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Posts tagged as “Rock and Roll Hall Of Fame”

GBN Daily Drop Podcast: Tina Turner – Quote on How to Find Your Freedom and Creativity (LISTEN)

by Lori Lakin Hutcherson (@lakinhutcherson)

Today’s GBN Daily Drop podcast, on Valentine’s Dayis based on the Monday, February 14 entry in the “A Year of Good Black News” Page-A-Day®️ Calendar for 2022. It’s an inspirational quote from the one and only “Queen of Rock and Roll” — singing legend Tina Turner.

You can also follow or subscribe to the Good Black News Daily Drop Podcast through Apple Podcasts, Spotify, Google Podcasts, rss.com or create your own RSS Feed. Or just check it out every day here on the main website (transcript below):

FULL TRANSCRIPT:

Hey, this Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a daily drop of Good Black News for Monday, February 14th, 2022, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing.

On this Valentine’s Day, we offer an inspirational quote from author, twelve-time Grammy® winner and two-time Rock and Roll Hall of Fame inductee Tina Turner, whose signature song is her number-one pop hit “What’s Love Got to Do With It”:

“Sometimes you’ve got to let everything go–purge yourself. I did that. I had nothing, but I had my freedom… [W]hatever is bringing you down, get rid of it. Because you’ll find that when you’re free, your true creativity, your true self comes out.”

To learn more about Turner’s life and music, check out her 2018 bestseller My Love Story, her 2020 book Happiness Becomes You: A Guide To Changing Your Life For Good, her 1986 memoir I, Tina: My Life Story, which was adapted into the Academy Award nominated feature film What’s Love Got To Do With It? starring Angela Bassett and Laurence Fishburne.

Also, the 2021 documentary Tina is currently available on HBOMax and Hulu, and just this past week it was announced that Tina – The Tina Turner Musical will start a multi-city North American tour in the Fall of 2022. Fans can visit www.TinaOnBroadway.com to sign up for updates on upcoming tour news and announcements.

Links to these sources are provided in today’s show notes as well as in the episode’s full transcript on goodblacknews.org.

This has been a daily drop of Good Black News, based on the “A Year of Good Black News Page-A-Day Calendar for 2022,” published by Workman Publishing, and available at workman.com, Amazon,Bookshop and other online retailers. Beats provided by freebeats.io and produced by White Hot.

For more Good Black News, check out goodblacknews.org or search and follow @goodblacknews anywhere on social.

GBN’s Page-A-Day®️ Calendar for 2022 is 50% off at workman.com with code:50CAL until 2/28/22

(paid links)

Tina Turner, Jay Z Among Rock and Roll Hall of Fame Inductees for 2021

[Photos: Jay Z / Tina Turner via wikipedia.commons.org]

Among the six inductees who’ll be formally inducted as the Rock and Roll Hall of Fame class of are rock and R&B legend Tina Turner, and hip hop artist and impresario Jay Z. This will be Turner’s second induction — she was voted in in 1991 as part of the Ike & Tina Turner duo.

Additionally, LL Cool J, who has been nominated six times since 2010, is being honored with a “Musical Excellence Award.”

Joining LL Cool J in getting that Musical Excellence honor is solo star and “fifth Beatle” Billy Preston, and jazz/soul visionary Gil Scott-Heron is being recognized with an Early Influence Award along with early 20th century blues musician Charley Patton.

Finally, the Ahmet Ertegun Award, usually given to record industry executives or other non-performing figures, goes to Clarence Avant this year, the trailblazer who was subject of the 2019 Netflix documentary The Black Godfather.

The four other main inductees this year are the Go-Go’s, Todd Rundgren, Carole King and Foo Fighters.

The 36th annual ceremony is set for October 30 at Cleveland’s Rocket Mortgage Fieldhouse, a return to a live event with performances. Due to the pandemic, last year’s class was inducted virtually in pre-recorded segments that aired on HBO.

SiriusXM subscribers will be able to hear a live simulcast with edited version to be aired later on HBO and HBO Max.

MUSIC MONDAY: “Everyday People” – A Sly and the Family Stone Collection (LISTEN)

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Sly Stone turned 78 years old on the 15th of this month. I thought it was a good time to spotlight him and The Family Stone with a playlist.

His work has had a potent effect on the course of modern music. Sly and The Family Stone served a dazzling fusion of psychedelic rock, soul, gospel, jazz, and Latin flavors.

