A new musical inspired by the rap songs of the late Tupac Shakur is heading to Broadway. Holler If Ya Hear Me is scheduled to open at the Palace Theatre in New York on June 19, with preview performances set to begin on May 26. Holler isn’t a biographical account of Shakur, who was killed at the age of 25 in 1996 following a shooting in Las Vegas. Rather, the musical production will use the rapper’s lyrics to tell a story of contemporary inner-city lives.
Among the producers of the musical are Afeni Shakur, the rapper’s mother; movie and TV producer Eric L. Gold; and Chunsoo Shin, the prominent Korean theater producer who recently collaborated with the La Jolla Playhouse on another musical, Yoshimi Battles the Pink Robots. Kenny Leon (Steel Magnolias, A Raisin in the Sun), will direct Holler, which will feature a creative team that includes Wicked choreographer Wayne Cilento. Rumors of the Shakur musical had been circulating for months, though no official announcement from producers had been made until Wednesday.
article by David Ng via latimes.com
Posts tagged as “New York”
Think of trailblazing black TV shows, and The Cosby Show immediately comes to mind. But before the Cliff Huxtable, there was Fat Albert, Bill Cosby’s beloved animated creation that became famous for his catchphrase, “Hey, hey, hey!” Fat Albert and the Cosby Kids began airing in 1972, around the same time that other cartoons and animated shows finally began featuring black characters that weren’t all embodiments of negative stereotypes. “It wasn’t until the early 1970’s that Saturday Morning television cartoons started to feature image affirming Black characters with a modern look and positive story lines that delivered culturally relevant messages,” writes Pamela Thomas, aka SistaToFunky, on the website of her online Museum of UnCut Funk.
The museum, which I discovered thanks to a recent NPR story, is a treasure trove of African-American pop cultural artifacts and ephemera, from Blaxploitation movie posters to black comic books. Perhaps the most extensive is the black animation collection, which includes extensive explanatory texts, YouTube links, and original production cels and drawings. Thomas, who has a degree in black history from City College and is a former art dealer, focuses not just on shows with all-black casts, like Fat Albert and The Jackson 5ive cartoon, but on black characters that popped up in other shows, like Josie and the Pusscats’ Valerie Brown, whom she dubs the “first positive Black female character in a Saturday morning cartoon series”; and the “first Black male superhero character in a Saturday morning cartoon,” Schoolhouse Rock’s Verb (“I can question like: What is it? / Verb, you’re so demanding,” the song goes).
The Museum of UnCut Funk is an internet rabbit hole that you can (and should) easily get lost in for hours. It has no physical home yet, but I can only hope it will one day. In the meantime, Thomas has organized a physical exhibition, Funky Turns 40: Black Character Revolution, focused on black characters in Saturday morning cartoons. It opens at New York’s Schomburg Center for Research in Black Culture in February, and will travel to Chicago’s DuSable Museum of African American History and Seattle’s Northwest African American Museum afterwards.
article by Jillian Steinhauer via hyperallergic.com
NEW YORK (CBSNewYork) — Crowds in the know have been drawn to Macy’s to see the “special Santa,” an African-American Santa Claus tucked away in Santaland at the Macy’s flagship store in Herald Square. As CBS 2’s Tracee Carrasco reported, the special Santa only appears by request. But he was the sole reason Elizabeth Kittles and her family made the trip from the Bronx Monday night. “I could have gone anywhere,” Kittles said, “but I came right here to Macy’s because I knew they had an African-American Santa.”
When they reach the front of the line, parents must ask to see the special Santa. But Kittles said he is like a secret Santa to many. “There was plenty of African-American families that didn’t know, and when I did tell them, one guy said, ‘They have a black Santa?’ (I said), ‘Yeah they do,’” Kittles said. Kittles, who has been bringing her sons to see the special Santa at Macy’s for 10 years now, wishes the store would make sure more families know.
“An elf just told me as I was going through Santaland,” Kittles said. “It’s great that they have that option, but it would be great if they put it out there either on the visitors’ website or when they advertise when Santaland is open.” Other parents who spoke to CBS 2 did not know about the special Santa either, but agreed with Kittles. “I think it would mean a lot to some people; would make a difference for some people,” said Danielle Moriello of Linden, N.J. “It doesn’t matter what color he is.”
