‘Get Out’ Inspires New College Course Taught by Tananarive Due, Sci-Fi Author and UCLA Professor

(photo via elev8.hellobeautiful.com)

by Tami August via elev8.hellobeautiful.com

This fall, award-winning science fiction writer and UCLA professor Tananarive Due will teach a “Get Out”–inspired course called “Sunken Place: Racism, Survival, and Black Horror Aesthetic,” i09 reports. Jordan Peele‘s directorial debut, which couches America’s history of racist scientific experimentation in a romantic horror plot, continues to make waves months after it became a blockbuster hit. “Get Out” inspired Due to consider the history of Black horror in fiction and film.

In an interview with i09’s Evan Narcisse, Due calls herself a “horror head” who considers horror a subgenre of speculative fiction, where she reigns supreme. Winner of The American Book Award, the NAACP Image Award for Outstanding Literature, and the Carl Brandon Kindred Award, Due has published over ten novels since 1995. She told i09 that “Get Out” has given film executives a way to understand her own horror adaptations for the screen.

Prior to “Get Out,” Due noted, the most popular contemporary Black horror film was “Beloved,” the movie adaptation of Toni Morrison‘s novel that didn’t perform as well in the box office as it did in the bookstore. “Get Out” may have helped Due move forward in her screenwriting projects, but it also prompted her to look back at the genre’s Black history. Due said that for African Americans, the horror genre is “a great way to address this awful, festering wound in the American psyche, the slavery and genocide that was present during our nation’s birth.”

The professor mentioned film examples such as “Blacula,” “Def by Temptation,” and “Tales From the Hood.” She also plans to teach the short fiction of W.E.B. DuBois, whose story “The Comet” imagines a Black man and White woman as the sole survivors of apocalypse in the “era of lynching.” Due said, “These are two very different artists in two very different times, but DuBois’ story is a great companion, in a way, to what Jordan Peele was doing with the Black man and White woman in his movie.”

Source: ‘Get Out’ Inspires New College Course | Elev8

NYU Professor and Novelist Zadie Smith to Receive Langston Hughes Medal for Writing

Zadie Smith (photo via lithub.com)

via jbhe.com

Zadie Smith, the acclaimed novelist who is a professor of creative writing at New York University, has been selected to received the Langston Hughes Medal from the City College of New York. The medal honors writers of poetry, drama, fiction, biographies, and critical essays from throughout the Black diaspora. Professor Smith will honored on November 16 at City College’s annual Langston Hughes Festival.

Previous winners of the Langston Hughes Medal include James Baldwin, Toni Morrison, Walter Mosley, Gwendolyn Brooks, Octavia Butler, August Wilson, and Edwidge Danticat. Smith is the author of five novels including her latest work Swing Time (Penguin Books, 2016). She also published an essay collection Changing My Mind (Penguin Books, 2009) and writes frequently for the New Yorker magazine and the New York Review of Books.

A native of London, Professor Smith is a graduate of Kings College of the University of Cambridge. She joined the faculty at New York University in 2010.

Source: Zadie Smith of New York University to Receive the Langston Hughes Medal : The Journal of Blacks in Higher Education

Nobel Laureates Toni Morrison and Sir Arthur Lewis to Have Buildings Named for Them at Princeton University

Nobel Laureates Sir Arthur Lewis (l) and Toni Morrison (r)

article by jbhe.com

The board of trustees of Princeton University in New Jersey has announced that Toni Morrison, the Robert F. Goheen Professor in the Humanities, Emerita at the university, will have a building on the Princeton campus named in her honor. West College, built in 1836, is now used as an administration building. It will now be known as Morrison Hall.

Toni Morrison was awarded the Pulitzer Prize in 1988 for her novel Beloved. In 1993, she was the first African American woman to win the Nobel Prize in Literature. In 2012, Professor Morrison was awarded the Presidential Medal of Freedom. Her latest novel is God Help the Child (Alfred A. Knopf, 2015).

The board of trustees also announced that the main auditorium in the Woodrow Wilson School of Public and International Affairs will be renamed to honor Sir Arthur Lewis, a Nobel laureate in economics who taught at Princeton from 1963 to 1983.

A native of St. Lucia, Professor Lewis was the first person of African descent to be appointed a professor in Great Britain’s university system. He was knighted in 1963 and won the Nobel Prize in economics in 1979. Professor Lewis died in 1991.

30 of the Most Important Articles by People Of Color in 2016 | The Huffington Post

(photo via huffingtonpost.com)

article by Zeba Blay via huffingtonpost.com

Between the deaths of greats like Prince and Mohammed Ali, the destruction in Aleppo and the circus that was the U.S. presidential election, 2016 was the year of one awful thing after another.

