National Museum of African American History and Culture Digitizes Vintage Photos For Black Families

The National Museum of African American History and Culture (NMAAHC) in Washington D.C. harbors pieces of history that illustrate the story of the Black experience in America, and now the institution is giving African American families the opportunity to preserve memories of their own, The Baltimore Sun reported.

The museum launched a free program—dubbed the Community Curation Program—which provides Black families with the tools and equipment needed to preserve old photographs and footage by converting them into digital records, the news outlet writes. The program is supported by the Robert Frederick Smith Fund and travels to different cities across the country. The museum also provides the same equipment at the institution in Washington. One of the project’s latest stops was at the Impact Hub Baltimore in Station North, Maryland.

“In a very radical way, we recognize the importance of these vernacular, homemade images, this folk cinema, as an alternate history to the kinds of history that the mass media tells,” museum media archivist Walter Forsberg told The Baltimore Sun. “We wanted to render a public service free of charge because we knew there was a lot of material out there trapped on obsolete formats.”

Krewasky A. Salter, another museum curator, told the news outlet that the museum hopes to include some of the images, footage, and objects in their upcoming exhibitions; stating that the content provided by families will help fill in missing gaps in history. Several families have already taken advantage of the resource. Individuals who have digitized their family mementos say that the Community Curation Program has allowed them to weave their personal family stories into the larger fabric of Black history in a significant way. “These are stories in my family, and now I can share them with others,” said Pia Jordan, assistant professor at the School of Global Journalism and Communication at Morgan State University, according to the source.

The National Museum of African American History has been dedicated to capturing the essence of all facets of Black culture. The institution is currently working on crowd fundraising for a hip-hop anthology that will delve into the influence of Black music and African American culture on the world.

Source: https://newsone.com/3759889/smithsonian-digitizes-black-family-photos/

She Met Her Prince (for Real!) at a D.C. Nightclub – New York Times

Ariana Austin and Joel Makonnen aka Prince Yoel (Credit: Jared Soares for The New York Times)

by Katie Rogers via nytimes.com

Few love stories resemble a fairy tale as much as the courtship and marriage of Ariana Austin and Joel Makonnen. Of course, it helped that the groom is an actual prince and the bride has a prominent lineage of her own. Mr. Makonnen, known as Prince Yoel, is the 35-year-old great-grandson of Haile Selassie, the last emperor of Ethiopia. And Ms. Austin, 33, is of African-American and Guyanese descent; her maternal grandfather was a lord mayor of Georgetown, the capital of Guyana.

As the couple noted on their wedding website, their union happened when “Old World aristocracy met New World charm.” The old and new combined on Sept. 9, in a marathon day of events that lasted from 11 a.m. until late in the evening, and took place within two states.

The festivities began with a ceremony at the Debre Genet Medhane Alem Ethiopian Orthodox Tewahedo Church in Temple Hills, Md. In an incense-filled sanctuary, guests in stockinged feet watched as at least 13 priests and clergymen helped officiate the Ethiopian Orthodox ceremony between Mr. Makonnen and Ms. Austin, who just days before had converted to the religion.

Hours after the ceremony, the pair celebrated with a formal reception at Foxchase Manor in Manassas, Va., with 307 guests, amid gold sequins, platters of Ethiopian food and preboxed slices of Guyanese black cake for people to take home. Their marriage had been more than a decade in the making. In the nearly 12 years since they first met on a dance floor at the Washington nightclub Pearl, in December 2005, Mr. Makonnen and Ms. Austin have pursued degrees, jobs and, at times, each other. Eventually, planning a wedding just became the next item on this ambitious couple’s to-do list. “I think we both had this feeling that this was our destiny,” Ms. Austin said. “But I felt like I had things that I had to do.”

When the two met, Mr. Makonnen didn’t tell Ms. Austin about his royal background, and Ms. Austin, who was 21 at the time, wasn’t necessarily looking to meet her future husband. She was in the middle of a time in her life she fondly referred to as “the summer that never ended.” Mr. Makonnen, himself in bachelor mode, approached Ms. Austin and her friend Jami Ramberan, and told the two women that they looked like models for a brand of alcohol. “I said, ‘You guys look like an ad for Bombay Sapphire,’ or whatever the gin was,” Mr. Makonnen recalled of the pickup line, one now infamous with Ms. Austin’s family. (At the wedding, even Ms. Ramberan, a bridesmaid, recalled the strangeness of that evening: “You don’t expect to meet the person you’re going to marry at Pearl.”) Mr. Makonnen quickly focused on Ms. Austin: “Not even five minutes later I said, ‘You’re going to be my girlfriend.’ ”

To read full article, go to: https://www.nytimes.com/2017/10/13/fashion/weddings/she-met-her-prince-the-great-grandson-of-haile-selassie.html

U.S. Postal Service Honors National Museum of African American History and Culture with Forever Stamp

Single

by Lori Lakin Hutcherson (@lakinhutcherson)

Opened just a year ago on Sept. 24, 2016, the National Museum of African American History and Culture (NMAAHC) became the 19th Smithsonian museum and the only national museum devoted exclusively to African American life, art, history and culture. The museum’s collections, which include art, artifacts, photographs, films, documents, data, books, manuscripts and audio recordings, represent all regions of the United States and acknowledge the cultural links of African Americans to the black experience around the world as well.

To commemorate NMAAHC, the United States Postal Service is issuing a Forever Stamp in its honor. The stamp art is based on a photograph of the museum showing a view of the northwest corner of the building. Text in the upper-left corner of the stamp reads “National Museum of African American History and Culture.”

The First-Day-of-Issue dedication ceremony will be held on Friday, October 13 in Washington DC at the NMAAHC, and the stamp will be available for purchase nationwide that same day.

