In conjunction with the 2/28 release of Whitney Houston: I Wanna Dance with Somebody on DVD/Blu-Ray, Good Black News is giving away one bundled prize pack, courtesy of Sony Pictures Home Entertainment.
The items in the prize pack include:
Blu-ray
Vinyl album
Karaoke mic
Kodak Printomatic Instant Camera – with package of photo paper
Movie night popcorn set
Box of conversation hearts
To enter for a chance to win, send your first and last name and an email address with the subject heading “Whitney Houston: I Wanna Dance with Somebody Giveaway” to goodblacknewsgiveaways@yahoo.com from now until 11:59PM PST on Tuesday, February 28.
One entry per email, and GBN will announce the name of the winner in a post on March 1st, then contact them for a mailing address to receive their prize pack bundle.
Directed by Kasi Lemmons (Harriet, Eve’s Bayou, Candyman) and written by Academy Award® nominee Anthony McCarten (Best Adapted Screenplay, The Two Popes, 2019), produced by legendary music executive Clive Davis and starring BAFTA Award® winner Naomi Ackie, the film — which is currently available on all digital platforms — is a no-holds-barred portrait of the complex and multifaceted woman behind The Voice.
From New Jersey choir girl to one of the best-selling and most awarded recording artists of all time, audiences are taken on a journey through Whitney Houston’s trailblazing life and career, with show-stopping performances and a soundtrack of the icon’s most beloved hits as you’ve never heard them before.
As it’s still Black History Month, GBN is taking the opportunity of this giveaway to highlight some Whitney Houston history that, unlike her timeless music, is not as well known.
The United Negro College Fund is offering the Pierre and Tana Matisse Scholarship for New York City students of Black, Latinx or Indigenous descent.
Funded by a $1 million grant from this Pierre and Tana Matisse Foundation, the program provides students attending any accredited two-year community or four-year college in the United States with scholarships of up to $5,000.
The deadline to apply for the 2022-2023 academic year is June 30, 2022. Eligibility requirements are listed below. For more detailed information on the scholarship and to apply, click here.
To see a FULL LIST of other scholarships currently available through UNCF, click here.
Eligibility Requirements
Be Black, Latinx, or Indigenous.
Be a US citizen, permanent US resident, an undocumented student, or an undocumented student with DACA status.
Be a permanent resident of one of the five boroughs of New York City: Bronx, Brooklyn, Manhattan, Queens, or Staten Island. (See the list of eligible NYC ZIP codes here.)
Applicants who are permanent residents of New York City and attend college outside of NYC may apply if their permanent home address is in NYC.
Have a minimum cumulative grade point average (GPA) of 2.5 on a 4.0 scale.
Be currently classified as a graduating high school senior, or college freshman, sophomore, or junior. Current first-semester college seniors who are graduating in December 2022 may also apply.
Will be enrolled as a full-time freshman, sophomore, junior, or senior at any accredited US 4-year institution or 2-year community college in the 2022-2023 academic year.
Have completed the Free Application for Federal Student Aid (FAFSA) and have a demonstrated unmet financial need, as verified by the applicant’s institution.
NOTE: Undocumented students and students with DACA status will be exempt from Eligibility Requirement #7.
Today we share a quote from and some facts about the mighty Mary McLeod Bethune, educator, activist and founder of Bethune-Cookman University and the National Council of Negro Women.
You can follow or subscribe to the Good Black News Daily Drop Podcast through Apple Podcasts, Spotify, Google Podcasts, rss.comor create your own RSS Feed. Or just check it out every day here on the main website (transcript below):
SHOW TRANSCRIPT:
Hey, this Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a daily drop of Good Black News for Monday, March 28th, 2022, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing.
Today we offer a quote from esteemed educator and civil rights activist Mary McLeod Bethune:
“Without faith, nothing is possible. With it, nothing is impossible.”
Born during Reconstruction in Maysville, South Carolina in 1875, Bethune was the 15th out of 17thchild of formerly enslaved parents Samuel and Patsy McIntosh McLeod, and the first of theirs born into freedom.
At an early age, Bethune pursued education any way she could, even if it meant walking eight miles each way to the only school around. After attending college in North Carolina and Moody Bible Institute in Chicago, Bethune became a teacher herself.
