Nobel Laureates Sir Arthur Lewis (l) and Toni Morrison (r) article by jbhe.com
The board of trustees of Princeton University in New Jersey has announced that Toni Morrison, the Robert F. Goheen Professor in the Humanities, Emerita at the university, will have a building on the Princeton campus named in her honor. West College, built in 1836, is now used as an administration building. It will now be known as Morrison Hall.
Toni Morrison was awarded the Pulitzer Prize in 1988 for her novel Beloved. In 1993, she was the first African American woman to win the Nobel Prize in Literature. In 2012, Professor Morrison was awarded the Presidential Medal of Freedom. Her latest novel is God Help the Child (Alfred A. Knopf, 2015).
The board of trustees also announced that the main auditorium in the Woodrow Wilson School of Public and International Affairs will be renamed to honor Sir Arthur Lewis, a Nobel laureate in economics who taught at Princeton from 1963 to 1983.
A native of St. Lucia, Professor Lewis was the first person of African descent to be appointed a professor in Great Britain’s university system. He was knighted in 1963 and won the Nobel Prize in economics in 1979. Professor Lewis died in 1991.
(photo via aalbc.com) article via aalbc.com
1,826 readers cast votes back in 2001 for their favorite African-American authors. Here we share the 50 authors who received the most votes ranked in the order of the total number of votes received. Below are the top 15. To see the rest, go to: http://aalbc.com/authors/top50authors.php?
# 1 — (6.24%) Toni Morrison # 2 — (5.42%) Zora Neale Hurston # 3 — (4.82%) Maya Angelou # 4 — (4.71%) J. California Cooper # 5 — (4.33%) Alice Walker # 6 — (3.94%) Langston Hughes # 7 — (3.72%) E. Lynn Harris # 8 — (3.56%) James Baldwin # 9 — (3.23%) Terry McMillan # 10 — (3.18%) Bebe Moore Campbell # 11 — (2.74%) Richard Wright # 12 — (2.57%) Walter Mosley # 13 — (2.52%) Eric Jerome Dickey # 14 — (2.41%) Sheneska Jackson # 15 — (2.19%) Octavia Butler —Copyright AALBC.com. Source: AALBC.com’s 50 Favorite African-American Authors of the 20th Century
article by Hillel Italie via blackamericaweb.com
NEW YORK (AP) — Nobel laureate Toni Morrison has received an honorary prize named for another Nobel winner, the late Saul Bellow. PEN America, the literary and human rights organization, told The Associated Press on Tuesday that Morrison has been given the $25,000 PEN/Saul Bellow Award for Achievement in American fiction. Morrison, 85, is known for such novels as “Beloved,” ”Song of Solomon” and “Jazz.”
“Revelatory, intelligent, bold, her fiction is invested in the black experience, in black lives, and in black consciousness, material from which she has forged a singular American aesthetic,” awards judge Louise Erdrich, herself a prize-winning novelist, said in a statement. “Toni Morrison not only opened doors to others when she began to publish, she has also stayed grounded in the issues of her time.”
PEN announced several other prizes on Tuesday. Lisa Ko’s “The Leavers” won the PEN/Bellwether Prize for Socially Engaged Fiction, a $25,000 award. John Schulian, a sports writer for numerous publications, received the $5,000 PEN/ESPN Lifetime Achievement Award for Literary Sports Writing. Ed Roberson was given the $5,000 PEN/Voelcker Award for Poetry.
Three playwrights received prizes: Lynn Nottage, whose works include the Pulitzer-winning “Ruined,” was named a Master American Dramatist; Young Jean Lee was cited as an American Playwright in Mid-Career and Branden Jacobs-Jenkins as an Emerging American Playwright. To read more, go to: http://blackamericaweb.com/2016/03/01/toni-morrison-receives-25000-honorary-award-from-pen/
Zora Neale Hurston (Photo via LIBRARY OF CONGRESS)
She was born in Notasulga, Ala., but she didn’t like the way her story started, so she rewrote it and claimed Eatonville, Fla., as her birthplace instead. She wasn’t too partial to 1891, the year her mother delivered her, so she remixed it, and for the rest of her life, she took liberties with the mathematics of her age, knocking as many as 10 years off if the notion felt good to her.
Zora Neale Hurston was a master of creative invention and reinvention, from the personal details of her own life to her artistic catalog, which included four novels, two books of folklore, an autobiography, and dozens of short stories, essays, articles and plays. She was an original black girl unboxed.
