Happy Music Monday, you all. It’s your friend and selector back again with another collection for listening, and this time rump shaking, pleasure.
While Detroit is known as “Hitsville U.S.A.” thanks to Motown, and Memphis is known as the epicenter of “Southern Soul” thanks to Stax Records. Dayton, however, is known as “The Funk Capital of the World.”
When Lakeside dubbed it “The Land of Funk” in its swashbuckling 1980 hit “Fantastic Voyage”, Dayton’s west side was already the birthplace of several of the funkiest groups on the planet.
My lifelong pal, Duane Myers, was the first to hip me to this fact a few years back. He pointed out that Ohio Players, Slave, Faze-O, Heatwave, Lakeside, Shirley Murdock, Zapp, Roger, and others are all from Dayton, Ohio.
This collection features a stable of funk bands whose influence can still be heard in hip-hop, house and other musical forms today.
The Ohio Players, who kicked open the door for them all, have had their tracks sampled or remade by Salt-N-Pepa, Soundgarden, Snoop Dogg, and the Red Hot Chili Peppers to name a few.
They are not alone. 1970s and ‘80s funk is being sampled and provides inspiration for many bands and artists. Please enjoy this playlist for classic funk music from the “Gem City”.
In continued celebration of #JazzAppreciationMonth, today we drop in on the underappreciated yet cherished and deeply talented song stylist Nancy Wilson, who was at one time in the 1960s the second most popular act on Capitol Records behind only the Beatles.
To read about Wilson, read on. To hear about her, press PLAY:
[You can follow or subscribe to the Good Black News Daily Drop Podcast through Apple Podcasts, Spotify, Google Podcasts, rss.comor create your own RSS Feed. Or just check it out every day here on the main website. Full transcript below]:
Hey, this is Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a daily drop of Good Black News for Tuesday, April 12, 2022, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing.
Ohio native Nancy Wilson claimed her gift early, knowing by age four she was meant to be a singer. Encouraged by jazz saxophonist and bandleader Julius “Cannonball” Adderley, Wilson moved to New York in 1959 and landed a contract with Capitol Records.
The success of Nancy’s debut single “Guess Who I Saw Today,” led to a rush of album recordings, and to that tune becoming one of the signature songs of her career:
[Excerpt of “Guess Who I Saw Today”]
Wilson’s classic 1962 album recorded with Cannonball Adderley [Nancy Wilson/Cannonball Adderley] contained her first Billboard R&B chart hit, the gorgeous ballad “Save Your Love for Me”:
[Excerpt of “Save Your Love for Me”]
From her 1964 album of the same title, Wilson scored her first pop hit, reaching number 11 on the Hot 100 chart with “How Glad I Am”:
[Excerpt of “How Glad I Am”]
Wilson won her first Grammy for that song and had four top 10 albums on the Billboard charts between 1964 and 1965, becoming during that period Capitol Records’ second-biggest selling act behind only the Beatles.
Wilson released more than 70 albums in her five-decade recording career, and won two more Grammys 40 years after her first win, both for Best Jazz Vocal Album, in 2005 for R.S.V.P. (Rare Songs, Very Personal) and 2007 for Turned to Blue.
[Excerpt of “That’s All” from R.S.V.P.]
In 2004, Nancy Wilson was honored as a Jazz Master by the National Endowment for the Arts, and for her work as an advocate of civil rights, which included participating in the 1965 Selma to Montgomery march in Alabama.
Although Wilson was lauded as a jazz vocalist, she preferred to think of herself a song stylist, as she drew from a variety of influences, which she spoke about in detail during an interview on grammys.com:
“So, consequently, I was exposed to male influences. From early on, I heard Nat Cole I heard [?????] Jackson and Louis Jordan – loved Louis Jordan. I heard Billy Billy, Mr. B. I mean, he was just, I mean, my father thought Billy Eckstine was like, couldn’t – he walked on water. He loved B. And I heard Little Jimmy Scott with Lionel Hampton‘s big band. I would imagine that was when I was around 10. So basically, it was all male. And, and not gospel. I heard Jimmy Cleveland, James Cleveland, and C.L. Franklin, and his choir from my mom used to play that. So, I got to hear it all. And I enjoyed all of it. And then of course, I became a teenager. I mean, I was allowed to go out.
