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Posts tagged as “Rihanna”

MUSIC MONDAY: “Bring It On Home” – A Famous Background Vocalists Playlist (LISTEN)

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Happy springtime from your friend and selector, Marlon!

Here’s a freewheeling playlist, and a seemingly random collection of tunes. Though what they all have in common is famous folks, sometimes uncredited, singing backup.

In some cases it is an established artist leading a hand, like Stevie Wonder contributing to Jermaine Jackson’s “Let’s Get Serious,” or a then-unknown protege like Lou Rawls singing behind his childhood pal Sam Cooke on “Bring It On Home To Me.”

In some tracks, you won’t be able to pick them out. Though in others you will never be able to hear the same again without recognizing them. Here is a breakdown of each song and who’s helping out in the background. Enjoy!

[spotifyplaybutton play=”https://open.spotify.com/playlist/1Wiw3WvesSmopQpyuoTybK?si=7f4c79d723884010″]

  1. “Bring It On Home to Me” by Sam Cooke with Lou Rawls
  2. “Let’s Get Serious” by Jermaine Jackson was produced by Stevie Wonder (who also provided vocals)
  3. “Part-Time Lover” by Stevie Wonder with Luther Vandross and Philip Bailey
  4. “Don’t Lose Your Head” by Queen with Joan Armatrading
  5. “Step by Step” by Whitney Houston with original writer and vocalist Annie Lennox
  6. “Every Time I Close My Eyes” by Babyface with Kenny G, Mariah Carey, and Shelia E.
  7. “Somebody’s Watching Me” by Rockwell with Michael Jackson and Jermaine Jackson
  8. “Pink + White” by Frank Ocean with Beyoncé
  9. “State of Shock” by the Jacksons, with Mick Jagger
  10. “Young Americans” by David Bowie with Luther Vandross
  11. “Why Should I Love You?” by Kate Bush with Prince singing and playing guitar
  12. “There Must Be More to Life Than This” by Queen with Michael Jackson
  13. “This Is What You Came For” by Calvin Harris and Rihanna with uncredited vocals by the song’s author, Taylor Swift
  14. “Partition” by Beyoncé with Justin Timberlake
  15. “Chain Reaction” by Diana Ross with Barry Gibb

There are certainly others, but I’ll stop here. Though if there are glaring omissions, lemme me know, and I’ll make additions.

See ya next month, and as always: stay safe, sane, and kind.

Marlon West (photo courtesy Marlon West)

MUSIC MONDAY: Soulful Thanksgiving 2022 Playlist (LISTEN)

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

The holiday season fast approaches, and I’m back with a collection to gather around the table with family and friends.

Here’s a Thanksgiving playlist that includes new music by Rihanna from the BLACK PANTHER: WAKANDA FOREVER soundtrack, and food-centered classics like Cab Calloway’s “Everybody Eats When They Come To My House” from way back in the day.

[spotifyplaybutton play=”https://open.spotify.com/playlist/21kETv2UnVKnydn4bIQfnV?si=c19aa43679904c20″]

This musical journey features soul, jazz, reggae, and gospel, all good music to cook, eat, and clean that kitchen to.

Here’s Ella Fitzgerald and Nat King Cole singing songs about autumn, and several artists like Sly Stone, Massive Attack, and Otis Redding offering songs of thanks.

Plus Little Eva, Fantasia, Louis Jordan and others praising grits, stuffed turkey, mashed potatoes, greens, cornbread, and collards to name a few. Hungry yet?

Happy Early Thanksgiving, y’all. I’ll see you soon with a funky holiday season offering next month.

Until such time, stay safe, sane, and kind.

Marlon West (photo courtesy Marlon West)

Five Years Ago #OnThisDay: Kendrick Lamar Releases Pulitzer Prize Winning Album DAMN. (LISTEN)

by Lori Lakin Hutcherson (@lakinhutcherson)

Today we drop in on lauded rapper and artist Kendrick Lamar, who five years ago #onthisday dropped his last full studio album project on us — the highly-acclaimed, award-winning DAMN. 

