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Posts tagged as “Pulitzer Prize winner”

Five Years Ago #OnThisDay: Kendrick Lamar Releases Pulitzer Prize Winning Album DAMN. (LISTEN)

by Lori Lakin Hutcherson (@lakinhutcherson)

Today we drop in on lauded rapper and artist Kendrick Lamar, who five years ago #onthisday dropped his last full studio album project on us — the highly-acclaimed, award-winning DAMN. 

To read about Lamar, read on. To hear about her, press PLAY:

[You can follow or subscribe to the Good Black News Daily Drop Podcast through Apple Podcasts, Spotify, Google Podcasts, rss.com or create your own RSS Feed. Or just check it out every day here on the main website. Full transcript below]:

Hey, this is Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a daily drop of Good Black News for Thursday, April 14th, 2022, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing.

Five years ago, on April 14, 2017, hip hop artist and Compton, California native Kendrick Lamarreleased his fourth studio album DAMN. The following year, it became the first work outside of the jazz or classical genre to win the Pulitzer Prize for music. DAMN. also won the Grammy for Best Rap Album in 2018 and was a nominee for Album of the Year.

The two albums Kendrick Lamar released before DAMN., 2012’s good kid, m.A.A.d city and 2015’s To Pimp a Butterfly were already revered within and beyond hip hop circles as sonic and lyrical works of art. DAMN. was the culmination of a magnum opus in three parts, a tapestry of arresting themes explored in songs with one-word titles such as “DNA.”:

[Excerpt of “DNA.”]

“LOYALTY. FEAT. RIHANNA.”:

[Excerpt of “LOYALTY. FEAT. RIHANNA.”]

“LOVE. FEAT. ZACARI.”:

[Excerpt of “LOVE. FEAT. ZACARI.”]

And the song that has over a billion streams on Spotify, “HUMBLE.”:

[Excerpt of “HUMBLE.”]

Side projects and collaborations aside, like “Family Ties,” Lamar’s recent Grammy-winning collaboration with Baby Keem, we can’t wait to hear what Kendrick Lamar drops next. Until then, this June Kendrick Lamar will be headlining one evening of the Glastonbury Festival in the United Kingdom and is currently scheduled to do the same at Miami’s Rolling Loud Festival in July.To learn more about Kendrick Lamar, follow him @kendricklamar on Twitter, read 2020’s The Butterfly Effect: How Kendrick Lamar Ignited the Soul of Black America by Marcus J. Moore, 2021’s Promise That You Will Sing About Me: The Power and Poetry of Kendrick Lamar by Miles Marshall Lewis, and 2021’s Kendrick Lamar and the Making of Black Meaning edited by Lehigh University professors Christopher M. Driscoll, Monica R. Miller and Rice University professor Anthony B. Pinn.

You can also read Lamar’s in-depth Rolling Stone interview from 2017, watch his interview with Zane Lowe about DAMN. on AppleMusic’s YouTube channel, catch his videos and incredible live performances on Lamar’s YouTube channel, listen to the entire 5th season of the Dissect Podcast, which is a track-by-track analysis of DAMN., and, of course, buy or stream his entire catalog of music.

This has been a daily drop of Good Black News, written, produced and hosted by yours truly, Lori Lakin Hutcherson. Intro and outro beats provided by freebeats.io and produced by White Hot.

All excerpts of Kendrick Lamar’s music are included under Fair Use.

If you like these Daily Drops, please consider following us on Apple, Google Podcasts, RSS.com, Amazon, Spotify or wherever you get your podcasts. Leave a rating or review, share links to your favorite episodes, or go old school and tell a friend.

For more Good Black News, check out goodblacknews.org or search and follow @goodblacknews anywhere on social.

Sources:

(amazon links are paid)

GBN’s Daily Drop: Quote from Journalist and Anti-Lynching Activist Ida B. Wells on Virtue and Respect (LISTEN)

by Lori Lakin Hutcherson (@lakinhutcherson)

Today’s GBN Daily Drop podcast is based on the Tuesday, March 8 entry in the “A Year of Good Black News” Page-A-Day®️ Calendar for 2022 that features a quote from formidable journalist, anti-lynching and women’s rights activist Ida B. Wells Barnett:

You can follow or subscribe to the Good Black News Daily Drop Podcast through Apple Podcasts, Spotify, Google Podcasts, rss.com or create your own RSS Feed. Or just check it out every day here on the main website (transcript below):

SHOW TRANSCRIPT:

Hey, this Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a daily drop of Good Black News for Tuesday, March 8th, 2022, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing.

