Chris Rock speaks at #MLKNow event (photo via lifestream.com) Chris Rock brought the powerful words of James Baldwin to life Monday during a tribute at the “MLK Now” event in Harlem honoring the late Martin Luther King, Jr.
The program, put together by the Campaign For Black Achievement and Blackout for Human Rights — organizations committed to social justice — took place at Harlem’s Riverside Church, where King delivered his riveting 1967 speech, “Beyond Vietnam: A Time To Break Silence.”
The event attracted a bevy of black Hollywood stars, who celebrated the legacy of King and other black historical icons. Some stars paid tribute through musical performances, like India.Arie, who praised Shirley Chisholm. Others, including Rock, gave powerful recitals.
Rock, who will host the Oscars next month, read the words to Baldwin’s widely praised 1963 letter, “My Dungeon Shook.” Watch Rock’s full performance (he takes the stage around the 1:44 mark) by clicking here.
“Creed” and “Fruitvale Station” star Michael B. Jordan (Photo: Gustavo Caballero / Getty) Michael B. Jordan‘s first attempt at playing a superhero didn’t go over well with movie buffs. The 2015 reboot of “Fantastic Four” bombed at the box office but similar to his character in “Creed,” Jordan is a fighter! He’s now planning to star in his own superhero franchise.
Jordan and Nathan Edmonson are co-authoring the comic book, “North.” Here’s the premise of the series from The Hollywood Reporter:
“[‘North’] follows a soldier who is recruited into a top-secret paramilitary program that modifies his mind to make him a spy like no other. When an operation goes south, he is betrayed by the organizations he serves but quickly discovers he is far more dangerous than even his betrayers realize.”
While it sounds a lot like “Captain America,” Edmonson is an accomplished writer who wrote “The Punisher” and “Black Widow” for Marvel. He and Jordan met, ironically at one of Los Angeles’ top comic shops, Golden Apple, and decided to collaborate on their own comic.
The pair have already completed two issues which will be published by Dark Horse Comics in 2016. According to THR, this is the start of something big for the 28-year-old. “The duo want the comic to stand alone on its own merits, one of the goals is to craft an eventual producing vehicle for Jordan.” article by Zon D’Amour via hellobeautiful.com
“Creed” stars Sylvester Stallone and Michael B. Jordan (COURTESY OF WARNER BROS.)
Rocky Balboa is so synonymous with Philadelphia that the “City of Brotherly Love” erected a statue to memorialize the steps that the fictional boxer bounds up as part of his iconic training routine.
Well, actually the statue, with its portrait of the pugilist flinging his hands triumphantly in the air, was created for a scene in “Rocky III” and donated to Philadelphia by Sylvester Stallone, but at this point it has become such a symbol of the city’s working class spirit that its origins are almost superfluous.
That close bond between city and subject played out at the box office this weekend with the debut of “Creed,” which finds Balboa coaching the illegitimate son (Michael B. Jordan) of his former nemesis Apollo Creed. The picture, which took in an outstanding $42.6 million over its first five days in theaters, is over-indexing in Philadelphia by a massive 72%.
“Philadelphia is on fire and it has been since opening day,” said Jeff Goldstein, a distribution executive vice president at Warner Bros., the studio that is distributing the film.
Two of the top five best-performing theaters, AMC Neshaminy and the AMC Cherry Hill, are from the Philadelphia area. Another local theater, Regal Riverview Plaza, cracked the top ten list of highest-grossing theaters. On most films, those lists are dominated by locations in New York and Los Angeles, Goldstein said.
“Creed” is doing well in those cities and is also performing strongly in major metropolitan areas like Chicago, Atlanta and Houston, playing particularly well in communities with large Hispanic and African-American presences.
It’s not uncommon for films to do well in the places where they are set. For instance, both “Spotlight” and “Black Mass,” two fall releases that play up their Boston backdrops, did very well in the city when they debuted.
In the case of “Creed,” Philadelphia is almost a supporting character. The film recreates that run up the steps, features local landmarks such as South Philly’s Italian Market and plays up the fictional Balboa’s status as a hometown hero.
