Abolitionist and Activist Sojourner Truth Honored as “Tail Fin Hero” by Norwegian Air

(photo via Norwegian Air)

by Judy Rife via recordonline.com

Norwegian Air will honor Sojourner Truth, the abolitionist and activist who was born a slave in Ulster County, NY, as a “tail fin hero.” Truth’s likeness will appear on the fourth Boeing 737 MAX 8 that Norwegian will take delivery of this month.

The airline, which began flights between Stewart International Airport and Europe in June, regularly honors historical figures from the countries where it operates on the tail fins of its aircraft. Last month, it honored its first American, Benjamin Franklin, as well as Sir Freddie Laker from England and Tom Crean from Ireland on the first three of the six MAXs that it will receive from Boeing this year. The remaining two planes will also honor Americans.

The six planes will be used on Norwegian’s new routes between three East Coast airports and Europe, including Stewart Airport, T.F. Green in Providence, R.I., and Bradley International in Windsor Locks, Conn. In announcing the selection of Truth, Thomas Ramdahl, Norwegian Air’s chief commercial officer, called her “an inspiration and a pioneer” for people around the world.“She is someone who pushed boundaries and challenged the establishment in more ways than one,″ said Ramdahl in a statement.

Truth, among the Smithsonian’s “100 Most Significant Americans of All Time,” was born into slavery as Isabella Baumfree around the turn of the 18th century, escaped in 1826 and changed her name to Sojourner Truth in 1843. A gifted orator, Truth is best known for her dedication to the abolition of slavery and women’s rights, but she also was a proponent of prison reform, property rights and universal suffrage. She died in 1883.

Source: Norwegian Air pays tribute to abolitionist Sojourner Truth

Hip Hop Artist Young Thug Donates Proceeds from NYC Show To Planned Parenthood

Young Thug (photo via madamenoire.com)

by Ashley Monaé via madamenoire.com

Young Thug has a huge heart and a soft spot for Planned Parenthood. After performing at New York City’s Terminal 5, the rapper, who is also a father of six, shared that he would donate all the proceeds to the non-profit organization.

“I’m donating the proceeds from my show tonight to @PPFA,” he tweeted. “I was a teenage parent. Planned + unplanned parenthood is beautiful.” Young Thug had his first child at the tender age of 17, so he knows the aid that Planned Parenthood brings to many families.

The organization, which provides reproductive health care, has recently been under fire for their abortion services. In particular, Donald Trump signed legislation just a few months back aimed at cutting off federal funding to Planned Parenthood and other groups.The trickle down has since continued as four Indiana clinics were officially shut down on Friday (June 30) after the state’s governor signed a bill to stop Medicaid funding for the organization in May.

To read original article, go to: Young Thug Donates Proceeds From NYC Show To Planned Parenthood

Harlem Will Soon Be Home to 20-Story Hip Hop Hall of Fame Museum

(photo via huffpost.com)

by Brennan Williams via (huffpost.com)

Earlier this month, the Hip Hop Hall of Fame Museum won a bid to acquire a Harlem building and development site for a new state-of-the-art facility that will “preserve, archive, exhibit, educate, and showcase hip-hop Music and culture from around the world.”

Phase one, which is set to begin in February 2018, of the museum’s development plan will include, among other things, a multimedia film production studio and a television content production center for students “that will be training for careers in tech and media, while producing real-life content for the museum, and the hip hop television channel network,” the museum’s founder, JT Thompson, said in a release.

Eventually the 20-story building will include 5-star hotel, retail mall, an arcade, restaurant and concert lounge. The organization has also launched a $150 million fundraising campaign to help complete funding for the entertainment complex.

Last year, Thompson ― who’s also an Army veteran ― told the New York Post that the museum’s progress has been a “labor of love.”

“Hip hop is about empowering yourself, moving beyond the music,” he said. “The HHHOF and I have a duty and responsibility to preserve this rich history of music and culture. [You need to] pull yourself up by your bootstraps to pursue your dreams.”