Today we offer a quote from formidable journalist, anti-lynching and women’s rights activist Ida B. Wells Barnett, from her landmark 1895 book The Red Record: Tabulated Statistics and Alleged Causes of Lynching in the United States. Here’s the quote:

“Virtue knows no color line, and the chivalry which depends upon complexion of skin and texture of hair can command no honest respect.”

In 2020, Wells received a posthumous Pulitzer Prize for journalism, and her face honored the centennial of the U.S. Suffragist Movement in a mosaic art installation in Washington D.C.’s Union Station. And in 2022, Mattel added a tribute doll of Wells to their Barbie Inspiring Women Series.

In her hometown of Holly Springs, Mississippi, the Ida B.Wells-Barnett Museum acts as a cultural center of African American history. Awards have been established in Wells’s name by the National Association of Black Journalists, the Medill School of Journalism at Northwestern University, and the New York County Lawyers Assn., among others.

Wells is a helluva historical figure who, even with recent documentaries and accolades, is still not known well enough. Her whole life is fascinating, and worth learning about extensively, and I shortly will point you to several resources. But if you don’t have time for it now, here is a great quote summing up Wells’ importance in the fight for equality and justice from the New York Times review of the 1999 biography on Wells. And here’s the quote:

Linda O. McMurry‘s important new biography, To Keep the Waters Troubled, tells the story of an extraordinary American who would have been at the very summit of our national pantheon except for two things: her sex and her race. But then again, being born into a society that promised individual freedom and personal power — just not to blacks, not to women and above all not to black women — was the source of Ida B. Wells’s remarkable story.”

To learn more about Wells, read her pamphlet published in 1892 titled Southern Horrors: Lynch Law in All Its Phases, 1895’s The Red Record, which covered Black people’s struggles in the South since the Civil War and explored the alarmingly high rates of lynchings in the U.S.

You can also check out her autobiography, Crusade for Justice which Wells started in 1928 but left unfinished when she died of kidney failure in 1931. Her youngest daughter, she worked for 40 years to get it into print. There are also the biographies Ida: A Sword Among Lions from 2009 by Paula J. GiddingsTo Keep the Waters Troubled: The Life of Ida B. Wells by Linda O. McMurry from 2000 and To Tell the Truth Freely: The Life of Ida B. Wells by Mia Bay from 2010, and there’s also a visual documentary by WTTW Chicago available on YouTube.

Links to these and other sources are provided in today’s show notes and in the episode’s full transcript posted on goodblacknews.org.

This has been a daily drop of Good Black News, based on the A Year of Good Black News Page-A-Day Calendar for 2022,” published by Workman Publishing. Intro and outro beats provided by freebeats.io and produced by White Hot. Additional music included and permitted under Public Domain license was “Gladiolus Rag” cmposed by Scott Joplin.

If you like these Daily Drops, please consider following us on Apple, Google Podcasts, RSS.com, Amazon, Spotify or wherever you get your podcasts. Leave a rating or review, share links to your favorite episodes, or
go old school and tell a friend.

For more Good Black News, check out goodblacknews.org or search and follow @goodblacknews anywhere on social.

Sources:

 

Toni Morrison “The Pieces I Am” American Masters Documentary Airs on PBS Tonight, June 23 (WATCH TRAILER)

Pulitzer Prize winner, prolific author and professor Toni Morrison leads an assembly of her peers and critics on an exploration of the powerful themes she confronted throughout her literary career in The Pieces I Am, an artful and intimate meditation that examines the life and work of the legendary storyteller.

This “American Masters” documentary airs today, Tuesday, June 23 at 8/7c as part of PBS’s summer-long celebration of women trailblazers.

Official website: https://to.pbs.org/2XUCcSc | #ToniMorrisonPBS

Former U.S. Poet Laureate Rita Dove Wins $100,000 Wallace Stevens Award From Academy of American Poets

Former U.S. Poet Laureate Rita Dove (photo via commons.wikipedia.org)

Rita Dove, Commonwealth Professor of English at the University of Virginia, received the Wallace Stevens Award from the Academy of American Poets, according to jbhe.com. The award is given annually to recognize “outstanding and proven mastery in the art of poetry.” Established in 1994, the award comes with a $100,000 prize.