But despite the awfulness, stellar writing by people of color provided clarity, comfort and insight in even the darkest moments this year.

For the second year in a row, we’ve curated a list of essays and articles that defined conversations about race, pop culture, politics and identity in 2016. They cover a wide array of topics, from reactions to the election of Donald Trump, to the huge role young black people play in internet culture, to the genius of James Baldwin. The criteria is simple: all pieces on this list were written by a person of color and published within the last year online.

As a look back, this year-end list is by no means fully comprehensive of all the stellar work written by writers of color in 2016. Feel there’s a glaring omission? Nominate your favorite pieces in the comments. In the meantime, check out these powerful, thought-provoking and entertaining reads from this year:

How Journalists Of Color Plan To Survive Trump’s America
Wilfred Chan, Fusion 
What will it mean to be a journalist in the age of Trump? How will journalists of color get through the next four years? Wilfred Chan writes about the “psychological tax” many journalists of color are forced to pay in order to do the work, and the ways in which continuing to write is not only a form of self-care but also a form of survival.

Black Life And Death In A Familiar America
Eve L. Ewing, Fader
Published in the wake of Donald Trump’s election, Ewing explores the deep racial divides in America by way of Chicago. Using the shooting death of Joshua Beal as a connective thread, Ewing deftly explores the correlations between black death in America and the so-called “rise” of hate.

I Will Never Underestimate White People’s Need To Preserve Whiteness Again
Damon Young, Very Smart Brothas
For many black people in America, the election of Donald Trump felt like a rude awakening, a harsh reminder that the racist wounds of this country go far deeper than any of us wanted to admit to ourselves. The ever-brilliant Damon Young perfectly captured that feeling in this essay for Very Smart Brothas, where he bluntly explains how white supremacy works on a systemic level.

Mourning For Whiteness
Toni Morrison, The New Yorker
Toni Morrison breaks it all the way down in this post-election essay where she quite matter-of-factly calls out the reason that Donald Trump won the presidential election: the fear of losing white privilege. “So scary are the consequences of a collapse of white privilege that many Americans have flocked to a political platform that supports and translates violence against the defenseless as strength,”Morrison writes. “These people are not so much angry as terrified.”

What I Said When My White Friend Asked For My Black Opinion On White Privilege
Lori Lakin Hutcherson, The Huffington Post
The concept of “white privilege” is constantly debated, challenged, and questioned, particularly by white people. What is it? Is it even real? And what about “black privilege?” HuffPost contributor Lori Lakin Hutcherson shares her own candid views on the topic of white privilege, and the realities of being black in America today.

Interview With A Woman Who Recently Had An Abortion At 32 Weeks
Jia Tolentino, Jezebel
This brilliant conversation conducted by Jia Tolentino delivers a powerful glimpse into the mind and motivations of one woman after a recent late-term abortion. Thanks to mostly Republican legislators who use rhetoric that implies women who get late-term abortions are just flippantly changing their mind about pregnancy, late-term abortion continues to be widely misunderstood. In a year when there were a myriad of threats against reproductive rights in America, hearing one woman’s very personal story about a complicated pregnancy provides the kind of context we desperately need more of.

My Father’s House
Reggie Ugwu, Buzzfeed
After the death of his brother and the deteriorating health of his father, writer Reggie Ugwu made an important journey of discovery and self-reflection, returning to his ancestral home in Nigeria and helping to take care of his ailing father. Ugwu delves into the Igbo-American identity and experience, capturing the visceral feelings of obligation and grief. On his brother’s death he writes, powerfully: “In the weeks and months after Chidi died, still engulfed in darkness, I felt ready to die, too; by which I mean that losing the person I loved most in the world seemed equivalent to losing the world itself.”

What I Pledge Allegiance To 
Kiese Laymon, The Fader
In the year that Colin Kaepernick took a knee during the national anthem, and Donald Trump threatened jail-time to flag burners, Kiese Laymon wrote about the concept of pledging allegiance to a country that he doesn’t feel is allegiant to him. One of the most powerful sentences: “I pledge to perpetually reckon with the possibility that there will never be any liberty, peace, and justice for all unless we accept that America, like Mississippi, is not clean.”

