Happy Music Monday, you all! Once again it’s your friend and selector, Marlon West, with another collection for listening and, this time, voting pleasure.
That is unless you are the kind of voter more inclined towards the guy that inspires a playlist featuring Kid Rock and Ted Nugent. Though if you were, I doubt you would be here on GOOD BLACK NEWS.
So, if you are like me, Vice President Kamala Harris’ and Minnesota Gov. Tim Walz’s campaign and the excitement around it is welcome good news.
While some dismiss these heady days as a “sugar rush” and “media honeymoon”, Senior Editor and Correspondent for NPR News, Ron Elving, likened it to what Wall Street brokers call a “relief rally”.
This is coming after months of democrats being in the throes of ill-ease after President Biden’s debate performance. Weeks of record-breaking fundraising and huge rallies, has made for a decidedly more hopeful mood. One that I hope is here to stay.
To that end, here is a collection of tracks inspired by these more heady days to take us through the election season. Some of these songs are taken from the playlist for Harris/Walz rallies, like Mary J. Blige’s “Work That”, Leon Bridges’ “Smooth Sailing’ and, of course, Beyoncé‘s “Freedom”.
While others just seem quite timely again, including Billy Paul’s “Am I Black Enough For You”, The Staple Singers “If You’re Ready (Come Go With Me)”, and Funkadelic’s “One Nation Under A Groove”.
With Governor Walz dedicating a highway to “The Purple One”, there are more than a few Prince tracks thrown in as well.
Happy springtime from your friend and selector, Marlon!
Here’s a freewheeling playlist, and a seemingly random collection of tunes. Though what they all have in common is famous folks, sometimes uncredited, singing backup.
In some cases it is an established artist leading a hand, like Stevie Wonder contributing to Jermaine Jackson’s “Let’s Get Serious,” or a then-unknown protege like Lou Rawls singing behind his childhood pal Sam Cooke on “Bring It On Home To Me.”
In some tracks, you won’t be able to pick them out. Though in others you will never be able to hear the same again without recognizing them. Here is a breakdown of each song and who’s helping out in the background. Enjoy!
Today on #MusicMonday, we’re celebrating the beginning of Summer 2022, which officially kicks off tomorrow.
One of our most popular playlists of the last couple years was our Summer Breeze: Soulful Summer Songs playlist, which we created two years ago in the midst of the pandemic.
So this year, we’ve taken that original playlist and created the ‘new and improved’ version with about 50 more tracks (!) added to the lineup.
Our playlist is slightly different than the typical summer mixtape – these are not just summer hits, or summer favorites. To qualify for our list, a song literally had to feature the word “summer” in its title. It had to be literally “about” summer – the moods and feelings it evokes.
Fortunately, the season of BBQs, island vacations, swimming in the pool has provided inspiration to virtually every genre and generation of Black musicians, so we’ve got all the “summer”-titled popular hits spanning the ’30s to today from DJ Jazzy Jeff & Fresh Prince, Kool & The Gang, Carl Thomas, War, Sly & The Family Stone, Childish Gambino, Chic, Megan Thee Stallion and The Isley Brothers, mixed in with jazz, hip hop, dance, reggae, and plenty of vocal standards.
Nat “King” Cole is not only one of our top singers of Christmas standards, but also the leader in “summer” tunes, with five songs on our playlist.
And throughout, we’ve sprinkled multiple versions of the Porgy & Bess standard “Summertime,” performed here by everyone from Anita Baker to James Brown.
Among the new songs we’ve added are everything from Jhene Aiko to Joan Armatrading, Anderson.Paak to Prince, Jim Jones to Johnny Mathis, Leon Bridges to Labi Siffre to St. Lunatics.
So, fire up the grill, break out the water slide for the kids, and perhaps grab a mai-tai or piña colada. Then relax to the sounds of Summer. Happy Summer everyone!
[Photo: GBN Contributor Joyce Lakin (l) and GBN Editor-in-Chief Lori Lakin Hutcherson (r) in Maui, 2005]
Good Black News wants to take a moment on this day to honor and remember the women who gave us life, who nurtured and raised us, and also offered us solace, counsel, wisdom, humility and humor.
To all the mothers out there – be they Aunties, Grandmothers, Cousins or Friends – thank you for all you do!
And to one mom out there in particular — Joyce Lakin — we want to thank you for all of the above and also for agreeing to put together a playlist of some of your all-time favorite songs to share with all the other moms and children out there who grew up on their mom’s music!
On this list there’s clearly songs you grew up on (Johnny Mathis, Etta James, Sammy Davis, Jr.), songs that were your jams that became our jams (Teddy Pendergrass, Marvin Gaye, Prince) and songs that are refreshing surprises — Jay Z and J. Lo — who knew?!