She eventually started a school of her own in Daytona, Florida with husband and fellow teacher Albertus Bethune, that evolved into what is now Bethune-Cookman University.
In her lifetime, Bethune went on to become a national advisor to President Franklin D. Roosevelt as part of his “Black” cabinet, represented the NAACP at the founding of the United Nations in 1945, raised money to open the first hospital for Black people in Daytona, Florida, founded the National Council of Negro Women and co-founded the United Negro College Fund.
In fact, here’s a taste of her voice from a 1949 radio broadcast with Eleanor Roosevelt speaking on the importance of democracy, coalition and human rights:
[Excerpt from 1949 broadcast with Eleanor Roosevelt]
This has been a daily drop of Good Black News, based on the “A Year of Good Black News Page-A-Day Calendar for 2022,” published by Workman Publishing.
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Even though most Americans think of today as Super Bowl Sunday, on GBN’s Daily Drop podcast bonus episode we instead celebrate what’s been the day’s other moniker since 2018 — #JanetJacksonAppreciationDay.
You can follow or subscribe to the Good Black News Daily Drop Podcast through Apple Podcasts, Spotify, Google Podcasts, rss.comor create your own RSS Feed. Or just check it out every day here on the main website (transcript below):
SHOW TRANSCRIPT:
Hey, this Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a bonus daily drop of Good Black News for Sunday, February 13th, 2022, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing.
Although today is known by most Americans as Super Bowl Sunday, for the past four years, thanks to Academy Award-winning filmmaker Matthew A. Cherry, it’s known among millions on Twitter and beyond as #JanetJacksonAppreciationDay.
#JanetJacksonAppreciationDay is where fans of Janet Jackson (aka “#JanFam”) flood their social media timelines with loving GIFs, memes, and videos of the legendary “Rhythm Nation” performer.
This annual trend began in 2018 in reaction to Justin Timberlake being invited to headline that year’s Super Bowl halftime. In 2004, when Jackson and Timberlake performed together at halftime, Jackson alone bore the blame for the “wardrobe malfunction” that occurred when Timberlake ripped a revealing part of her costume.
The moment that came to be called “Nipplegate” sparked controversy and damaged Jackson’s career for years while Timberlake’s soared.
Today’s #JanetJacksonAppreciationDay is particularly special because just a few weeks ago, the four-part documentary Janet Jackson and brother Randy Jackson executive produced on her life and career aired in the U.S. on Lifetime and A&E. In it, Janet shared footage and information from her life and career that had never seen or heard before by the public.
The widely watched doc set off a current surge of appreciation for Jackson’s contributions to popular culture in the following ways:
top ratings in the U.S. and airings across the globe
As a #JanFam member myself since childhood – from Good Times, Diff’rent Strokes, the early albums and on – well, today I personally would like to appreciate Janet Jackson who, since 1989, has used her music to tackle and highlight issues such as racism, sexism, illiteracy, domestic violence and homophobia.
Currently, Janet is selling her vintage tour swag on The Real Realto support the non-profit organization Girls Leadership, which teaches girls to exercise the power of their voices through programs grounded in social emotional learning.
There’s also an awesome podcast called Janet Today, Janet Tomorrow, Janet Forever where cousins Courtney and Kam discuss Janet’s music and videos song by song, as well as conduct fun and informative interviews with musicians, dancers, stylists and the like who have worked with Janet throughout her career.
And of course, you can always jump on social yourself and add to or check out the #JanetJacksonAppreciationDay tributes that are all for her! Links to everything I mentioned and more are provided in today’s show notes.
This has been an extra-long bonus daily drop of Good Black News, based on the “A Year of Good Black News Page-A-Day Calendar for 2022,” published by Workman Publishing, and available at workman.com, Amazon, Bookshop and other online retailers.
Robert F. Smith—the billionaire who pledged during a commencement speech last year to pay off the student debt of the Morehouse College class of 2019—is, according to time.com, launching a new initiative to help ease the burden of student loans at all HBCUs (Historically Black Colleges and Universities).