Now Is The Time To Talk About What We Are Actually Talking About
Chimamanda Ngozi Adichie, The New Yorker
Celebrated as much for her work as a novelist as she is for her work as an outspoken feminist and activist, Chimamanda Ngozi Adichie unsurprisingly had one of the best post-election responses this year. Her reaction: in the wake of Trump’s election, we must become even more determined to fight bigotry, rather than to bend in order to accommodate and coddle racist ideology. “Now is the time to confront the weak core at the heart of America’s addiction to optimism,” Adichie writes. “It allows too little room for resilience, and too much for fragility.”

To see complete list, go to: 30 Of The Most Important Articles By People Of Color In 2016 | The Huffington Post

AALBC.com’s 50 Favorite African-American Authors of the 20th Century

(photo via aalbc.com)

article via aalbc.com

1,826 readers cast votes back in 2001 for their favorite African-American authors. Here we share the 50 authors who received the most votes ranked in the order of the total number of votes received.  Below are the top 15.  To see the rest, go to: http://aalbc.com/authors/top50authors.php?

# 1 — (6.24%) Toni Morrison # 2 — (5.42%) Zora Neale Hurston # 3 — (4.82%) Maya Angelou # 4 — (4.71%) J. California Cooper # 5 — (4.33%) Alice Walker # 6 — (3.94%) Langston Hughes # 7 — (3.72%) E. Lynn Harris # 8 — (3.56%) James Baldwin # 9 — (3.23%) Terry McMillan # 10 — (3.18%) Bebe Moore Campbell # 11 — (2.74%) Richard Wright # 12 — (2.57%) Walter Mosley # 13 — (2.52%) Eric Jerome Dickey # 14 — (2.41%) Sheneska Jackson # 15 — (2.19%) Octavia Butler —Copyright AALBC.com.

Source: AALBC.com’s 50 Favorite African-American Authors of the 20th Century

Toni Morrison Receives $25,000 Honorary Award From PEN for American Fiction

article by Hillel Italie via blackamericaweb.com

NEW YORK (AP) — Nobel laureate Toni Morrison has received an honorary prize named for another Nobel winner, the late Saul Bellow.

PEN America, the literary and human rights organization, told The Associated Press on Tuesday that Morrison has been given the $25,000 PEN/Saul Bellow Award for Achievement in American fiction. Morrison, 85, is known for such novels as “Beloved,” ”Song of Solomon” and “Jazz.”

“Revelatory, intelligent, bold, her fiction is invested in the black experience, in black lives, and in black consciousness, material from which she has forged a singular American aesthetic,” awards judge Louise Erdrich, herself a prize-winning novelist, said in a statement. “Toni Morrison not only opened doors to others when she began to publish, she has also stayed grounded in the issues of her time.”

PEN announced several other prizes on Tuesday.

Lisa Ko’s “The Leavers” won the PEN/Bellwether Prize for Socially Engaged Fiction, a $25,000 award. John Schulian, a sports writer for numerous publications, received the $5,000 PEN/ESPN Lifetime Achievement Award for Literary Sports Writing. Ed Roberson was given the $5,000 PEN/Voelcker Award for Poetry.

Three playwrights received prizes: Lynn Nottage, whose works include the Pulitzer-winning “Ruined,” was named a Master American Dramatist; Young Jean Lee was cited as an American Playwright in Mid-Career and Branden Jacobs-Jenkins as an Emerging American Playwright.

To read more, go to: http://blackamericaweb.com/2016/03/01/toni-morrison-receives-25000-honorary-award-from-pen/

Literary Women Pay Homage to Zora Neale Hurston on Her 125th Birthday

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Zora Neale Hurston (Photo via LIBRARY OF CONGRESS)

She was born in Notasulga, Ala., but she didn’t like the way her story started, so she rewrote it and claimed Eatonville, Fla., as her birthplace instead. She wasn’t too partial to 1891, the year her mother delivered her, so she remixed it, and for the rest of her life, she took liberties with the mathematics of her age, knocking as many as 10 years off if the notion felt good to her.

Zora Neale Hurston was a master of creative invention and reinvention, from the personal details of her own life to her artistic catalog, which included four novels, two books of folklore, an autobiography, and dozens of short stories, essays, articles and plays. She was an original black girl unboxed.

It’s appropriate today, on what would be Zora’s 125th birthday, to honor the social and cultural freedoms she cleared for black female writers who stand on her platform and use our words to tell our own stories instead of allowing them to be told to and for us. She made it OK to be bold and conflicted, to wrestle with our identities and explore our differences as we chip away at the monolith, even to sometimes contradict ourselves and swerve, midaction, without apology.

