Happy Music Monday, you all. It’s a friend and selector, Marlon again. The upcoming U.S. release this Friday, October 11 of PIECE BY PIECE, the animated biopic/documentary/musical about prolific producer/artist Pharrell Williams, served as a nice reminder of just how much work and influence Williams has had from the 1990s to the present.
Veteran documentary director Morgan Neville crafted a freewheeling narrative that follows Williams’ humble beginnings in Virginia Beach, Virginia to becoming one of the most influential music producers of the 21st century.
I’ve gathered hours of tracks in “Alright: The Essential Pharrell Williams” playlist that feature production work by Pharrell and Chad Hugo as The Neptunes. I have included their work with N.E.R.D., alongside Shay Haley.
Of course, there are dozens of hits that he produced, wrote, and sang on. Not to mention his solo work that includes five new tracks for the new film.
Here’s Pharrell Williams’ writing of Teddy Riley‘s verse on Wreckx-n-Effect‘s hit “Rump Shaker”. There are cuts produced by the The Neptunes for a multitude of artists, including Busta Rhymes, Clipse, Beyoncé, Jay-Z, Robin Thicke, Gwen Stefani, Kelis, N.O.R.E., Britney Spears, Justin Timberlake, Nelly, Ludacris, T.I., Snoop Dogg, and so many others.
You’ll find Williams’ debut single, “Frontin'” (featuring Jay-Z), him and T.I. on Robin Thicke’s 2013 single “Blurred Lines”, and guest appearances alongside Nile Rodgers on Daft Punk‘s “Get Lucky” and “Lose Yourself to Dance”.
Please enjoy the eclectic playlist of tracks by Pharrell Williams in his many modes. Look for a repost of Halloween music later this month for your candy-slinging pleasure.
As Pharrell Williams takes his 49th orbit around the sun today, GBN celebrates the music and contributions to the culture and community made by this prolific and inventive force of nature.
To read about him, read on. To hear about him, press PLAY:
(You can follow or subscribe to the Good Black News Daily Drop Podcast through Apple Podcasts, Spotify, Google Podcasts, rss.comor create your own RSS Feed. Or just check it out every day here on the main website.) Full transcript below:
Hey, this Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a daily drop of Good Black News for Tuesday, April 5th, 2022, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing.
Born April 5, 1973 in Virginia Beach, VA, prolific music producer, composer and artist Pharrell Williams (“Drop It Like It’s Hot,” “Get Lucky,” “Hollaback Girl”) has also excelled as a fashion designer (Billionaire Boys Club, G Star Raw, Adidas) as a film and television producer (Dope, Hidden Figures, the Amazon Prime series Harlem) …and, importantly, as a philanthropist.
In 2019 Williams offered “A-List internships” to 114 college-bound high school students to help set them on their career paths.
More recently, Williams co-founded the Black Ambition Initiativeto fund Black and Latinx entrepreneurs in tech, design, healthcare and consumer products and services start-ups. So, let’s wish a “Happy” birthday to this “Beautiful” Neptune on his 49th trip around the sun.
And, it goes without saying, stream or buy any and/or all of the innovative, industry-changing music he’s produced and performed over the decades.
This has been a daily drop of Good Black News, based on the “A Year of Good Black News Page-A-Day Calendar for 2022,” published by Workman Publishing.
Intro and outro beats provided by freebeats.io and produced by White Hot.
Excerpts from “Frontin’”, “Happy,” “Beautiful” and “Brand New” by Pharrell Williams permitted under fair use.
If you like these Daily Drops, please consider following us on Apple, Google Podcasts, RSS.com, Amazon, Spotify or wherever you get your podcasts. Leave a rating or review, share links to your favorite episodes, or go old school and tell a friend.
For more Good Black News, you can check out goodblacknews.org or search and follow @goodblacknews anywhere on social.
Henry “Box” Brown gave literal meaning to the term “precious cargo” 173 years ago today, when he ingeniously shipped himself from enslavement in Virginia to freedom in Philadelphia by hiding inside a crate. Listen:
You can follow or subscribe to the Good Black News Daily Drop Podcast through Apple Podcasts, Spotify, Google Podcasts, rss.comor create your own RSS Feed. Or just check it out every day here on the main website (transcript below):
SHOW TRANSCRIPT:
Hey, this Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a daily drop of Good Black News for Tuesday, March 29th, 2022, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing.
