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Posts tagged as “Phylicia Rashad”

Celebrating Phylicia Rashad and Debbie Allen on #NationalSiblingsDay (LISTEN)

by Lori Lakin Hutcherson (@lakinhutcherson)

On #NationalSiblingsDay, we celebrate Tony and Emmy award-winning sisters Phylicia Rashad and Debbie Allen in today’s GBN Daily Drop podcast.

To read about them, read on. To hear about them, press PLAY:

[You can follow or subscribe to the Good Black News Daily Drop Podcast through Apple Podcasts, Spotify, Google Podcasts, rss.com or create your own RSS Feed. Or just check it out every day here on the main website. Full transcript below]:

Hey, this Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a daily drop of Good Black News for Sunday, April 10, 2022, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing, also known as Palm Sunday and in the United States as National Siblings Day.

As the daughters of poet Vivian Ayers Allen (who was featured in April 8th’s Daily Drop), sisters Phylicia Rashad and Debbie Allen likely grew up believing the sky was the limit. Both are Howard University graduates and award-winning stars of stage and screen.

Phylicia won the Tony Award for Lead Actress in a Play for the 2004 revival of A Raisin in the Sun, and Debbie won Emmys in 1982, 1983 and 1991 for her choreography on Fame and Motown 30: What’s Goin’ On!

https://youtu.be/ObGtzzLLjlA

In 2001 Allen opened the Debbie Allen Dance Academy in Los Angeles, and in 2008 she directed the all-African American Broadway production of Cat on a Hot Tin Roof starring big sis Rashad as Big Mama.

In 2020, Debbie Allen became a Kennedy Center Honoree and in 2021, they kept the sister love going with Phylicia’s guest appearance in a Debbie-directed episode of Grey’s Anatomy.

That same year, Rashad was appointed Dean of Howard University’s Chadwick A. Boseman College of Fine Arts.

And just this week in 2022, Allen was honored by the Dance Theater of Harlem with the Arthur Mitchell Vision Award.

To learn more about these talented sisters, check out the siblings’ conversation from 2020 where they share stories, their history together and life lessons on IG live, posted on the True Exclusives channel on YouTube and check out the links to more sources provided in today’s show notes and the episode’s full transcript posted on goodblacknews.org.

This has been a daily drop of Good Black News, based on the “A Year of Good Black News Page-A-Day Calendar for 2022,” published by Workman Publishing.

Beats provided by freebeats.io and produced by White Hot.

If you like these Daily Drops, please consider following us on Apple, Google Podcasts, RSS.com, Amazon, Spotify or wherever you get your podcasts. Leave a rating or review, share links to your favorite episodes, or go old school and tell a friend.

For more Good Black News, check out goodblacknews.org or search and follow @goodblacknews anywhere on social.

Sources:

GBN’s Daily Drop: Poet and Pulitzer Prize Nominee Vivian Ayers Allen (LISTEN)

by Lori Lakin Hutcherson (@lakinhutcherson)

Pulitzer Prize-nominated poet Vivian Ayers Allen not only infused the world with her art (her poem “On Status” was recently sampled by Solange on her 2019 When I Get Home album) but also with artists.

This includes famous daughters Phylicia Rashad and Debbie Allen as well as the children she’s inspired on the site of her former alma mater, the historic Brainerd Institute in Chester, South Carolina, via her “Workshops in Open Fields” program to educate preschool children in the arts.

To read about her, read on. To hear about her, press PLAY:

(You can follow or subscribe to the Good Black News Daily Drop Podcast through Apple Podcasts, Spotify, Google Podcasts, rss.com or create your own RSS Feed. Or just check it out every day here on the main website.) Full transcript below:

Hey, this Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a daily drop of Good Black News for Friday, April 8th, 2022, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing.

The words of Pulitzer Prize-nominated poet Vivian Ayers Allen have stood the test of time – and space. Her poem “Hawk,” an allegory of freedom made analogous to space flight, was published in 1957 just before the launch of Sputnik I, the first artificial satellite sent from Earth into orbit.