And there was a jukebox where I heard Little Esther, and I heard Little Miss Cornshucks. I heard LaVern Baker. I definitely heard Dinah and I heard Ruth Brown – I used to love Ruth Brown. That was where I got the exposure to R&B females. Was a quite a while – I think I was pretty much almost grown like 15 when I became exposed to – Sarah had some hit pop songs and I heard Sarah Vaughan and that I loved. “I Ran All the Way Home” was my big song. Also one of my big numbers was the Ravens tune called “You Saw Me Crying in the Chapel.”
So I sang these songs in variety shows and I’m like ninth grade, 10th grade, so, these were the things that really made things happen for me. The fact that I did not I had no idea that you were supposed to be afraid, or that you needed to be nervous. Because to me that had no part of what I did. I was not nervous about it at all. Loved to sing – loved the lyrics to songs always. Yeah.”
Links to these sources and more provided in today’s show notes and the episode’s full transcript posted on goodblacknews.org.
This has been a daily drop of Good Black News, based on the “A Year of Good Black News Page-A-Day Calendar for 2022,” published by Workman Publishing.
Intro and outro beats provided by freebeats.io and produced by White Hot.
All excerpts of Nancy Wilson’s music included are permitted under Fair Use.
If you like these Daily Drops, please consider following us on Apple, Google Podcasts, RSS.com, Amazon, Spotify or wherever you get your podcasts. Leave a rating or review, share links to your favorite episodes, or go old school and tell a friend.
For more Good Black News, check out goodblacknews.org or search and follow @goodblacknews anywhere on social.
On #WorldPoetryDay, we celebrate poet and author Paul Laurence Dunbar, one of the first African American writers to celebrate Black speech and vernacular in his works.
You can follow or subscribe to the Good Black News Daily Drop Podcast through Apple Podcasts, Spotify, Google Podcasts, rss.comor create your own RSS Feed. Or just check it out every day here on the main website (transcript below):
SHOW TRANSCRIPT:
Hey, this Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a daily drop of Good Black News for Monday, March 21st, 2022, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing.
Though several O.G. rappers jump-started their careers by selling CDs out of the trunks of their cars, the real O.G. was 19th century poet Paul Laurence Dunbar – he sold his poems to people riding in the elevator he operated!
One of the first African American writers to garner international fame, Dunbar celebrated Black speech and vernacular in many of his works.
In 1903 he wrote the lyrics for In Dahomey, the first all-African American musical produced on Broadway, but his best-known legacy — other than the poem “We Wear The Mask” — most likely springs from 20th century poet Maya Angelou, who “sampled” Dunbar’s poem Sympathyfor her autobiography’s title: I Know Why the Caged Bird Sings.
Links to these sources and more are provided in today’s show notes and in the episode’s full transcript posted on goodblacknews.org.
This has been a daily drop of Good Black News, based on the “A Year of Good Black News Page-A-Day Calendar for 2022,” published by Workman Publishing.
Beats provided by freebeats.io and produced by White Hot.
If you like these Daily Drops, please consider following us on Apple, Google Podcasts, RSS.com, Amazon, Spotify or wherever you get your podcasts. Leave a rating or review, share links to your favorite episodes, or go old school and tell a friend.
For more Good Black News, check out goodblacknews.org or search and follow @goodblacknews anywhere on social.
Hey, it’s Lori, GBN’s Editor-in-Chief, stepping in with this week’s Music Monday share. As yesterday was what would have been song stylist Nancy Wilson’s 85th birthday, I have crafted an 85-song tribute playlist that spans her six decades-long recording career.
A prolific singer who recorded and released 52 albums, three-time Grammy Award winner Wilson was one of the greats who often is not given her just due in popular music history. For a time in the 1960s, Wilson was the second biggest recording artist at Capitol Records – the biggest being the Beatles.
Born on February 20, 1937 in Chillicothe, Ohio, Nancy Sue Wilson knew by the time she was four years old she would be a singer. By her teen years she won a talent contest and began performing on a local television program called Skyline Melodies, then became its host.
She soon met jazz saxophonist and bandleader Julius “Cannonball” Adderley, who was impressed with her talent and suggested she move to New York City. The move lead to Wilson landing a recording contract with Capitol and releasing her first single and album in 1960.