The U.S. Postal Service will post a video of the event at facebook.com/USPS. Share the news on Twitter and Instagram using the hashtags #NMAAHC and #APeoplesJourney.

Mélisande Short-Colomb’s Ancestors Were Enslaved by Georgetown University. Now, at 63, She’s Enrolled There as a Freshman

Mélisande Short-Colomb (Marvin Joseph/The Washington Post)

byvia washingtonpost.com

On the first day of class at Georgetown University, the 63-year-old freshman left her dorm room in Copley Hall, carrying highlighters and a legal pad. Walking down the hallway, her gray-blond dreadlocks swinging, her heavy bracelets chiming, Mélisande Short-Colomb gave her schedule a quick look. Today she’d attend the “Problem of God,” a course on the existence and nature of God. And tomorrow would bring the class she’d been waiting for: African American Studies.

It was a subject with which Short-Colomb had recently become more acquainted. The history of her own family was the history of African Americans, and, she has learned, proof of how deeply the roots of slavery go in America’s most prominent institutions and universities. At a time when the nation is undergoing a tumultuous reckoning with the darkest chapter of its past, when protests have turned deadly in Charlottesville and college students across the country are demanding the renaming of buildings linked to slavery, Short-Colomb was quietly coming to terms with her own place in that sweep of history.

Her ancestors were among the 272 slaves Georgetown priests had sold in 1838 to help pay off the university’s debts during a financially turbulent time. Now it was nearly two centuries later, the truth of what happened was finally out in the open and here she was, a member of her family, again in Washington but under very different circumstances. The university has granted legacy status to the slaves’ descendants as part of an effort to atone for the sale of their ancestors. But only two have taken up the offer so far. One is 20 years old. The other is Mélisande Short-Colomb.

To read full article, go to: Her ancestors were Georgetown’s slaves. Now, at age 63, she’s enrolled there — as a college freshman – The Washington Post

“Hidden Figures” Inspires State Department Education Exchange Program for Women in STEM

(image via youtube.com)

by Hazel Cills via jezebel.com

After Fox 2000‘s space race drama “Hidden Figures” was released last year, an unprecedented amount of United States embassies were reportedly calling the State Department requesting the film. Eventually the movie was screened to nearly 80 locations overseas and because of all those screenings, a new, publicly funded exchange program will bring women from around the world working in science, technology, engineering, and math (STEM) to the United States.

The program, called #HiddenNoMore, will bring 50 women from 50 different countries who are working in STEM fields to the United States. The chosen participants will travel to Washington in October before traveling across the country for three weeks meeting with universities, Girl Scouts, and other organizations.

Then they’ll all come together in Los Angeles for a two-day event on the 21st Century Fox lot. Across STEM industries, women, particularly women of color, are vastly underrepresented. “Hidden Figures” already shed light on the important history of black women in mathematics, but with programs like #HiddenNoMore it’s cool that the movie can now help create its future.

To read full article, go to: Hidden Figures Has Inspired a State Department Education Exchange Program 

R.I.P. Jim Vance, 75, Washington DC’s Longest-Serving Local News Anchor

Washington DC anchor Jim Vance (photo via washingtonpost.com)

by Matt Schudel via washingtonpost.com

In a city of news junkies and scores of high-profile figures in politics and the media, the most-watched journalist in Washington may well have been Jim Vance. With 45 years as the face of WRC-TV (Channel 4), he was the region’s longest-serving television news anchor. He presided over the area’s top-rated newscasts and became a public figure in his own right. He gained broad sympathy for his openness about his struggles with drugs and depression.

Mr. Vance, who was 75, died July 22. The death was announced by WRC-TV, where he had worked since 1969, but no further details were provided. He announced his diagnosis of cancer earlier this year.After three years as a reporter for Channel 4, Mr. Vance ascended to the anchor’s chair in 1972, putting him in the first wave of black news anchors in major news markets.

In addition to reading the news, he also delivered pointed commentaries, often on sensitive racial topics. Mr. Vance sat alongside a revolving cast of co-anchors and was often second or third in the local ratings until he teamed with Doreen Gentzler in 1989. Together, with sportscaster George Michael and meteorologist Bob Ryan, they vaulted Channel 4 to the top of the local ratings and stayed there for more than 25 years.

In the nation’s capital, Mr. Vance’s 11 p.m. newscasts with Gentzler regularly drew more viewers than the prime-time shows of the three major cable networks — CNN, Fox and MSNBC — combined.

To read more, go to: Jim Vance, Washington’s longest-serving local news anchor, is dead at 75 – The Washington Post

NFL QB and Activist Colin Kaepernick to have Memorabilia Featured at National Museum of African American History and Culture

Colin Kaepernick (photo via Getty Images)

by thegrio.com

The National Museum of African American History and Culture (NMAAHC) is already looking to include Colin Kaepernick in it halls. Director Lonnie Bunch reached out to sociologist Harry Edwards as the museum was being developed, and Edwards was part of the game-changers exhibit featuring famous black sports stars and their impact on the world. To that end, Edwards recently donated a collection of Kaepernick’s memorabilia to the museum, suggesting that they should put up an exhibit featuring Kaepernick sooner than later.

“I said, ‘Don’t wait 50 years to try to get some memorabilia and so forth on Kaepernick,’ ” Edwards told USA TODAY Sports. “ ‘Let me give you a game jersey, some shoes, a picture … And it should be put right there alongside Muhammad Ali. He’s this generation’s Ali.’ ”

Kaepernick was rocketed to nationwide attention when he decided to take a knee during he national anthem in protest of the state of race relations in the United States, a decision that prompted a wave of similar protests across the country.

To read more, go to: Colin Kaepernick memorabilia to be featured at the Smithsonian | theGrio

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