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Posts tagged as “South Carolina”

How “Decoration Day” in May 1865, Held by African Americans in South Carolina Led to Memorial Day

by Lori Lakin Hutcherson (@lakinhutcherson)

On Memorial Day 2022, we take a look at the African American origins of the federal holiday established to remember America’s fallen soldiers.

To read about it, read on. To hear about it, press PLAY:

[You can follow or subscribe to the Good Black News Daily Drop Podcast through Apple Podcasts, Spotify, Google Podcasts, rss.com or create your own RSS Feed. Or just check it out every day here on the main website. Full transcript below]:

Hey, this is Lori Lakin Hutcherson, founder and Editor-in-Chief of goodblacknews.org, here to share with you a daily drop of Good Black News for Monday, May 30th, 2022, which is also Memorial Day, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing.

Although May 30, 1868 is cited as the first national commemoration of Memorial Day at Arlington National Cemetery, events lead by African Americans in Charleston, South Carolina to decorate the graves of fallen Civil War soldiers occurred on May 1, 1865, less than a month after the Confederacy surrendered.

Reports of this early version of Memorial Day or “Decoration Day” as it was called, were rediscovered in the Harvard University archives in the late 1990s by historian David Blight, author of the 2018 biography Frederick Douglass: Prophet of Freedom.

To quote from history.com:

When Charleston fell and Confederate troops evacuated the badly damaged city, those freed from enslavement remained. One of the first things those emancipated men and women did was to give the fallen Union prisoners a proper burial. They exhumed the mass grave and reinterred the bodies in a new cemetery with a tall, whitewashed fence inscribed with the words: “Martyrs of the Race Course.”

And then on May 1, 1865, something even more extraordinary happened. According to two reports that Blight found in The New York Tribune and The Charleston Courier, a crowd of 10,000 people, mostly freed slaves with some white missionaries, staged a parade around the race track.

Three thousand Black schoolchildren carried bouquets of flowers and sang “John Brown’s Body.” Members of the famed 54th Massachusetts and other Black Union regiments were in attendance and performed double-time marches. Black ministers recited verses from the Bible.

Despite the size of the gathering and newspaper coverage, the memory of this event was “suppressed by white Charlestonians in favor of their own version of the day,” Blight stated in the New York Times in 2011.

On May 31, 2010, near a reflecting pool at Hampton Park, the city of Charleston reclaimed this history by installing a plaque commemorating the site as the place where Blacks held the first Memorial Day on May 1, 1865.

During the dedication of the plaque, the city’s mayor at the time, Joe Riley, was present to celebrate the historic occasion which included a brass band and a reenactment of the Massachusetts 54th Regiment.

In 2017, the City of Charleston erected yet another sign reclaiming the history and commemorating the event:

“On May 1, 1865 a parade to honor the Union war dead took place here. The event marked the earliest celebration of what became known as “Memorial Day.” The crowd numbered in the thousands, with African American school children from newly formed Freedmen’s Schools leading the parade. They were followed by church leaders, Freedpeople, Unionists, and members of the 54th Massachusetts 34th and 104th U.S. Colored Infantries. The dead were later reinterred in Beaufort.”

To learn more about African Americans’ role in the creation of Memorial Day, check out the links to sources provided in today’s show notes and in the episode’s full transcript posted on goodblacknews.org.

This has been a daily drop of Good Black News, written, produced and hosted by me, Lori Lakin Hutcherson.

Beats provided by freebeats.io and produced by White Hot.

If you like these Daily Drops, follow us on Apple, Google Podcasts, RSS.com, Amazon,Spotify or wherever you get your podcasts. Leave a rating or review, share links to your favorite episodes, or go old school and tell a friend.

For more Good Black News, check out goodblacknews.org or search and follow @goodblacknews anywhere on social.

Sources:

Quote from Mary McLeod Bethune – Educator, Community Builder, Civil Rights Leader (LISTEN)

by Lori Lakin Hutcherson (@lakinhutcherson)

Today we share a quote from and some facts about the mighty Mary McLeod Bethune, educator, activist and founder of Bethune-Cookman University and the National Council of Negro Women.