“Philadelphia is a part of all of the film’s DNA, so it makes sense it would play well there,” said Paul Dergarabedian, senior media analyst with Rentrak. “When the heart of the movie is a certain geographical location, it usually does well there.” article by Brent Lang via Variety.com
by Lesa Lakin, GBN Lifestyle Editor
It’s August, and summer is almost over, but I’m always on the hunt for fun entertaining things to do, read, watch and… enjoy! Here’s a few listed below: IN ART August 25th October 27th Muse by artist Mickalene Thomas
This gorgeous book is at the top of my list. It explores Mickalene’s inspiration of African American female beauty and identity through her photographs. We get lots of inspiring 70’s-themed shots.http://mickalenethomas.com
Serena will compete in the U.S. Open and may just make make tennis history.
IN TELEVISION August 5th
NBC premieres Mr. Robinson starring Craig Robinson as a musician (lead singer and keyboardist of the funk band Nasty Delicious) who takes a job as a high school substitute teacher to pay the bills. Craig is moved to inspire the kids. This sounds like a pretty cool premise promising lots of laughter.http://www.nbc.com/mr-robinson
July 30 L.A. Hair star Kim Kimble Thursdays, catch the new season L.A. Hair on WE tv with celebrity stylist Kim Kimble and her staff. Famed hair stylist Jonathan Antin reappears this season looking to break into the lucrative world of wigs and extensions.http://www.wetv.com/shows/la-hairhttp://kimblehairstudio.com IN CINEMA
August 7th Fantastic Four Michael B. Jordan joins Miles Teller, Kate Mara and Jamie Bell as four young outsiders who acquire superhuman abilities after a trip to an alternative universe. Check out the trailer here:https://www.youtube.com/watch?v=AAgnQdiZFsQ
August 14th Straight Outta Compton I don’t know about you, but I’ve been looking forward to this one for a while. The F. Gary Gray-directed film about the revolutionary rap legends N.W.A. is steadily gaining rave reviews. Click here for the trailer:http://www.straightouttacompton.com/#/ IN MUSIC
August brings us Erykah Badu! Click for tour dates: http://www.livenation.com/artists/41646/erykah-badu
August 10th Future
Future at the Observatory, Santa Ana CA http://www.observatoryoc.com/event/future-aug-10
August 12th Earl Sweatshirt Odd Future member and solo artist and all-around talented guy begins his second leg of the U.S. world tour this month and I can’t wait to see him!http://earlsweatshirt.com
August 21st Method Man– The Meth Lab It’s been a minute since Method Man has released a solo effort. He’s done tons of collaborations but this will be the first album he has put out in a decade. This 5th solo effort proves to be worth the wait.
August 22 -23rd
FYF Festival
Los Angeles-based annual festival featuring music performances from indie and alternative bands. Frank Ocean, Morrissey and Solange are among the many premiere acts.
August 28th
The Weeknd – Beauty Behind the Madness
Finally! The highly-anticipated album is coming out this month.
This is two minutes and forty three seconds of just pure sublime. It’s Ryan Coogler’s Creed, the MGM/New Line film that Warner Bros will release this fall. This isn’t just another installment of Rocky. After Coogler and Michael B. Jordan teamed on the Sundance sensation Fruitvale Station, each of these young guys had their pick of projects. Coogler used his currency on his dream to make Creed. Turns out that while he was growing up, Coogler’s father showed him the Rocky movies to instill the notion of heroes and the idea that dreams can come true with hard work.
As he became an accomplished wide receiver at Sacramento State and a budding filmmaker, Coogler’s father later came down with ALS. All of the touchstones of his life are rolled into this movie and it required him to win the trust of Sylvester Stallone, who was very protective over his first and most memorable character creation. When the movie became a reality, there was no one else he wanted to play the role of Apollo Creed’s son (it started out as grandson, but that evolved).
It is becoming a right of passage for actors to play ring heroes, and, just like Jake Gyllenhaal in Southpaw, Miles Teller in Bleed for This and Edgar Ramirez in Hands Of Stone, Jordan accepted the challenge and got himself into rocking gym shape. The film follows the late Apollo Creed’s son Adonis Johnson stepping into the boxing ring, a profession which killed his father in Rocky IV when he battled Russian fighter Drago. “Your Daddy died in the ring,” a trainer reminds the young Creed who retorts, “That got nothin’ to do with me.” Adonis turns to Rocky Balboa to train him. At this point, The Italian Stallion has completely checked out of the boxing game.