[spotifyplaybutton play=”spotify:playlist:340416PmTxLhvdsuO54cqQ”]

The trailblazing classic “Dance To the Music” has the distinction of being chosen for the Grammy Hall Of Fame, the Rock And Roll Hall Of Fame’s “500 Songs That Shaped Rock,” and Rolling Stone magazine’s “500 Greatest Songs Of All Time.”

This collection gathers many of his hits including “Everyday People,” “Thank You (Falletinme Be Mice Elf Again)” and “Family Affair,” “Stand!,” “Hot Fun in the Summertime,” “Runnin’ Away,” “If You Want Me To Stay,” “Time For Livin’,” and more.

From Miles Davis and Herbie Hancock to the halls of Motown and George Clinton’s P-Funk, from Michael Jackson and Curtis Mayfield, down the line to Bob Marley, the Isley Brothers, Prince, Public Enemy, Red Hot Chili Peppers, The Black Eyed Peas, Beastie Boys, The Roots, OutKast and on and on, Sly’s influence can be felt throughout popular music.

This is another one that comes with Rumpshaker Warning. Have a great week.

And always, stay safe, sane, and kind.

Marlon West (photo courtesy Marlon West)

MUSIC MONDAY: “Roots, Rock, Reggae” – a Bob Marley Collection in Honor of his 76th (LISTEN)

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Earlier this month was the 76th anniversary of the birth of Robert Nesta Marley.

It is hard to overstate his impact on popular music and culture. Marley was a Rastafari icon, and he infused his music with a sense of social consciousness and spirituality.

[spotifyplaybutton play=”spotify:playlist:6OsMQUWxzKzubeTmVwsSHr”]

He is still a global symbol of Jamaican music, culture, and Pan-Africanism. He co-founded The Wailers vocal group with Bunny Wailer, Peter Tosh, Beverley Kelso and Junior Braithwaite.

They created early ska and rocksteady in the studios of legendary producers Coxsone Dodd and Lee “Scratch” Perry.

Marley would go on to bring reggae music to an international audience, and was inducted into the Rock and Roll Hall of Fame in 1994.

Rolling Stone has ranked him No. 11 on its list of the 100 Greatest Artists of All Time.

Here’s a collection includes his many classics, early recordings, live performances, and remixes, and dub reworkings. This playlist is a testament to the lasting impact of Bob Marley.

As always stay safe, sane, and kind.

Marlon West (photo courtesy Marlon West)

R.I.P. Mary Wilson, 76, Rock and Roll Hall of Famer, Motown Legend and Co-Founder of the Supremes (VIDEO)

by Lori Lakin Hutcherson (@lakinhutcherson)

It certainly was unwelcome news to wake up to this morning – the news that singing legend Mary Wilson had passed away suddenly and unexpectedly at her home in Las Vegas at 76, news that has been confirmed by her manager.

As an original member of the Supremes, Wilson, along with Florence Ballard and Diana Ross, made history as pop and R&B chart toppers with classic songs like “Where Did Our Love Go?” “Stop! In the Name of Love,” “You Keep Me Hangin’ On” and “Someday We’ll Be Together.”

Although the Supremes line-up changed multiple times over the years, Mary Wilson remained its one steadfast member and continued to perform with the group over the decades, even as she offered music as a solo singer.

Above is an incredible clip of Wilson taking lead vocals on  the Supremes cover of “Can’t Take My Eyes Off You” at the Hollywood Palace in 1969.

In 1986, Wilson wrote the New York Times bestseller Dreamgirl: My Life as a Supreme and in 2019 offered Supreme Glamour, a retrospective on the group and their iconic costumes and ensembles, its forward written by Whoopi Goldberg.

Recently Wilson was a celebrity contestant on ABC’s Dancing with the Stars and was planning to release a new album later this year.

To learn more about Mary Wilson’s life, career and music, click below:

https://www.npr.org/2021/02/09/965713448/mary-wilson-founding-member-of-the-supremes-dies-at-76

https://www.latimes.com/entertainment-arts/music/story/2021-02-09/diana-ross-reacts-to-death-of-mary-wilson-supremes

Good Black News hopes to offer a tribute playlist to Wilson later in the week.

(paid links)

MUSIC MONDAY: “One Nation Under a Groove” – Celebrating the Sounds George Clinton (LISTEN)

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

George Clinton, along with James Brown and Sly Stone, is one of the foremost innovators of funk music. And the originator of P-Funk, “uncut funk, the bomb!”