To read about Lamar, read on. To hear about her, press PLAY:

[You can follow or subscribe to the Good Black News Daily Drop Podcast through Apple Podcasts, Spotify, Google Podcasts, rss.com or create your own RSS Feed. Or just check it out every day here on the main website. Full transcript below]:

Hey, this is Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a daily drop of Good Black News for Thursday, April 14th, 2022, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing.

Five years ago, on April 14, 2017, hip hop artist and Compton, California native Kendrick Lamarreleased his fourth studio album DAMN. The following year, it became the first work outside of the jazz or classical genre to win the Pulitzer Prize for music. DAMN. also won the Grammy for Best Rap Album in 2018 and was a nominee for Album of the Year.

The two albums Kendrick Lamar released before DAMN., 2012’s good kid, m.A.A.d city and 2015’s To Pimp a Butterfly were already revered within and beyond hip hop circles as sonic and lyrical works of art. DAMN. was the culmination of a magnum opus in three parts, a tapestry of arresting themes explored in songs with one-word titles such as “DNA.”:

[Excerpt of “DNA.”]

“LOYALTY. FEAT. RIHANNA.”:

[Excerpt of “LOYALTY. FEAT. RIHANNA.”]

“LOVE. FEAT. ZACARI.”:

[Excerpt of “LOVE. FEAT. ZACARI.”]

And the song that has over a billion streams on Spotify, “HUMBLE.”:

[Excerpt of “HUMBLE.”]

Side projects and collaborations aside, like “Family Ties,” Lamar’s recent Grammy-winning collaboration with Baby Keem, we can’t wait to hear what Kendrick Lamar drops next. Until then, this June Kendrick Lamar will be headlining one evening of the Glastonbury Festival in the United Kingdom and is currently scheduled to do the same at Miami’s Rolling Loud Festival in July.To learn more about Kendrick Lamar, follow him @kendricklamar on Twitter, read 2020’s The Butterfly Effect: How Kendrick Lamar Ignited the Soul of Black America by Marcus J. Moore, 2021’s Promise That You Will Sing About Me: The Power and Poetry of Kendrick Lamar by Miles Marshall Lewis, and 2021’s Kendrick Lamar and the Making of Black Meaning edited by Lehigh University professors Christopher M. Driscoll, Monica R. Miller and Rice University professor Anthony B. Pinn.

You can also read Lamar’s in-depth Rolling Stone interview from 2017, watch his interview with Zane Lowe about DAMN. on AppleMusic’s YouTube channel, catch his videos and incredible live performances on Lamar’s YouTube channel, listen to the entire 5th season of the Dissect Podcast, which is a track-by-track analysis of DAMN., and, of course, buy or stream his entire catalog of music.

This has been a daily drop of Good Black News, written, produced and hosted by yours truly, Lori Lakin Hutcherson. Intro and outro beats provided by freebeats.io and produced by White Hot.

All excerpts of Kendrick Lamar’s music are included under Fair Use.

If you like these Daily Drops, please consider following us on Apple, Google Podcasts, RSS.com, Amazon, Spotify or wherever you get your podcasts. Leave a rating or review, share links to your favorite episodes, or go old school and tell a friend.

For more Good Black News, check out goodblacknews.org or search and follow @goodblacknews anywhere on social.

Sources:

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MUSIC MONDAY: “Cover Me Softly” – Soul-Filled Remakes and Covers Playlist (LISTEN)

by Lesa Lakin (@lesalakin) and Lori Lakin Hutcherson (@lakinhutcherson)

With all that’s going on in the world, we thought we’d offer some comfort this Music Monday in the form of a playlist of remakes and covers called Cover Me Softly: Soul-Filled Remakes and Covers.”

Sometimes the songs are reimagined, elevated and fully remade, and other times they are faithful covers by the right artist, offering just the right notes and voicing.

We’ve got “Killing Me Softly,” originally by Robert Flack and reimagined by Fugees, Maxwell’s soul stirring take on Kate Bush‘s “This Woman’s Work,” Rihanna’s hauntingly similar yet very much her own gorgeous version of Tame Impala’s “Same Ole Mistakes,” Luther Vandross’ famous redo of Dionne Warwick’s “A House Is Not a Home,” Mariah Carey’s version of Prince’s “Beautiful Ones” with Dru Hill and more.