“This has been a labor of love. It’s had its valleys, mountains, peaks and falloffs. In the Army, I had leaders, mentors and brothers like teammates working to achieve something special. In life and in business, be disciplined and finish strong without quitting.”

For more info on the development of the Hip Hop Hall of Fame Museum, please visit the museum’s website.

Source: Harlem Will Soon Be Home To A 20-Story Hip Hop Museum | HuffPost

Ta-Nehisi Coates’s ‘Between the World and Me’ to be Staged at the Apollo Theater in April 2018

Ta-Nehisi Coates (photo via nytimes.com)

article by Andrew R. Chow via nytimes.com

“Between the World and Me,” Ta-Nehisi Coates’s award-winning book exploring racial injustice in America, will be brought to the Apollo stage next April.

Mr. Coates’s fiery work — which made him the National Book Award winner and a Pulitzer Prize finalist — will be adapted into a multimedia performance, with excerpted monologues, video projections, and a score by the jazz musician Jason Moran.

Portions of Mr. Coates’s letters to his son would be read aloud, while narratives of his experiences at Howard University and in New York City could be performed by actors. Kamilah Forbes, the Apollo’s executive producer, will direct the production.

The coming Apollo season will be Ms. Forbes’s first full season in the role; she previously was the associate director of “Raisin in the Sun” on Broadway.

To read more, go to: Ta-Nehisi Coates’s ‘Between the World and Me’ Is Coming to the Apollo – NYTimes.com

FEATURE: Rev. Nathaniel Dixon Preaches the Gospel, Jazz Riffs and All

article by Corey Kilgannon via nytimes.com

While a soulful organist welcomed church congregants last Sunday, the Rev. Nathaniel Dixon stood in his office in a natty pinstriped suit, looking more like a hip jazz musician about to hit the bandstand than a pastor preparing to take the pulpit.His office, in St. Stephen’s United Methodist Church in the Marble Hill section of Manhattan, bore signs of both Jesus and jazz. Its walls had framed photographs of Duke Ellington and Billie Holiday, and religious literature shared space with saxophones, keyboards and guitars.

After pulling on his white pastor’s robe, Mr. Dixon grabbed a box of saxophone reeds and his microphone.“ Edmar, let’s bring that tenor down, man,” he said to his assistant, Edmar Flores, who carried Mr. Dixon’s tenor saxophone to the sanctuary. As the service heated up, with his band backing him, Mr. Dixon picked up his horn and played from the pulpit.“My Lord, my God — you are my savior,” he sang, his voice swelling up to the church’s majestic rafters. Then he took up his saxophone.

The pastor’s playing style was spare and insistent, reminiscent of one of John Coltrane’s spiritual songs. “People who aren’t used to seeing a preacher playing the saxophone are surprised,” he said. “And when they see I can actually play, they’re more surprised.” As a young jazz musician, Mr. Dixon was seasoned in Harlem clubs, and played with the likes of the guitarist George Benson, the saxophonist Sam Rivers, the pianist Kenny Kirkland and the drummer Chico Hamilton.

Back then, he played bebop. Today, it is mostly GoJa, his name for a blend of gospel and jazz that swings with a spiritually uplifting message.Mr. Dixon said he tried to match one of his songs to his sermon every Sunday. Last Sunday, it was his composition “My Lord, My God,” a lyrical ode that recalls the spiritual style of the saxophonist Pharoah Sanders. The tune helped illustrate a point he was making about the Apostle Thomas’s reaction when called upon by Jesus.“I like Jesus because he calls you out,” Mr. Dixon said, before describing Thomas’s recognition of Jesus as his “eternal God.”“Somebody ought to clap right there,” he told the spare congregation, which included older women in ornate hats and ushers in white outfits.Applause went up and seemed to mingle with the morning sunlight filtering through the stained glass windows.