Winner of the Pulitzer Prize for Poetry in 1987 for Thomas and Beulah, Dove also served as Poet Laureate of the United States from 1993 to 1995. She is the only poet to receive the National Humanities Medal and the National Medal of Arts.

Dove has published 10 collections of poetry including her latest book Collected Poems, 1974-2004 (2016). In addition to poetry, Dove has published a book of short stories and the novel Through the Ivory Gate (1992).

Dove is a summa cum laude graduate of Miami University in Ohio, where she majored in English.  She holds a master of fine arts degree from the University of Iowa, and joined the faculty at the University of Virginia in 1989.

R.I.P. George Walker, 96, Trailblazing American Composer and Pulitzer Prize Winner

Composer George Walker (photo via npr.org)

by Tom Huizenga via npr.com

Pulitzer Prize-winning composer, pianist and educator George Walker has died at the age of 96. Walker’s death was announced to NPR by one of his family members, Karen Schaefer, who said he died Thursday at Mountainside Hospital in Montclair, N.J. after a fall.

Walker’s music was firmly rooted in the modern classical tradition, but also drew from African-American spirituals and jazz. His nearly 100 compositions range broadly, from intricately orchestrated symphonic works and concertos to intimate songs and solo piano pieces.

“His music is always characterized by a great sense of dignity, which is how he always comported himself,” says composer Jeffrey Mumford, who, as a music professor at Lorain County Community College in Ohio, uses examples of Walker’s music in his classes. “His style evolved over the years; his earlier works, some written while still a student, embodied an impressive clarity and elegance.”

Walker was a trailblazing man of “firsts,” and not just because of the Pulitzer. In the year 1945 alone, he was the first African-American pianist to play a recital at New York’s Town Hall, the first black instrumentalist to play solo with the Philadelphia Orchestra and the first black graduate of the Curtis Institute of Music in Philadelphia.

The following year, Walker wrote his first string quartet. In 1990, he revised the second movement into a new piece, Lyric for Strings, which has become his most often-performed work.

In 1996, Walker broke new ground again when he became the first African-American composer to win a Pulitzer Prize for music. Lilacs for voice and orchestra, set to a text by Walt Whitman, is a moving meditation on the assassination of President Abraham Lincoln.

Colson Whitehead Honored by Zora Neale Hurston/Richard Wright Foundation for his Acclaimed Novel "The Underground Railroad"

Author Colson Whitehead (photo via shelflife.cooklib.org)

via jbhe.com
Colson Whitehead recently won the 2017 Hurston/Wright Award for fiction presented by the Zora Neale Hurston/Richard Wright Foundation. Whitehead was honored for his novel The Underground Railroad (Doubleday, 2016).
The book tells the tale of a slave woman named Cora who escapes from a cotton plantation in Georgia. During her journey North on the Underground Railroad, she kills a young White man who was trying to capture her. The novel has previously won the 2017 Pulitzer Prize for Fiction, the 2016 National Book Award for Fiction, and the Carnegie Medal of Excellence.
A graduate of Harvard University, Whitehead also won a MacArthur Fellowship in 2002. Whitehead has taught at the University of Houston, Columbia University, Brooklyn College, Hunter College, New York University, Princeton University, Wesleyan University, and been a Writer-in-Residence at Vassar College, the University of Richmond, and the University of Wyoming.
Source: Colson Whitehead Honored Once Again for His Novel The Underground Railroad : The Journal of Blacks in Higher Education

Tracy K. Smith Named New U.S. Poet Laureate by Library of Congress

Tracy K. Smith (Photograph © Rachel Eliza Griffiths)

by Sophia Nguyen via harvardmagazine.com
Tracy K. Smith has been named the new U.S. Poet Laureate by the Library of Congress, succeeding Juan Felipe Herrera. While the role doesn’t carry many specific official duties, it has traditionally involved raising awareness of, and increasing access to, poetry. “I am excited about the kinds of social divides that poetry may be able not just to cross but to mend,” Smith said in an interview with the library.
“One of my favorite things in the world is to sit and talk quietly about the things poems cause me to notice and remember, the feelings they teach me to recognize, the deep curiosity about other people’s lives that they foster. I am excited about carrying this conversation beyond literary festivals and university classrooms, and finding ways that poems might genuinely bring together people who imagine they have nothing to say to one another.” Smith has authored four books of poetry, the most recent of which won the Pulitzer Prize in 2012. Her memoir Ordinary Light was a finalist for the National Book Award in 2015.
In later chapters, she describes going to Harvard (where she joined the Dark Room Collective) as her mother’s health began to fail. In poetry workshops, she writes, “I had discovered that sitting down with an idea and letting it unfold in words and sounds offered me not just pleasure but an indescribable comfort.” Her new collection, Wade in the Water, comes out next April.
To read full article, go to: Library of Congress names Harvard alumna Tracy K. Smith as new Poet Laureate | Harvard Magazine