One song on our list poses the question: Can you successfully remake/cover your own song?   In the case of Lionel Richie, that’s exactly what happened with “Lady.” “Lady” was written and produced by Richie and first recorded by American country music artist Kenny Rogers in 1980.

“Lady” is the first record of the 1980s to chart on all four of Billboard magazine’s singles charts – country, Hot 100, adult contemporary and Top Soul Singles. Almost two decades later, Richie revisited the hit by recording the song himself in 1998.

Rogers and Richie would eventually preform the song as a duet on Richie’s 2012 release Tuskegee. If you’re interested in reading even more about it, here’s a fun story about the history of “Lady”: https://people.com/country/kenny-rogers-lionel-richie-friendship-history/

So, sit back and relax to some old familiar hits and maybe a few reimagined new finds. Have a listen… and always,  always celebrate music!

Rihanna’s Clara Lionel Foundation Donates $15M to Black, POC, LGBTQ+ and Women-Led Nonprofits Focused on Environmental Justice

Music superstar and cosmetics entrepreneur Rihanna‘s Clara Lionel Foundation (CLF) recently committed $15 million to eighteen organizations working on climate change justice across the U.S. and Caribbean in partnership with #StartSmall, Twitter founder Jack Dorsey‘s philanthropic initiative.

The grants from the Barbados native’s foundation will support entities focused on and led by women, youth, Black, Indigenous, people of color and LGBTQIA+ communities.

Climate disasters, which are growing in frequency and intensity, do not impact all communities equally. Under-resourced countries, communities of color, and island nations are facing the brunt. To combat this inequity, funders like CLF are building partnerships with organizations, acknowledging their deep understanding of what is necessary to achieve climate justice in their own communities.

The announcement of this multi-million dollar donation comes barely two months after Rihanna was named a National Hero in Barbados. In the recent past, Ms. Fenty has donated $11 million to social justice organizations and gifted 4,000 tablets to youth in her native country to address the digital divide during the pandemic.

The entities supported by CLF’s latest philanthropic outlay are listed below:

Black Feminist Fund

Serving as the first global hub for Black feminist philanthropy and led by activists from across the African and Caribbean diaspora, the Black Feminist Fund (BFF) significantly increases the resources available to Black feminist movements globally, contributing to strengthening their sustainability and resilience and supporting Black women’s claim and access to resources, including land, food, water, shelter, work and income. 

Black Visions Collective

Black Visions Collective is a Black-led, Queer and Trans centering organization whose mission is to organize powerful, connected, Black communities and dismantle systems of violence. Black Visions Collective is led by the guiding belief that all Black people deserve autonomy, that safety is community-led, and we are in the right relationship within our ecosystems.

Caribbean Youth Environment Network (CYEN)

CYEN is dedicated to improving the quality of life of Caribbean young people by facilitating their personal development and full involvement in environment and sustainable development. CYEN’s work spans addressing youth unemployment, enriching climate resiliency, water resource management, notably their “Stay Alive and Thrive” Climate Action campaign to raise public awareness about the urgent need to mitigate and adapt to climate change across the Caribbean and around the globe.

Global Superstar Rihanna’s Success in Music and Make Up Have Made Her a Billionaire

Thirty three year-old Barbados native Robyn Fenty, best known to the world as singing superstar Rihanna, through the success of her smash hits and cosmetics company Fenty Beauty, has officially become a billionaire.

According to Forbes, Rihanna is now worth $1.7 billion, which makes her the wealthiest woman musician on the planet.

Although Rihanna has ruled the global music charts with hits like “Umbrella,” “The Only Girl In the World,” “Diamonds,” and “Work,” the bulk of her assets come from Fenty Beauty ($1.4 billion) and her lingerie offshoot Savage x Fenty (approximately $270 million).

Forbes estimated that Rihanna owns about 30 percent of Savage x Fenty and about 50 percent of Fenty Beauty, which works to provide consumers with inclusive beauty products that work for a wide range of skin types and colors.