This GBN Daily Drop is based on the Monday, March 28 entry in “A Year of Good Black News” Page-A-Day®️ Calendar for 2022:

You can follow or subscribe to the Good Black News Daily Drop Podcast through Apple Podcasts, Spotify, Google Podcasts, rss.com or create your own RSS Feed. Or just check it out every day here on the main website (transcript below):

SHOW TRANSCRIPT:

Hey, this Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a daily drop of Good Black News for Monday, March 28th, 2022, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing.

Today we offer a quote from esteemed educator and civil rights activist Mary McLeod Bethune:

“Without faith, nothing is possible. With it, nothing is impossible.”

Born during Reconstruction in Maysville, South Carolina in 1875, Bethune was the 15th out of 17thchild of formerly enslaved parents Samuel and Patsy McIntosh McLeod, and the first of theirs born into freedom.

At an early age, Bethune pursued education any way she could, even if it meant walking eight miles each way to the only school around. After attending college in North Carolina and Moody Bible Institute in Chicago, Bethune became a teacher herself.

She eventually started a school of her own in Daytona, Florida with husband and fellow teacher Albertus Bethune, that evolved into what is now Bethune-Cookman University.

In her lifetime, Bethune went on to become a national advisor to President Franklin D. Roosevelt as part of his “Black” cabinet, represented the NAACP at the founding of the United Nations in 1945, raised money to open the first hospital for Black people in Daytona, Florida, founded the National Council of Negro Women and co-founded the United Negro College Fund.

To learn more about Bethune and her legacy, read Mary McLeod Bethune: Building a Better World, Essays and Selected Documents edited by Audrey Thomas McCluskey and Elaine M. Smith, Mary McLeod Bethune in Florida: Bringing Social Justice to the Sunshine State by Dr. Ashley N. Robinson, and Mary McLeod Bethune: Her Life and Legacy by Nancy Ann Zrinyi Long.

Also check out the 2016 documentary Mary McLeod Bethune – African Americans Who Left Their Stamp on History, the Mary McLeod Bethune documentary posted by Gig Bag Media on YouTube, and cookman.libguides.com to access newsreels, videos and audio recordings of Bethune herself.

In fact, here’s a taste of her voice from a 1949 radio broadcast with Eleanor Roosevelt speaking on the importance of democracy, coalition and human rights:

[Excerpt from 1949 broadcast with Eleanor Roosevelt]

This has been a daily drop of Good Black News, based on the “A Year of Good Black News Page-A-Day Calendar for 2022,” published by Workman Publishing.

Beats provided by freebeats.io and produced by White Hot.

If you like these Daily Drops, please consider following us on Apple, Google Podcasts, RSS.com,Amazon, Spotify or wherever you get your podcasts. Leave a rating or review, share links to your favorite episodes, or go old school and tell a friend.

For more Good Black News, you can check out goodblacknews.org or search and follow @goodblacknews anywhere on social.

Sources:

(paid links)

LOCAL HERO: Eliot Middleton Gifts over 60 Repaired Cars to People in Rural South Carolina Without Wheels

This past summer, CBS News ran a story on Eliot Middleton, a barbecue restaurant owner and a trained mechanic in rural South Carolina who was fixing older cars and donating them to people in need.

“There’s no public transportation,” Middleton told CBS News in June. “There’s no Ubers, there’s no taxis or nothing like that.”

To quote from cbsnews.com:

Some of the recipients of the fixed cars are single moms, jobs seekers and older folks with doctors’ appointments. Last Christmas, he gave a 2004 Suzuki to single mom Jessica Litchfield — who described his work as “a lifesaver.”

“Some folks don’t believe it,” Middleton said. “It’s like, ‘No, that’s not my car.'”

After the story ran, by July he’d received offers of over 800 donations of cars in addition to more than $100,000 in cash donations to support Middleton’s charitable efforts.

According to a recent report from wltx.com, Middleton has given away over 60 cars since he started helping others in this fashion, giving away 12 of them during the 12 days of Christmas.

Middleton and his non-profit Middleton’s Village to Village Foundation can be followed or contacted here.

[Photo: Eliot Middleton, Savonnie Eadie, Doretha Simmons (l to r) via Facebook]

Families of Charleston Church Massacre Victims Reach $88 Million Settlement with U.S. Justice Department

The U.S. Department of Justice announced today it has reached an agreement to settle the civil cases arising out of the June 2015 Mother Emanuel AME Church mass shooting in Charleston, South Carolina.