Enlarged reproductions of select lines were exhibited at NASA’s Lyndon B. Johnson Space Center. In 1997 Allen’s family purchased her alma mater, the historic Brainerd Institute in Chester, South Carolina, and soon began offering “Workshops in Open Fields” to educate preschool children in the arts.

And in 2019, fellow Houstonian Solange Knowles used a sample of Allen’s poem “On Status” as read by her two famous daughters – Phylicia Rashad and Debbie Allen – on Knowles’ acclaimed When I Get Home album.

To learn more about Vivian Ayers Allen, check out Spice of Dawns, her 1952 poetry collection, the Brainerd Institute Heritage website, and links to more sources provided in today’s show notes and the episode’s full transcript posted on goodblacknews.org.

This has been a daily drop of Good Black News, based on the “A Year of Good Black News Page-A-Day Calendar for 2022,” published by Workman Publishing.

Beats provided by freebeats.io and produced by White Hot.

If you like these Daily Drops, please consider following us on Apple, Google Podcasts, RSS.com,Amazon, Spotify or wherever you get your podcasts. Leave a rating or review, share links to your favorite episodes, or go old school and tell a friend.

For more Good Black News, check out goodblacknews.org or search and follow @goodblacknews anywhere on social.

Sources:

Alpha Kappa Alpha Sorority Documentary “Twenty Pearls,” Narrated by Phylicia Rashad, Premieres March 26 on Xfinity Channel

The exclusive premiere of the documentary film Twenty Pearls: The Story of Alpha Kappa Alpha Sorority, Incorporated®, starts airing today, Friday, March 26 on Comcast NBCUniversal‘s newly-launched Black Experience on Xfinity Channel.

Narrated by AKA member Phylicia Rashād, directed by filmmaker Deborah Riley Draper and produced by Coffee Bluff Pictures, Twenty Pearls closely examines the founding and legacy of the first Black sorority, Alpha Kappa Alpha Sorority, Incorporated®, which is regarded as one of the most significant and influential Black organizations in history.

The documentary tells a story of sisterhood. In 1908, nine Black women students enrolled at Howard University  created Alpha Kappa Alpha Sorority, Incorporated.®

Through narration, interviews and rarely seen archival materials, the audience will see the sorority’s impact on World War II, NASA, Civil Rights, Women’s Rights and Historically Black Colleges and Universities (HBCUs) culminating in the historic election of Kamala Harris as America’s first Black and South Asian woman Vice President.

Twenty Pearls features interviews with members of the sorority including Vice President Kamala Harris, Miss Universe Ireland 2019 Fionnghuala O’Reilly, Smithsonian Secretary Lonnie Bunch III, Anna Eleanor Roosevelt Fierst, great-granddaughter of First Lady Eleanor Roosevelt, International President and CEO of Alpha Kappa Alpha Sorority, Incorporated® Dr. Glenda Glover and many more.

Other notable AKAs include NASA mathematician and Presidential Medal of Freedom recipient Katherine Johnson, civil rights activist and icon Coretta Scott King, tennis champion Althea Gibson, and Nobel Prize-winning author Toni Morrison.

“This is an extraordinary time to look back at our past to serve our future,” added Deborah Riley Draper. “A future where Black women are centered. Helming this documentary love letter to the founders of Alpha Kappa Alpha, the generations of women that followed in their footsteps and to all Black women everywhere is an honor. This is an important history for all of us to know and understand.”

“Telling our own story is essential to preserving our history and uplifting the culture,” said Alpha Kappa Alpha International President and CEO Dr. Glenda Glover. “Alpha Kappa Alpha Sorority, Incorporated’s remarkable 113-year journey which began on the campus of Howard University is punctuated by stories of history makers, ceiling breakers, public servants and ordinary women who have changed the course of American history.  Through this beautifully written and narrated odyssey, this film highlights in undeniable ways the vision, courage, tenacity, determination and power of Black women while putting to bed the age-old questions about the relevance of Historically Black Colleges and Universities and the Divine Nine sororities and fraternities.”

Black Experience on Xfinity is a destination of Black entertainment, movies, TV shows, news and more. It features high-quality content from many of Xfinity’s existing network partners, while investing millions of dollars in fostering and showcasing emerging Black content creators.