173 years ago on March 29, 1849, Henry “Box” Brown escaped to freedom in a most ingenious way — he had himself mailed in a wooden crate from Virginia to abolitionists in Philadelphia. To get out of work on the day of his escape, Brown burned his hand to the bone with sulfuric acid.
All together, the extremely rough journey took 27 hours, but Brown succeeded and was celebrated for his inventiveness.
His status as a fugitive from slavery led Brown to move to England in 1850, but in 1875 he returned to the United States, where he toured and performed as a speaker, mesmerist and magician, pulling off feats of prestidigitation until his dying day.
Links to these and other sources are provided in today’s show notes and in the episode’s full transcript posted on goodblacknews.org.
This has been a daily drop of Good Black News, based on the “A Year of Good Black News Page-A-Day Calendar for 2022,” published by Workman Publishing.
Beats provided by freebeats.io and produced by White Hot.
If you like these Daily Drops, please consider following us on Apple, Google Podcasts, RSS.com,Amazon, Spotify or wherever you get your podcasts. Leave a rating or review, share links to your favorite episodes, or go old school and tell a friend.
For more Good Black News, you can check out goodblacknews.org or search and follow @goodblacknews anywhere on social. Onward and upward.
According to the Washington Post, Virginia Military Institute’s Board of Visitors voted Thursday to remove the prominent statue of Confederate General Stonewall Jackson from the state-supported military school grounds in efforts to address continuous incidents and allegations of racism there.
After reading descriptions by Black cadets of what they endure at VMI, Virginia Gov. Ralph Northam (D) ordered an independent investigation into the school’s culture. VMI’s superintendent, retired General J.H. Binford Peay III, resigned Monday in the wake of the controversy.
According to the Associated Press, Juneteenth has officially become a state holiday in Virginia after lawmakers unanimously approved legislation during the Virginia General Assembly special session.
Juneteenth marks the day in 1865 when news of the Emancipation Proclamation and the abolition of slavery reached Texas via a Union Army general Gordon Granger, setting off celebrations among the newly freed.
Governor Ralph Northam proposed making Juneteenth a state holiday in June during a press conference that included musician and Virginia native Pharrell Williams, and issued an executive order that gave executive branch employees and state colleges the day off. Northam signed the statewide legislation on Oct. 13.
Yesterday, city workers in Charlottesville, VA brought down a Confederate statue near the site of a violent white nationalist rally three years ago, where dozens were injured and one woman, Heather Heyer, was killed when a self-avowed white supremacist drove his car into a crowd of people protesting the rally.
The removal of the bronze figure of a Confederate soldier known as “At Ready,” is what is being seen in Charlottesville as a milestone in eliminating oppressive symbols of the Civil War from public properties shared by all taxpayers.
According to the Washington Post, Albemarle County supervisors voted earlier this summer to take down “At Ready,” even though the statue was not the focal point of the 2017 rally, but a block away from the statue of Confederate Gen. Robert E. Lee that white supremacist and neo-Nazi groups said they were defending in the clash.
A county school board in Virginia voted Thursday to rename Springfield, VA’s Robert E. Lee High School after recently deceased Civil Rights activist and U.S. Congress Member John R. Lewis. The new name will be effective for the 2020-21 school year.
According to the Fairfax County Public Schools press release, the Fairfax County School Board voted to change the name of the school and then held a one-month period of public comment on possible new names. A virtual town hall meeting was held on July 15 and a public hearing was held on July 22.
“The Board heard from students, teachers and staff members, families, and the community about the old name,” said School Board Chair Ricardy Anderson. “It was important for us to be mindful of these comments and to select a name that reflected the diversity and multiculturalism that currently exists at the school and in our community.
Rep. Lewis was a champion of the Civil Rights movement, and our Board strongly believes this is an appropriate tribute to an individual who is a true American hero. We will also honor his life’s work by continuing to promote equity, justice, tolerance and service in the work that we do.”