The first five songs that kick off this compilation are some of Wilson’s best known recordings, some of which charted on Billboard Magazine’s pop and/or R&B charts: “(You Don’t Know) How Glad I Am” – Pop #11; “Save Your Love For Me” – R&B #11; “Tell Me The Truth” – R&B #22 – others which are considered Nancy Wilson standards.
From Wilson’s rendition of “Fly Me To The Moon” off her first album, Like in Love, until the playlist’s conclusion, I’ve ordered the songs to play mostly in chronological order, to offer a sense of how Wilson’s music and voice developed from the 1960s on.
Highlights include her recordings with George Shearing and Cannonball Adderley (The Swingin’s Mutualand Nancy Wilson/Cannonball Adderleyare two classic Nancy Wilson albums that deserve to be purchased and heard in their entirety), and the live tracks from The Nancy Wilson Show recorded live at the Cocoanut Grove in Los Angeles, and the tracks from one of my personal favorite Nancy Wilson albums, 1971’s But Beautiful, where she is backed brilliantly by the Hank Jones Quartet.
I’d also like to point out Wilson’s superlative cover of “Raindrops Keep Fallin’ On My Head” from her 1970 album Can’t Take My Eyes Off You and the utterly surprising and borderline funky “Tell The Truth” from her 1974 All in Love is Fair LP written by Wilson along with Tennyson Stephens. And YES, the first line is “Bitches taking money and they livin’ well.” Seriously, enjoy.
There are more treasures than I can count in this playlist, especially her later recordings towards the end of her career before she stopped recording such as “When October Goes,” “Peel Me A Grape” and “The Golden Years.”
Wilson passed in 2018 but her music deserves and needs to continued to be appreciated and shared for generations to come. To quote GBN music contributor Jeff Meier from his Facebook tribute to Wilson when she passed:
“While she was probably not a jazz purists favorite jazz performer, a pop fan’s favorite pop singer, nor a soul fan’s top soul artist, she was something in the middle, an accurately self-proclaimed ‘song stylist’ who was a true pioneer in African-American ‘supper club’ entertainment, blending the best from the American songbook – pop, jazz, blues, show tunes into one stylish mix.
In the vein of Johnny Mathis and Lena Horne, she was beautiful, elegant, classy – and therefore also the perfect archetype of ‘guest’ to help integrate television in the early ’60s, when she was regularly featured on variety shows like Andy Williams, Hollywood Palace, Danny Kaye, Smothers Brothers, Carol Burnett and many more.
She is undoubtedly what Columbia Records was trying to turn Aretha Franklin into before Aretha broke free for Atlantic to become her true self. Good thing, because just as there was only one Aretha, there was also only one Nancy Wilson.”
I hope you enjoy this playlist, and please know we are still working behind the scenes on re-creating and offering our playlists via Apple Music for those who would like a non-Spotify option. As soon as they are ready, I’ll be sure to post and let you know.
2/22/22 UPDATE:
Good Black News is now officially on Apple Music! Going forward, we will offer all MUSIC MONDAY playlists on both platforms. Slowly but surely, we will add the playlists from past Music Mondays on Apple Music as well. Enjoy!
Dayton, Ohio was already a mecca of grooves, before Lakeside first dubbed it “The Land of Funk” in its swashbuckling cut “Fantastic Voyage.”
In the 1970s and 1980s, southwestern Ohio – particularly Dayton’s west side – was known for its collective of funk bands whose influence can still be heard in hip-hop, house, and other forms popular today.
The Ohio Players, the grandmasters of them all, have seen their songs sampled or remade by Snoop Dogg, Puff Daddy, Salt-N-Pepa, Soundgarden, and the Red Hot Chili Peppers to name but a few.
I’ve thrown in tracks by fellow Ohioans — Screamin’ Jay Hawkins, The Isley Brothers and Bobby Womack — to further show the disproportionate amount of funk Ohio has produced.
This will be another one that will make you move. Enjoy.
(photo of wrongfully convicted brothers Wiley Bridgeman and Kwame Ajamu via moguldom.com)
Earlier this month, the city of Cleveland agreed to pay a combined $18 million to Rickey Jackson, Wiley Bridgeman and his brother Kwame Ajamu, three men who spent decades in prison for a 1975 killing they did not commit, according to cleveland.com.