Black Experience on Xfinity is available at home on Xfinity X1 and Flex, and on-the-go with the Xfinity Stream app,  At home, Xfinity subscribers can visit channel 1622 or simply say “Black Experience” into the Voice Remote to instantly enjoy its content.

Visit https://www.xfinity.com/learn/digital-cable-tv/black-experience to learn more about the Black Experience on Xfinity and other Black programming available on X1, Flex, and the Xfinity Stream app. 

Visit www.aka1908.com to learn more about Twenty Pearls, which premieres on today on Xfinity and is free for subscribers, and will be available on demand nationwide starting on March 30, 2021.

Denzel Washington Paid for 'Black Panther' star Chadwick Boseman to Study at Oxford

"Black Panther" star Chadwick Boseman
“Black Panther” star Chadwick Boseman (Albert L. Ortega | Getty Images)

by  via cnbc.com
Chadwick Boseman, the 41-year-old star of Black Panther, may have Oscar-winner and 2018 nominee Denzel Washington to thank for some of his success. While studying at Howard University in the late ’90s, Boseman and some of his peers applied to a prestigious summer theater program at The University of Oxford. The group of students got in, but they couldn’t afford to go.
One of their acting teachers at Howard, actress Phylicia Rashad from The Cosby Show, “pushed for us,” Boseman told Rolling Stone. “She essentially got some celebrity friends to pay for us to go.” It wasn’t until after the program when he got a beneficiary letter and found out who funded the program: “Denzel paid for me. I’m sure he has no idea. … I’ve been waiting to meet him, so I can tell him.”
Boseman wrote Washington a thank-you letter, but he didn’t tell anyone else about it for two decades. “I’ve basically been holding this secret my whole career,” he told Jimmy Fallon on The Tonight Show, explaining that he didn’t want Washington to feel like he owed him anything else.
Boseman wanted to meet Washington in person before saying anything. He hadn’t met him before the Rolling Stone interview but, after 20 years, he figured it was OK to reveal the detail. As Boseman told Fallon: “I think I’ve made it to the point where he’s not going to think I’m trying to get something from him by saying it.”
Coincidentally, just before the Rolling Stone feature came out, Boseman got to meet his benefactor. Washington came to the New York premiere of “Black Panther,” and, “I met him, before the article came out,” Boseman told Fallon. “So I actually lived up to what I originally wanted to do. It was amazing.”
When Fallon asked how the introduction went, Boseman recalled how he thanked him for paying for Oxford a while back, to which Washington jokingly replied: “Oh, so that’s why I’m here. You owe me money! I came to collect!”
Source: https://www.cnbc.com/2018/03/02/denzel-washington-paid-for-chadwick-boseman-to-study-at-oxford.html

African-American Cultural Heritage Action Fund Launched to Increase Diversity in Historic Preservation

Madam C.J. Walker’s “Villa Lewaro,” the home of the country’s first female African-American millionaire. (Courtesy National Trust for Historic Preservation/Madam Walker Family Archive)

by via curbed.com

A new multi-year initiative to help preserve more African-American historical sites, and address funding gaps in the preservation of current sites, was announced today.

The African-American Cultural Heritage Action Fund, a partnership between the National Trust for Historic Preservation, the Ford Foundation, The JPB Foundation, and the Open Society Foundations, will establish a grant fund for protection and restoration. Actress and activist Phylicia Rashad, who previously campaigned to protect the Brainerd Institute in South Carolina, a school established in 1866 for freed slaves, will serve as an advisor and ambassador.

“There is an opportunity and an obligation for us to step forward boldly and ensure the preservation of places which tell the often-overlooked stories of African-Americans and their many contributions to our nation,” said Stephanie Meeks, President and CEO of the National Trust for Historic Preservation, in a statement. “We believe that this fund will be transformative for our country, and we are committed to crafting a narrative that expands our view of history and, ultimately, begins to reconstruct our national identity, while inspiring a new generation of activists to advocate for our diverse historic places.”

[youtube https://www.youtube.com/watch?v=su9I9Ry2ZxQ?rel=0&]

The nascent initiative will seek $25 million in initial funding, and focus on historical sites and buildings that help tell often-overlooked aspects of the country’s history, as well as stories of overcoming intolerance, injustice, and inequality.