Lewis, a leading figure of the Civil Rights Movement and the Freedom Rides, represented Georgia in the U.S. House of Representatives for 33 years. He was one of the original organizers of the 1963 March on Washington to draw attention to inequalities faced by African Americans.
He also led the Selma to Montgomery march across the Edmund Pettus Bridge in 1965. Known as “Bloody Sunday,” the demonstrators were marching to the state capital to demand voting rights for African Americans when they were met by armed police who attacked them.
The Voting Rights Act of 1965 was signed into law later that year and is considered one of the most far-reaching pieces of civil rights legislation in U.S. history. Congressman Lewis was the recipient of many awards throughout his lifetime, including the Presidential Medal of Freedom in 2011. He passed away on July 17, 2020, after a battle with pancreatic cancer.
[Photo via Fairfax County Public Schools leehs.fcps.edu]
NASA announced Wednesday the agency’s headquarters building in Washington, D.C., will be named after Mary W. Jackson, the first African American female engineer at NASA.
Jackson started her NASA career in the segregated West Area Computing Unit of the agency’s Langley Research Center in Hampton, Virginia.
Jackson, a mathematician and aerospace engineer, went on to lead programs influencing the hiring and promotion of women in NASA’s science, technology, engineering, and mathematics careers. In 2019, she was posthumously awarded the Congressional Gold Medal.
“Mary W. Jackson was part of a group of very important women who helped NASA succeed in getting American astronauts into space. Mary never accepted the status quo, she helped break barriers and open opportunities for African Americans and women in the field of engineering and technology,” said NASA Administrator Jim Bridenstine.
“Today, we proudly announce the Mary W. Jackson NASA Headquarters building. It appropriately sits on ‘Hidden Figures Way,’ a reminder that Mary is one of many incredible and talented professionals in NASA’s history who contributed to this agency’s success. Hidden no more, we will continue to recognize the contributions of women, African Americans, and people of all backgrounds who have made NASA’s successful history of exploration possible.”
Mary W. Jackson NASA Headquarters building in Washington, D.C (Credit: NASA)
“We are honored that NASA continues to celebrate the legacy of our mother and grandmother Mary W. Jackson,” said, Carolyn Lewis, Mary’s daughter. “She was a scientist, humanitarian, wife, mother, and trailblazer who paved the way for thousands of others to succeed, not only at NASA, but throughout this nation.”
Former WNBA Player Tamara Moore (photo via nbcnews.com)
According to nbcnews.com, former WNBA guard Tamara Moore has been hired as the men’s basketball head coach at Mesabi Range College in Virginia, Minnesota, making her the only woman to be the head coach of a men’s collegiate program in the country currently. And the first African American woman to hold that job in the U.S., ever.
“Now, it’s time for me to show you guys and show people that women are just as knowledgeable as men to coach the game,” she told ESPN.
Moore’s rise to head coach started from an early age. In high school, she was Minnesota’s Miss Basketball winner in 1998, later playing for the University of Wisconsin-Madison, where she was named 2001 Big Ten Defensive Player of the Year and a two-time First Team All-Big Ten selection.
After college, Moore spent six seasons in the WNBA from 2002 to 2007, playing for seven different teams throughout her career before playing overseas. She was the girls’ basketball coach at Edison High School in Minneapolis before accepting her new position as the men’s basketball and softball head coach at Mesabi Range College.
Moore, 40, said that coaching men doesn’t faze her, and that she hasn’t been asked how male players will respond to her.
“I can use my recruiting calls in this process as an answer to that question: I didn’t even get that question once,” Moore said. “My resume speaks for itself.”
Moore isn’t the first woman to coach a basketball team. In the 1990s, Kerri-Ann McTiernan became the first woman in the country to be the head coach of a men’s college basketball team at Kingsborough Community College in New York. Moore’s hiring also follows a record 11 women who served as assistant coaches in the NBA 2019-20 season.
Singer-songwriter Bill Withers (photo via wikipedia.com)
According to Variety.com via Associated Press, Grammy winner and Rock and Roll Hall of Fame member Bill Withers, whose career in music blossomed in the early ‘70s via a string of highly-personalized hits such as “Lean On Me,” “Ain’t No Sunshine,” “Lovely Day,” and “Use Me,” died from heart complications on Monday in Los Angeles. He was 81. Withers is survived by his wife and two children.
