Eunice Kathleen Waymon (February 21, 1933 – April 21, 2003), born in Tyron, North Carolina and better known by her stage name Nina Simone, was an American singer, songwriter, pianist, arranger, and civil rights activist widely associated with jazz music. Simone studied at the Julliard School of Music in New York and worked in a broad range of styles including classical, jazz, blues, folk, R&B, gospel, and pop. Among Simone’s most popular recordings were “My Baby Just Cares For Me”, “I Put A Spell On You”, “I Loves You, Porgy” “Feeling Good” and the civil rights protest song “Mississippi Goddam.” Learn more about this amazing musician’s life and music here and watch her live performance of “Ain’t Got No… I Got Life” below:
[youtube http://www.youtube.com/watch?v=GUcXI2BIUOQ&w=420&h=315]
article by Lori Lakin Hutcherson
Posts tagged as “New York”
For Black History Month it is usually the norm to celebrate those with the biggest names like Rosa Parks and Malcolm X. But there are others who created milestones in Black history that deserve to be celebrated. One such trailblazer is fashion designer Ann Lowe.
In 1953, Lowe designed Jacqueline Kennedy Onassis’ wedding dress for her marriage to John F. Kennedy. The iconic dress was constructed out of 50 yards of ivory silk taffeta. As the story goes, just ten days before the wedding ceremony a water line broke in Lowe’s New York City studio and ruined the former First Lady’s gown along with all of her bridesmaids dresses. But that didn’t stop Lowe, she worked tirelessly to recreate all eleven designs in time for the Rhode Island nuptials! Yet the only mention Lowe received by name was a blurb in the Washington Post where fashion editor Nine Hyde simply wrote “… the dress was designed by a Negro, Ann Lowe.”
Samantha Knowles, 22, surrounded by the subject of her new 25-minute movie.
Sometimes, a doll is not just a doll. It’s a reminder of a child’s beauty and potential. No one understands that better than 22-year-old director Samantha Knowles, whose experience growing up as an African-American in a predominantly white community was the inspiration for her new documentary, “Why Do You Have Black Dolls?”
The 25-minute debut film about the significance of black dolls has been accepted at five film festivals and a trailer for “Why Do You Have Black Dolls” can be seen on Youtube.com.
“When I was 8, a white friend came over and innocently asked, ‘Why do you have black dolls?” remembers Knowles, who was raised in Warwick, N.Y., and now lives in Prospect Heights. “At the time, I obviously couldn’t really answer the question.” Fourteen years later, she can. Knowles, who initially made the film as her honors thesis at Dartmouth College, spent $6,000 and interviewed more than 20 dollmakers and historians, mostly in New York and Philadelphia.
“When I was 8, a white friend came over and innocently asked, ‘Why do you have black dolls?” remembers Knowles, who was raised in Warwick, N.Y., and now lives in Prospect Heights. “At the time, I obviously couldn’t really answer the question.” Fourteen years later, she can. Knowles, who initially made the film as her honors thesis at Dartmouth College, spent $6,000 and interviewed more than 20 dollmakers and historians, mostly in New York and Philadelphia.
On Feb. 4, 1986, the U.S. Postal Service issued a commemorative postage stamp honoring abolitionist and women’s rights activist Sojourner Truth as part of its Black Heritage series.
Sojurner Truth was born Isabella Baumfree in 1797 on the Hardenbergh plantation in upstate New York. In 1826, Truth managed to escape to freedom and became known as a fearless advocate for enslaved African-Americans and women.
She is best known for her “Ain’t I a Woman?” speech that challenged gender and racial inequalities. During the Civil War, Truth became involved in the war effort by recruiting black troops for the Union Army. After the war, she tried unsuccessfully to secure land grants from the federal government for former slaves.
article by Naeesa Aziz via bet.com
She is best known for her “Ain’t I a Woman?” speech that challenged gender and racial inequalities. During the Civil War, Truth became involved in the war effort by recruiting black troops for the Union Army. After the war, she tried unsuccessfully to secure land grants from the federal government for former slaves.
article by Naeesa Aziz via bet.com
An exhibit honoring African-American historical figures opened Monday at New York’s state Capitol to highlight February as “Black History Month.”
Titled “From Slavery to Citizenship: The African American Experience in New York 1817-1872,” the display chronicles contributions black New Yorkers made during the years following the Civil War and emancipation of slaves.
“New York’s history as a progressive leader really began during this time,” Gov. Andrew Cuomo said in a statement Monday. “The courage of the writers, activists and soldiers, both black and white, who confronted racial inequality set a precedent that would inspire the New Yorkers who followed to lead the nation in the struggle against every type of injustice.”
The exhibit’s timeline starts with 1817, when New York passed a law to enact the gradual emancipation of slaves, and ends in 1872, when abolitionist Frederick Douglass became a member of New York’s Electoral College.
The display includes relevant artifacts, biographies and historical narrative. The artifacts are from collections belonging to the state Archives, the state Library and the state Military Museum.
(Misty Copeland/Photo: Hello Beautiful)
Ballet dancer Misty Copeland has a two-book deal. Copeland, 30, is working on a memoir for Simon & Schuster‘s Touchstone imprint and picture book for G.P. Putnam’s Sons Books for Young Readers, part of Penguin Group (USA). Copeland helped break ground as an African-American female soloist for the American Ballet Theatre. According to a release Wednesday by the two publishers, both of her books are scheduled for 2014.
