,” the composition exudes a frenetic, pulsating energy of vivid yellows, reds and blues thanks to Thompson’s command of color theory. Simultaneously, her color choices imbue the composition with an emotional exuberance that complements its scientific inspiration.
Even before the Magnetic Fields exhibition opened, Brewer was inspired to gift the second work by Thompson to NMWA. That work, an untitled “wood picture” from Thompson’s European period, along with the newly gifted painting, mark important additions to the museum’s collection. Thompson’s wood pictures, which she began making in the 1960s while living in Germany, mark the artist’s decision to focus solely on non-representational art-making. Thompson’s use of found wood segments assembled into deceptively simple compositions brought about her first mature series of non-representational sculptural works. Made with salvaged wood, these works combine the aesthetic of Minimalism and found-object assemblage techniques like those of Louise Nevelson. With the addition of these works to the collection, NMWA is able to expand the narrative surrounding abstract artists as well as artists of color.
NMWA is located at 1250 New York Avenue, NW, Washington, D.C. It is open Mon.–Sat., 10 a.m.–5 p.m. and Sun., noon–5 p.m. Admission is $10 for adults, $8 for visitors 65 and over and students, and free for NMWA members and youths 18 and under. Admission is free the first Sunday of each month. For information, call 202-783-5000, visit nmwa.org, Broad Strokes Blog, Facebook, Twitter or Instagram.
Kevin Durant knows about starting at the bottom rung. But he is blessed with a gift to play basketball, which is not just a paycheck, but a ticket to worlds with other possibilities. He has used that access to create business opportunities beyond the world of sports, such as in technology.
“What I love about tech is, I love watching the world advance,” said the 29-year-old star of the Golden State Warriors, who invests through his Durant Company. “I love the connections of people on Facebook, Snapchat, Instagram, Twitter. I would look at it like [Cornelius] Vanderbilt, who built the railroad. He connected us. The next advancement connecting us to each other is social media. I want to be part of that.” His interest in technology connected him to Laurene Powell Jobs and has led to a new philanthropic venture.
Durant has committed $10 million and partnered with the Prince George’s public schools on a program called College Track, which was created more than 20 years ago in California by Powell Jobs and others. College Track helps disadvantaged kids — like Durant once was — attend college and get launched into life.
Durant is dropping a life-ladder called the Durant Center smack in the middle of the Seat Pleasant, Md., area where he grew up. It isn’t an elevator. The 60 students in the initial group must climb the ladder themselves.
But it’s a path.
“I want them to see the world,” Durant said in a phone interview this month. “I want them to see where people are from and see that there are things outside their world. I don’t know exactly or at what pace that they will get it, but there is a world outside that they need to see.”
Durant’s $10 million will seed construction and operating expenses of a local chapter of College Track, which is scheduled to open this year.
“This hits home, because it’s right in the neighborhood where me and my buddies lived,” said the 6-foot-11 “small” forward.
College Track is a 10-year program that provides the basic infrastructure — tutoring, test preparation, picking a college that is a “fit” and how to get financial aid — that kids from less-advantaged families often don’t have.
“These are all the things that middle-class families deliver if your parents went to college,” said Elissa Salas, College Track’s chief executive. “If your parents didn’t go to college, we fill that gap.”
#AskMe Tees are the brainchild of Washington D.C. entrepreneur Ayanna Smith. Ayanna has created a timely remix of the slogan tee – and we love it! These T-shirts encourage people, friends and strangers alike, to talk to each other by offering intriguing questions as conversation starters.
It’s a clever concept. #AskMe Tees promote listening and discussion in an age where it has become increasingly common for people to dismiss each other or make unfounded assumptions. The #AskMe Tees (and other #AskMe accessories) are emblazoned with light-hearted questions such as #AskMe who made the potato salad and #AskMe about my superpowers to other more provocative and socially-conscious questions like #AskMe Why Black Lives Matter, #AskMe why I voted for him, and #AskMe about autism… don’t assume. Whichever #AskMe Tee you choose, remember to be ready for a conversation!
The National Museum of African American History and Culture (NMAAHC) in Washington D.C. harbors pieces of history that illustrate the story of the Black experience in America, and now the institution is giving African American families the opportunity to preserve memories of their own, The Baltimore Sun reported.
The museum launched a free program—dubbed the Community Curation Program—which provides Black families with the tools and equipment needed to preserve old photographs and footage by converting them into digital records, the news outlet writes. The program is supported by the Robert Frederick Smith Fund and travels to different cities across the country. The museum also provides the same equipment at the institution in Washington. One of the project’s latest stops was at the Impact Hub Baltimore in Station North, Maryland.
“In a very radical way, we recognize the importance of these vernacular, homemade images, this folk cinema, as an alternate history to the kinds of history that the mass media tells,” museum media archivist Walter Forsberg told The Baltimore Sun. “We wanted to render a public service free of charge because we knew there was a lot of material out there trapped on obsolete formats.”
Krewasky A. Salter, another museum curator, told the news outlet that the museum hopes to include some of the images, footage, and objects in their upcoming exhibitions; stating that the content provided by families will help fill in missing gaps in history. Several families have already taken advantage of the resource. Individuals who have digitized their family mementos say that the Community Curation Program has allowed them to weave their personal family stories into the larger fabric of Black history in a significant way. “These are stories in my family, and now I can share them with others,” said Pia Jordan, assistant professor at the School of Global Journalism and Communication at Morgan State University, according to the source.
The National Museum of African American History has been dedicated to capturing the essence of all facets of Black culture. The institution is currently working on crowd fundraising for a hip-hop anthology that will delve into the influence of Black music and African American culture on the world.