It’s appropriate today, on what would be Zora’s 125th birthday, to honor the social and cultural freedoms she cleared for black female writers who stand on her platform and use our words to tell our own stories instead of allowing them to be told to and for us. She made it OK to be bold and conflicted, to wrestle with our identities and explore our differences as we chip away at the monolith, even to sometimes contradict ourselves and swerve, midaction, without apology. Toni Morrison and Gloria Naylor, both literary geniuses, have credited Hurston as an inspiration, as do others, the famous and not so famous among us, who strip away pretense and dig into our personal wells of realness when we sit at a keyboard. We awe at the musicality of her prose and absorb what she said even in between the lines. This is what Hurston taught us, the black women creatives who came up in her shine. You don’t need anybody’s permission to love who you uniquely are.
“My mother had a number of books from the canon of black women’s literature. Among them was I Love Myself When I Am Laughing … and Then Again When I Am Looking Mean and Impressive, Alice Walker’s anthology of Hurston’s work. Just the book cover and the quote did so much to shift my thinking of what it means to be a woman. Her whole damn self is inspiring, a woman who loved herself at a time when self-hatred was expected of her. I find her to be contrary, instructive, insightful, bold and a perfect guide of who I can be if I dare.” —Writer and painter Kiini Ibura Salaam Be audacious whenever appropriate, which is pretty much always.
“I first read Their Eyes Were Watching God in college and fell in love. The lyrical prose, dynamic black female protagonist, fresh use of humor and powerful affirmation of sisterhood all bewitched me. Zora’s personal narrative, however, scared me. I aspired to write, had already started publishing some of my work, and the experience of silence and invisibility both in Zora’s work and in her life freaked me out. I was inspired by her resistance to erasure, her insistence on voiced expression, but the last years of her life seemed so tragic. I was haunted by fear of a similar kind of dispossession, even as my own writing took off after college and graduate school. Then I read Wrapped in Rainbows by Valerie Boyd. She helped me understand Zora wasn’t dispossessed at all. She was free. And she could free me.” —AuthorEisa Nefertari Ulen
Your talent will stretch across as many mediums and platforms as you will go.
“She refused to be pigeonholed into a single genre and craft. She was an amazing storyteller and cultural curator, as interested in collecting stories as she was in crafting them. Our creative lives are similar in that we study our people, culture and spirituality and write about them in plays, novels, stories and essays.” —M. Shelly Conner, Ph.D., writer and English instructor at Loyola University Chicago You can’t do black womanhood one way, and you can’t do it wrong.
“I’ve often said Zora Neale Hurston saved my life. My mother gifted me her copy of Their Eyes Were Watching God when I was 16 and immersed in agoraphobic depression. Reading Zora kept me afloat and made me realize my life would and could be bigger than my sorrows. Because she wrote so powerfully and honestly and amazingly about love and oppression and navigating turmoil from the perspective of a black woman, I wield my pen as a sword to cover the same terrain.” —Evette Dionne Brown, freelance culture, race and gender writer Know that the minutiae of everyday life can be woven into literary tapestry.
“Zora was the first writer to make me feel like I could tell a story that mattered, a story that people would listen to. Her words have so much power, she makes me feel like mine do, too.” —Author Shameka Erby Say what you have to say in only the way you can say it.
“Zora Neale Hurston was fearless. At a time when being black was frowned upon and many writers were hoping to appease white America, she reveled in our culture and wrote in its voice. Whenever I question my voice, or whether or not I should ‘tone it down’ for the ‘mainstream,’ I think of her, and I write.” —Britni Danielle, freelance journalist and novelist
Speak for the people who don’t have the opportunity to be heard.
“Her work was honest. She wrote based on her experiences with people and provided voice to the voiceless through her characters. She was a true ethnographer depicting working-class black folks through her writing. Like her, I hope to give voice to the women that I write about in my scholarly endeavors.” —VaNatta Ford, Ph.D., visiting professor of Africana studies at Williams College
Trust your own (unconventional) approaches.
“It wasn’t until recently that I realized how much influence Zora Neale Hurston’s life and work had on my own life and work as a young ethnographer. The more I learned about and read her lesser-known anthropological work on black folklore, the more I realized that she, too, struggled early on to find her voice in academia. But what made her a significant influence to me was the fact that she lived by her wits, intuition and imagination. She continued to document black life even when academics criticized her approach. She trusted herself.” —Tara L. Conley, ethnographer and doctoral candidate, Columbia University Outfit yourself in resilience and perseverance.