Best part in the trailer that will raise hairs, is when the young Creed meets Rocky:
“I heard about a third fight between you and Apollo behind close doors, is that true?,” asks the fighter.
“How do you know all this?” asks Rocky.
Declares Johnson: “I’m his son.” article by Anthony D’Alassandro via deadline.com
Michael B. Jordan as “Johnny Storm/Human Torch” in “Fantastic Four” (Photo via ew.com)
You’re not supposed to go on the Internet when you’re cast as a superhero. But after taking on Johnny Storm in Fantastic Four—a character originally written with blond hair and blue eyes—I wanted to check the pulse out there. I didn’t want to be ignorant about what people were saying. Turns out this is what they were saying: “A black guy? I don’t like it. They must be doing it because Obama’s president” and “It’s not true to the comic.” Or even, “They’ve destroyed it!”
It used to bother me, but it doesn’t anymore. I can see everybody’s perspective, and I know I can’t ask the audience to forget 50 years of comic books. But the world is a little more diverse in 2015 than when the Fantastic Four comic first came out in 1961. Plus, if Stan Lee writes an email to my director saying, “You’re good. I’m okay with this,” who am I to go against that?
Some people may look at my casting as political correctness or an attempt to meet a racial quota, or as part of the year of “Black Film.” Or they could look at it as a creative choice by the director, Josh Trank, who is in an interracial relationship himself—a reflection of what a modern family looks like today.
This is a family movie about four friends—two of whom are myself and Kate Mara as my adopted sister—who are brought together by a series of unfortunate events to create unity and a team. That’s the message of the movie, if people can just allow themselves to see it.
Sometimes you have to be the person who stands up and says, “I’ll be the one to shoulder all this hate. I’ll take the brunt for the next couple of generations.” I put that responsibility on myself. People are always going to see each other in terms of race, but maybe in the future we won’t talk about it as much. Maybe, if I set an example, Hollywood will start considering more people of color in other prominent roles, and maybe we can reach the people who are stuck in the mindset that “it has to be true to the comic book.” Or maybe we have to reach past them.
To the trolls on the Internet, I want to say: Get your head out of the computer. Go outside and walk around. Look at the people walking next to you. Look at your friends’ friends and who they’re interacting with. And just understand this is the world we live in. It’s okay to like it.
[youtube https://www.youtube.com/watch?v=POBI7OhGB18&w=560&h=315] article by Michael B. Jordan via ew.com
12 Years A Slave topped off its amazing awards-season run by earning the Best Picture Oscar tonight at the 86th Academy Awards. 12 Years director/producer Steve McQueen and producer Brad Pitt accepted the award at the end of a night that also saw writer John Ridley win for Best Adapted Screenplay, and rising star Lupita Nyong’o triumph in the Best Supporting Actress category. According to Variety.com, McQueen made history by becoming the first black producer to ever win an Academy Award for Best Picture.
The star-studded night also saw an energizing performance of “Happy” by Original Song nominee Pharrell Williams (who danced with Nyong’o, Meryl Streep and Amy Adams in the aisles), a brief a cappella version of “Eye on the Sparrow” from Darlene Love during the Best Feature Documentary acceptance speech for 20 Feet From Stardom and Oscar presentations from Will Smith, Whoopi Goldberg, Jamie Foxx, Michael B. Jordan, Tyler Perry, Gabourey Sidibe, Academy President Cheryl Boone Isaacs, and the first black man to ever win a Leading Actor Oscar, Sidney Poitier. One of the biggest highlights of the evening was Nyong’o’s acceptance speech, where she honored those who suffered so she could shine:
Thank you to the Academy for this incredible recognition. It doesn’t escape me for one moment that so much joy in my life is thanks to so much pain in someone else’s. And so I want to salute the spirit of Patsey for her guidance. And for Solomon, thank you for telling her story and your own.
Nyong’o then went on to thank McQueen, co-star and Best Actor nominee Chiwetel Ejiofor, her family and her chosen family, before closing with encouragement to children everywhere:
When I look down at this golden statue, may it remind me and every little child that no matter where you’re from, your dreams are valid. Thank you.