Nine people were killed when 21-year-old white supremacist Dylann Roof entered Mother Emanuel African Methodist Episcopal Church during Bible study and began shooting the congregants. He later confessed, saying he acted in hopes of igniting a race war.

Plaintiffs agreed to settle claims that the FBI was negligent when it failed to prohibit the sale of a gun by a licensed firearms dealer to Roof, a self-proclaimed white supremacist, who specifically targeted the 200-year-old historically African-American congregation.

The settlement provides $63 million for families of those killed in the shooting rampage and $25 million for survivors, according to lawyers involved in the agreement. For those killed in the shooting, the settlements range from $6 million to $7.5 million per claimant. For the survivors, the settlements are for $5 million per claimant.

The parties have been in litigation since 2016, including before the district court and the federal court of appeals.

“The mass shooting at Mother Emanuel AME Church was a horrific hate crime that caused immeasurable suffering for the families of the victims and the survivors,” said Attorney General Merrick B. Garland. “Since the day of the shooting, the Justice Department has sought to bring justice to the community, first by a successful hate crime prosecution and today by settling civil claims.”

On June 17, 2015, Mother Emanuel congregants welcomed a stranger who had entered their church. They invited him to participate in their Wednesday night bible study.

Tragically, at the close of the bible study, Roof shot and killed Cynthia HurdSusie Jackson, Tywanza SandersSharonda Coleman-SingletonDaniel L. SimmonsEthel Lee LanceMyra Thompson, Rev. Depayne Middleton-Doctor and Mother Emanuel’s pastor, Reverend Clementa Pinckney, also a South Carolina State Senator.

The families of the Emanuel Nine, as well as the five survivors who were inside the church at the time of the shooting, sued the government. They sought to recover for wrongful death and physical injuries arising from the shooting.

Plaintiffs asserted that the FBI’s National Instant Criminal Background Checks System (NICS) failed to timely discover that the shooter was a person prohibited by federal law from possessing a firearm. Plaintiffs alleged that because of this delay, the shooter was able to purchase the handgun that he used to commit the atrocity.

The families sued after the FBI revealed that its system for conducting background checks failed to catch a fact that should have blocked the sale of the gun Roof used in the shooting. He bought the Glock 41 two months earlier at a shopping mall in West Columbia.

Read more: https://www.npr.org/2021/10/28/1050035997/charleston-church-shooting-doj-settlement-families

https://www.justice.gov/opa/pr/justice-department-announces-multi-million-dollar-civil-settlement-principle-mother-emanuel

HISTORY: Meet Robert Smalls, Boat Captain for Union Navy who Escaped Slavery and Became 1st African-American Elected to U.S. Congress

U.S. Naval Captain and U.S. Congress Member Robert Smalls (photo via Library of Congress)

by Lori Lakin Hutcherson (@lakinhutcherson)

On this Veteran’s Day, Good Black News is choosing to honor former Union Navy boat captain and oft-hidden historical figure Robert Smalls of South Carolina.

Robert Smalls was the first black man elected to U.S. Congress during Reconstruction. He was born into slavery in 1839 in Beaufort, S.C., and started his remarkable, implausible journey to national prominence by daring to escape slavery during the Civil War with his family. 

Smalls, like many other enslaved peoples, was made to work for the Confederate forces during the Civil War. Menial labor such as grave digging, cooking, digging trenches, etc. were the most common jobs, but some enslaved peoples were used in skilled labor positions, such as Smalls, who could navigate the waters in and around Charleston, so was used to guide transport ships for the Confederate Navy.

On May 13, 1862, Smalls convinced several other enslaved people to help him commandeer a Confederate transport ship, the CSS Planter, in Charleston harbor. Smalls sailed from Confederate-controlled waters to the U.S. blockade.

By doing so, not only did he gain freedom for himself, several enslaved peoples and members of his family, his example of cunning and bravery helped convince President Abraham Lincoln to accept black soldiers into the U.S. Army and Navy. Check out PBS video about this event below:

https://youtu.be/igMM_vhb3cA

Smalls became Captain of the same boat for the Union Navy and helped free enslaved peoples as he fought and outwitted the Confederate Navy several more times during the duration of the War. After the South surrendered, Smalls returned to Beaufort, S.C. and purchased his master’s house, which was seized by the Union in 1863. His master sued to get it back, but lost in court to Smalls.

