article via eurweb.com
The Rock and Roll Hall of Fame announced the nominees for its 2017 induction ceremony today. This year’s nominees include Tupac Shakur, in his first year of eligibility, Chaka Khan, Janet Jackson, and 11-time nominee Chic.
Ballots to select the final 2017 inductees will be sent out to more than 800 artists, historians, and members of the music industry. The public will also get an opportunity to vote at rockhall.com. Public voting ends Dec. 5 at 11:59 p.m. ET.
To be considered for induction, an individual artist or band must have released its first single or album at least 25 years prior to the year of nomination.
In addition to Tupac, this year also marks the first year of eligibility for fellow 2017 nominees Pearl Jam, Bad Brains, Depeche Mode, Electric Light Orchestra, Jane’s Addiction, Joan Baez, Journey, and Steppenwolf.
The Rock and Roll Hall of Fame 2017 inductees will be announced at an unspecified date in December. The induction ceremony will be held at the Barclay’s Center in New York City in April 2017.
Read the full list of this year’s nominees include:
Bad Brains
Chaka Khan
Chic
Depeche Mode
Electric Light Orchestra
J. Geils Band
Jane’s Addiction
Janet Jackson
Joan Baez
Joe Tex
Journey
Kraftwerk
MC5
Pearl Jam
Steppenwolf
The Cars
The Zombies
Tupac Shakur
Yes
Posts tagged as “Rock and Roll Hall Of Fame”
article by Lori Lakin Hutcherson
Even though the news is minutes old, I’m sure you’ve all heard by now. I still can’t process it fully, and am having serious trouble accepting it, but after following TMZ, then Huffington Post, then Rolling Stone and the New York Times reports, I have to. We all have to admit that it’s true – one of the best musicians ever to walk the Earth – Prince (born Prince Rogers Nelson) has passed away at age 57. Whether it was from complications due to his recent bout with the flu or some other reason – what really matters is that he is gone and the world has lost a genius and musical visionary.
While the grief over his passing will be palpable and far from short-lived, we wanted to take this moment to celebrate the legacy and artistry of the man who won an Academy Award, multiple Grammys, is a Rock and Roll Hall of Famer, and gave us “Purple Rain”, “Sign of the Times”, “Controversy”, “Dirty Mind”, “1999” and “LoveSexy” to name a few, and wish his singular spirit all the best on the next phase of his journey.
I have no idea how long the video below will remain up on YouTube, but while it is:
[youtube https://www.youtube.com/watch?v=F8BMm6Jn6oU&w=420&h=315]
Friday night (Apr. 8) was an evening to remember for the members of N.W.A.
Source: Kendrick Lamar Pays Homage To N.W.A At Rock & Roll Hall Of Fame Event
article by Chris Barton via latimes.com
Maurice White, co-founder and leader of the groundbreaking ensemble Earth, Wind & Fire, died Thursday at his Los Angeles home. He was 74. His brother and bandmate, Verdine White, confirmed the news with the Associated Press.
The source for a wealth of euphoric hits in the 1970s and early ’80s, including “Shining Star,” “September” “Reasons” and “Boogie Wonderland,” Earth, Wind & Fire borrowed elements from funk, soul, gospel and pop for a distinctive sound that yielded six double-platinum albums and six Grammy Awards.
The group was inducted into the Rock and Roll Hall of Fame in 2000, and although White had ceased touring with the group since a diagnosis of Parkinson’s disease in the ’90s, he remained behind the scenes as the act continued to tour, including a run of sold-out shows at the Hollywood Bowl in 2013.
“[Maurice White’s] unerring instincts as a musician and showman helped propel the band to international stardom, influencing countless fellow musicians in the process,” Recording Academy President Neil Portnow wrote in a statement. Earth, Wind & Fire are slated to receive lifetime achievement honors from the Grammys this year.
Born in Memphis, Tenn. on Dec. 19, 1941, Maurice White sang in his church’s gospel choir at an early age, but his interest quickly gravitated to the drums. He earned his first gig backing Booker T. Jones before the organist founded the MGs. He moved to Chicago in the early ’60s and studied composition at the Chicago Conservatory of Music and eventually found work as a session drummer for the Chess and OKeh labels, where he played behind Muddy Waters and John Lee Hooker.
“That’s where I learned about the roots of music,” White told the Chicago Tribune in 1990. “I learned about playing with feeling.”