“It wouldn’t confuse the kids at all,” added Rafael Mendoza of Washington Heights. “It’s just the way you raise them up.” CBS 2 reached out to Macy’s for a comment about their special Santa. They responded, “Santa is all things to all who believe.”
article via newyork.cbslocal.com
“An elf just told me as I was going through Santaland,” Kittles said. “It’s great that they have that option, but it would be great if they put it out there either on the visitors’ website or when they advertise when Santaland is open.” Other parents who spoke to CBS 2 did not know about the special Santa either, but agreed with Kittles. “I think it would mean a lot to some people; would make a difference for some people,” said Danielle Moriello of Linden, N.J. “It doesn’t matter what color he is.”
“It wouldn’t confuse the kids at all,” added Rafael Mendoza of Washington Heights. “It’s just the way you raise them up.” CBS 2 reached out to Macy’s for a comment about their special Santa. They responded, “Santa is all things to all who believe.”
article via newyork.cbslocal.com
EAST RUTHERFORD, N.J. (AP) — Davion Only, the 15-year-old Florida foster boy who made headlines with his heartfelt adoption plea in October, was a guest of Jets wide receiver David Nelson at New York’s game against the Cleveland Browns. Only, wearing a green Jets jersey with Nelson’s No. 86, was on the sideline before the game Sunday at MetLife Stadium with a friend and guardian during the players’ warmups. Nelson also posed for pictures with Only, who was hosted this weekend by Nelson and his charity organization i’mME.
Nelson, who formed i’mMe with his two brothers to aid orphaned children last January, invited Only to New York for “a crash course in Christmastime in the city” after hearing about how the boy stood in front of a church congregation and begged for a family to love him.
Copyright 2013 The Associated Press via thegrio.com
AOP (American Opera Projects), and the Schomburg Center for Research in Black Culture will co-present an evening of scenes from Nkeiru Okoye‘s folk opera Harriet Tubman: When I Crossed That Line to Freedom that tells of how a young girl born in slavery, becomes Harriet Tubman, the legendary Underground Railroad conductor. The musical excerpts will be followed by an artist Q&A moderated by WQXR’s Terrance McKnight. The concert will be presented on Monday, December 9, 2013 at 6:30 PM at the Langston Hughes Auditorium: 515 Malcolm X Boulevard, New York, NY 10037-1801. General admission will be $10 ($8 for Schomburg Society Members) and available by calling (212) 491-2206 or visiting www.showclix.com/event/HarrietTubman.
Harriet Tubman will include performances by soprano Sumayya Ali (Lincoln Center, Berkshire Opera, Sarasota Opera), soprano Sequina DuBose (Lyric Opera of Chicago, Opera Memphis, PAB Theater), contralto Nicole Mitchell (Lincoln Center Festival, Sarasota Opera), tenor Clinton Ingram (Metropolitan Opera, New York City Opera, Teatro Real), and baritone Damian Norfleet (Perseverance Theater, AMAS Musical Theater, Prospect Theater Company). The evening will feature a string ensemble with music direction by Mila Henry, stage direction by Beth Greenberg (New York City Opera) and WQXR’s Terrance McKnight moderating a Q&A with the artists.
Using a mixture of opera and vernacular folk music, featuring gospel spirituals, ragtime, early blues, minstrel songs, work songs, call and responses, and field hollers, Harriet Tubman: When I Crossed That Line to Freedom tells this important chapter of American history in the context of Tubman’s tight-knit family of lively characters and two sisters vowing that nothing but death will separate them, despite the slavery threatening to tear them apart. The work is in development at Brooklyn-based AOP who has featured music from Tubman at venues such as Galapagos Art Space, SUNY Albany, and the Brooklyn Public Library Main Branch.
A semi-staged performance of the entire Harriet Tubman opera will be presented by AOP in February 2014 at Brooklyn’s Irondale Center as part of Lines of Freedom, a theatrical celebration of African-American history. Presentations of Harriet Tubman: When I Crossed That Line to Freedom are supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council and a generous grant from the National Endowment for the Arts (NEA) Art Works.