The trio reached this settlement during an 12-hour mediation held by U.S. District Judge Dan Polster, and will end the lawsuits each man filed for the time they spent behind bars.
The men, now in their 60s, were convicted of murder in 1975 for the shooting of money order collector Harold Franks at what was then the Fairmont Cut Rate Store on the city’s East Side. The trio maintained their innocence and were cleared in 2014.
Jackson had served 39 years in prison and was believed at the time to have served the longest amount of time behind bars of anyone wrongfully convicted of a crime.
Ajamu, with tears frequently streaming down his face, said they were accepting the settlement because “we now know that you have no other reason and no other recourse but to tell the world that you wronged three little black boys 45 years ago.”
While thanking his lawyers Terry Gilbert and Jacqueline Greene of Friedman & Gilbert, Ajamu expressed gratitude but did not downplay the long fight he, his brother and friend undertook to clear their names.
“Money cannot buy freedom and money certainly does not make innocence,” said Ajamu, who in addition to Gilbert and Greene was also represented by attorney David Mills.
A jury in August 1975 found Jackson, Bridgeman and Ajamu, then known as Ronnie Bridgeman, guilty of murdering Franks. They were also convicted of trying to kill store owner Anna Robinson. Cuyahoga County prosecutors relied on the eyewitness testimony of young Eddie Vernon to prove their case.
A judge sentenced the men to death, though the sentences were reduced to life in 1978 when the state enacted a short-lived moratorium on the death penalty.
Nearly 40 years later, Vernon recanted his testimony and judges overturned the men’s criminal convictions. Vernon, who was 12 years old when Franks was killed, said in 2014 that city detectives pressured him to lie on the witness stand, which included threats to jail his parents, and that police manipulated him.
Bridgeman, 65, and Jackson, 63, were released in 2014 with the help of the Ohio Innocence Project, which obtained Vernon’s recantation. Ajamu, 62, was paroled in 2003. The story of the murder and the work done to secure their freedom was chronicled in a book called “Good Kids, Bad City” written by Kyle Swenson, now a reporter for The Washington Post who covered the case for the alternative weekly Cleveland Scene.
The inaugural class of NBA superstar LeBron James‘ I Promise School in his hometown of Akron, Ohio, has received some life-changing news, according to CNN.
All 193 students, who are high school juniors, will be receiving free tuition to Kent State University. The students, who were visiting the Kent State campus, erupted in cheers when they were told of the news, while many of their parents, watching from a live feed in a separate room, burst into tears.
On Wednesday, James told reporters that his school has a great relationship with Kent State and the University of Akron. When the school opened in 2018, plans were announced to promise free tuition to the University of Akron when the students graduate.
“We have so many options, and I just know that so many kids in my community just don’t have many options,” James said. “So for me to be able to be in a position where I can give these kids options to decide what they want to do with their future, it’s probably the best thing I’ve ever done.”
According to a press release, the students will be guaranteed free tuition for four years as well as one year of a free room and meal plan. The students will be eligible for the package as college freshmen for the 2021-2022 academic year. To be eligible, they must be admitted to Kent State, fill out required financial aid forms and have completed a required number of community service hours each semester.
To remain eligible, students need to remain in good academic standing, take part in a required number of community service or volunteer hours and complete a minimum number of credit hours per year.
“We are so pleased to take our partnership with the LeBron James Family Foundation to this next level and welcome these students fully into the Kent State family,” said Kent State President Todd Diacon. “Kent State looks forward to the time when our campus is teeming with I Promise students.”
Notorious B.I.G., Whitney Houston, Rufus feat. Chaka Khan (photos courtesy Rock and Roll Hall of Fame)
Whitney Houston, Rufus featuring Chaka Khan and Notorious B.I.G. are among the 16 nominees for the 2020 Rock and Roll Hall of Fame inductees.
Houston and Biggie Smalls are on the ballot for the first time along with Dave Matthews Band, The Doobie Brothers, Motörhead, Pat Benatar, Soundgarden, T.Rex, and Thin Lizzy. This is the third time Rufus & Chaka Khan have been nominated.
Inductees will be announced in January 2020. The Rock & Roll Hall of Fame 2020 Induction Ceremony takes place at Public Auditorium in Cleveland, Ohio on May 2, 2020.