Rihanna has used her amassing wealth to support and create several charities, such as her Clara Lionel Foundation, which she founded in 2012 in honor of her grandparents.

CLF supports and funds education initiatives and emergency response to natural disasters, and advocates for policy and systems change to improve the quality of life for communities across the globe.

Read more: https://www.forbes.com/sites/maddieberg/2021/08/04/fentys-fortune-rihanna-is-now-officially-a-billionaire/?sh=1655f83b7c96

Rihanna’s Clara Lionel Foundation Donates $5 Million to Aid and Support Global COVID-19 Response

Rihanna (photo via commons.wikipedia.org

Rihanna‘s Clara Lionel Foundation announced yesterday that it will donate $5 million to aid in the global coronavirus response.

The foundation will team up with on-the-ground partners to serve marginalized communities in the United States, Caribbean, and Africa to prepare and protect against the spreading virus. Justine Lucas, Executive Director of the Clara Lionel Foundation, said in a statement, “Never has it been more important or urgent to protect and prepare marginalized and underserved communities–those who will be hit hardest by this pandemic.”

The Clara Lionel Foundation’s partners include Direct Relief, Feeding America, Partners in Health, The World Health Organization’s COVID-19 Solidarity Response Fund, the International Rescue Committee, and others.

Funds will support:

• Local food banks serving at-risk communities and the elderly in the United States;

• Acceleration of testing and care in countries like Haiti and Malawi, as well as the mobilization of resources and additional capacity and support for Native communities;

• Protective equipment for frontline health workers and diagnostic labs, the establishment and maintenance of intensive care units, and acceleration of the development of vaccines and other therapies across the globe;

• Healthcare worker training, virus prevention and containment in countries that will be on the frontlines of the COVID-19 response; and,

• Distribution of critical respiratory supplies.

The Clara Lionel Foundation stated on its website that it “believes that one of the most powerful weapons we have against COVID-19 is preparedness. Protecting our frontline health workers and marginalized communities around the world requires getting ahead of it fast and the time to act is now.”

Ambassador Fenty: Rihanna Named Ambassador to her Home Country Barbados

(Photo by Eduardo Parra/Getty Images)

by Lori Lakin Hutcherson (@lakinhutcherson)

According to thegrio.com, international singing star and cosmetics entrepreneur Rihanna has a new title to add to her resume – ambassador to her home country of Barbados.

“Rihanna has a deep love for her country and this is reflected in her philanthropy, especially in the areas of health and education,” Barbados Prime Minister Mia Amor Mottley said in a statement.

The prime minister hailed Rihanna — who grew up and was raised as Robyn “Rihanna” Fenty in Bridgetown, Barbados — as a music icon with “significant creative acumen and shrewdness in business. Mottley said Rihanna has made significant charitable contributions to the island. “She also shows her patriotism in the way she gives back to this country and continues to treasure the island as her home,” Mottley said.

According to the island’s Government Information Service website, Rihanna’s official title is Ambassador Extraordinary and Plenipotentiary to the island in the Caribbean Sea with 285,000 residents. Rihanna’s job in her new role extends beyond her 2008 role as cultural ambassador to promote tourism. Ambassador Fenty’s new responsibilities now extend to promoting education and investment for Barbados as well.

The songstress and creator of the year-old Fenty Beauty makeup line hailed for meeting the needs of women of all colors said in a statement that she could not be more pleased with her appointment. Rihanna maintains residences in Barbados and in Los Angeles.

Rihanna said she is proud to take on such a prestigious title in her home country. “Every Barbadian is going to have to play their role in this current effort, and I’m ready and excited to take on the responsibility,” she said in the statement, posted by CNN. “I look forward to working with Prime Minister Mottley and her team to reimagine Barbados.”

Rihanna Becomes 1st Black Woman to Land Cover of British Vogue’s September Issue

photos via eveningstandard.com

by Andrea Park via cbsnews.com

Rihanna made history by becoming the first black woman to appear on the cover of British Vogue‘s September issue. Like the publication’s U.S. edition, the September issue is the most prestigious edition of the fashion magazine.

