The nominees for the 91st Academy Awards were announced early this morning by Black-ishstar Tracee Ellis Ross and The Big Sickstar Kumail Nanjiani, and among them were for the first time a superhero movie nominated for Best Picture, Black Panther, and the prolific Spike Lee‘s first nomination in the Best Director category for Black KkKlansman, which also was nominated for Best Picture.
Ever since the #OscarsSoWhite controversy of 2016, the demand for more diversity in movies and television has gained and retained attention. Although there are no African-Americans among the Best Actor or Best Actress nominees, Mexican actress Yalitza Aparicio was recognized for her work in Roma, and among the nominees in the Best Supporting Actress category are Golden Globe winner Regina King for her turn in If Beale Street Could Talk, and Academy Award winner Mahershala Ali, who garnered his third Oscar nomination for Best Supporting Actor in Green Book.
Other notable African-American Oscar nominees this year are Kendrick Lamar and SZA in the Original Song category for “All The Stars” from Black Panther, and Academy Award winner Jennifer Hudson, who might win for what she first became known for as she is also nominated (with Diane Warren) in the Original Song category for “I’ll Fight” from RBG.
Peter Ramsey, who is co-director on Best Animated Feature Spider-Man: Into the Spider-Verse, and Barry Jenkins in the Adapted Screenplay category for If Beale Street Could Talk. Spike Lee earned a second nod in the Adapted Screenplay category as one of the writers of Black KkKlansman.
Another first this year is Hannah Beachler‘s nomination for Production Design for Black Panther, the only African American woman to receive one in this category. Ruth E. Carter earned her third nomination for Costume Design (the first two were for Malcolm X and Amistad) for Black Panther and composer Terence Blanchard, who has scored more than forty films and all of Spike Lee’s, finally earned an Original Score nomination this year for his work on Black KkKlansman.
The Oscars will be broadcast live by ABC on Feb. 24 at 5 p.m. PT/8 p.m. ET. Below is a complete list of all the nominees:
Kenya Barris has become the newest big-ticket addition to Netflix’s lineup of television producers.
The “Black-ish” creator has signed a three-year overall deal with the streaming service that will see him produce series exclusively for Netflix. According to a source with knowledge of the negotiations, the deal, which carries an option for an additional two years, is valued at roughly $100 million — putting Barris in the same ballpark as recent Netflix recruits Shonda Rhimes and Ryan Murphy.
Barris’ departure from ABC Studios, where he was under an overall deal, became official last month. But according to insiders, his release from his ABC deal had been secured several months ago, and the basics of his new Netflix agreement had also been in place for some time.
Barris’ relationship with ABC began to show signs of strain in March when Variety reported that the network had indefinitely shelved an episode of “Black-ish” that he wrote and directed, titled “Please, Baby, Please,” which touched on current events, including controversy over athletes kneeling during performances of the national anthem. Barris told Variety at the time, “Given our creative differences, neither ABC nor I were happy with the direction of the episode and mutually agreed not to air it.”
According to a source with knowledge of the situation, Disney-owned ABC’s concerns were related to comments that characters made in the episode about President Donald Trump, not to the football storyline.
A month later, reports surfaced that Barris was being courted by Netflix for an overall deal. But his ability to pursue a Netflix deal was complicated by the renewal of his ABC agreement that he signed last year, and which ran through 2021. Barris had to secure an exit from ABC before moving to Netflix.
With his departure from ABC Studios last month, Barris stepped away from his post as co-showrunner of “Black-ish,” but will continue to serve as executive producer. Barris also has “Black-ish” spinoff “Grown-ish” at Disney cable channel Freeform, where he will continue to be an EP.
“Black-ish” has been a rarity among broadcast comedies in recent years — drawing solid ratings and robust critical praise, particularly for episodes addressing complex social issues. It also, when it premiered in 2014, was the first broadcast comedy in years to feature an African-American family. It has been nominated for 12 Primetime Emmy Awards over its run, and this year received its third Emmy nomination for outstanding comedy series. It received a Peabody Award in 2016, and a Golden Globe Award in 2017 for actress Tracee Ellis Ross.
“Kenya Barris is one of our great modern storytellers,” said Cindy Holland, vice president, original content at Netflix. “Kenya uses his voice to make audiences more aware of the world around them, while simultaneously making them laugh. His honesty, comedic brilliance and singular point of view, combined with the creative freedom he will enjoy at Netflix, promises to create powerful new stories for all our members around the world.”