Tracy K. Smith Named Director of Princeton University’s Program in Creative Writing

Tracy K. Smith (photo via arts.princeton.edu)
Tracy K. Smith (photo via arts.princeton.edu)

Princeton University’s Lewis Center for the Arts named Pulitzer Prize-winning poet Tracy K. Smith as the new director of the University’s Program in Creative Writing. Smith, a Professor of Creative Writing on the Princeton faculty since 2005, succeeds National Book Award finalist and poet Susan Wheeler, who has led the program since 2011.
“I’m delighted that Tracy has agreed to take on this leadership role in our world-renowned, undergraduate-focused program in creative writing,” notes Michael Cadden, Chair of the Lewis Center. “A brilliant wordsmith in both poetry and prose as well as a life-changing teacher, Tracy embodies everything that is best about the arts at Princeton and is a most worthy successor to our colleague Susan Wheeler. I look forward to working with her on her vision for the future of what is already an extraordinary program.”
Smith is the author of the memoir Ordinary Light (2015) and three poetry collections: Life on Mars (2011), winner of the 2012 Pulitzer Prize and named as a “Best Book of the Year” by The New YorkerPublishers Weekly, and Library Journal, a “Notable Book of 2011″ by the New York Times, and as an “Editor’s Choice” by the New York Times Book Review; Duende (2007), winner of the James Laughlin Award and the Essence Literary Award; and The Body’s Question (2003), winner of the Cave Canem Poetry Prize. Smith is also the recipient of the Academy of American Poets Fellowship, a Rona Jaffe Award, and a Whiting Award. From 2009 to 2011 she was the Literature protégé in the Rolex Mentor and Protégé Arts Initiative.
Born in Massachusetts and raised in northern California, Smith earned her A.B. from Harvard University and an M.F.A. in creative writing from Columbia University. From 1997 to 1999 she was a Stegner Fellow in poetry at Stanford University. She taught at Medgar Evers College of the City University of New York, the University of Pittsburgh, and Columbia University before joining the faculty at Princeton.
“I have such deep gratitude and enthusiasm for the community of writers and students here at Princeton,” says Smith. “I’m delighted to step into a position I’ve watched several of my colleagues navigate with such generosity, insight, and grace.”
Princeton’s Program in Creative Writing traces its origins to 1939, when Dean Christian Gauss approached the Carnegie Foundation to help the University focus on the cultivation of writers and other artists. He appointed poet and critic Allen Tate as the first Resident Fellow in Creative Writing.  Since then world-renowned writers have served as faculty and visiting guest writers including John Berryman, Elizabeth Bowen, Robert Fitzgerald, Thomas Gunn, Edmund Keeley, David E. Kelley, Lorrie Moore, Philip Roth, Delmore Schwartz, Kevin Young, and Nobel laureates Toni Morrison and Mario Vargas Llosa, as well as Joyce Carol Oates, who recently retired after 37 years on the faculty. Oates will continue to teach one class each year as a Professor Emerita.
Currently the faculty includes award-winning writers Jeffrey Eugenides, Chang-rae Lee, Paul Muldoon, James Richardson, Susan Wheeler, and Edmund White, along with Smith and Jhumpa Lahiri, who joins the faculty in September. Other writers teaching this fall include Michael Dickman, A.M. Homes, Christina Lazaridi, Patrick McGrath, Fiona Maazel, Idra Novey, Hanna Pylväinen, and Monica Youn.
It is with these internationally known writers that over 300 Princeton undergraduates take courses in poetry, fiction, screenwriting, and literary translation each semester, a number that continues to grow.
“For those students serious about becoming writers, the one-on-one mentoring and intimate workshops we offer are on par with the attention and rigor characterizing the best M.F.A. programs,” notes Smith. “Regardless what our students decide to do after graduation, the experience of working alongside such illustrious writers changes their view of language and literature immeasurably.” Students who seek a certificate in creative writing (similar to a minor) in addition to their major area of study, work one-on-one with a member of the faculty on a novel, collection of poems, short stories or translations, or a screenplay.
Some of these senior thesis projects become the first published work by graduates of the program, as was the case for writers Jonathan Ames ’87 and Jonathan Safran Foer ’99. Other graduates from the program include Catherine Barnett ’82, Boris Fishman ’01, Jane Hirshfield ’73,  Kristiana Kahakauwila ’03, Galway Kinnell ’48, Walter Kirn ’83, William Meredith ’40, W. S. Merwin ’48, Emily Moore ’99, Jodi Picoult ’87, Julie Sarkissian ’05, Akhil Sharma ’92, Whitney Terrell ’91, and Monica Youn ’93.
In addition to this course of study, the program invites writers of national and international distinction to give a reading and discuss their work.  The Althea Ward Clark W’21 Reading Seriesfeatures acclaimed poets and fiction writers, which this year will include Edwidge Danticat, Natalie Diaz, Robert Hass, and Claudia Rankine, among others.  The Emerging Writers Reading Series presented in partnership with Labyrinth Books in Princeton showcases new work by seniors in the program along with established writers as special guests, who this year will include Alexander Chee, Eduardo Corral, Ocean Vuong, and Tiphanie Yanique. Occurring monthly from September through May, readings in both series are free and open to the public.
The Program in Creative Writing also hosts an international high school poetry contest and awards the Theodore H. Holmes ’51 and Bernice Holmes National Poetry Prize with recipients such as Mark Doty, Matt Rasmussen, and Evie Shockley. The biennial Princeton Poetry Festival, curated by faculty member Paul Muldoon, features poets from around the world, in recent years presenting readings by Bei Dao, Kwame Dawes, Jorie Graham, Major Jackson, Ellen Bryan Voight, and Ray Young Bear, among others.
article via arts.princeton.edu