Rihanna shared her cover photo on Instagram. She’s wearing a hot pink Prada dress, Savage x Fenty gloves, a flower headdress and thin, drawn-on eyebrows a la Marlene Dietrich. The “Wild Thoughts” singer also posted photos from inside the issue, in which she dons different oversized floral headpieces.

The magazine’s editor-in-chief, Edward Enninful, styled the cover and photo shoot, and Nick Knight served as photographer. Enninful wrote in his editor’s letter that he knew he wanted the singer on the cover for the magazine’s September issue.

“I always knew it had to be Rihanna,” he wrote. “A fearless music-industry icon and businesswoman, when it comes to that potent mix of fashion and celebrity, nobody does it quite like her. No matter how haute the styling goes, or experimental the mood, you never lose her in the imagery. She is always Rihanna. There’s a lesson for us all in that. Whichever way you choose to dress the new season, take a leaf out of her book and be yourself.”

Enninful wrote that the two talked about diversity and Rihanna’s life as a diva for the accompanying profile.

British Vogue’s September issue hits newsstands today.

Source: https://www-cbsnews-com.cdn.ampproject.org/v/s/www.cbsnews.com/amp/news/rihanna-becomes-first-black-woman-to-cover-british-vogues-september-issue/

Rihanna Covers June Vogue, Talks Body Positivity and New Direct-To-Consumer Lingerie Line Savage X Fenty