Barris added, “When my agents reached out to me about this little garage start-up called Netflix, I wasn’t sure what to think. But after I talked to Ted and Cindy, I started to believe that maybe this mom-and-pop shop with only 130 million subscribers might just be something… so I decided to take a swing… a leap of faith if you will, and take a chance with the new kids on the block.”
With his new agreement, Barris joins the ranks of television’s highest paid creators. In the last year, Netflix has signed Rhimes and Murphy to nine-figure deals as it continues to grow its original-programming volume in an increasingly robust challenge to the traditional pay-TV business. The streaming service last month revealed an initial programming slate from Rhimes that includes eight new series projects.
The winners of the 49th NAACP Image Awards were announced last night during the live broadcast from the Pasadena Civic Auditorium which aired on TV One. The two-hour live special was hosted by Anthony Anderson and opened with a powerful moment in support of #TIMESUP featuring Angela Robinson, Kerry Washington, Jurnee Smollett-Bell, Laverne Cox, Lena Waithe and Tracee Ellis Ross.
Ava DuVernay was honored as the NAACP Entertainer of the Year. NAACP Chairman Leon W. Russell presented the NAACP Chairman’s Award to William Lucy, NAACP President and CEO Derrick Johnson presented the NAACP President’s Award to Danny Glover and several members of the Memphis Sanitation “I Am A Man” Workers were also in attendance – they were presented with the NAACP Vanguard Award earlier in the week during a press conference at the National Civil Rights Museum in Memphis, TN.
Gap Band leader Charlie Wilson was honored with the Music Makes a Difference honor which is bestowed upon an individual within the recording industry who has achieved worthwhile success and inspiration for civic engagement, criminal justice, education, economic opportunity, or criminal justice.
“Girls Trip” triumphed as the winner in the Outstanding Motion Picture category, and picked up a second award for its breakout star Tiffany Haddish in the Supporting Actress category.
Jordan Peele‘s horror opus “Get Out” received three awards, including Best Actor honors for lead Daniel Kaluuya, and Best Director and Best Writing wins for Peele. “Black-ish” took home the award for best television series, while host Anderson won Best Actor, Tracee Ellis Ross repeated as Best Actress and Marsai Martin won for Best Supporting Actress in a TV series.
In recording, Bruno Mars took home awards for Outstanding Male Artist, Outstanding Music Video/Visual Album and Outstanding Song – Traditional for “That’s What I Like.” Kendrick Lamar owned the Outstanding Album, Outstanding Song – Contemporary and Outstanding Duo, Group or Collaboration categories (the latter with Rihanna).
The winners of the 49th NAACP Image Awards in the non-televised categories were announced during a gala dinner celebration that took place Sunday, January 14, 2018, at the Pasadena Conference Center – the event was hosted by The Real’sAdrienne Houghton, Loni Love, Jeannie Mai and Tamera Mowry-Housley.
The NAACP Image Awards is the premiere multicultural awards show. It celebrates the accomplishments of people of color in the fields of television, music, literature and film, and also honors individuals or groups who promote social justice through creative endeavors.
While taking over hosting duties for “Jimmy Kimmel Live!” on Tuesday, Tracee Ellis Ross used the platform to speak out about the current wave of sexual harassment allegations surrounding Hollywood.
“I wrote a book,” she said, introducing a bit about “The Handsy Man,” her new children’s book that breaks down the issue of sexual harassment so that grown men can understand.
“It’s kind of like a children’s book for men that is going to make it really simple and bring it back to the basics,” she said before opening the cover and reading a passage.
“There is a guy, with 10 long fingers/ creepy glares and hugs that linger./ If you’re a woman, you’re not a fan./ I speak, of course, of The Handsy Man,” she read.
Ross went on to read all the things that “Handsy Man” may not do. “You may not compliment my butt. You may not call me ‘ho’ or ‘slut.’ And even if you’re stoned or drunk, do not expose me to your junk,” Ross read, showing a drawing of “Handsy Man” exposing himself to a woman.
Other passages included instructions to not “grab my boobs while I’m asleep,” an apparent reference to the photograph of Sen. Al Franken groping a sleeping Leeann Tweeden’s breasts, and one final message: “I’ll say it clearly, nice and slow. If she doesn’t consent — the answer is NO.”