Toni Morrison and Gloria Naylor, both literary geniuses, have credited Hurston as an inspiration, as do others, the famous and not so famous among us, who strip away pretense and dig into our personal wells of realness when we sit at a keyboard. We awe at the musicality of her prose and absorb what she said even in between the lines. This is what Hurston taught us, the black women creatives who came up in her shine.

You don’t need anybody’s permission to love who you uniquely are.

“My mother had a number of books from the canon of black women’s literature. Among them was I Love Myself When I Am Laughing … and Then Again When I Am Looking Mean and ImpressiveAlice Walker’s anthology of Hurston’s work. Just the book cover and the quote did so much to shift my thinking of what it means to be a woman. Her whole damn self is inspiring, a woman who loved herself at a time when self-hatred was expected of her. I find her to be contrary, instructive, insightful, bold and a perfect guide of who I can be if I dare.” —Writer and painter Kiini Ibura Salaam

Be audacious whenever appropriate, which is pretty much always.

“I first read Their Eyes Were Watching God in college and fell in love. The lyrical prose, dynamic black female protagonist, fresh use of humor and powerful affirmation of sisterhood all bewitched me. Zora’s personal narrative, however, scared me. I aspired to write, had already started publishing some of my work, and the experience of silence and invisibility both in Zora’s work and in her life freaked me out. I was inspired by her resistance to erasure, her insistence on voiced expression, but the last years of her life seemed so tragic. I was haunted by fear of a similar kind of dispossession, even as my own writing took off after college and graduate school. Then I read Wrapped in Rainbows by Valerie Boyd. She helped me understand Zora wasn’t dispossessed at all. She was free. And she could free me.” —Author Eisa Nefertari Ulen

Your talent will stretch across as many mediums and platforms as you will go.

“She refused to be pigeonholed into a single genre and craft. She was an amazing storyteller and cultural curator, as interested in collecting stories as she was in crafting them. Our creative lives are similar in that we study our people, culture and spirituality and write about them in plays, novels, stories and essays.” —M. Shelly Conner, Ph.D., writer and English instructor at Loyola University Chicago

You can’t do black womanhood one way, and you can’t do it wrong.

“I’ve often said Zora Neale Hurston saved my life. My mother gifted me her copy of Their Eyes Were Watching God when I was 16 and immersed in agoraphobic depression. Reading Zora kept me afloat and made me realize my life would and could be bigger than my sorrows. Because she wrote so powerfully and honestly and amazingly about love and oppression and navigating turmoil from the perspective of a black woman, I wield my pen as a sword to cover the same terrain.” Evette Dionne Brown, freelance culture, race and gender writer

Know that the minutiae of everyday life can be woven into literary tapestry.

“Zora was the first writer to make me feel like I could tell a story that mattered, a story that people would listen to. Her words have so much power, she makes me feel like mine do, too.” —Author Shameka Erby

Say what you have to say in only the way you can say it.

“Zora Neale Hurston was fearless. At a time when being black was frowned upon and many writers were hoping to appease white America, she reveled in our culture and wrote in its voice. Whenever I question my voice, or whether or not I should ‘tone it down’ for the ‘mainstream,’ I think of her, and I write.” —Britni Danielle, freelance journalist and novelist

Speak for the people who don’t have the opportunity to be heard. 

“Her work was honest. She wrote based on her experiences with people and provided voice to the voiceless through her characters. She was a true ethnographer depicting working-class black folks through her writing. Like her, I hope to give voice to the women that I write about in my scholarly endeavors.” VaNatta Ford, Ph.D., visiting professor of Africana studies at Williams College

Trust your own (unconventional) approaches. 

“It wasn’t until recently that I realized how much influence Zora Neale Hurston’s life and work had on my own life and work as a young ethnographer. The more I learned about and read her lesser-known anthropological work on black folklore, the more I realized that she, too, struggled early on to find her voice in academia. But what made her a significant influence to me was the fact that she lived by her wits, intuition and imagination. She continued to document black life even when academics criticized her approach. She trusted herself.” Tara L. Conley, ethnographer and doctoral candidate, Columbia University

Outfit yourself in resilience and perseverance.

“My heart breaks knowing she died in poverty, buried in an unmarked grave. And yes, I know the great Alice Walker found the grave years later and purchased a headstone. Her end-of-life story, however, reminds me that literary notoriety is fickle and arbitrary and, as African-American women writers, we can help redeem the final chapter of Zora Neale Hurston’s life by never giving up in word or deed. That’s how her life and writing inspire me. Never give up. Keep going. Don’t stop. Ever. Always.” —Author Patricia Raybon

article by Janelle Harris via theroot.com