Julia Roberts poses with (front left) Chiwetel Ejiofor, Idris Elba and George Clooney on the March cover of Vanity Fair. (ANNIE LEIBOVITZ EXCLUSIVELY FOR VANITY FAIR)
Vanity Fair released a sneak peek of its 20th annual Hollywood Issue on Monday, and it may be the most groundbreaking one yet. The magazine has apparently taken steps toward emphasizing the diversity of Hollywood. For the first time since it began putting out the annual special in 1995, six of the 12 celebrated thespians gracing the 2014 cover are not white. The magazine has come under fire in the past for an apparent lack of diversity. Just a few years ago, as Buzzfeed has pointed out, a 2010 the cover featured nine actresses — all white, thin and under 40 years old.
Over the years the annual selection has included one or two minority actors — such as Angela Bassett in 1995, and Lucy Liu and Salma Hayek in 2004 — but this year’s edition shows how expansive the African-American film scope has grown across several genres. From left: Chiwetel Ejiofor, Julia Roberts, Idris Elba, George Clooney, Michael B. Jordan, Jared Leto, Lupita Nyong’o, Naomie Harris, Brie Larson, Chadwick Boseman, Margot Robbie and Léa Seydoux. (ANNIE LEIBOVITZ EXCLUSIVELY FOR VANITY FAIR)
Among those featured on the three-panel foldout are many of Hollywood’s most heralded actors of the past year, including Oscar nominees Julia Roberts, for August: Osage County, Jared Leto, who is the front-runner in his Best Supporting Actor category for Dallas Buyers Club, and Chiwetel Ejiofor and Lupita Nyong’o from 12 Years A Slave.
FRUITVALE STATION Cast: Michael B. Jordan (Oscar Grant), Octavia Spencer (Wanda), Melonie Diaz (Sophina), Ariana Neal (Tatiana), Kevin Durand (Officer Caruso), Chad Michael Murray (Officer Ingram),Ahna O’Reilly (Katie) Written & Directed by: Ryan Coogler Rated: R The Weinstein Co.
Review by Lori Lakin Hutcherson I intended to write this review two weeks ago, when I saw Fruitvale Station in limited release. Two things occurred to prevent that – one ordinary: my babysitter cancelled, so bye bye writing time – and one extraordinary: George Zimmerman was found not guilty of killing Trayvon Martin the very next day. In the wake of the national outrage and protests and vigils, I thought my review of Fruitvale Station couldn’t help but be greatly affected. But as the film goes into wide release on 1,064 screens today, I realize I feel exactly the same about the film as I did two Fridays ago. Put plainly, Fruitvale Station is the most riveting, artfully-told, written, directed and acted movie of the year, it should win 2013 Academy Awards for Best Picture, Best Actor, and Best Director, and every adult living should immediately make all efforts to see this movie and receive a mind-and-heart-altering reminder that every single person alive, no matter what sex, creed, color or age, has humanity that deserves recognition and respect. The basics of the story are probably already known to most: Bay Area-based writer/director Ryan Coogler was deeply moved by the tragic shooting of fellow Bay Area native Oscar Grant, a 22 year-old black man who was killed at the Fruitvale BART Station by police on New Year’s Day 2009. Coogler wanted to show what Grant’s last day of life was like, so people would see not just a victim or a thug, but who and how Oscar really was. And not just the good or misunderstood parts of Oscar, but also the bad, the funny, the sweet and the ugly – and know he was a vibrant, complex being who in no way deserved the callous and all-too-common fate he received. The movie opens stunningly with real cellphone footage of Oscar Grant’s murder. If you’ve never seen it before (which I hadn’t), it is gutting. I involuntarily burst into tears – I was just so sad and angry and shocked at the injustice – it took a lot to pull myself back into the movie and get to know Oscar in life as viscerally as I did in death. As much as it smarts, Coogler’s choice to start the film this way is brilliant, because it communicates powerfully the underlying truth of what’s to unfold – you may be watching a movie, but do not ever forget – THIS WAS REAL. Fruitvale then segues into off-screen dialogue between Oscar (Michael B. Jordan) and his girlfriend Sophina (Melonie Diaz) much earlier that morning. She is upset with Oscar because of an infidelity he tries in vain to explain away. As they get their young daughter Tatiana (Ariana Neal) ready for school, we learn Oscar is a sweet, loving and permissive father (he sneaks his