The Student Freedom Initiative, a nonprofit organization, will launch in 2021 at up to 11 HBCUS and will offer juniors and seniors who are science, technology, engineering and mathematics (STEM) majors a flexible, lower-risk alternative to high-interest private student loans.
The list of HBCUs participating in the initial rollout has not been finalized. SFI will target the disproportionate loan burden on Black students while creating more choices for students whose career options or further educational opportunities might be limited by heavy student debt.
The aims of the Initiative is to help 5,000 new students each year via a $50 million grant from Fund II Foundation, a charitable organization of which Smith is founding director and president.
Fund II has set a goal of raising at least $500 million by October to make the program “self-sustaining” through investments and graduates’ income-based repayments. Fund II will partner with Michael Lomax, CEO of the United Negro College Fund; Henry Louis Gates Jr., director of the Hutchins Center for African and African-American Research at Harvard; the Jain Family Institute and the Education Finance Institute.
“You think about these students graduating and then plowing so much of their wealth opportunity into supporting this student debt, that’s a travesty in and of itself,” Smith, chairman and CEO of Vista Equity Partners, said Tuesday during a TIME100 Talks discussion with Editor-in-Chief Edward Felsenthal.
[To see Robert Smith speak on the need for this initiative, watch here]
Smith—the wealthiest Black man in the United States, according to Forbes—donated $34 million last year that covered the student debt of about 400 Morehouse graduates, including the educational debt incurred by their families. He says his new initiative is an effort to create a more sustainable model for thousands more students.
“I think it’s important that we do these things at scale and en masse because that’s how you lift up entire communities,” he says. “Of course, we all like the great one story, but I want thousands of these stories. And I want thousands of Robert Smiths out there who are actually looking to do some things in fields that are exciting to them and are giving back.”
Just before Coachella was rechristened Beychella, Beyoncé Knowles and Balmain creative director Olivier Rousteing had an idea. It happened in a rehearsal, while Beyoncé and her dancers were practicing in their Balmain-made looks inspired by the marching band uniforms of America’s historically black colleges and universities. “When she saw all the dancers loving the outfit—and she was loving her own outfit—she realized that what we were creating on stage for her, for all the dancers, was something really impactful,” says Rousteing. It clicked: Why not make a Beyoncé x Balmain collaboration that could make those poignant graphics available to all of Bey’s fans clamoring for a piece of history?
On Friday, July 13, Balmain will launch a three-piece Balmain x Beyoncé collection in its Paris flagship, with the items going on sale on balmain.com and beyonce.com the following day. Comprised of the yellow and pink sweatshirts Beyoncé wore on stage at Coachella, the collection also includes a black tee with the same sorority-inspired graphic.
“I worked really long with her on the Beychella moments, and the fact that we can release this collaboration that is based on our creativity, Beyoncé and I, is really a big, big step for fashion and music together,” continues the designer. “Beyoncé, she’s such a perfectionist; she’s someone that is so strong and has such a great point of view. She’s about feminism, empowering women, and the idea of bringing that collaboration where we can share the same ideas, the same vision of music, the same vision of fashion, the same vision of what is going on in the world, it’s more than just clothes. It’s a strong message, and I’m really proud to be a part of that.”
He continues: “Sometimes, you create a moment, and it’s just one moment. With the clothes that we are creating now, it’s going to be a moment that keeps going and going and going. This is something really important. Everybody is always telling me about millennials or about the future—this is the future. This is making sure that these iconic moments talk to the young people. This is something important and this collaboration is talking to the new generation and saying you can get that piece, you can be a part of the history.”
The message, as Rousteing tells it, is to never stop dreaming. He relates Beyoncé’s global success, her message of standing against racism and standing for women, as something he wishes he had growing up in France. “This to me feels really emotional because, as you know, I’m of mixed race. I’m black and my parents are white. I grew up in France without having a real identification of being black and being an adult. I couldn’t see myself in the future, in a way, because there were not so many people in the ’80s or early ’90s that could show me a direction,” he says. “For me, working with Beyoncé, it’s more than only music. It’s about history, working with a woman that’s going to be part of the history and has made her own revolution, not only in music, not only in fashion. She is an icon to an entire generation and so many more generations can follow the steps of Beyoncé and say, ‘You give us hope, you make us dream.’ ”
Proceeds from the collaboration will benefit the United Negro College Fund, following Beyoncé’s $100,000 donation to four historically black colleges after her Coachella set. “The donation was the main goal of this collaboration,” says Rousteing. “We don’t forget where we come from. This is really, really important—I come from an orphanage, you know. I think there is something really emotional about our collaboration.”