To quote the article:
“We are devastated by the loss of our beloved, devoted husband and father. A solitary man with a heart driven to connect to the world at large, with his poetry and music, he spoke honestly to people and connected them to each other,” the family said in a statement to AP. “As private a life as he lived close to intimate family and friends, his music forever belongs to the world. In this difficult time, we pray his music offers comfort and entertainment as fans hold tight to loved ones.”
Withers was 33 years old and working on an aircraft assembly line in 1971 when his first hit, the self-penned, Grammy-winning “Ain’t No Sunshine,” soared up the charts. He quickly followed up that success with a run of hit singles that included “Use Me” and the gospel-soul smash “Lean On Me,” which won a belated Grammy Award as best R&B song in 1987.
While those songs are recognized today as classics, Withers was not able to top the surprise commercial success of his early career. His subdued, introspective, often acoustic-based style grew increasingly at odds with the hard funk and disco of the ‘70s, and disputes with his record labels slowed his production at the height of his popularity. He essentially retired from performing and recording in the mid-‘80s. He was inducted into the Rock and Roll Hall of Fame in 2015.
Withers was born July 4, 1938, in the mining town of Slab Fork, VA. He was afflicted with a stutter from an early age. He enlisted in the Navy at 18, and, as his speech disability receded, he began singing and songwriting. After nine years of service, he was discharged in 1965.
Relocating to Los Angeles, he began performing in local clubs at night while working assembly line jobs in the aviation industry. In 1970, a demo tape he had recorded caught the interest of the well-traveled black record exec Clarence Avant, who signed Withers to his label, Sussex Records.
Withers debut album “Just As I Am” was released in May 1971; Withers is pictured on the cover holding a lunchbox in his hand, for the shot was taken during his lunch break at Burbank’s Weber Aircraft, where he continued to install toilet seats in commercial airplanes.
The collection was the first major hit produced by Booker T. Jones, the former keyboardist for the Memphis instrumental soul act Booker T. & the MG’s, who appeared on the set with former band mates Donald “Duck” Dunn and Al Jackson. Stephen Stills, of Crosby, Stills, Nash & Young, and studio ace Jim Keltner also contributed to the record’s eclectic sound.
The LP contained “Ain’t No Sunshine,” an incantatory two-minute cry of pain that its author said was inspired by a viewing of Blake Edwards’ drama about alcoholism “The Days of Wine and Roses.” The song — released as the B-side of the “Harlem” 45, which was flipped by DJs — soared to No. 3 on the pop chart and No. 6 on the R&B rolls, garnered a Grammy as best R&B song, and pushed “Just As I Am” into the national pop top 40. The album’s moving “Grandma’s Hands” also reached No. 18 on the R&B side.
For his follow-up, Withers recruited four members of the Watts 103rd Street Rhythm Band, a popular L.A. act fronted by singer Charles Wright, to back him and co-produce his sophomore album. “Still Bill” (1972) topped its predecessor, shooting to No. 4 on the pop list and No. 1 on the R&B album chart; the LP was pushed by the massive hit singles “Lean On Me” (No. 1 pop and R&B) and “Use Me” (No. 2 pop, No. 1 R&B). In 1973, Withers wed “Room 222” sitcom star Denise Nicholas, but the marriage lasted only a year.
He made his last appearance in the national top 10 in 1981 with a guest vocal on “Just the Two of Us” (No. 2 pop, No. 3 R&B), a romantic ballad issued on hitmaking saxophonist Grover Washington, Jr.’s album “Winelight.”
After Columbia’s release of “Watching You Watching Me” (No. 143, 1985), Withers stepped away from performing. In later years, he explained his retreat from the stage and the studio, and ultimately from writing, to Alix Sharkey of England’s Telegraph: “That kind of stuff, to me, was a lot more interesting at 35…. I’m not motivated to wanna draw attention to myself or travel all over the place. There was a time for that. When it was done, it was done.”
To hear some of his best music, listen to the Spotify playlist below:
You can also check out the 2020 Netflix series 
All together, the extremely rough journey took 27 hours, but Brown succeeded and was celebrated for his inventiveness.