“As the scholar Carl Becker once wrote, history is what the present chooses to remember about the past,” said Patrick Gaspard, vice president of the Open Society Foundations. “The events in Charlottesville this past summer are a stark reminder of how one segment of American society chooses to celebrate a brutal past. We have an opportunity, through this tremendous project, to preserve, protect and cherish another history too often neglected—the vital story of African-Americans and their enormous contributions to the idea of America.”

Source: https://www.curbed.com/2017/11/15/16656528/historic-preservation-african-american-cultural-heritage-fund

Cicely Tyson, Oprah Winfrey Recognize African American Achievements In TV During Paley Center Tribute

OPRAH WINFREY CICELY TYSON
Oprah Winfrey and Cicely Tyson at A Tribute To African-American Achievements In Television hosted by The Paley Center For Media at Cipriani Wall Street on May 13, 2015 in New York City. (Photo by Mike Coppola/Getty Images)
The Paley Center for Media hosted a star-studded event Thursday evening celebrating the 35th anniversary of BET’s launch, as well as the groundbreaking achievements of African-Americans in television over the years.
The guest list was basically a who’s who of black America. Everyone from Oprah Winfrey, Cicely Tyson, Larry Wilmore, Tracee Ellis Ross, Lee Daniels, Kerry Washington, Michael Strahan and Phylicia Rashad. Winfrey kicked off the night with an opening monologue, during which she expressed her gratitude for the evolution of African-Americans contributing to some of today’s most successful shows on television.
“When I was growing up there were so few people of color on television, but when there was one of us we would end up missing it because we would be calling everybody else saying, ‘it’s coming on right now. Turn on ‘Ed Sullivan.’ It’s coming on,’” she said. “So part of the power of tonight’s event will be to appreciate and to honor our history as we continue to be an interval part of the entertainment industry.”
One of the evening’s many heartfelt moments occurred during Cicely Tyson’s speech in recognition of her illustrious career. The iconic actress went on to recall the time where she received backlash for her 1963 role as secretary Jane Foster on the CBS drama series “East Side/West Side.” The breakthrough role — which featured Tyson wearing a natural hair style — marked a first for a black actress and sparked a nationwide hair movement.
“This has been a wonderful evening and an emotional evening for me watching the positive strides we’ve taken over the years. We’re not there yet, but we’re going to get there,” Tyson declared. “I have been especially moved by the moments that were a flashback for me… when I first appeared on the air with a natural and received barrels of negative letters that had to do with the fact that I was disgracing the role of the image of black women when I was in a position to glorify it.”
“Well, finally at last I am ecstatic to say that we as a race of people have come to recognize and accept the fact that our pride and glory is our hair… that doesn’t mean you can’t wear your hair the way you want to.”
article by Brennan Williams via huffingtonpost.com

Phylicia Rashad to Star in CBS’ "For Justice" Drama Pilot

Phylicia Rashad
(KEVIN MAZUR/GETTY IMAGES)

Phylicia Rashad has been cast as a series regular in CBS’ drama “For Justice.”
“The Cosby Show” co-star will play a gay woman by the name of Georgina Howe in the pilot, set to be directed by “Selma’s” Ava DuVernay.
Rashad’s character is described has a savvy Washington player who has faced discrimination for her race and sexual orientation, and fights to protect the independence and integrity of her high-profile Civil Rights Division.
The project, based on James Patterson’s novel “The Thomas Berryman Number,” follows a female FBI agent working in the Criminal Section of the Department of Justice’s Civil Rights Division who finds herself caught between her radical real family and her professional family.
“Law & Order” vet Rene Balcer wrote the pilot and will serve as executive producer, alongside DuVernay, Robert De Niro, Jane Rosenthal, James Patterson, Bill Robinson and Leopoldo Gout. Berry Welsh will co-executive produce. CBS TV is the studio.
article by Elizabeth Wagmeister via Variety.com

Sam Pollard Directs New Doc on Life & Legacy of August Wilson – Coming to PBS in February