This year, Equal Pay Day was on April 4 to mark the extra three months and a few days that women in general have to work in order to make as much as men do in a year, with the pay gap at around 80 cents to the dollar. But the gap is worse when you take race into account, with Black women only making 67 cents to every dollar.
Thus, Black women have to work 19 months to make what white men make in 12. To mark the day, celebrities and other notable women have all come together to stand for equal pay for all women, especially those who are disadvantages twice over.
While many celebrities, such as Tracee Ellis Ross, took to Twitter to explain the significance of the date, others used the platform to specifically call for change. “We need to do more to address the economic injustice that exists at the intersection of gender & race. #BlackWomensEqualPay,” wrote Senator Kamala Harris.
Others, like Remy Ma, expressed messages of consolidation and support: “Black women are the cornerstone of our communities, they are phenomenal & they deserve equal pay.”
Making it in Hollywood is no easy feat, and doing so as a woman is even more difficult. If that woman is black — or Latina or Asian or otherwise nonwhite — the odds just aren’t in her favor. But with the release of “Girls Trip,” four black women — Queen Latifah, Jada Pinkett Smith, Regina Hall and Tiffany Haddish — attempt a takeover of the buddy comedy, possibly the first time black women have led such a picture.
One reason as to why? The number of black women thought to be able to carry a studio-backed film is slim, and there hasn’t been a bona-fide black female comedic superstar since Whoopi Goldberg. We spoke to 18 funny black women about their industry experiences. Below are their thoughts:
Tracee Ellis Ross
While most probably know Tracee Ellis Ross as Rainbow on the hit “black-ish,” others see Joan Clayton of “Girlfriends,” the early 2000s show almost no one would argue about rebooting.
While most probably know Tracee Ellis Ross as Rainbow on the hit “Black-ish,” others see Joan Clayton of “Girlfriends” — the early 2000s show fans would love to see earn the revival or reunion treatment.
Regardless of her career experiences, Ross is just beginning to get her due recognition. In addition to nabbing a Golden Globe earlier this year, she’s earned her second consecutive Emmy nomination. Some might say she has all the makings of a comedic superstar.
But when she takes a moment to ponder other black women who fit the bill she’s forced to think hard.
“Regina Hall … Issa Rae … Jessica Williams,” she said after a moment, “but I shouldn’t have to search to come up with those names. The difficulty is, and I think what happens is, you might see somebody in a role and you’re like, ‘Holy …! She is so funny.’ Then she doesn’t get another opportunity, but she needs those roles because they help you build a career so everybody knows your name and knows what you’re capable of.
“And it’s not just black comedic women. There are, I’m sure, a lot of very funny Asian women and Latina women, and we know some of them, but it’s not because the talent doesn’t exist. The other thing is, the talent exists, but [performers] need the experience to keep getting better and have more depth.”
Ross is encouraged, however, by the likes of Rae.
“I think Issa is a beautiful example of ‘You’re not going to give me any real estate? Fine. I’m going to make it,’” she said. “There is revolution going on.”
How did you settle into comedic acting?
I loved making people laugh when I was younger. It was frowned upon during dinner time but I thought it was hilarious to make my sister laugh. It was often the thing that got me kicked out of class because I was always silly. It was one of the ways my shyness manifested and the way I protected myself and kept people at bay. And I’ve always been a very physical person so when I experience a feeling, I experience it in my entire body.
As I look back, it was a natural progression into the physical comedy and the ways I use my body. In terms of my career, I don’t know that it was a conscious choice that I moved into comedy, but it was an authentic choice. I don’t consider myself funny. I consider myself silly. I just tell the truth and my truth comes out in a way that makes people laugh. My goal isn’t to make people laugh, but I enjoy that exchange.
I think the difficulty for actors of any kind is when you get stuck with what other people assume is who you are. We’re actors and we can do anything.
— Tracee Ellis Ross
Who are some of your comedic inspirations?
I was a Carol Burnett, Lucy [Ball], Lily Tomlin type of girl. They were the three women that etched it in for me. I remember looking back and seeing Goldie Hawn in “Private Benjamin.” I was drawn to all of that growing up. Those were the women that defined freedom and courage [for me]. From there so many funny women like Julia Louis-Dreyfus — I don’t even understand [how she does it].
