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Posts tagged as “Sonny Rollins”

Black Lexicon: The Origins of “Bop” (LISTEN)

by Lori Lakin Hutcherson (@lakinhutcherson)

For #JazzAppreciationMonth, we explore the term “bop” — a word often used today to describe a song with a good groove. I

ts musical reference origins however, are rooted in the early 1940s when “bop” was used to describe an new and exciting intricate form of jazz. To read about it, read on. To hear about it, press PLAY:

[You can follow or subscribe to the Good Black News Daily Drop Podcast through Apple Podcasts, Spotify, Google Podcasts, rss.com or create your own RSS Feed. Or just check it out every day here on the main website. Full transcript below]:

Hey, this is Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a daily drop of Good Black News for Tuesday, April 26th, 2022, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing.

It’s in the category we call “Lemme Break It Down,” where we explore the origins and meanings of words and phrases rooted in the Black Lexicon and Black culture. Today’s phrase is another one in honor of #JazzAppreciationMonth… “Bop.”

[Excerpt from “Be-Bop” by Dizzy Gillespie]

“Bop” is a slang term most currently used to mean a really good song, but originally used to reference the jazz genre “bebop,” “rebop” or “hard bop.”

Invented in the 1940s and 1950s by musicians like Charlie Parker, Dizzy Gillespie, Sonny Rollins, Charlie Christian, Max Roach, Miles Davis, Mary Lou Williams and Thelonious Monk – right now you’re listening to the song called “Be-Bop” by Dizzy Gillespie, originally written, recorded and released by him in 1945.

The “bop” style of playing consisted of intricate phrasings and harmonic improvisations over chord melodies of standards as well as original compositions. Dizzy Gillespie even titled his 1979 autobiography To Be or Not to Bop.

To learn more about the term “bop,” links to sources are provided in today’s show notes and in the episode’s full transcript posted on goodblacknews.org.

This has been a daily drop of Good Black News, written, produced and hosted by me, Lori Lakin Hutcherson.

Intro and outro beats provided by freebeats.io and produced by White Hot.

The excerpt from “Be Bop” by Dizzy Gillespie is included under Fair Use.

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Sources:

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MUSIC MONDAY: “Birth of the Cool” – a Tribute to Miles Davis (LISTEN)

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Happy Memorial Day, you all. I also need to acknowledge the 100th anniversary of the Black Massacre in Tulsa, Oklahoma.

Last week included the 95th anniversary of the birth of Miles Davis. His hometown of East St. Louis, Missouri was the site of another race massacre in 1917.

So much has been written about Miles Davis. Including is his own autobiography. There have been documentaries long and short about him, so I won’t go on.

At over 10 hours this collection is still the tip of the proverbial iceberg when it comes his creative output. Miles was a giant in American music, and one of this nation’s most iconic and influential figures in music and culture.

In a career that spanned five decades, he kept at the forefront of many major stylistic developments in jazz. From being of the vanguards of bebop and blazing the trail of electric jazz.

The list of his collaborators is far too long, but here are just a few: Dizzy Gillespie, John Coltrane, Charlie Parker, Cannonball Adderley, Max Roach, Gil Evans, Red Garland, Paul Chambers, Philly Joe Jones, Sonny Rollins, Bill Evans, Ron Carter, Herbie Hancock, Tony Williams, Wayne Shorter, John McLaughlin, and Joe Zawinul.

Miles Davis gave many of these now-legendary artists, who all appear on this playlist, their first break. Davis was tough as nails from all reports, though he seemed more than willing to imbue great vulnerability and tenderness in his playing.

Do enjoy.

Marlon West (photo courtesy Marlon West)

Music Legend Sonny Rollins Endows "Sonny Scholars" Jazz Ensemble at Oberlin College

Jazz Master Sonny Rollins (photo via knkx.org)

via jbhe.com
Sonny Rollins, the legendary jazz saxophonist, has made a generous contribution to establish the Sonny Rollins Jazz Ensemble Fund at the Oberlin Conservatory of Music in Ohio.
Beginning in spring 2018, Oberlin College jazz studies majors may audition for the Oberlin Sonny Rollins Jazz Ensemble. Each student’s candidacy will be considered on the basis of four criteria: an audition for Oberlin’s jazz faculty, evidence of academic achievement, thoughtful response to a question about the place of jazz in the world, and service to humanity.
“Sonny Scholars” must dedicate at least two semesters to performing in the ensemble. They must also complete a winter-term project that embodies Rollins’ spirit of giving.
In explaining the rationale for this aspect of the program, Sonny Rollins said “people are hungry for a reason to live and to be happy. We’re asking these young musicians to look at the big picture, to tap into the universal power of a higher spirit, so they can give people what they need. Giving back to others teaches inner peace and inner spirituality. Everything is going to be open for them if they devote themselves in this way.”
Rollins gift to Oberlin grew out of his friendship with author and musician James McBride, a 1979 graduate of Oberlin College. The gift was made in recognition of the institution’s long legacy of access and social justice advocacy. In particular, Rollins was moved by Oberlin’s place as the first institution of higher learning to adopt a policy to admit students of color and the first to confer degrees to women, and by the contributions of alumni such as Will Marion Cook, a black violinist and composer who graduated in 1888 and who went on to become an important teacher and mentor to Duke Ellington.
Andrea Kalyn, dean of the Oberlin Conservatory of Music, stated “that the legendary Sonny Rollins — an artist of truly extraordinary accomplishment, soulfulness, and character — would entrust Oberlin to steward his legacy is the highest honor, and deeply humbling.”
Source: https://www.jbhe.com/2017/11/music-legend-sonny-rollins-endows-a-jazz-ensemble-at-oberlin-college/