The Parliament-Funkadelic collective he lead championed an influential and eclectic form of funk music drawing on science fiction, outlandish fashion, psychedelia, and surreal humor. This work, Clinton’s solo career, and artists he’s championed have impacted, been sampled, and covered by funk, rock, and hip-hop artists.

[spotifyplaybutton play=”spotify:playlist:2yGmtPLCmANIVOTdw7B7LL”/]

George Clinton officially retired from touring in 2019 and has shown up on recordings in 2020. He was inducted into the Rock and Roll Hall of Fame in 1997, with 15 other members of Parliament-Funkadelic. In 2019, he and Parliament-Funkadelic were given Grammy Lifetime Achievement Awards.

Starting in the 1960s as a staff songwriter for Motown, Clinton eventually developed a sound once called “The Temptations on acid.” Just listen to Funkadelic’s “I”ll Bet You” and that comparison will be clear.

George Clinton has produced a diverse discography, with over 40 R&B hit singles (including three number ones) and three platinum albums.

Here are Clinton’s best songs and those of many of his protégés. I’ve also included covers of his tunes, tracks that sample his work, and tracks he has produced for other artists. Please enjoy.

Next week I’ll offer my Afroclectic Christmas collection. Until then, stay safe, sane and kind.

Marlon West (photo courtesy Marlon West)

R.I.P. Grammy Winner and Rock and Roll Hall of Fame Inductee Bill Withers, 81

Singer-songwriter Bill Withers (photo via wikipedia.com)

According to Variety.com via Associated Press, Grammy winner and Rock and Roll Hall of Fame member Bill Withers, whose career in music blossomed in the early ‘70s via a string of highly-personalized hits such as “Lean On Me,” “Ain’t No Sunshine,” “Lovely Day,” and “Use Me,” died from heart complications on Monday in Los Angeles. He was 81. Withers is survived by his wife and two children.

To quote the article:

“We are devastated by the loss of our beloved, devoted husband and father. A solitary man with a heart driven to connect to the world at large, with his poetry and music, he spoke honestly to people and connected them to each other,” the family said in a statement to AP. “As private a life as he lived close to intimate family and friends, his music forever belongs to the world. In this difficult time, we pray his music offers comfort and entertainment as fans hold tight to loved ones.”

Withers was 33 years old and working on an aircraft assembly line in 1971 when his first hit, the self-penned, Grammy-winning “Ain’t No Sunshine,” soared up the charts. He quickly followed up that success with a run of hit singles that included “Use Me” and the gospel-soul smash “Lean On Me,” which won a belated Grammy Award as best R&B song in 1987.

While those songs are recognized today as classics, Withers was not able to top the surprise commercial success of his early career. His subdued, introspective, often acoustic-based style grew increasingly at odds with the hard funk and disco of the ‘70s, and disputes with his record labels slowed his production at the height of his popularity. He essentially retired from performing and recording in the mid-‘80s. He was inducted into the Rock and Roll Hall of Fame in 2015.

Withers was born July 4, 1938, in the mining town of Slab Fork, VA. He was afflicted with a stutter from an early age. He enlisted in the Navy at 18, and, as his speech disability receded, he began singing and songwriting. After nine years of service, he was discharged in 1965.

Relocating to Los Angeles, he began performing in local clubs at night while working assembly line jobs in the aviation industry. In 1970, a demo tape he had recorded caught the interest of the well-traveled black record exec Clarence Avant, who signed Withers to his label, Sussex Records.

Withers debut album “Just As I Am” was released in May 1971; Withers is pictured on the cover holding a lunchbox in his hand, for the shot was taken during his lunch break at Burbank’s Weber Aircraft, where he continued to install toilet seats in commercial airplanes.

The collection was the first major hit produced by Booker T. Jones, the former keyboardist for the Memphis instrumental soul act Booker T. & the MG’s, who appeared on the set with former band mates Donald “Duck” Dunn and Al Jackson. Stephen Stills, of Crosby, Stills, Nash & Young, and studio ace Jim Keltner also contributed to the record’s eclectic sound.

The LP contained “Ain’t No Sunshine,” an incantatory two-minute cry of pain that its author said was inspired by a viewing of Blake Edwards’ drama about alcoholism “The Days of Wine and Roses.” The song — released as the B-side of the “Harlem” 45, which was flipped by DJs — soared to No. 3 on the pop chart and No. 6 on the R&B rolls, garnered a Grammy as best R&B song, and pushed “Just As I Am” into the national pop top 40. The album’s moving “Grandma’s Hands” also reached No. 18 on the R&B side.