And then Whoopi Goldberg did the Moms Mabley documentary, and I was so grateful that she did that because it really showed me that Moms Mabley is specifically one of the reasons I can do what I do. She carved something out and did something so consciously that allows me to be a black woman in comedy.
Tiffany Haddish is legitimately having a moment. As a star of “Girls Trip,” opposite industry vets Queen Latifah, Jada Pinkett Smith and Regina Hall. Based on her performance, and with an upcoming Showtime comedy special, she’s on her way to household-name status.
But what else would you expect from “the last black unicorn?”
How did you get into comedy?
My social worker. [laughs] I was living in South Central L.A. and was being bused to Woodland Hills. I was getting in trouble because I was not sure how to make friends. So I made this imaginary friend up because I thought I was at the Nickelodeon Awards — I had never been around this many white people. I thought I was at the Nickelodeon Awards every day so I thought I needed to be all creative and entertaining because I thought white people lived in TV — my concept of people was really messed up.
I remember going to court and seeing the judge. I thought he was the judge from “People’s Court.” [laughs] By the time I got to 10th grade, it was bothering my social worker that she was getting called to the school every week. I was getting sent to the dean’s office for being racist because I had this bird named Cracker. It was this imaginary bird, and I would be like, “Cracker want a Polly?” And I would take actual crackers and break them up on my shoulder. Kids would laugh and stuff. We’d be taking a test and I would be like, “What’s the answer to number seven Cracker?” And they’d be like, “Go to the dean’s office!”
So my social worker was like, “You have two choices this time. You can go to Laugh Factory Academy Camp or you can go to psychiatric therapy. Which one you want to do this summer?” I was like, “Which one got drugs?” and I went to comedy camp. It was the first time a man ever told me I was beautiful and I didn’t feel like I was going to be hurt in some kind of way. They taught me confidence, communication skills, how to write, how to have stage presence.
The nominees for the 2017 Primetime Emmys were announced this morning, and among them are nods in the Best Comedy Series category for writer/creator/star Donald Glover‘s freshman FX half-hour “Atlanta” as well as writer/creator Kenya Barris‘ veteran ABC show “Black-ish,” which also garnered nods in the Lead Comedy Actor and Actress categories for its stars Anthony Anderson and Tracee Ellis Ross. Glover also picked up a nod for Lead Actor in a Comedy Series.
Emmy winner Viola Davis was recognized again for her role as Annalise Keating in ABC’s “How to Get Away With Murder,” and Sterling K. Brown came through in the Lead Actor in a Drama Series category for his work on the popular NBC hit “This is Us.” Jeffrey Wright and Thandie Newton were acknowledged for their Supporting Roles in “Westworld,” as was Samira Wiley for her work in the original Hulu series “The Handmaid’s Tale.” Up against Wiley in the same category is her former “Orange Is the New Black” castmate Uzo Aduba.
Additionally, Leslie Jones grabbed a nomination in the Supporting Role in Comedy category for her work on “Saturday Night Live,” and RuPaul Charles got some love in the Host for a Reality/Reality-Competition Program category for his work on “RuPaul’s Drag Race.”
Behind the scenes, Donald Glover earned his third Emmy nomination for “Atlanta” in the directing category, and his fourth, along with his brother Stephen Glover, for Writing for a Comedy Series. Ava DuVernay & Spencer Averick were nominated in the Writing for a Nonfiction Program category for their outstanding work on the Netflix documentary “13th.” The full list of nominees follows below:
“Better Call Saul” (AMC)
“The Crown” (Netflix)
“The Handmaid’s Tale” (Hulu)
“House of Cards” (Netflix)
“Stranger Things” (Netflix)
“This Is Us” (NBC)
Viola Davis (“How to Get Away with Murder”)
Claire Foy (“The Crown”)
Elisabeth Moss (“The Handmaid’s Tale”)
Keri Russell (“The Americans”)
Evan Rachel Wood (“Westworld”)
Robin Wright (“House of Cards”)
Sterling K. Brown (“This Is Us”)
Anthony Hopkins (“Westworld”)
Bob Odenkirk (“Better Call Saul”)
Matthew Rhys (“The Americans”)
Liev Schreiber (“Ray Donovan”)
Kevin Spacey (“House of Cards”)
Milo Ventimiglia (“This Is Us”)
Anthony Anderson (“Black-ish”)
Aziz Ansari (“Master of None”)
Zach Galifianakis (“Baskets”)
Donald Glover (“Atlanta”)
William H. Macy (“Shameless”)
Jeffrey Tambor (“Transparent”)
On Sunday’s 74th Golden Globe Awards, the most shocking-but-deserved win of the night was Barry Jenkins’ “Moonlight” taking the honor of Best Motion Picture, Drama over “Hacksaw Ridge”, “Hell or High Water”, “Lion” and “Manchester by the Sea.”