“My heart breaks knowing she died in poverty, buried in an unmarked grave. And yes, I know the great Alice Walker found the grave years later and purchased a headstone. Her end-of-life story, however, reminds me that literary notoriety is fickle and arbitrary and, as African-American women writers, we can help redeem the final chapter of Zora Neale Hurston’s life by never giving up in word or deed. That’s how her life and writing inspire me. Never give up. Keep going. Don’t stop. Ever. Always.” —Author Patricia Raybon
In light of the recent events surrounding racial and social injustice around the country, knowing our history, as part of our eternal quest to “stay woke,” is more important than ever. While many of us are experiencing a new movement unfolding right before our eyes, scholars, experts and even regular folks with stories to tell, have been putting their experiences to the page to enlighten generations.
The publishing industry suffers from the same lack of diversity and racial biases that plague society at large. While many books don’t make school reading lists or even the New York Times Bestsellers List, there are countless classics that break down the Black experience in America.
It’s hardly a complete list, which could go on for volumes, but it’s a great starting point: 1. The Mis-Education of the Negro, Carter G. Woodson
Carter Woodson (Source: Hulton Archive / Getty)
This book is of primary importance in understanding the legacy of slavery and how it affects Black Americans’ perspectives in society. The book essentially argues that Black Americans are not educated, but rather conditioned in American society. It challenges Black Americans to “do for themselves” outside of the constructs that are set up for them. 2. And Still I Rise, Maya Angelou
Maya Angelou (Source: Jemal Countess / Getty)
This is one of the most affirming books you will ever read. Technically, it is a collection of poems which focus on hope, determination and overcoming struggle. It contains one of Angelou’s most famous poems, Phenomenal Woman. 3. The Souls of Black Folk, W. E. B. Du Bois
One of the most important books on race in sociology and African-American studies, it is a collection of essays that Du Bois wrote by drawing from his personal experiences. Two of the most profound social concepts – The Veil And Double Consciousness were written about in this book which have come to be widely known as part of the experience of being Black in America.
4. The Color Purple, Alice Walker
Alice Walker (Source: D Dipasupil / Getty)
You may have seen the movie from Steven Spielberg or the recent Broadway musical, but I highly encourage you read this powerful novel, too. The book explores in depth the low position Black women are given in society through the lens of a particular group of women. The story explores both interpersonal turmoil and socially-inflicted violence toward Black women, as well as the bonds they share. 5. Things Fall Apart, Chinua Achebe
Chinua Achebe (Source: PIUS UTOMI EKPEI / Getty)
This book is among the most critically acclaimed ever written by an African author. Through the character Okonkwo, his family and the experiences of his village, Achebe tells the tale of colonization and its effects on African communities, particularly in Nigerian traditional social life.
The hip-hop artist Kendrick Lamar, at right in gray shirt, in a poetry slam Monday at High Tech High School in North Bergen, N.J. (Credit: Karsten Moran for The New York Times )
When Brian Mooney’s students struggled in March to digest the literary themes and dense language in Toni Morrison’s novel “The Bluest Eye,” Mr. Mooney sought inspiration from an unorthodox teacher of his own: the two-time Grammy winner and world-famous rapper Kendrick Lamar.
Mr. Mooney, who teaches freshman English at High Tech High School in North Bergen, N.J., played Mr. Lamar’s album (edited, of course) “To Pimp a Butterfly” to draw correlations to Ms. Morrison’s novel.
Using a literary lens called “hip-hop ed” that he learned during his graduate courses at Teachers College at Columbia University, Mr. Mooney asked his students to reflect on the dichotomy of black culture in America — the celebration of itself and its struggle with historic oppression. His students’ sudden understanding shined through essays, colorful canvases and performance art.
Mr. Mooney, 29, blogged about his curriculum and shared his students’ work online. The blog racked up over 10,000 Facebook shares, and hardly a month passed before Mr. Lamar discovered it.
On Monday, Mr. Lamar not only became a guest lecturer in Mooney’s small classroom at High Tech, but he also became a pupil. Mr. Lamar’s manager sent a note to Mr. Mooney in April saying the performer was interested in visiting. He did not charge a fee, but the school and its foundation paid for the stage setup.
“I was feeling incredibly grateful and humbled that my work received that much exposure and reached that wide of an audience that Kendrick himself read it,” Mr. Mooney said.
Nobel laureate and Pulitzer Prize-winning author Toni Morrison has an eleventh novel coming out late April titled God Help the Child.
Morrison’s previous novels include The Bluest Eye, Song of Solomon, and Beloved, for which she received an American Book Award and the Pulitzer Prize for Fiction.