August Wilson - American Masters

Coming to PBS primetime next month, as part of its AMERICAN MASTERS series, is the documentary, “August Wilson: The Ground on Which I Stand,” airing on February 20 at 9pm ET.
Directed by Emmy and Peabody-winner Sam Pollard (long-time Spike Lee editor, as well as a director and producer in his own right), the documentary explores the life and legacy of Tony- and Pulitzer-winning playwright August Wilson – the man some call America’s Shakespeare — from his roots as a Pittsburgh activist and poet, to his indelible mark on Broadway.
Unprecedented access to Wilson’s theatrical archives, rarely seen interviews, and new dramatic readings, bring to life his seminal 10-play cycle chronicling each decade of the 20th century African American experience. The film features new interviews with Viola Davis, Charles Dutton, Laurence Fishburne, James Earl Jones, Suzan-Lori Parks, Phylicia Rashad, his widow/costume designer Constanza Romero, and others, sharing stories of the late great African American playwright’s rich theatrical canon.

PBS is premiering the film in honor of the 70th anniversary of Wilson’s birth, as well as the 10th anniversary of his death, and for Black History Month.
The DVD will be available on February 24 from PBS Distribution.
“Having the opportunity to explore Wilson’s creative process and his tenacity in looking at the African American experience in the 20th century was one of the most exciting endeavors I have ever had in my film career,” said filmmaker Sam Pollard.
article by Tambay A. Obenson via indiewire.com

THEATER REVIEW: "Raisin in the Sun" Brings Denzel Washington Back to Broadway

From left, Sophie Okonedo, Mr. Washington, LaTanya Richardson Jackson, Bryce Clyde Jenkins and Anika Noni Rose play members of a family pondering whether to move to a suburb. (Credit: Sara Krulwich/The New York Times)

The spark of rebellion, the kind that makes a man stand up and fight, has almost been extinguished in Walter Lee Younger. As portrayed by Denzel Washington in Kenny Leon’s disarmingly relaxed revival of Lorraine Hansberry’s A Raisin in the Sun — which opened on Thursday night at the Ethel Barrymore Theater — Walter appears worn down, worn out and about ready to crawl into bed for good. Frankly, he looks a whole lot older than you probably remember him.

That’s partly because, at 59, Mr. Washington, the much laureled movie star, is about a quarter of a century older than the character he is playing, at least as written. (This production bumps Walter’s age up to 40 from 35.) But it’s also because, as this production of Raisin makes clearer than any I’ve seen before, Walter inhabits a world that ages men like him fast.

Listen to how his mama, Lena (LaTanya Richardson Jackson), describes her late husband’s existence: “I seen him, night after night, come in, and look at that rug, and then look at me, the red showing in his eyes, the veins moving in his head. I seen him grow thin and old before he was 40, working and working like somebody’s horse.”

In this engrossingly acted version of Hansberry’s epochal 1959 portrait of an African-American family, Walter is all too clearly his father’s son. Lena may tell him, shaking her head, that he is “something new, boy.” But you know that her great fear is that he is not. Small wonder she shows such smothering protectiveness to Walter’s 11-year-old son, Travis (Bryce Clyde Jenkins).

A claustrophobic fatigue pervades the cramped, South Side Chicago apartment in which A Raisin in the Sun is set. And despite its often easygoing tone, a happy ending feels far from guaranteed. As designed by Mark Thompson, the Youngers’ living room cum kitchen is a narrow corridor that keeps its three generations of inhabitants in close, erosive proximity.

The production begins with a searing vision of bone-weariness. Ruth Younger (Sophie Okonedo), Walter’s wife, stands frozen center stage in a bathrobe, amid sallow morning light. Her face is harrowed, and her arms are braced against the kitchen counter in what is almost a crucifix position. She is trying to find the strength to get through another day.

Mr. Leon relaxes that initial tautness for the scene that follows, in which the Youngers — who also include Walter’s sister, Beneatha (a first-rate Anika Noni Rose), a pre-med student — go through their usual morning rituals. And the play as a whole has a genial, conversational quality; it always holds you, but without trying to shake you.

Still, that opening scene strikes a note that will resonate. Exhaustion is pulling at the Youngers like a dangerous force of gravity. As Hansberry puts it in her stage directions, “Weariness has, in fact, won in this room.”