After also backing jazz pianist Ramsey Lewis in the ’60s, White moved to Los Angeles in 1969 with a band called the Salty Peppers. The group failed to gain much traction, and White changed the group’s name in 1971 to Earth, Wind and Fire, a name rooted in astrology that reflected White’s spiritual approach to music.
“In the beginning,” White told the Tribune in 1988, “My message was basically trying to relate to the community. From that it grew into more of a universal consciousness; the idea was to give the people something that was useful.”
The group’s lineup evolved through the ’70s and eventually included vocalist Phillip Bailey and White’s brother Verdine, both of whom toured with the band into this decade. The band’s reach extended into movies as well in recording the soundtrack album for Melvin Van Peebles’ landmark 1971 film “Sweet Sweetback’s Badasss Song” and appearing in the 1978 film “Sgt. Pepper’s Lonely Hearts Club Band,” which yielded the band’s hit cover of the Beatles’ “Got to Get You Into My Life.”
White’s hits with Earth, Wind & Fire spanned a particularly influential space between R&B, rock and disco that remains current. His music with Earth, Wind & Fire was prominently sampled by scores of hip-hop and pop acts in recent years, including Jay-Z and 2Pac. His mix of incandescent soulfulness and suave, funky arrangements informed recent bestselling albums by Daft Punk and Kendrick Lamar.
Remembrances of White came from all corners of the music world. On Twitter, Nile Rodgers, the Chic founder and record producer who was White’s peer in the ‘70s disco scene, wrote “RIP my soulful brother — You’re one of the most amazing innovators of all time.” Bootsy Collins, bassist of the funk mainstays Parliament-Funkadelic, wrote that White was a “legend, pioneer life long friend.”
To read more, go to: http://www.latimes.com/entertainment/music/posts/la-et-ms-maurice-white-earth-wind-fire-dies-20160204-story.html
Times staff writer August Brown contributed to this report.
R&B and soul legend William “Smokey” Robinson will be honored by The Rock and Roll Hall of Fame and Case Western Reserve University during the 20thAnnual Music Masters™ series, presented by Klipsch Audio. Robinson was inducted into the Rock and Roll Hall of Fame as a part of the sophomore class of inductees in 1987. The weeklong celebration, Nov. 2-7, 2015, will culminate with the Annual Music Masters concert on Sat., Nov. 7 at 7:30 p.m. EST at Playhouse Square’s State Theatre.
The tribute concert, presented by Klipsch Audio, on Nov. 7 will feature previously announced Inductees Dennis Edwards, Martha Reeves, and Mary Wilson, as well as the Robert Glasper Experiment. New guests scheduled to perform include Avant, Avery*Sunshine, Bilal, JoJo, Eric Roberson, and Michelle Williams. Adam Blackstone (who has worked with artists such as Rihanna, Janet Jackson and Justin Timberlake) will serve as the tribute concert’s Musical Director. Robinson will attend the tribute concert to accept the award but is not scheduled to perform.
Tickets to the Nov. 7 concert range from $30 – $100 and are available now at the Playhouse Square box office, by calling (216) 241-6000, or by visiting www.playhousesquare.org. A limited number of premium seating and VIP packages beginning at $300 are available by contacting the Rock Hall’s development office at (216) 515-1201 or development@rockhall.org by Fri., Oct. 30.
To open the tribute concert, Case Western Reserve will bestow an honorary Doctor of Humane Letters degree to Smokey Robinson, recognizing his many musical and cultural contributions, which extend from enduring songs to his leadership in the music industry. The university awards honorary degrees to recognize those who exemplify in their work the highest ideals and standards of excellence in any valued aspect of human endeavor, including scholarship, public service and the performing arts.
Additional events include:
JUST ANNOUNCED! FREE with RSVP – Mon., Nov. 2 at 7 p.m. – “Smokey Robinson and the Sensual Black Avant-Garde” / Author Series with Jason King at the Rock Hall’s Library and Archives (2809 Woodland Avenue, Cleveland). Reservations can be made through the Rock Hall website at https://tickets.rockhall.com or at the Rock Hall Box Office.
FREE with RSVP – Wed., Nov. 4 at 8 p.m. – An Evening with Members of the Music Masters tribute band in the Rock Hall’s Foster Theater. This event will be streamed live at http://rockhall.com.