Balmain x Beyoncé will be available on July 13 at Balmain’s Paris flagship and from July 14 online and at select retailers; tee, $290; sweatshirts, $550–$1,790
“Get Out” written and directed by Jordan Peele (photo courtesy Universal) by Flynn Richardson Jordan Peele is the quiet superhero I’ve been waiting for. I say quiet because his movie “Get Out” sneaked up on me. Not that there wasn’t noise surrounding this film… there was… everyone was talking about it. It had a perfect positive review score on Rotten Tomatoes until one guy’s negative take ended the streak. What can I say… everyone’s a critic – including me.
To summarize, “Get Out” is about a young, black photographer named Chris who is dating a white girl named Rose, and the duo depart for the weekend to visit Rose’s family (the Armitages) at their sprawling, suburban estate. Chris has initial concerns about the trip because Rose never mentioned to her family that she was dating a black man; however, Rose assures Chris that her family is not racist, and he therefore should not have anything to worry about.
Upon arrival the family seems normal enough; they are progressive, nice, and even border on entertaining. But as the plot furthers and their racism becomes increasingly revealed, the movie transforms from a fish-out-of- water “meet the parents” story into a spine-chilling thriller involving blood, murder, and hypnotic enslavement.
Among the film’s numerous allusions to racism – the policeman’s unwarranted request for Chris’s ID; the family’s employment of only black help; Rose’s brother’s assessment of Chris’s inherent athletic abilities – one quotation that particularly piqued my interest was the ending line of the official trailer: “A Mind is a Terrible Thing to Waste.”
This slogan, coined in 1972 by Arthur Fletcher, head of the United Negro College Fund, was important for two reasons: 1) it was created to promote the funding of scholarships for underprivileged black youth who would otherwise be unable to afford college and 2) it acknowledged that the potential of a mind does not hinge upon the race of its host, and that every mind should thereby be entitled to further cultivation.
What I find most interesting about Peele’s inclusion of this slogan (and its periodic repetition throughout the film and trailer) is that it perfectly echoes the commentary Peele makes about racism through this movie. Minds of black people are literally wasted as they are hypnotically enveloped within “The Sunken Place” – a darkness in which the mind is deprived of control over the body, and this imposed deprivation is largely representative of the systemic racism that plagues our society.
Although the capability of a mind is not dictated by race, the system has nonetheless created the illusion of white superiority by marginalizing black people and casting them into a void of shadows. And, while an occasional glimmer of reality (in this case, provided by the flash from Chris’s camera) may motivate black people to sometimes fight against it, the system ultimately triumphs in restoring its prejudiced order.
Speaking from my perspective – a bi-racial, brown-skinned teenager living in Los Angeles – I have been fortunate enough to not have personally experienced the same degree of marginalization as other members of the black community, or even within my own family. But this movie nonetheless still displays several facets of my experience. I attend a school of predominantly white students, and I can attribute many of my own feelings of being “other” to a feeling of being overshadowed by my white peers. I say many, and not all, because the alternative is a feeling of scrutinization that stems from being the only black kid in the room. Peele illustrates this aspect extremely well through the Armitages’ fixation on Chris. What I think therefore is so special about this film is that it weaves together these (and so many other) different dimensions of discrimination, and pretty much anyone of color can find some identification with Chris’s experience.
For those who still have not seen this movie, the purchase of that ticket would undoubtedly be money well-spent. If thought-provoking and intelligently constructed films intrigue you, watch “Get Out.” If films that tackle racism move you, watch “Get Out.” Even if you are merely into the horror genre, watch “Get Out.” From its amazing acting – Chris (Daniel Kaluyaa), Rose (Allison Williams), the brilliantly hilarious TSA agent Rod (Lil Rel Howery), etc. – to its perfect pacing, “Get Out” merits its commercial and critical success for its unique, alluring, and thoughtful portrayal of the underlying horrors that constitute being black in America.