Viola Davis won Best Supporting Actress in a Motion Picture for her powerhouse performance in the Denzel Washington-directed “Fences,” while on the television side, “Black-ish” lead Tracee Ellis Ross became the first African-American woman since Debbie Allen in 1983 to win Best Performance by an Actress in a Television Series – Musical or Comedy.
Donald Glover and his lauded FX cable creation “Atlanta” went two-for-two by winning both awards he was nominated for: Best Television Series – Musical or Comedy and Best Performance by an Actor in a Television Series – Musical or Comedy.
It seems as if last year’s #OscarsSoWhite backlash has had a marked effect on this year’s pool of projects and talent considered and honored as the 2017 awards season gets underway.
The 2017 Golden Globe nominations were announced this morning, and nominees of color were found in the majority of film and television categories. Indie film sensation “Moonlight”not only garnered a nod for Best Motion Picture, Drama, but also for directing and screenwriting by Barry Jenkins, in the Best Actress category for Naomie Harris, and Mahershala Ali was recognized in the supporting actor category.
Denzel Washington and Viola Davis were honored for their performances in “Fences”, Ruth Negga was nominated for her leading role in “Loving,” and Oscar winner Octavia Spencer grabbed a nomination for her supporting role in the upcoming space race drama “Hidden Figures.” Additionally, Pharrell Williams is in the running for Best Original Score — Motion Picture, for his work on the music for “Hidden Figures.”
On the television side, Donald Glover‘s “Atlanta” received nods in two categories; Best Television Series – Musical or Comedy and Best Performance by an Actor in a Television Series – Musical or Comedy. Anthony Anderson provides some competition for Glover in the acting category, and “Black-ish” is nominated for Best Comedy Television Series as well. Tracee Ellis Ross gained a nod in the Lead Comedy Actress category, as did “Insecure” star Issa Rae.
In limited series, actress Thandie Newton was nominated for Westworld, and Kerry Washington‘s portrayal of Anita Hill in “Confirmation” was also acknowledged. Emmy winner Courtney B. Vance gained a nod for his work as Johnny Cochran in “The People v. O.J. Simpson: American Crime Story”and the series was nominated in the Best Television Limited Series or Motion Picture Made for Television category alongside Academy Award-winning writer John Ridley’s “American Crime.”
When the third season of “Black-ish” arrives, the Johnson family will expand. Fresh from the Broadway smash “Hamilton,” Daveed Diggs will have a major Season 3 arc as Rainbow Johnson’s brother, Johan, Variety can exclusively reveal.
Bow (Tracee Ellis Ross) and Johan, whose mother is a very laid-back, hippie-ish soul, had very different childhoods than Dre, and that’s partly why Johan will be a frequent thorn in Dre’s side. Dre Johnson (Anthony Anderson) has always feared that his kids will grow up to be overly pampered, and it sounds like Johan is the personification of those fears.
“He’s sort of a hipster, entitled kid who gets on Dre’s nerves,” creator and showrunner Kenya Barris said. “He’s constantly on a search for the best conditioner for his hair. He’s probably gone to Penn or Wharton and could have gotten a great-paying job, but he’s trying to find himself. That attitude more than anything makes Dre want to strangle him.”
For Diggs, who won a Tony for playing Thomas Jefferson and the Marquis de Lafayette in “Hamilton,” there’s even a tiny link to French culture. Johan “has been to Paris twice and he’s like, ‘You Americans!’” Barris said. Johan, as it happens, doesn’t like his butter to be too cold and complains about Americans’ mania for refrigeration. “He’s like, ‘This butter’s making my croissant crumble,’” according to Barris. “Dre is constantly snatching food from him.”
The upside for Johan, who will have a “substantial” recurring arc in the third season, is that the Johnson kids think he’s extremely cool — except for Diane (Marsai Martin). “She’s not buying that sh*t,” Barris said.