During the song, Mr. Dixon pointed to members of the band, directing each to perform a solo, then adding through the microphone, “Give the drummer some.”He told the congregation he wrote “My Lord, My God” while sitting in the church alone, “just me and the Lord.”“I like to doodle on the piano,” he said. “That’s where you get a chance to hear God speaking to you.”Mr. Dixon said he grew up in public housing in the Bronx and attended the High School of Music and Art in Manhattan. Struggling to land and keep gigs at jazz clubs in Harlem, like Smalls Paradise and Showman’s, taught him how to fend off other musicians looking to replace him.

“Just because Jesus said to turn the other cheek doesn’t mean you have to let people walk all over you,” he said.The saxophonist Stanley Turrentine taught him to play with no excuses, and the alto player Lou Donaldson helped him choose a better mouthpiece. Connecting with a jazz club audience helped prepare him to connect with a congregation, said Mr. Dixon, who worked nearly 30 years as a teacher and administrator in New York City public schools. At one middle school in the Bronx, he was allowed to keep a cot so he could head there after late-night gigs, he said.

Before retiring from teaching in 2005, he began studying for his ordination as a Methodist minister. He told the congregation on Sunday that he was “happy minding my own business, but God said, ‘I ain’t finished with you yet.’”His latest CD, “Made in New York City: Nat Dixon and Friends,” includes a version of “My Lord, My God,” with vocals by the Rev. Lori Hartman, daughter of the jazz singer Johnny Hartman and herself a pastor, at St. Paul United Methodist Church in Jamaica, Queens.

To read full article, go to: https://www.nytimes.com/2017/04/07/nyregion/preaching-the-gospel-jazz-riffs-and-all.html?em_pos=small&emc=edit_ur_20170409&nl=nytoday&nlid=58278902&ref=headline&_r=0

Judge Rules NYPD Must Disclose Surveillance of Black Lives Matter Protesters Under Freedom of Information Law

NYPD authorities “make blanket assertions and fail to particularize or distinguish their surveillance or undercover techniques and records,” Mendez wrote. (SAM COSTANZA/FOR NEW YORK DAILY NEWS)

article by Stephen Rex Brown via nydailynews.com

The New York Police Department must disclose documents and video revealing surveillance of Black Lives Matter protestors at Grand Central Terminal in 2014 and 2015, a judge has ruled. The case, brought by protester James Logue, challenged the NYPD’s denial of a Freedom of Information Law request for information on its monitoring of rallies following the police killings of Eric Garner in Staten Island and Michael Brown in Ferguson, Mo.

Logue decided to file the request after suspecting that police were “compiling dossiers” on individuals at the peaceful protest, his attorney David Thompson said. The NYPD had argued that revealing its tactics would interfere with law enforcement work. But Manhattan Supreme Court Justice Manuel Mendez ruled the NYPD could not decline to comply with the law on such “overly broad” grounds.

NYPD authorities “make blanket assertions and fail to particularize or distinguish their surveillance or undercover techniques and records,” Mendez wrote, adding that the department had failed to show why the use of redactions could not protect ongoing investigative work.

The judge noted that the MTA and Metro-North, which also monitored the rallies, responded to Logue’s FOIL request with some paperwork. Mendez ordered the NYPD to comply with Logue’s request within 30 days. He signed the ruling last Monday, though it was made public Wednesday.

To read more, go to: NYPD must disclose surveillance of Black Lives Matter protesters – NY Daily News

BLACK HISTORY MONTH: Cornell University Makes 19th Century Black America Photo Archive Available to Public


article via theguardian.com

Cornell University in New York has made a priceless photographic archive available to the public.  It shows the lives of black Americans as they rose through society after the antebellum era. To see all photographs, go to: Loewentheil Collection of African American Photographs

To see original article, go to: A taste of freedom: black America in the 19th century – in pictures | Art and design | The Guardian