In her memoir, Copeland is expected to describe the battles between her mother and her dance instructors while she was a teen over whether she should be allowed to pursue her career and who was her legal guardian.
article via blackamericaweb.com
Ideal School of Manhattan administrators (l-r) Angela Bergeson, Head of School; David Byrnes, director of institutional equity, and Michelle Smith, school co-founder watch second-graders at work on a Civil Rights Museum project
A Civil Rights museum like no other is going to pop up in Manhattan later this week. This one is meant to change the future. Students at the Ideal School of Manhattan were busy constructing exhibits for the museum, a yearly event at the seven-year-old, independent K-to-eighth grade school.
Head of School Angela Bergeson said the museum started out as a yearly school assembly on civil rights, but became so popular that “we decided to devote the whole morning to the museum so that families could go room to room and see all the curriculum pieces, the writing, readings and plays.”
Each grade in the school is assigned an iconic figure from the Civil Rights or non-violence movements, along with an associated word around which the students create exhibits.
Each grade in the school is assigned an iconic figure from the Civil Rights or non-violence movements, along with an associated word around which the students create exhibits.
The State Museum in Albany, NY is marking the 100th birthday of photographer Gordon Parks with an exhibit of his works. The show opens on Jan. 26 and will showcase six decades of Parks’ photographs. It will include his most famous photo, “American Gothic, Washington, D.C.,” which shows a black cleaning woman standing in front of an American flag with a broom and a mop.
State Education Commissioner John King says Parks’ work helped drive the Civil Rights movement by exposing the stark realities of life faced by many African Americans.
The State Museum display is organized by the Schomburg Center for Research in Black Culture. The exhibit includes images from the Farm Security Administration and Office of War Information collections at the Library of Congress.
article by Associated Press via huffingtonpost.com
State Education Commissioner John King says Parks’ work helped drive the Civil Rights movement by exposing the stark realities of life faced by many African Americans.
The State Museum display is organized by the Schomburg Center for Research in Black Culture. The exhibit includes images from the Farm Security Administration and Office of War Information collections at the Library of Congress.
article by Associated Press via huffingtonpost.com
Studio Museum in Harlem is awarding its Wein Prize, one of the most lucrative in contemporary art, to Jennie C. Jones, a 44-year-old Brooklyn-based painter and sculptor whose work – which she describes as “listening as a conceptual practice” – centers on music.
The prize, with a $50,000 award, has been given every year since 2006 to established or emerging African-American artists. It was started by George Wein, a founder of the Newport Jazz Festival, in honor of his wife, Joyce Alexander Wein, a longtime trustee of the museum who died in 2005.
The prize, whose announcement was delayed by Hurricane Sandy, will be given at a museum gala on Feb. 4. Thelma Golden, the museum’s director and chief curator, said in an interview that Ms. Jones was chosen “not only to celebrate the rigor and strength of her practice, but also because of the thinking about what this amazingly generous prize could do for her at this point in her career.”
Ms. Jones, who will have a solo exhibition in May at the Hirshhorn Museum and Sculpture Garden, has been featured in several shows over the last decade at the Studio Museum and in Chelsea. Her work often uses the language of Minimalism to explore, and sometimes appropriate, avant-garde jazz and other modern music.
“I kept seeing these amazing parallels in ideologies for both disciplines, especially in jazz and abstraction,” Ms. Jones has said. “Conceptualism allows these different media to occupy the same space.”
article by Randy Kennedy via nytimes.com
The prize, whose announcement was delayed by Hurricane Sandy, will be given at a museum gala on Feb. 4. Thelma Golden, the museum’s director and chief curator, said in an interview that Ms. Jones was chosen “not only to celebrate the rigor and strength of her practice, but also because of the thinking about what this amazingly generous prize could do for her at this point in her career.”Ms. Jones, who will have a solo exhibition in May at the Hirshhorn Museum and Sculpture Garden, has been featured in several shows over the last decade at the Studio Museum and in Chelsea. Her work often uses the language of Minimalism to explore, and sometimes appropriate, avant-garde jazz and other modern music.
“I kept seeing these amazing parallels in ideologies for both disciplines, especially in jazz and abstraction,” Ms. Jones has said. “Conceptualism allows these different media to occupy the same space.”
article by Randy Kennedy via nytimes.com
One of Camilo José Vergara’s photographs on view at the New-York Historical Society.
Since the 1970s Camilo José Vergara has been photographing murals of the Rev. Dr. Martin Luther King Jr. painted on walls in cities across the United States. Through them, he has documented social and political changes in the country itself. On a wall in the Callowhill section of Philadelphia, above, Dr. King is the potent orator of the Washington marches; on Frederick Douglass Boulevard in Harlem he’s a solitary, anxious visionary. In Los Angeles his figure is all but buried under fresh graffiti; in the South Bronx, the site of turf wars between blacks and Latinos in the 1970s, his face is scratched out.
Most of the murals were based on published images of Dr. King, edited to context. With trends in immigration, he takes on Latino and Asian features. Over time he is joined by a shifting pantheon of timely heroes: Malcolm X, Nelson Mandela, Michael Jackson and President Obama. As one person explained to Mr. Vergara: “Rosa Parks sat so Martin Luther King could walk. Martin Luther King walked so Obama could run. Obama ran so we all can fly.” On the evidence of the 30 pictures in “The Dream Continues: Photographs of Martin Luther King Murals by Vergara” at the New-York Historical Society through May 5, the popularity of other heroes brightens and fades while Dr. King’s mystique lives on.
article by Holland Cotter via nytimes.com