WATCH TRAILER: Charleston Church Shooting Documentary “Emanuel,” Executive Produced by Viola Davis, Steph Curry and Mariska Hartigay, to Hit Theaters June 17 and 19

June 2019 marks the fourth anniversary of the Charleston, South Carolina tragedy at Emanuel A.M.E. Church. The feature-length documentary “EMANUEL,” opens in movie theaters nationwide as a limited release event with Fathom Events on June 17 and 19 only.

The new trailer, released today, gives a glimpse into the emotional documentary that recalls the events of June 17, 2015 and examines how faith, hope and forgiveness healed a devastated community after the heinous church shooting, carried out by white supremacist Dylann Roof.

The film is executive produced by Stephen Curry for Unanimous Media, Viola Davis and Julius Tennon for JuVee Productions, Arbella Studios and Mariska Hargitay, and is directed by Brian Ivie (The Drop Box) and presented by SDG and Fiction Pictures.

For more information on EMANUEL, visit www.emanuelmovie.com. You can also follow the film on social media:

Facebook and Instagram – @emanuelmovie and #emanuelmovie

Malachi Jones, 17, Wins Prestigious $10,000 Scholastic Art & Writing Award for 2018

Teen Wins Prestigious Writing Award That Stephen King, Capote, and Other Famous Writers Won
Malachi Jones (Charleston County School of the Arts Middle & High School)

Malachi Jones, the 17-year-old wunderkind who is heading to Columbia University this fall, has been awarded a Gold Medal Portfolio, the highest honor of the 2018 Scholastic Art & Writing Awards presented by the nonprofit Alliance for Young Artists & Writers.
The high school senior, who attends the Charleston County School of the Arts in Charleston, South Carolina, says he greeted the news, which he received by phone, with a “loud silence.”
“I felt like a siren was going off inside my head, but I was speechless,” Malachi is quoted as saying in a Charleston Chronicle article. “I had been submitting work to Scholastic since 7th grade, so it is insane to me to think an audience outside my family and peers wants to read and appreciate my work.”
The honor includes a scholarship of $10,000.
Malachi has joined a prestigious group of former youth winners, now all household names, including Truman Capote, Sylvia Plath, Joyce Carol Oates, and Stephen King, according to the Post and Courier website.
None of them, however, have grappled in their writing with the constraints of race in the arresting way Malachi has. According to the Post and Courier, Malachi has rejected the trope of the stereotypical black man and instead chosen to forge his own way of being black in the world.
The article states, “Jones’s award-winning work—a collection of lyric essays and free-verse poems—revolves around his experience as a black teenager struggling with and finally coming to terms with his identity.
“In a poem titled ‘Pantoum for my Mother,’ Jones writes, ‘Stripped of my blackness, / uprooted by judgement. / I was never dark enough for you / or for the ones who called me whitewashed.’
“It’s about the questions and judgment he endures from both his white and black peers for not fitting the stereotypical ‘formula of a black male.’”
According to the Poetry Foundation, a pantoum is a Malaysian verse form.
To read more: http://www.blackenterprise.com/17-year-old-wins-prestigious-writing-honor-10k-scholarship/

International African American Museum in South Carolina Will Stand Where 100,000 Enslaved People Took 1st Steps on American Soil

by Manie Robinson via greenvilleonline.com

CHARLESTON – A swift, cool breeze lifts off the Cooper River. It frisks through the crowns of the towering palm trees that line the paved walkway. Small boats wobble in the calm waters on the east side of the Charleston peninsula. A neatly manicured patch of grass provides a tranquil spot for a blanket and a book. In the distance, the steel cables of the Ravenel Bridge stretch in splendor. To the right, flags fly over Fort Sumter, where the first shots of the Civil War were fired.

Soon, this waterfront will be home to the International African American Museum. The $100 million, 40,000-square foot facility will bridge solemn history and modern magnificence. It will offer captivating exhibits, engaging events and a breathtaking view of the Charleston Harbor.