To learn more about the show, go to: broadwayworld.com
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[youtube=http://www.youtube.com/watch?v=H9l2TaLb9Xs&w=560&h=315]
Darnell Barton, a bus driver in Buffalo, New York, was driving across a Buffalo highway express with 20 high school students in his bus when he spotted a woman who had crossed the guard rail and was leaning over the passing traffic below. Against his training as a bus driver, Barton stopped the bus and quickly phoned dispatch to send someone to help, then got out of the bus and approached the woman. The woman turned her head, then looked back down at the traffic below the bridge. Barton then quickly put her in a bear hug and asked her if she would like to come over the guard rail. The woman, who had up until this point been silent, said yes.
A corrections officer and female driver sat with the woman, along with Barton, until an ambulance arrived to take her for help. Barton then got back on the bus and continued his route. He received a standing ovation from the students aboard the bus, as well as other passengers who’d been watching the ordeal. He finished the day and wrote up the report.
“Being the humble individual that Darnell is, he didn’t write it in a way that was going to call attention to himself,” said C. Douglas Hartmayer, spokesman for the Niagara Frontier Transportation Authority. “It was: I did it, got back on my bus and continued. That speaks volumes about his demeanor and character.”
Thanks to one man for taking the time out of his day to help someone who truly needed it. For more information about suicide prevention, visit the American Foundation for Suicide Prevention. If you are in crisis, please call (800) 273-TALK (8255).
article via dailyoftheday.com
Sweet Dreams, a documentary about efforts by the Brooklyn-based Blue Marble Ice Cream company to help a group of Rwandan women open their own shop, could have come off as insensitive or twee. And in the first 10 minutes, I worried that it was, indeed, about how artisanal food could save Africa.
When viewers are facing the aftermath of genocide in Rwanda, in which hundreds of thousands of Tutsis were slaughtered in 1994, it’s easy to think that ice cream is a comparatively petty concern. But, thankfully, the sibling directors Lisa and Rob Fruchtman have made a nuanced and deftly edited film about a complex issue. It’s fascinating to see the natural resources in this “land of milk and honey” transformed into novelty and development through a soft-serve machine. And, as one man says, “If you are bringing development to the woman, you are bringing it to the whole family.” It is rare to see a movie present such weighty problems and offer nonsimplistic, practical solutions in story form.
Ms. Fruchtman’s background as an editor (Apocalypse Now and Heaven’s Gate) may have helped guide the skillful narrative structure here. The initial focus on the struggles and successes of a small business may be familiar to Western audiences. But then the individual past horrors endured by these women are revealed in subtle and dramatic ways, until we realize the weight of trauma in this nation. “Can someone just see you and start guessing your story?” one subject wonders.
article by Miriam Bale via nytimes.com
It wasn’t easy – but Idris Brewster and Seun Summers made it through. The two teenagers made it through a difficult, challenge-filled journey to graduate high school. And they made it through with cameras documenting their every move. The two friends w
ere the main characters in the documentary American Promise, which explores their lives in Brooklyn from kindergarten to high school graduation day.
Idris’ parents Michèle Stephenson and Joe Brewster are the film’s producers and directors. Both Idris and Seun, who are African-American, are admitted into the Dalton School, a prestigious private school on New York’s Upper East Side.
Both of the boy’s parents decide it’s an opportunity they cannot pass up – but also acknowledge there will be difficulties their sons face on issues of race and class.
How would Idris and Seun handle fitting into the culture of a mostly white prep school?
The answer is complex – which the film shows in situations varying from tragic to mundane. The documentary raises more questions than it provides answers:
- Why do girls say no to Idris when he asks them to dance in middle school? (His black male classmates are convinced they would all “get girls” if they were white)
- Why does the school perceive Seun as unprepared? (His mom swears he is organized and motivated at home)
- What are Seun and Idris ‘missing out on’ by attending Dalton?
Seun – who struggled to connect with other kids socially and had his fair share of academic troubles at Dalton – decides to leave after eighth grade and go to a predominantly black high school in Brooklyn.
Idris stays and attends high school at Dalton but is not without struggle – he is later diagnosed with ADHD during his sophomore year after years of trouble focusing. He also struggles to keep up with the academic rigors of Dalton, but ultimately stays and finds the experience rewarding.