Few love stories resemble a fairy tale as much as the courtship and marriage of Ariana Austin and Joel Makonnen. Of course, it helped that the groom is an actual prince and the bride has a prominent lineage of her own. Mr. Makonnen, known as Prince Yoel, is the 35-year-old great-grandson of Haile Selassie, the last emperor of Ethiopia. And Ms. Austin, 33, is of African-American and Guyanese descent; her maternal grandfather was a lord mayor of Georgetown, the capital of Guyana.
As the couple noted on their wedding website, their union happened when “Old World aristocracy met New World charm.” The old and new combined on Sept. 9, in a marathon day of events that lasted from 11 a.m. until late in the evening, and took place within two states.
The festivities began with a ceremony at the Debre Genet Medhane Alem Ethiopian Orthodox Tewahedo Church in Temple Hills, Md. In an incense-filled sanctuary, guests in stockinged feet watched as at least 13 priests and clergymen helped officiate the Ethiopian Orthodox ceremony between Mr. Makonnen and Ms. Austin, who just days before had converted to the religion.
Hours after the ceremony, the pair celebrated with a formal reception at Foxchase Manor in Manassas, Va., with 307 guests, amid gold sequins, platters of Ethiopian food and preboxed slices of Guyanese black cake for people to take home. Their marriage had been more than a decade in the making. In the nearly 12 years since they first met on a dance floor at the Washington nightclub Pearl, in December 2005, Mr. Makonnen and Ms. Austin have pursued degrees, jobs and, at times, each other. Eventually, planning a wedding just became the next item on this ambitious couple’s to-do list. “I think we both had this feeling that this was our destiny,” Ms. Austin said. “But I felt like I had things that I had to do.”
When the two met, Mr. Makonnen didn’t tell Ms. Austin about his royal background, and Ms. Austin, who was 21 at the time, wasn’t necessarily looking to meet her future husband. She was in the middle of a time in her life she fondly referred to as “the summer that never ended.” Mr. Makonnen, himself in bachelor mode, approached Ms. Austin and her friend Jami Ramberan, and told the two women that they looked like models for a brand of alcohol. “I said, ‘You guys look like an ad for Bombay Sapphire,’ or whatever the gin was,” Mr. Makonnen recalled of the pickup line, one now infamous with Ms. Austin’s family. (At the wedding, even Ms. Ramberan, a bridesmaid, recalled the strangeness of that evening: “You don’t expect to meet the person you’re going to marry at Pearl.”) Mr. Makonnen quickly focused on Ms. Austin: “Not even five minutes later I said, ‘You’re going to be my girlfriend.’ ”
Opened just a year ago on Sept. 24, 2016, the National Museum of African American History and Culture (NMAAHC) became the 19th Smithsonian museum and the only national museum devoted exclusively to African American life, art, history and culture. The museum’s collections, which include art, artifacts, photographs, films, documents, data, books, manuscripts and audio recordings, represent all regions of the United States and acknowledge the cultural links of African Americans to the black experience around the world as well.
To commemorate NMAAHC, the United States Postal Service is issuing a Forever Stamp in its honor. The stamp art is based on a photograph of the museum showing a view of the northwest corner of the building. Text in the upper-left corner of the stamp reads “National Museum of African American History and Culture.”
The First-Day-of-Issue dedication ceremony will be held on Friday, October 13 in Washington DC at the NMAAHC, and the stamp will be available for purchase nationwide that same day.
The U.S. Postal Service will post a video of the event at facebook.com/USPS.Share the news on Twitter and Instagram using the hashtags #NMAAHC and #APeoplesJourney.
On the first day of class at Georgetown University, the 63-year-old freshman left her dorm room in Copley Hall, carrying highlighters and a legal pad. Walking down the hallway, her gray-blond dreadlocks swinging, her heavy bracelets chiming, Mélisande Short-Colomb gave her schedule a quick look. Today she’d attend the “Problem of God,” a course on the existence and nature of God. And tomorrow would bring the class she’d been waiting for: African American Studies.
It was a subject with which Short-Colomb had recently become more acquainted. The history of her own family was the history of African Americans, and, she has learned, proof of how deeply the roots of slavery go in America’s most prominent institutions and universities. At a time when the nation is undergoing a tumultuous reckoning with the darkest chapter of its past, when protests have turned deadly in Charlottesville and college students across the country are demanding the renaming of buildings linked to slavery, Short-Colomb was quietly coming to terms with her own place in that sweep of history.
Her ancestors were among the 272 slaves Georgetown priests had sold in 1838 to help pay off the university’s debts during a financially turbulent time. Now it was nearly two centuries later, the truth of what happened was finally out in the open and here she was, a member of her family, again in Washington but under very different circumstances. The university has granted legacy status to the slaves’ descendants as part of an effort to atone for the sale of their ancestors. But only two have taken up the offer so far. One is 20 years old. The other is Mélisande Short-Colomb.
After Fox 2000‘s space race drama “Hidden Figures” was released last year, an unprecedented amount of United States embassies were reportedly calling the State Department requesting the film. Eventually the movie was screened to nearly 80 locations overseas and because of all those screenings, a new, publicly funded exchange program will bring women from around the world working in science, technology, engineering, and math (STEM) to the United States.
The program, called #HiddenNoMore, will bring 50 women from 50 different countries who are working in STEM fields to the United States. The chosen participants will travel to Washington in October before traveling across the country for three weeks meeting with universities, Girl Scouts, and other organizations.
Then they’ll all come together in Los Angeles for a two-day event on the 21st Century Fox lot. Across STEM industries, women, particularly women of color, are vastly underrepresented. “Hidden Figures” already shed light on the important history of black women in mathematics, but with programs like #HiddenNoMore it’s cool that the movie can now help create its future.