Suzan-Lori Parks Wins 2015 Edward M. Kennedy Prize for Drama Inspired by American History

Award Winning Playwright and Professor Suzan-Lori Parks
Award Winning Playwright and Professor Suzan-Lori Parks

Pulitzer Prize-winning playwright Suzan-Lori Parks, who teaches creative writing at the Tisch School of the Arts at New York University, has been selected as the winner of the 2015 Edward M. Kennedy Prize for Drama Inspired by American History. The prize was established by Jean Kennedy Smith, the sister of Senator Edward Kennedy, and is administered by the Center for New Media Teaching and Learning at Columbia University in New York City.
Parks was honored for her play “Father Comes Home From the Wars, Parts 1, 2 & 3,” which was first staged at The Public Theater in New York last October. The Kennedy Prize comes with a $100,000 cash award.
Parks is a graduate of Mount Holyoke College in South Hadley, Massachusetts. She is a former MacArthur Foundation “Genius Award” winner. Professor Parks was awarded the Pulitzer Prize in 2002 for her play “Topdog/Underdog.”
article via jbhe.com

Toni Morrison's New Novel, "God Help The Child" Coming Out in April 2015

Toni MorrisonNobel laureate and Pulitzer Prize-winning author Toni Morrison has an eleventh novel coming out late April titled God Help the Child.

Morrison’s previous novels include The Bluest EyeSong of Solomon, and Beloved, for which she received an American Book Award and the Pulitzer Prize for Fiction.
At the heart of God Help the Child is a mother-daughter story:

Spare and unsparing, God Help the Child is a searing tale about the way childhood trauma shapes and misshapes the life of the adult. At the center: a woman who calls herself Bride, whose stunning blue-black skin is only one element of her beauty, her boldness and confidence, her success in life; but which caused her light-skinned mother to deny her even the simplest forms of love until she told a lie that ruined the life of an innocent woman, a lie whose reverberations refuse to diminish…Booker, the man Bride loves and loses, whose core of anger was born in the wake of the childhood murder of his beloved brother…Rain, the mysterious white child, who finds in Bride the only person she can talk to about the abuse she’s suffered at the hands of her prostitute mother… and Sweetness, Bride’s mother, who takes a lifetime to understand that “what you do to children matters. And they might never forget.”

article by Jarry Lee via buzzfeed.com