The Rock & Roll Hall of Fame offers fans the opportunity to participate in the induction selection process. Beginning October 15 and continuing through 11:59 p.m. EST on January 10, 2020, fans can go to Google and search “Rock Hall Fan Vote” or any nominee name plus “vote” to cast a ballot with Google, vote at rockhall.com, or at the Museum in Cleveland.
This week, reporter Erica L. Green wrote an encouraging feature in the New York Times about the “I Promise” public school NBA superstar LeBron James opened last year through the LeBron James Family Foundation in his hometown of Akron, Ohio. To quote the article:
“This time last year, the students at the school — Mr. James’s biggest foray into educational philanthropy — were identified as the worst performers in the Akron public schools and branded with behavioral problems. Some as young as 8 were considered at risk of not graduating. Now, they are helping close the achievement gap in Akron.
The academic results are early, and at 240, the sample size of students is small, but the inaugural classes of third and fourth graders at I Promise posted extraordinary results in their first set of district assessments. Ninety percent met or exceeded individual growth goals in reading and math, outpacing their peers across the district.”
To read more about the school, its current impact and see photos from it, click here.
Nancy Wilson, whose skilled and flexible approach to singing provided a key bridge between the sophisticated jazz-pop vocalists of the 1950s and the powerhouse pop-soul singers of the 1960s and ’70s, died on Thursday at her home in Pioneertown, Calif. She was 81.
Her death was confirmed by her manager, Devra Hall Levy, who said Ms. Wilson had been ill for some time; she gave no other details.
In a long and celebrated career, Ms. Wilson performed American standards, jazz ballads, Broadway show tunes, R&B torch songs and middle-of-the-road pop pieces, all delivered with a heightened sense of a song’s narrative.
“I have a gift for telling stories, making them seem larger than life,” she told The Los Angeles Times in 1993. “I love the vignette, the plays within the song.
Some of Ms. Wilson’s best-known recordings told tales of heartbreak, with attitude. A forerunner of the modern female empowerment singer, with the brassy inflections and biting inflections to fuel it, Ms. Wilson could infuse even the saddest song with a sense of strength.
In her canny signature piece from 1960, “Guess Who I Saw Today”(written by Murray Grand and Elisse Boyd), a woman baits her husband by dryly telling him a story in which he turns out to be the central villain. In her 1968 hit, “Face It Girl, It’s Over” (by Francis Stanton and Angelo Badale), Ms. Wilson first seems to throw cold water in the face of a deluded woman who fails to notice that her lover has lost interest in her. Only later does she reveal that she is the benighted woman scorned.
“Face It Girl,” an epic soul blowout, became one of Ms. Wilson’s biggest chart scores, making the Top 30 of Billboard’s pop chart and Top 15 on its R&B list.ing News
Her biggest hit came in 1964, when “(You Don’t Know) How Glad I Am”(Jimmy Williams and Larry Harrison), a rapturous R&B ballad delivered with panache, reached No. 11 on Billboard’s pop chart.
Three years later she became one of the few African-Americans of her day to host a TV program, the Emmy-winning “Nancy Wilson Show,” on NBC.
Ms. Wilson released more than 70 albums in a five-decade recording career. She won three Grammy Awards, one for best rhythm and blues recording for the 1964 album “How Glad I Am,” and two for best jazz vocal album, in 2005 and 2007. In 2004, she was honored as a Jazz Master by the National Endowment for the Arts. Nancy Wilson’s album “How Glad I Am,” from 1964, won a Grammy Award for best rhythm and blues recording.
For her lifelong work as an advocate of civil rights, which included participating in a Selma to Montgomery, Ala., protest march in 1965, she received an award from the Martin Luther King Jr. Center for Nonviolent Social Change in Atlanta in 1993 and an N.A.A.C.P. Hall of Fame Image Award in 1998.
In 2005, she was inducted into the International Civil Rights Walk of Fame at the Martin Luther King Jr. National Historic Site, also in Atlanta.
“As an artist then, taking such a political stand came with professional risks,” she told the blog Jazz Wax in 2010. “But it had to be done.”
To learn more about Dayton, Ohio native Dunbar, read the 2017 paperback of 
“Money cannot buy freedom and money certainly does not make innocence,” said Ajamu, who in addition to Gilbert and Greene was also represented by attorney David Mills.