It’s a foggy spring night in Paris, and Rihanna has just wrapped up a meeting with her accountant in the penthouse suite of the Four Seasons hotel, a place that will serve as her makeshift office for the next few days. The evening panorama from the terrace is about as picture-postcard pretty as Paris gets, though at this late hour the lights on the Eiffel Tower have long since gone out. Robyn “Rihanna” Fenty is a night owl. Her most intense bouts of creativity often come after midnight, a rhythm she picked up early in her music career. In the dark, soundproofed environment of a recording studio, time is elastic. And when you’re Rihanna, and the world is your oyster, then time is really elastic. It’s perhaps why she doesn’t seem particularly bothered that today’s to-do list is far from done. There is a stack of Fenty Beauty campaign printouts piled high on her desk awaiting her approval; a flood of unanswered emails from Fenty team members in various time zones, all happily waiting on her too. Right now, though, there is a more pressing issue on the agenda, one that demands her full attention: Rihanna has decided that it’s time to fix my love life.
“So wait, you’re on a dating app? You don’t seem like the dating-app type,” she says as her almond-shaped green eyes peer into my iPhone. “Come sit here; you gotta teach me how to do this swipe thing.” Rihanna is all curled up in a cozy hotel bathrobe and has a pair of comfy Fenty Puma slides on her feet, and yet she radiates flawless glamour—hair tousled in loose waves, skin luminous. Though I have taken great pains to put together what I think is a Rihanna-worthy look—Jacquemus blouse, vintage Yves Saint Laurent tuxedo pants—it’s hard not to feel like a tarnished penny next to a freshly minted gold coin as I sidle up to her on the sofa. Rihanna asks if she can take a look through the photos on my app, and I oblige. “What is that dress? Is that vintage Jean Paul Gaultier?” she asks, pausing on my profile picture, a bathroom selfie taken in a swanky Hollywood hotel. “You better werk, girl; you look gorgeous!” I do my best to play it cool, but the little fangirl inside me is freaking out. Hanging out with Rihanna is every bit as fun as her costars in the upcoming Ocean’s 8 movie make it sound: You know you’re in the presence of a superstar, but it’s like you’re chatting with an old friend. “It’s a combination of being starstruck and being immediately put at ease,” explains Sandra Bullock. “She also has this warmth, and when she shines it on you, it makes you feel pretty damn amazing!”
Before long, we’re on the hunt for potential suitors. “This guy is too pretty—if you’re pretty, you at least gotta have wrinkles,” Rihanna says, sizing up a male-model type who’s posing bare-chested on a surfboard. And so we’re on to the next. “OK, and this one is giving me Charlie Manson. No?” I nod in agreement; psychopaths are not an option. After swiping through a dozen profiles or more, she lands on a good one. “Now, this is your type!” she says. She’s not wrong: This man is scruffy but handsome, age appropriate (36), and appears to be gainfully employed (an actor, not my first choice, but hey, nobody’s perfect). “He looks smart, he’s British, and he’s got edges!” (Translation: He’s got all his own hair.) She swipes right, and a message pops up almost instantaneously on the screen: It’s a match! We both throw our heads back and start screaming with laughter.
But don’t be fooled: The giddy highs and lows of singledom are fast becoming a distant memory for Rihanna. Right now, she’s in a relationship. “I used to feel guilty about taking personal time,” she says, “but I also think I never met someone who was worth it before.” Though she’s reluctant to talk about her partner by name, rumors have been swirling around her connection to Hassan Jameel, a young Saudi businessman, since paparazzi photos of her vacationing with a handsome stranger in Spain made the rounds last summer. These recent romantic developments are, however, part of a much bigger sea change for Rihanna, who turned 30 this year. For the first time in her life, she’s fully committed to a healthy work-life balance. “Even mentally, just to be away from my phone, to be in the moment, that has been key for my growth,” she says. “Now, when I come to work, I’m all in. Because before you know it, the years will go by. I’m glad I’m taking the time. I’m happy.”
On the heels of the insanity of making a blockbuster movie, Rihanna somehow managed to launch Fenty Beauty in collaboration with Kendo, LVMH’s incubator for cool new makeup brands, last September. Leading with a range of foundations that cover a full spectrum of skin tones (there are 40 different shades), the brand shook up the beauty industry in ways few currently within it could have predicted, prompting a broader conversation about inclusivity that had long been ignored. The success of her cosmetics line was unprecedented, reportedly racking up a staggering $100 million in sales within 40 days. The wait lists at certain makeup counters continued for months. (I was among hundreds of women who lined up outside Harvey Nichols in London last fall, only to find that my shade had already sold out.)
Rihanna was initially taken aback by the response. She had grown up watching her mother apply makeup, so thinking about foundations for darker skin tones came naturally. “As a black woman, I could not live with myself if I didn’t do that,” she says. “But what I didn’t anticipate was the way people would get emotional about finding their complexion on the shelf, that this would be a groundbreaking moment.” She’s taken the same approach with Savage X Fenty, her direct-to-consumer lingerie line in partnership with online retail giant TechStyle launching May 11th, offering a range of nude underwear that goes far beyond the bog-standard beige T-shirt bra. She’s not alone in questioning the limited notion of “nude”: Kanye West’s debut fall 2015 Yeezy collection featured a diverse cast of models in flesh-toned looks that encompassed a wide range of colors, from palest white to richest brown. Now Rihanna is pushing that idea one step further, shedding light on the frustrations that many black women face in dressing their bodies at the most intimate level. She has said in the past that her biggest regret about the sheer Adam Selman dress she wore to the 2014 CFDA Fashion Awardswas that she didn’t throw on a bedazzled thong, mostly because the nude undies she ended up in weren’t the right match—“not my nude,” as she points out.
It should go without saying that the new line will carry a body-positive message, too. Rihanna’s lingerie models come in all shapes and sizes; they are real women with real bodies who stand as a refreshing counterpoint to the impossible supermodel dimensions that have defined the look of lingerie for decades. Like Gigi Hadid and Serena Williams, Rihanna has been the target of body-shaming internet trolls. Her public responses have been rare, but when she does brush off the haters it’s usually done with a razor-sharp dose of wit: Last summer she posted a hilarious before-and-after weight-loss meme of the rapper Gucci Mane, a tongue-in-cheek nod to her own fluctuations on the scale. Because what could be more sexy than a sense of humor? “You’ve just got to laugh at yourself, honestly. I mean, I know when I’m having a fat day and when I’ve lost weight. I accept all of the bodies,” she says, shrugging her shoulders. “I’m not built like a Victoria’s Secret girl, and I still feel very beautiful and confident in my lingerie.”
To read full article, go to: https://www.vogue.com/article/rihanna-vogue-cover-june-issue-2018