Note: If my antistrophe in the last paragraph was not enough to persuade you (did I mention I’m a college-bound high school senior? Words like “antistrophe” live in my brain daily, so I can’t pass up a chance to use one in context), hopefully the trailer linked below will be:
The Fund II Foundation of Austin, Texas, has the stated mission “to preserve the African-American experience; safeguard human rights; provide music education; preserve the environment while promoting the benefits of the outdoors; and sustain critical American values such as entrepreneurialism.”
To fulfill its first stated mission the philanthropic organization vows “to share the diverse and stirring stories of people of African descent, we support organizations that illuminate the richness of Black history and culture.”
Now the Fund II Foundation has teamed up with the United Negro College Fund to establish a new scholarship program to help African American students seeking careers in STEM fields. Over the next five years, The Fund II Foundation UNCF STEM Scholars Program will identify 500 African American high school students who are determined to pursue careers in STEM fields. These students will receive scholarships, internships, mentoring, and other tools to help them reach their goals. The Fund II Foundation is contributing $48 million for the STEM Scholars Program.
World History teacher Derrick Sanders on Thursday, January 7, 2016. Mr. Sanders, whom graduated from Howard University, is in his first year of being a teacher with the Teach For America program in Dallas. (photo: Brandon Thibodeaux for Education Week) article by Nigel Roberts via newsone.com
Some 15,000 guests joined Teach For America at its Washington, D.C. gathering in February to celebrate the organization’s quarter-century anniversary. On this milestone, the group’s army of teachers, alumni, and allies – now numbering 50,000 – commemorated the past, but fixed their eyes on the future.
At the top of TFA’s agenda going forward is recruiting teachers of color to meet the needs of the nation’s exploding Latino student population and African-American pupils who are struggling to close the academic achievement gap.
The ballooning growth of Latinos and the simultaneous decline of the White population have resulted in a significant demographic shift among students. The 2014 – 2015 academic year marked the first time that minority schoolchildren—Latino, African-American, and Asian—outnumbered their White counterparts, Education Week reported.
However, the teaching force has failed to keep pace with this major shift. According to U.S. News, only 17 percent of educators are people of color.
The problem, according to numerous studies, is that minority students perform academically better under the guidance of teachers of their own race or ethnicity.
A study reported by the Washington Post states: “We find that the performance gap in terms of class dropout and pass rates between white and minority students falls by roughly half when taught by a minority instructor. In models that allow for a full set of ethnic and racial interactions between students and instructors, we find African-American students perform particularly better when taught by African-American instructors.”
Why do minority students tend to perform better with teachers who look like them? The study reported in U.S. News says teachers of color are often better motivated to teach in racially segregated, poor schools. What’s more, they typically have higher academic expectations of their pupils and better understand their culture.
Artist Benny Andrews Tuskegee University in Alabama received a donation of four paintings by the late artist Benny Andrews from the United Negro College Fund. The paintings have a value of more than $100,000.
Andrews is known as an abstract expressionist. Many of his works are images from his childhood in Georgia. Andrews died in 2001. Brian L. Johnson, president of Tuskegee University, stated that the university “thanks both the UNCF and the Berry Andrews Foundation for this wonderful gift that will further enhance the university’s aesthetic, artistic, and cultural appeal to both students and visitors worldwide. I was Benny Andrews’ wish to share his artworks and legacy to inspire African American artists, art enthusiasts, and students around the country.” Nene Humphrey, the artist’s widow and president of the Andrews Humphrey Family Foundation said “the placement of these artworks will enhance Benny Andrews’ legacy and provide an opportunity to educate new audiences about this work.” article via jbhe.com
article via 
Brian L. Johnson, president of Tuskegee University, stated that the university “thanks both the UNCF and the Berry Andrews Foundation for this wonderful gift that will further enhance the university’s aesthetic, artistic, and cultural appeal to both students and visitors worldwide. I was Benny Andrews’ wish to share his artworks and legacy to inspire African American artists, art enthusiasts, and students around the country.”