If anyone out there is still lucky enough to have their mom, we encourage you to ask them for their playlist — and you’ll learn more about your mom and yourself than you’d imagine!
You might know about Hattie McDaniel, Sidney Poitier or Halle Berry being the first Black recipients of Oscars in their respective acting categories, but have you ever wondered who were the first in all the others? Writing? Producing? Hair and Make-Up? Sound?
Today’s GBN Daily Drop podcast is a bonus episode for Sunday, March 27 — the day the 94th Academy Awards ceremony are being held — that takes note of every Black Oscar first:
You can follow or subscribe to the Good Black News Daily Drop Podcast through Apple Podcasts, Spotify, Google Podcasts, rss.comor create your own RSS Feed. Or just check it out every day here on the main website.
SHOW TRANSCRIPT:
Hey, this Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a bonus daily drop of Good Black News for Sunday, March 27th, 2022, based on the format of the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing.
The 94th Academy Awards ceremony is being held today and with Will Packer producing, Wanda Sykes and Regina Hall among the hosts and Will Smith, Denzel Washington, Aunjanue Ellis and Questlove among the nominees, I thought I’d take a brief look at the talented Black people in film who were the first in their category to ever win an Oscar.
The very very first was Hattie McDaniel, who won in the Best Supporting Actress category for the 1939 film Gone With The Wind.
In 1948, actor James Baskett received a special Academy award for his characterization of Uncle Remus in Song of the South, but the next to win an award in competition was Sidney Poitier in 1963, who won Best Actor for his role in Lilies of the Field.
It took almost a decade after that for the next win, which was Isaac Hayes in the Original Song category for 1971’s “Theme from Shaft.”
[Excerpt from “Theme from Shaft”]
Up next 11 years later was Lou Gossett, Jr. for his Best Supporting Actor win in 1982 for An Officer and a Gentleman.
[Excerpt of “The Beautiful Ones”]
In 1984 Prince won Best Original Song Score for Purple Rain, and he was the first and last Black person to win in that category because after 1984, it was retired as a category from the Academy.
Contrary to popular belief, Prince didn’t win for the actual song “Purple Rain” — the Original Song Oscar that year went to Stevie Wonder for “I Just Called to Say I Love You” from the film The Woman in Red.
[Excerpt of “I Just Called To Say I Love You”]
The following year, in 1985, jazz titan Herbie Hancock took home the Oscar for his Original Score for ‘Round Midnight.
And jazz kept the Gold Guys a coming – in 1988 Willie D. Burton accepted the Best Sound Oscar for his and his team’s work on the Charlie Parker biopicBird, and in 1994, though nominated for several of his scores, the Oscar that Quincy Jones brought home was the Jean Hersholt Humanitarian Award.
In 2001, Halle Berry won the Best Lead Actress Oscar for her work in Monster’s Ball, and 2009 saw Roger Ross Williams win for Best Documentary Short Subject for Music By Prudence and Geoffrey Fletcher won for Best Adapted Screenplay for Precious, which was based on the novel Pushby Sapphire.
In 2012, T.J. Martin won for Best Documentary Feature for Undefeated, and in 2013, Steve McQueen shared his Best Picture Oscar with his producing partners for 12 Years A Slave.
In 2017, NBA legend Kobe Bryant won in the Best Animated Short Film category for Dear Basketball, and Jordan Peele won in the Best Original Screenplay category for Get Out.
The following year, Peter Ramsey won an Oscar in the Animated Feature Film category for co-directing Spider-Man: Into the Spider-Verse. 2018 also saw Ruth Carter win in the Costume Design category for her work on Black Pantherand Hannah Beachler for Production Design for the same marvel of a movie directed by Ryan Coogler.
And for 2020, Travon Free won in the Best Live Action Short Film category for Two Distant Strangers, and Mia Neal and Jamika Wilson took home Oscars in the Make-Up and Hairstyling category for Ma Rainey’s Black Bottom.
This has been a bonus daily drop of Good Black News, based on the “A Year of Good Black News Page-A-Day Calendar for 2022,” published by Workman Publishing.
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In honor of Academy Award-winning filmmaker Spike Lee‘s 65th birthday yesterday, we’re celebrating the music from his movies in today’s Music Monday playlist, “Mo’ Better Music: Spike Lee’s Greatest Hits“:
Lee first made his mark on the Hollywood scene in the summer of 1986 with his independently-financed debut feature, She’s Gotta Have It. From that start, it was clear that not only was Lee an original filmmaking voice, but also that he valued the role of music in his movies.
The body of musical work he has enabled through his movies spans the history of Black music, including Blues, Hip Hop, traditional R&B. His early career bloomed in the heyday of new jack swing, but he’s also served us gospel, jazz, and plenty of Stevie Wonder.