For his follow-up, Withers recruited four members of the Watts 103rd Street Rhythm Band, a popular L.A. act fronted by singer Charles Wright, to back him and co-produce his sophomore album. “Still Bill” (1972) topped its predecessor, shooting to No. 4 on the pop list and No. 1 on the R&B album chart; the LP was pushed by the massive hit singles “Lean On Me” (No. 1 pop and R&B) and “Use Me” (No. 2 pop, No. 1 R&B). In 1973, Withers wed “Room 222” sitcom star Denise Nicholas, but the marriage lasted only a year.

He made his last appearance in the national top 10 in 1981 with a guest vocal on “Just the Two of Us” (No. 2 pop, No. 3 R&B), a romantic ballad issued on hitmaking saxophonist Grover Washington, Jr.’s album “Winelight.”

After Columbia’s release of “Watching You Watching Me” (No. 143, 1985), Withers stepped away from performing. In later years, he explained his retreat from the stage and the studio, and ultimately from writing, to Alix Sharkey of England’s Telegraph: “That kind of stuff, to me, was a lot more interesting at 35…. I’m not motivated to wanna draw attention to myself or travel all over the place. There was a time for that. When it was done, it was done.”

To hear some of his best music, listen to the Spotify playlist below:

To read more: https://variety.com/2020/music/news/bill-withers-dead-dies-singer-aint-no-sunshine-1234570209/

 

Whitney Houston, Notorious B.I.G., and Rufus feat. Chaka Khan Nominated for 2020 Rock & Roll Hall of Fame

Notorious B.I.G., Whitney Houston, Rufus feat. Chaka Khan (photos courtesy Rock and Roll Hall of Fame)

Whitney Houston, Rufus featuring Chaka Khan and Notorious B.I.G. are among the 16 nominees for the 2020 Rock and Roll Hall of Fame inductees.

Houston and Biggie Smalls are on the ballot for the first time along with Dave Matthews Band, The Doobie Brothers, Motörhead, Pat Benatar, Soundgarden, T.Rex, and Thin Lizzy. This is the third time Rufus & Chaka Khan have been nominated.

Inductees will be announced in January 2020. The Rock & Roll Hall of Fame 2020 Induction Ceremony takes place at Public Auditorium in Cleveland, Ohio on May 2, 2020.

The Rock & Roll Hall of Fame offers fans the opportunity to participate in the induction selection process. Beginning October 15 and continuing through 11:59 p.m. EST on January 10, 2020, fans can go to Google and search “Rock Hall Fan Vote” or any nominee name plus “vote” to cast a ballot with Google, vote at rockhall.com, or at the Museum in Cleveland.

R.I.P. Artistic Genius and Musical Legend Aretha Franklin, 76, Forever the Queen of Soul

(photo via arethafranklin.net)

by Lori Lakin Hutcherson (@lakinhutcherson)

According to nytimes.com, American singer, pianist, and composer Aretha Franklin died at her home in Detroit surrounded by family and loved ones at the age of 76. The cause was advanced pancreatic cancer. She is survived by her four sons, Ted White Jr., Kecalf Cunningham, Clarence Franklin, and Edward Franklin.

Franklin, who began her unparalleled music career singing at her father Rev. C.L. Franklin‘s New Bethel Baptist Church, became an international superstar and chart-topper in the 1960s with such classic songs as “Never Loved A Man The Way I Love You,” “Chain of Fools,” “Do Right Woman, Do Right Man,” “(You Make Me Feel Like) A Natural Woman” and “Respect,” and again in the 1980 and 1990s with “Jump To It,” “Freeway of Love,” “I Knew You Were Waiting For Me,” “Sisters Are Doin’ It For Themselves” and “A Rose Is Still A Rose.” Franklin was the first woman inducted into the Rock and Roll Hall of Fame, won 18 competitive Grammys across multiple decades, was a Kennedy Center Honoree in 1994, recipient of the National Medal of Arts in 1999, and was bestowed the Presidential Medal of Freedom in 2005.

Aretha was also involved in civil rights activism and philanthropy during her lifetime. Franklin, who Elle Magazine noted had it written into her contract in the 1960s that she would never perform for a segregated audience, was glad that the song “Respect” became linked to feminist and civil-rights movements. She added that the line “you know I’ve got it” has a direct feminist theme. “As women, we do have it,” Franklin said. “We have the power. We are very resourceful. Women absolutely deserve respect. I think women and children and older people are the three least-respected groups in our society.”