FREE – Thurs., Nov. 5 at 7 p.m. – Keynote Lecture “You Really Got a Hold On Me” by Dave Marsh at Case Western Reserve University’s Tinkham Veale University Center (11038 Bellflower Road, Cleveland OH). Marsh, rock critic, historian, anti-censorship activist, talk show host, and “Louie Louie” expert, has written more than 20 books about rock and popular music, and edited that many more. In this talk, Marsh will explore more than 50 years of listening to Smokey and why, in his opinion, Smokey Robinson is the best singer-songwriter ever. This event is free and reservations are not required. Seats are available on a first-come, first-served basis. This event will be streamed live at http://rockhall.com.
Sat., Nov. 7 from 10:30 a.m. until 3:30 p.m. – Annual Music Masters Conference in the Rock and Roll Hall of Fame’s Foster Theater
The conference will celebrate Smokey Robinson’s impact on popular music, including a panel discussion on Smokey moderated by renowned author and Smokey Robinson autobiography co-author, David Ritz. Ritz will be joined by Harry Weinger, Vice President, A&R at Universal Music Enterprises; Jason King, Director of Writing, History & Emergent Media Studies at New York University’s Clive Davis Institute of Recorded Music; and Andy Flory, Assistant Professor of Music at Carleton College. There will be a special Motown-inspired performance and master class with the youth of the Boys and Girls Clubs of Cleveland as well as interviews with special guests. Tickets are $25 ($10 lunch voucher included) and are available through the Rock Hall website at https://tickets.rockhall.com or at the Rock Hall Box Office. Admission to the Museum is free with the purchase of a conference ticket.
Sat., Nov. 7 at 7:30 p.m. – Annual Music Masters Tribute Concert at Playhouse Square’s State Theatre. Tickets to the November 7 tribute concert range from $30 – $100 and are at the Playhouse Square box office, by calling (216) 241-6000, or by visiting www.playhousesquare.org. A limited number of premium seating and VIP packages beginning at $300 are available by contacting the Rock Hall’s development office at (216) 515-1201 or development@rockhall.org by Friday, October 30.
Special programming for teachers and students:
Tues., Nov. 3 – Digital Classroom: Launch of Smokey Robinson and the Miracles Education Unit
The Rock Hall’s award-winning education team will launch a special Smokey Robinson and the Miracles teaching unit as part of their Digital Classroom online curriculum on Tuesday, November 3. The Digital Classroom allows teachers and students to learn more about rock and roll history with lesson plans, listening guides, and exclusive content that can be used in classroom. To learn more, visit http://www.rockhall.com/digitalclassroom.
About Smokey Robinson:
Save for founder Berry Gordy, no single figure has been more closely allied with the Detroit-based recording empire known as Motown than William “Smokey” Robinson. In addition to leading the Miracles, Robinson served as a Motown producer, songwriter, talent scout and Gordy’s most trusted confidant and right-hand man.
Smokey Robinson and the Miracles scored twenty-seven pop-soul hits at Motown between 1960 and 1971, including the classics “You’ve Really Got a Hold on Me,” “Shop Around,” “Going to a Go-Go” and “I Second That Emotion.” The Miracles’ brightest moments on record – “Ooo Baby Baby,” “The Tracks of My Tears” and “The Tears of a Clown” foremost among them – still kindle memories for those who came of age in the Sixties.
B. B. King, whose world-weary voice and wailing guitar lifted him from the cotton fields of Mississippi to a global stage and the apex of American blues, died Thursday in Las Vegas. He was 89.
His death was reported early Friday by The Associated Press, citing his lawyer, Brent Bryson, and by CNN, citing his daughter, Patty King.
Mr. King married country blues to big-city rhythms and created a sound instantly recognizable to millions: a stinging guitar with a shimmering vibrato, notes that coiled and leapt like an animal, and a voice that groaned and bent with the weight of lust, longing and lost love.
“I wanted to connect my guitar to human emotions,” Mr. King said in his autobiography, “Blues All Around Me” (1996), written with David Ritz.
In performances, his singing and his solos flowed into each other as he wrung notes from the neck of his guitar, vibrating his hand as if it were wounded, his face a mask of suffering. Many of the songs he sang — like his biggest hit, “The Thrill Is Gone” (“I’ll still live on/But so lonely I’ll be”) — were poems of pain and perseverance.
The music historian Peter Guralnick once noted that Mr. King helped expand the audience for the blues through “the urbanity of his playing, the absorption of a multiplicity of influences, not simply from the blues, along with a graciousness of manner and willingness to adapt to new audiences and give them something they were able to respond to.”