Lee’s usual composer of choice, Terence Blanchard, has earned two Oscar nominations for his work on BlacKkKlansman and Da Five Bloods.
There also have been Number One Billboard R&B/Hip-Hop Hits, E.U.‘s “Da Butt” from School Daze and Teddy Riley & Guy‘s “My Fantasy” from Do the Right Thing.
Working with his father, jazz musician Bill Lee (still alive at age 93) through his first four movies, Spike’s soundtrack choices displayed a musical depth of knowledge from the start.
“Nola” – the song about Nola Darling, the central character in She’s Gotta Have It – was sung on the original soundtrack by legendarily unsung vocalist Ronnie Dyson (the subject of a previous GBN playlist and profile – https://goodblacknews.org/?s=ronnie+dyson).
Though that soundtrack is one of the few Spike Lee soundtracks unavailable on Spotify, we’ve included a fairly faithful rendition of the song from contemporary jazz vocalist Jose James on our playlist.
To celebrate his 65 years, the playlist is comprised of 65 original songs and score selections from all of Spike Lee’s scripted features films with tracks were available for streaming (all the rest of his movies are included except Summer of Sam and the recent made-for-streaming Pass Over).
We’ve focused on titles that were either newly released or recorded for Spike’s movies, not on classic hits that just made their way onto the soundtrack.
And there’s plenty of great material to choose from, including multiple tracks from Prince, backup singer turned indie soul darling Judith Hill, Public Enemy, Terence Blanchard, and Stevie Wonder.
The Spike Lee soundtrack for Bamboozled introduced the first major song ever released by India.Arie — “Always In My Head.”
Though the soundtracks to Girl 6 and Get on the Bus are also unavailable on Spotify in album form, we’ve located the original Prince track “She Spoke 2 Me” from Girl 6 as well as a number of songs from the Get on the Bus soundtrack from God’s Property, Stevie Wonder, and Curtis Mayfield.
While Lee has mostly worked with Black composers and musicians, rootsy White rock musician Bruce Hornsby has worked on multiple Spike Lee movies, including songs for Bamboozled and Chi-raq, and a full score for Red Hook Summer. He was also the composer for the lovely ballad “Love Me Still,” sung by Chaka Khan for the soundtrack to Clockers.
For his soundtrack to Da Sweet Blood Of Jesus, a 2014 horror film that Lee funded through Kickstarter, he issued a social media call for unsigned artists to submit songs and picked through over 800 submissions to find the songs he used – which included “As We May Dream,” another beautiful ballad from singer/songwriter Siedah Garrett of Michael Jackson duet fame.
Spike’s movies have also yielded some smooth new remakes of R&B standards – and we’re happy to include Stevie Wonder’s take on Bob Marley‘s “Redemption Song,”Erykah Badu‘s cover of Rufus featuring Chaka Khan’s “Hollywood,” Marc Dorsey‘s version of The Stylistics‘ “People Make the World Go Round,” and of course, Aretha Franklin‘s beautiful contribution to the Malcolm Xsoundtrack – her epic 8 minute rendition of Donny Hathaway‘s “Someday We’ll All Be Free.”
Most recently, Spike introduced his BlacKkKlansman‘audiences to a Prince rendition of the gospel classic “Mary Don’t You Weep” that had been originally recorded in 1983, but left in the vaults until its appearance in the closing credits of Lee’s movie.
In addition to all the above, you’re sure to uncover plenty of great but lesser-known material from Spike’s movies. With 24 scripted feature films under his belt, a Spike Lee film festival might take you a week of evenings to complete – but with our GBN playlist, you can cover all the musical memories from Spike’s movies in an afternoon.
Happy 65th birthday to Spike Lee! Though for many that’s retirement age, we hope to be updating this playlist with more great music from many more movies in the years to come.
Hey, it’s Lori, GBN’s Editor-in-Chief, with this week’s Music Monday share. Although it’s one day early, I offer a list to set the vibe for what February signifies to many in these United States: Black History Month!
Today’s playlist, “Black and Proud: Songs About Being Black” features songs that examine, express, critique and celebrate differing iterations of what it means to be Black in America.
The gamut of human emotions are present in this collection, as African Americans have been creating genres like Jazz, Blues, Soul and Hip Hop and transforming others from the 1600s on.
Artists such as Louis Armstrong, Chuck Berry, James Brown, Stevie Wonder, Beyonce, Esperanza Spalding, india.arie, Prince, Janet Jackson, Mickey Guyton, Nas, Jay Z, Common and Kendrick Lamar all have their takes on Blackness and the perceptions of it by themselves, lovers, strangers, authorities and oppressors.