Spare and unsparing, God Help the Child is a searing tale about the way childhood trauma shapes and misshapes the life of the adult. At the center: a woman who calls herself Bride, whose stunning blue-black skin is only one element of her beauty, her boldness and confidence, her success in life; but which caused her light-skinned mother to deny her even the simplest forms of love until she told a lie that ruined the life of an innocent woman, a lie whose reverberations refuse to diminish…Booker, the man Bride loves and loses, whose core of anger was born in the wake of the childhood murder of his beloved brother…Rain, the mysterious white child, who finds in Bride the only person she can talk to about the abuse she’s suffered at the hands of her prostitute mother… and Sweetness, Bride’s mother, who takes a lifetime to understand that “what you do to children matters. And they might never forget.”
PRINCETON, N.J. (AP) — The papers of Nobel laureate Toni Morrison are now part of the permanent library collection of Princeton University. Princeton made the announcement Friday, shortly before the 83-year-old Morrison took part in a forum at the school where she served on the faculty for 17 years.
The renowned author’s papers contain about 180 linear feet of research materials documenting her life, work and writing methods. They include manuscripts, drafts and proofs of many of Morrison’s novels. Materials for her children’s literature, lyrics, lectures, correspondence and more are also part of the collection.
Additional manuscripts and papers will be added over time, beginning with the manuscript of Morrison’s next novel, which is expected to be published in the spring.
Morrison, who won the Pulitzer Prize for her novel “Beloved” in 1988, came to Princeton in 1989 and was a member of the university’s creative writing program until she retired in 2006. In 1994, she founded the Princeton Atelier, bringing together undergraduate students in interdisciplinary collaborations with acclaimed artists and performers.
“Toni Morrison’s place among the giants of American literature is firmly entrenched, and I am overjoyed that we are adding her papers to the Princeton University Library’s collections,” Princeton President Christopher Eisgruber said. “We at Princeton are fortunate that (Morrison) brought her brilliant talents as a writer and teacher to our campus 25 years ago, and we are deeply honored to house her papers and to help preserve her inspiring legacy.”
Morrison received an honorary doctorate during the school’s 2013 commencement. article by via blackamericaweb.com
Lifetime Achievement Award recipient Maya Angelou poses for photographs during the fifth annual Norman Mailer Center benefit gala at the New York Public Library on Thursday, Oct. 17, 2013, in New York. (Photo by Evan Agostini/Invision/AP)
NEW YORK (AP) — Her body weak, her voice rich and strong, Maya Angelou sang, lectured and reminisced as she accepted a lifetime achievement award Thursday night from the Norman Mailer Center. The 85-year-old author, poet, dancer and actress was honored during a benefit gala at the New York Public Library, the annual gathering organized by the Mailer Center and writers colony . Seated in a wheelchair, she was a vivid presence in dark glasses and a sparkling black dress as she marveled that a girl from a segregated Arkansas village could grow up to become a literary star.
“Imagine it,” she said, “a town so prejudiced black people couldn’t even eat vanilla ice cream.” Angelou was introduced by her former editor at Random House, Robert Loomis, and she praised him for talking her into writing her breakthrough memoir, the million-selling I Know Why the Caged Bird Sings. The key was suggesting to her that the book might be too hard to write.
The people who knew her best, she explained, understood that “if you want to get Maya Angelou to do so something, tell her she can’t.” Angelou, a longtime resident of North Carolina, will be back in Manhattan next month to collect an honorary National Book Award medal.
Students at West Point attending a reading by Toni Morrison on Friday. She read from her novel “Home,” which focuses on a Korean War veteran. (Kirsten Luce for The New York Times)
WEST POINT, N.Y. — As thousands of hungry West Point cadets streamed into the mess hall for their 20-minute lunch break here on Friday, they paused from the rush to the tables to give a rousing group cheer to a guest who has received hundreds of accolades, but perhaps none this thunderous.
“I can’t believe this — it’s like a movie,” said Toni Morrison, who sat at one of the 420 wooden tables in the flag-bedecked Washington Hall, a majestic Romanesque structure at the United States Military Academy.
Seated with members of the African-American Arts Forum at West Point, Ms. Morrison ate her Army-issue ravioli and prepared to read from her most recent novel, “Home,” to the freshman cadets, who studied the book in English class this semester.
The novel is the story of Frank Money, a black Georgia native and Korean War veteran struggling to reintegrate into civilian life in a segregated America, while struggling with post-traumatic stress disorder.
Nobel laureate and Pulitzer Prize-winning author Toni Morrison has an eleventh novel coming out late April titled God Help the Child.