B. B. stood for Blues Boy, a name he took with his first taste of fame in the 1940s. His peers were bluesmen like Muddy Waters and Howlin’ Wolf, whose nicknames fit their hard-bitten lives. But he was born a King, albeit in a sharecropper’s shack surrounded by dirt-poor laborers and wealthy landowners.
Mr. King went out on the road and never came back after one of his first recordings reached the top of the rhythm-and-blues charts in 1951. He began in juke joints, country dance halls and ghetto nightclubs, playing 342 one-night stands in 1956 and 200 to 300 shows a year for a half-century thereafter, rising to concert halls, casino main stages and international acclaim.
He was embraced by rock ’n’ roll fans of the 1960s and ’70s, who remained loyal as they grew older together. His playing influenced many of the most successful rock guitarists of the era, including Eric Clapton and Jimi Hendrix.
His death was confirmed by Artists International Management, which represented him. Mr. Sledge had liver cancer, for which he underwent surgery in 2014, Mark Lyman, his agent and manager, said. Mr. Sledge, sometimes called the King of Slow Soul, was a sentimental crooner and one of the South’s first soul stars, having risen to fame from jobs picking cotton and working as a hospital orderly while performing at clubs and colleges on the weekends.“I was singing every style of music: the Beatles, Elvis Presley, James Brown, Wilson Pickett, Motown, Sam Cooke, the Platters,” he once said. “When a Man Loves a Woman” was his first recording for Atlantic Records, after a patient at the hospital introduced him to the record producer Quin Ivy. It reached No. 1 on the pop charts in 1966 and sold more than a million copies, becoming the label’s first gold record. (The Recording Industry Association of America began certifying records as gold in 1958.) Raw and lovelorn, the song was a response to a woman who had left him for another man, Mr. Sledge said. He called its composition a “miracle.”
[youtube https://www.youtube.com/watch?v=EYb84BDMbi0&w=420&h=315]
An album of the same name was released that year, and three more studio albums for Atlantic followed in the 1960s: “Warm and Tender Soul,” “The Percy Sledge Way” and “Take Time to Know Her.”
While Mr. Sledge never again reached the heights of his first hit, “When a Man Loves a Woman” had many lives: as an early highlight of the Muscle Shoals, Ala., music scene; as a movie soundtrack staple in the 1980s, heard in “The Big Chill” and “Platoon”; and in a 1991 cover version by Michael Bolton, which also topped the Billboard chart and earned Mr. Bolton a Grammy.
Although the song, which ranks 53rd on Rolling Stone’s list of the 500 greatest of all time, is credited to two of Mr. Sledge’s early bandmates, the bassist Calvin Lewis and the organist Andrew Wright, who assisted with the arrangement, Mr. Sledge said of the melody, “I hummed it all my life, even when I was picking and chopping cotton in the fields.”
Davis Eli “David” Ruffin (January 18, 1941 – June 1, 1991) was an American soul singer and musician most famous for his work as one of the lead singers of The Temptations (1964–68) during the group’s “Classic Five” period, and was the lead don such famous songs as “My Girl“, “Ain’t Too Proud to Beg, and “I Wish It Would Rain.” Ruffin would have been 74 today.
Known for his unique raspy and anguished tenor vocals, according to Wikipedia.com, Ruffin was ranked as one of the 100 Greatest Singers of All Time by Rolling Stone magazine in 2008. He was inducted into the Rock and Roll Hall of Fame in 1989 for his work with The Temptations, and into Cleveland’s R&B Hall of Fame in 2013 as a solo artist as well a Temptations member. Fellow Motown recording artist Marvin Gaye once said admiringly of Ruffin that, “I heard [in his voice] a strength my own voice lacked.”
To see video of Ruffin in action on one of the Temptations classics, click below and enjoy:
[youtube https://www.youtube.com/watch?v=1tYPJ74TKbI&w=420&h=315]
article by Lori Lakin Hutcherson (follow @lakinhutcherson)
NEW YORK (AP) – A fashion exhibit centered on Beyoncé will debut at the Rock and Roll Hall of Fame and Museum in a section previously featuring only Hall of Famers. The Rock Hall announced today that outfits from Beyoncé’s Super Bowl performance and music videos will debut Tuesday in the Ahmet Ertegun Main Exhibit Hall in its Legends of Rock section, next to iconic pieces from Michael Jackson, David Bowie and Bruce Springsteen.