However, this land is more than prime riverfront real estate. It connects deeply to the heritage the museum aims to commemorate. Ship voyage records reveal that nearly half of the enslaved Africans who were shipped to North America disembarked in Charleston. Many slaves took their first steps on American soil on this patch of land, which was once the largest wharf in North America. Historians estimate that more than 90 percent of all African-Americans can trace at least one ancestor to this land.

Eighteen years ago, former Charleston mayor Joe Riley pledged to build an iconic museum that honors that heritage and illuminates the achievements cultivated from that regrettable past. Since then, 37 other museums dedicated to African-American history and culture have been constructed. However, IAAM supporters contend that this land grants it a distinctive, visceral magnetism.

Riley’s vision has attracted support from city, county and state government, local business owners, national organizations and historians. Yet, Riley and IAAM chief executive officer and president Michael Boulware Moore (who is the great-great-great grandson of Civil War Hero and Congressman Robert Smalls) must raise millions more before construction can begin.

Moore’s passion for this project is personal. When he walks this pristine patch of grass, he can hear the shackles rattling as they dragged against the wooden planks. He can see his great-great-great-great grandmother walking across the wharf. “We know that she landed here. That’s sort of my original anchor to Charleston. It’s really deep emotional territory for me,” Moore said. “Every time I go, it hits me.”

“I understand the history that occurred there,” he said. “I understand tens of thousands of people, including my ancestors, disembarked there in chains. I am confronted by the emotions that must have been felt on that space and just by the enormity of what happened.”

The land’s significance

This serene site was once the epicenter of America’s ugliest enterprise. Nearly 250 years ago, this area was merely brackish marsh. Charleston merchant Christopher Gadsden converted it into the largest wharf in North America. It covered 840 feet from the Charleston Harbor to East Bay Street, between what are now Calhoun and Laurens Streets. Initially, Gadsden’s Wharf primarily serviced the rice industry. Eventually, it became a hub of the international slave trade. From 1783 to 1808, approximately 100,000 enslaved African men, women and children were forced into ships and carried on a voyage through darkness across the Atlantic Ocean into the Charleston Harbor.

According to historian and former South Carolina Historical Society archivist Nic Butler, on Feb. 17, 1806, the City Council of Charleston passed an ordinance stipulating that all vessels importing enslaved Africans port in Gadsden’s Wharf. Enslaved Africans were stored like crops in a wharf warehouse. Shackled to despair, hundreds of men, women and children died from fevers or frostbite. They were buried unceremoniously in a nearby mass grave. Those who survived those subhuman conditions were advertised in newspapers, sold and dispersed.

“Some have described it as the enslaved Africans’ Ellis Island,” University of South Carolina history professor Bobby Donaldson said. “If you can imagine people who endured and survived the Middle Passage from West Africa across the Atlantic, Gadsen’s Wharf is where they see land, where they see a dark and unknown future.”

Slaves were taken to different corners of the fledgling country. They toiled in fields to quicken the economy and fostered a lineage of influential American inventors, educators, soldiers, politicians, writers, philosophers, entrepreneurs, entertainers, activists and athletes.

African American Heritage Commission of South Carolina Launches New 'Green Book,' Names State's Top Black History Sites

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The African-American History Monument on grounds of Statehouse in Columbia, SC (photo via postandcourier.com)