The film first opens in theaters on October 18th.
article by Todd Johnson via thegrio.com
As major political races heat up across the nation, one woman of color is proving that she can hold her own in a big city election. Letitia James officially beat out Daniel Squadron for the Democratic nomination in the New York City’s Public Advocate’s runoff race Tuesday night, the Associate Press reports. She gained 60 percent of votes to Squadron’s 40 percent which secured her position and helped diversify the Democratic party nominees for city office.
Because James has no Republican rival, she is expected to be the first African-American woman to hold a citywide elected post upon final ballot counts.
“We did it. We did it. We did it,” the former councilwoman from Brooklyn said publicly during a victory celebration. “All of us broke through that glass ceiling, and I am so proud of what we accomplished together. I’m proud that we made history tonight.”
The position of Public Advocate was the only race to have a runoff in New York City and cost nearly $13 million.
article by Liane Membis via clutchmagonline.com
Russell Simmons has amassed close to three million follows on Twitter and the strong presence he holds on the social media site had a powerful impact Wednesday night. Simmons sent Tweets to help raise money for a New-York-based anti-violence program that has launched a campaign on the fundraising site Crowdtilt.
The program, called Life Camp, is a non-profit violence prevention program that is hoping to raise $100,000 to help end gun violence and provide positive alternatives to kids and young adults. “During the prior eighteen months, before our full program was implemented, 17 people had been shot in our community,” wrote Erica Ford, the executive director of Life Camp. “Once our program was fully operational, we had 340 days of NO SHOOTINGS in our target area in South Jamaica, Queens.”
According to the Crowdtilt page, a government grant was delayed, which ultimately led to the closing of the community center. Since most of the program’s resources have been exhausted, the program’s founders turned to the crowd funding site to raise money. Simmons announced on Twitter that he has donated $10,000 to the campaign and asked followers to give money to the cause by promising retweets to those who said they pledged.
“Who can give $5, $10, $20 to save program that has saved lives of so many young people?? NO MORE BULLETS IN THE HOOD! http://tilt.tc/snyD,” he wrote. This followed his earlier tweet which said, “first ten people to donate $10 or more to keep one of the most critical anti-violence programs open, gets a RT.”
He kept his word – soon, followers responded to the call and Simmons thanked them for their kindness via Twitter. By the end of the night, Simmons reported that more than $775 was raised. There are still 27 days left in the fundraising campaign and the program has not yet reached half of their target goal. The money will be used towards initiatives like keeping the community center open and to restart the program’s “I Love My Life” campaign tours in local churches and schools.
To learn more about “Give Life to LIFE Camp! No More Bullets In The Hood” campaign, click here.
article by Lilly Workneh via thegrio.com
The program, called Life Camp, is a non-profit violence prevention program that is hoping to raise $100,000 to help end gun violence and provide positive alternatives to kids and young adults. “During the prior eighteen months, before our full program was implemented, 17 people had been shot in our community,” wrote Erica Ford, the executive director of Life Camp. “Once our program was fully operational, we had 340 days of NO SHOOTINGS in our target area in South Jamaica, Queens.”
According to the Crowdtilt page, a government grant was delayed, which ultimately led to the closing of the community center. Since most of the program’s resources have been exhausted, the program’s founders turned to the crowd funding site to raise money. Simmons announced on Twitter that he has donated $10,000 to the campaign and asked followers to give money to the cause by promising retweets to those who said they pledged.
“Who can give $5, $10, $20 to save program that has saved lives of so many young people?? NO MORE BULLETS IN THE HOOD! http://tilt.tc/snyD,” he wrote. This followed his earlier tweet which said, “first ten people to donate $10 or more to keep one of the most critical anti-violence programs open, gets a RT.”
He kept his word – soon, followers responded to the call and Simmons thanked them for their kindness via Twitter. By the end of the night, Simmons reported that more than $775 was raised. There are still 27 days left in the fundraising campaign and the program has not yet reached half of their target goal. The money will be used towards initiatives like keeping the community center open and to restart the program’s “I Love My Life” campaign tours in local churches and schools.
To learn more about “Give Life to LIFE Camp! No More Bullets In The Hood” campaign, click here.
article by Lilly Workneh via thegrio.com