The 32-year-old Beyoncé would be eligible for induction into the Rock Hall as a member of Destiny’s Child in 2022 and as a solo artist in 2027. The exhibit in Cleveland, Ohio, will feature Beyonce’s ubiquitous black leotard from her “Single Ladies” music video, as well as her body suit, skirt and jacket from her Super Bowl performance last year in New Orleans.
Rock Hall curator Meredith Rutledge-Borger said they have been trying to court Beyonce “for a really long time.” “When we looked at the depth of the amount of stuff that she was willing to send, we just thought, ‘The only way we can really showcase these items is to put them in the Legends of Rock area in the museum,’ which really is the spot that we have to pay tribute to legends of rock, which Beyonce has proven herself to be,” she said in an interview.
Lee Anne Callahan-Longo, the general manager of Beyonce’s production house, Parkwood Entertainment, said the singer was honored and humbled by the opportunity to have her personal items in the museum.
Bobby Womack, the multitalented singer-songwriter-guitarist who left an indelible mark on R&B and soul in the 1960s and ’70s, died Friday at 70, his record label XL Recordings confirmed. He had been diagnosed with colon cancer in 2012.
A gutsy singer and a superlative guitar player, Womack charted nearly 50 hits, the majority of them self-penned, during his career of more than 40 years. His No. 1 R&B entries were “Woman’s Gotta Have It” (1972) and “Lookin’ for a Love” (1974), a remake of a number he recorded with his family act the Valentinos for Sam Cooke’s SAR label.
Womack also notched a top 20 hit with “Across 110th Street,” the title number from the 1973 crime thriller starring Anthony Quinn and Yaphet Kotto; Quentin Tarantino appropriated the song for use under the opening credits of his 1997 pic “Jackie Brown,” and it was also employed in the 2007 Denzel Washington starrer “American Gangster.”
Born in Cleveland to a musical and religious family, Womack began singing and playing guitar at an early age. He toured the gospel circuit with his brothers. Cooke – also a product of gospel music, and the former lead singer of the Soul Stirrers – took the act under his wing, and recorded for SAR with a new moniker. After scoring a No. 8 hit in 1962 with “Lookin’ for a Love,” the group reached No. 21 in 1964 with “It’s All Over Now,” which the Rolling Stones turned into a top 30 pop hit the same year.
After Cooke was shot and killed in an incident at a Los Angeles motel in 1964, the Valentinos disbanded. Womack married Cooke’s widow Barbara three months after the singer’s death.
Womack initially made an impression as a sideman, playing guitar on crucial sessions at FAME in Muscle Shoals and American Studios in Memphis behind Aretha Franklin and Wilson Pickett (who also cut several of Womack’s compositions for Atlantic).
He recorded some lesser R&B chart singles for New Orleans’ Minit Records before signing in 1971 with United Artists Records, where he found his greatest commercial success. His hits for the company – which combined his trademark grit with a softer, acoustic-based sound – included “That’s the Way I Feel About Cha’” ((No. 2, 1971), “Harry Hippie” (No. 8, 1972), “Nobody Wants You When You’re Down and Out” (No. 2, 1973), “You’re Welcome, Stop on By” (No. 5, 1974), “Check It Out” (No. 6, 1975) and “Daylight” (No. 5, 1976). He also crafted some outstanding albums for the company, including “Communication” (1971) and “Understanding” (1972).
Womack segued to Beverly Glen Records in the late ’70s; there he recorded the mellow, widely praised album “The Poet” (No. 29 in 1981) and its 1984 successor “The Poet II” (No. 60).
He wrestled with a serious cocaine addiction that scuttled his career in the ’80s. He recorded sporadically thereafter, and published an outrageous autobiography, “I’m a Midnight Mover,” in 2006. His later life was marred by tragedy, including the murder of one of his brothers, the death of two sons, and the jailing of a third.
However, after making an appearance on Gorillaz’s 2010 album “Plastic Beach,” he enjoyed a latter-day renaissance. Gorillaz’s Damon Albarn co-produced the 2012 XL set “The Bravest Man in the Universe,” which served to reinstate Womack’s reputation as one of the top do-everything talents in R&B. He played a show at L.A.’s Wilshire Theatre earlier this year, and had been scheduled to perform several tour dates in Europe this summer.
Womack was inducted into the Rock and Roll Hall of Fame in 2009. Watch him perform of one of his best, most well-known songs, “If You Think You’re Lonely Now” below:
article by Christopher Morris via Variety.com