I’ve also included several versions of “Young, Gifted and Black” by Nina Simone, Aretha Franklin, Donny Hathaway and Big Daddy Kane who each in their own way interpret the phrase popularized by playwright Lorraine Hansberry to great effect.
I hope you enjoy this compilation and that it gets you into the mood, groove and spirit of Black History Month.
We’ve been wanting to post to acknowledge all the fathers, uncles, stepfathers and loved ones who have been parenting, raising and advising the next generations, but our site has been having serious server issues since dawn.
So even though we are nearing dusk, and we posted what we could on our social media, we’re taking advantage of this moment of connectivity to say “Happy Father’s Day” on our main page and offer a playlist dedicated to the dads called “Color Him Father” – A Father’s Day Collection:
This 20-songs compilation offers praise, introspection, dreams, admonition and advice from myriad genres and perspectives – from The Winstons‘ appreciation of a stepfather on “Color Him Father,” to Will Smith‘s heartfelt expression of how it feels to become a dad on “Just The Two Of Us,” to Beyoncé’s appreciation of different aspects of her father on “Daddy” and “Daddy Lessons.”
Also included are Prince‘s declaration of love for his father amid complexities on “Purple Rain” and Kirk Whalum‘s soulful, jazz cover of “Because You Loved Me” which Diane Warren wrote about her relationship with her father, DMX and Usher‘s heartbreaking plea “Letter To My Son (Call Your Father)”, and classics like “Daddy’s Home” – the popular cover by Jermaine Jackson as well as the original version by Shep and The Limelites.
We hope it’s been a great day for all those in the dad role today, and hope you enjoy the above, knowing you are seen, honored and loved through thick and thin.
As any regular (or even new) follower of Good Black News may have noticed, we really love music here. Its creators, its history, its present and its future. And days like today – the 71st birthday of musical legend, genius and icon Stevie Wonder – are some of the most exciting, because we get to think of new ways to share about an artist who has given so much to the culture and community.
Last year, in honor of Stevie’s 70th, GBN published a month of differently-themed Stevie playlists, (links to all below). But for the generations who didn’t grow up on Stevie Wonder — particularly the 10-and-under set — where to start? How about right here, with our curated, kid-friendly playlist “Stevie For The Sweeties”:
I remember exactly when I took my children’s musical education and exposure into my own hands — April 21, 2016 — the day Prince passed. My kids didn’t understand why Mommy was so upset and was playing Prince music all the time — in the car, in the house, on the TV, for weeks — because they didn’t know who he was or why his music was important.
It was a wake-up call for me to make a conscious effort to introduce them to the musical greats. Since they were 8 and 6 at the time, I started putting together kid-friendly playlists on iTunes (the very first I called “Prince for My Patooties”) that they could listen to on their own, with friends, or at school during breaks, without any worries about playing any songs that could be objectionable for language or subject matter, and sequenced in a way to keep their interest.
“Stevie For The Sweeties” starts with “Fun Day,” moves into “Sir Duke” (which has been a magic tonic to my sons ears since he was a toddler, and where Stevie himself does some hat tipping to generational forebears by name checking Count Basie, Glenn Miller, Louis “Satchmo” Armstrong, Ella Fitzgerald and of course, “Sir”Duke Ellington), “I Wish” (which I remember me, my sister Lesa and my cousins David and Darryl singing to as little kids while we played “Three Flies Up” in my Auntie Brenda’s front yard), and “Fingertips Pts. 1& 2”, where Stevie himself was barely double digits in age.
Those great songs and so many more classics to enjoy with the younger set like “Do I Do” (featuring trumpet-great Dizzy Gillespie on an effervescent solo), “I Love Every Little Thing About You,” “Isn’t She Lovely” (which Stevie wrote about his first-born daughter Iesha), “Bird of Beauty” and “You Are The Sunshine of My Life” are part of “Stevie For The Sweeties.”
I hope you enjoy with the sunshines and lovelies in your life, and thank you, thank you, thank you, Stevie Wonder, for your incredible music and life. We love you. Happy Birthday!
Happy Monday, you all. This week’s offering is a soulful collection of cover tunes and original versions of songs that went on to become hits for other folks.
The Pointer Sisters‘ version of Bruce Springsteen’s “Fire” and Whitney Houston’s take on Dolly Parton‘s “I Will Always Love You” are examples of covers that are as famous as the originals.
There’s Otis Redding’s live version of “Respect” where he explains how “This girl, she just took this song” to an amused audience. I’ve included Prince’s demos for “Manic Monday” and “Glamorous Life”, each went on to become hits for the Bangles and Sheila E., respectively.
by Marlon West (FB: 
To learn more about Black Academy Award winners and nominees, read 