According to Vanity Fair, though Franklin didn’t participate in civil disobedience herself, she lent very public support to at least one person who did. In 1970, famous feminist activist, scholar, and a then-avowed member of the Communist Party Angela Davis was arrested at the Howard Johnson Motor Lodge in Midtown Manhattan and incarcerated for 16 months for what were found to be wrongful kidnapping and murder charges. Jet magazine reported that Franklin was ready to cover Davis’s bond, “whether it was $100,000 or $250,000.” Davis was released on bail and cleared of her charges in 1972.

Locally, Aretha donated meals and hotel rooms to Flint residents at the onset of the city’s water crisis, last year she was honored with the dedication of Aretha Franklin Way in Detroit, and worked to renew and revitalize her hometown with projects and concerts.

To read more about Franklin’s life and music, coverage from the Detroit Free Press, the Los Angeles Times and the Washington Post. To witness a touch of her genius, click below:

https://youtu.be/SlTQJzZwBSY

R.I.P Chuck Berry, 90; Musical Legend and Architect of Rock ’n’ Roll


article by Jon Pareles via nytimes.com
Chuck Berry, who with his indelible guitar licks, brash self-confidence and memorable songs about cars, girls and wild dance parties did as much as anyone to define rock ’n’ roll’s potential and attitude in its early years, died on Saturday. He was 90.
The St. Charles County Police Department in Missouri confirmed his death on its Facebook page. The department said it responded to a medical emergency at a home and Mr. Berry was declared dead after lifesaving measures were unsuccessful.
While Elvis Presley was rock’s first pop star and teenage heartthrob, Mr. Berry was its master theorist and conceptual genius, the songwriter who understood what the kids wanted before they knew themselves. With songs like “Johnny B. Goode,” “Maybellene” and “Roll Over Beethoven,” he gave his listeners more than they knew they were getting from jukebox entertainment.

Chuck Berry (photo via nytimes.com)

His guitar lines wired the lean twang of country and the bite of the blues into phrases with both a streamlined trajectory and a long memory. And tucked into the lighthearted, telegraphic narratives that he sang with such clear enunciation was a sly defiance, upending convention to claim the pleasures of the moment. In “Sweet Little Sixteen,” “You Can’t Catch Me,” “Rock n Roll Music” and other songs, Mr. Berry invented rock as a music of teenage wishes fulfilled and good times.  (The Beach Boys reworked his “Sweet Little Sixteen” into “Surfin’ U.S.A.” Mr. Berry sued them and won a songwriting credit.)
Born Charles Edward Anderson Berry on Oct. 18, 1926, in St. Louis, he grew up in a segregated, middle-class neighborhood there, soaking up gospel, blues, and rhythm and blues, along with some country music.He spent three years in reform school after a spree of car thefts and armed robbery.
He received a degree in hairdressing and cosmetology and worked for a time as a beautician; he married Themetta Suggs in 1948 and started a family. By the early 1950s, he was playing guitar and singing blues, pop standards and an occasional country tune with local combos. Shortly after joining Sir John’s Trio, led by the pianist Johnnie Johnson, he reshaped the group’s music and took it over.

From the Texas guitarist T-Bone Walker, Mr. Berry picked up a technique of bending two strings at once that he would rough up and turn into a rock ’n’ roll talisman, the Chuck Berry lick, which would in turn be emulated by the Rolling Stones and countless others. He also recognized the popularity of country music and added some hillbilly twang to his guitar lines. Mr. Berry’s hybrid music, along with his charisma and showmanship, drew white as well as black listeners to the Cosmopolitan Club in St. Louis.

In 1955, Mr. Berry ventured to Chicago and asked one of his idols, the bluesman Muddy Waters, about making records. Waters directed him to the label he recorded for, Chess Records, where one of the owners, Leonard Chess, heard potential in Mr. Berry’s song “Ida Red.”

A variant of an old country song by the same name, “Ida Red” had a 2/4 backbeat with a hillbilly oompah, while Mr. Berry’s lyrics sketched a car chase, the narrator “motorvatin’” after an elusive girl. Mr. Chess renamed the song “Maybellene,” and in a long session on May 21, 1955, Mr. Chess and the bassist Willie Dixon got the band to punch up the rhythm.

“The big beat, cars and young love,” Mr. Chess outlined. “It was a trend and we jumped on it.”

The music was bright and clear, a hard-swinging amalgam of country and blues. More than 60 years later, it still sounds reckless and audacious.

To read full article, go to: https://www.nytimes.com/2017/03/18/arts/chuck-berry-dead.html