by Adam Parker via postandcourier.com
Many — perhaps most — African Americans can trace family roots back to Charleston. About 40 percent of enslaved Africans brought to North America arrived on ships that docked in Charleston Harbor.
Slaves then were sold to plantation owners throughout the Antebellum South. During the “Great Migration,” about 6 million blacks moved from the South to the Northeast, Midwest and West between 1916 and 1970, chastened by the ghosts of their oppressed ancestors and motivated by the prospect of a better life.
On the cusp of the Civil War, the U.S. was home to 4 million slaves, 400,000 of whom lived in South Carolina. Their labor created enormous wealth for white rice and cotton planters, and it built whole cities, including Charleston.
Now, 50 years since the death of Martin Luther King Jr., the South Carolina African American Heritage Commission has named 10 top black history sites to visit in the state, including several associated with King and the civil rights movement. The commission also has compiled a much larger list of about 300 sites for its new online travel guide, Green Book of South Carolina (www.GreenBookofSC.com).
Dawn Dawson-House, an ex officio board member who works for the S.C. Department of Parks, Recreation and Tourism, said the initiative is meant to raise awareness of black history and to assist the commission’s efforts to identify, preserve, mark and protect the state’s many sites connected to black history and heritage.
Black history sites abundant in Charleston
“In the past 24 years, more than 200 markers have been added to the official state markers program,” Dawson-House said. “When the commission started, there were only about 35 markers dedicated to black history.”
She said historical sites can be found throughout the state, and many local people know about the ones near them.
“No matter where you are in South Carolina, there is an important African-American heritage element or place to visit,” Dawson-House said. “But the entire story is not told collectively. It’s told in bits and pieces in everybody’s community. At the commission we’ve decided we have to pull together an entire portrait of this history.”
Michael Allen, a founding board member of the commission, said the Green Book — “a manifestation of out 24-year journey” meant to assist anyone interested in black history — is a reference to the Jim Crow-era guide that African Americans used when traveling through the South. The old guide provided information about black-owned businesses (gas stations, hotels, restaurants, hospitals) that were safe for black travelers during the period of legal segregation.
“When you went traveling some place, you cooked your food, packed your food, the food was in your car,” Allen said. “You planned visits according to where relatives lived, or drove straight to where you needed to be.”
The modern iteration of the Green Book, instead, is meant for everybody, Allen said. “We think this is a great opportunity to connect the community, the history, the legacy and the African American experience of South Carolinians and the traveling public,” he said.

Charleston-Born Artist Sunn M'Cheaux to Teach Gullah Language Class at Harvard

COURTESY OF SUNN M’CHEAUX

by  via charlestoncitypaper.com
A renewed interest in Gullah has propelled the language to one of the highest rungs in academia.
Charleston native and performance artist Sunn m’Cheaux spent the fall semester at Harvard teaching an introductory version of a course on Gullah: A language indigenous to the Lowcountry region often described as a combination of English and Central and West African languages.
The pidgin language originally allowed enslaved African people from various tribes to communicate with each other and with their overseers, and is still spoken by African-American communities across coastal regions of South Carolina, Georgia, and Florida.
The Gullah class is the first of its kind at the Ivy League school. It’s part of the African Language Program within the Department of African and African American Studies.
The class is the brainchild of a graduate student who knows m’Cheaux. The student phoned him and asked if he would be willing to meet with the head of the program, Dr. John Mugane. M’Cheaux, who graduated from Goose Creek High School and didn’t go to college, found that Dr. Mugane was impressed with how quickly m’Cheaux was able to teach him some Gullah basics.
“He starts talking about getting my information and taking a picture for the website, and I’m thinking to myself, ‘Wait a minute — did I just get hired?'” m’Cheaux said in a phone interview with CP.
Mugane argues that offering Gullah, along with the 44 other languages taught in the program, increases students’ chances of accurately portraying different communities. “To engage in intellectual and professional work in the Gullah community, we deem it necessary even critical that scholars be literate in Gullah whose basic demonstration is an ability to hold non-trivial conversations with the people they write about, including (and especially) in Gullah, the language of the people they write about,” Dr. Mugane said in an e-mail to CP.
M’Cheaux says that his time bouncing between Charleston, Los Angeles, and New York as an artist and activist influenced his teaching methods. “Ultimately, my arts and entertainment career kind of dovetailed into social activism and commentary, and in a sense, I feel like this is an extension of that as well,” m’Cheaux said. “How to use literal and figurative language to communicate with people and teach people how to make it their own.”
This kind of approach is especially necessary with Gullah — a language that is passed down orally without established standards for grammar and spelling. Aspects of the language may be familiar to English speakers, such as “han’ baby,” which means small infant, and “knee baby,” which can be interpreted as toddler in English.
“I want to build these students’ intuition in order to know when to apply something literally and figuratively, because that will help bring the language to life,” m’Cheaux said. “Those are figurative terms, not necessarily literal terms, but once you look at them literally, it makes total sense.”
M’Cheaux uses the few Gullah reference books and literature available as course materials, but has largely stuck to developing his own curriculum throughout the semester, which includes video chats between students and native speakers.
To read more, go to: https://charlestoncitypaper.com/TheBattery/archives/2017/12/19/harvard-introduces-gullah-class-taught-by-a-charleston-born-artist