daughter the extra snack her mom said she couldn’t have) who sells dope sometimes to make ends meet. As we continue with Oscar through the challenges and banality of his morning (stretching the gas in his tank before filling up, texting his Mom “Happy Birthday”, dropping his girlfriend off at work, picking up food for his mom’s party, worrying about rent) we learn he’s been in and out of prison several times and is struggling to get it together. Oscar, mind-blowingly portrayed and embodied by Jordan, comes off as equal parts charismatic, tough, caring and desperate. In one moment he is helping a customer in the deli where he worked figure out how to cook fish by putting her on the phone with his Grandma Bonnie; the next he is defiantly demanding/begging his ex-boss to rehire him. When he doesn’t get his job back, Oscar immediately plays it off with a co-worker, lies with a smile, and acts like it’s all good. The code switching Oscar goes through in this one day – the subtly different-yet-specific ways he behaves and speaks with his daughter, his mom, his sister, girlfriend, his homies, his boss – is, I think, the key revelation of the film, and why this story is connecting with audiences everywhere. Oscar Grant, the young, black, ex-convict drug dealer is, surprisingly, an everyperson, dealing with the same contradictory bundle of human dynamics, dramas and relationships we all do. When Oscar makes a pivotal choice to change his life mid-way through the film (after reflecting on time he spent in jail), he drops his tough-guy mask and confesses to Sophina that he lost his day job and has taken himself out of the dope game. When Sophina starts to go in on him (understandably – it’s clear she’s been through a lot with him), her strength and humanity shine through when a few beats later she forgives and supports him despite the immediate hardship his actions are creating. Diaz is perfect in this underplayed moment – Sophina, more than anybody, sees the vulnerable Oscar and whether or not she fully believes in his potential, she loves and respects him enough to support him on his stilted journey towards betterment. A lot more happens in the movie before we get to the fateful moment on the BART platform at Fruitvale on New Year’s Eve 2008/New Year’s Day 2009, but truly, instead of reading a summary of it here, you should just go see it for yourself. Do let me say though that Octavia Spencer, who plays Oscar’s mother Wanda… well, what she does in the movie is beyond deserving another Oscar (which, of course, she does). She should open up acting clinics and teach other actors how real people actually behave in extreme circumstances. If the viewers I was in the theatre with weren’t crying before, the way Spencer reacts to the news of Oscar’s death and her subsequent viewing of his body in the hospital caused an all-out, audible sob fest. From beginning to end, the whole movie feels authentic, without a shred of manipulation. Though there is definite filmmaking throughout Fruitvale Station and filmic choices being made, they are seamless and only enhance the raw power and poignancy of the story. Even at a relatively short running time of 1 hour 30 minutes, I came out of the theater feeling as if I’d lived another life. And I did. I lived Oscar Grant’s life and was deeply, sorely sad it was gone. And the great thing – I wasn’t alone. The whole audience felt it for 90 minutes – black, white, male, female, young, old – we all felt like we were Oscar Grant.
“Fruitvale Station” Director Ryan Coogler and Actor Michael B. Jordan (Bryan Bedder/Getty Images)
After over-performing at the box office in the past two weekends and receiving stellar reviews since its premiere at Sundance, Fruitvale Station director Ryan Coogler and actor Michael B. Jordan may now be looking to move into the boxing ring for their next project. MGM has set Coogler to direct, and is in early talks with Jordan to star in, Creed, the latest installment in the Rocky franchise that would focus on Apollo Creed’s grandson. Sylvester Stallone is on board to reprise his role as Rocky Balboa, with Coogler penning the script along with Aaron Covington. Deadline Hollywood broke the news. The story would follow Creed’s grandson, who has grown up reaping the spoils of all his grandfather’s winnings and is forbidden by his family to enter the world of boxing. Against his family’s wishes, he is drawn to boxing and seeks out Balboa to teach him how to fight and follow in his grandfather’s footsteps. Irwin Winkler and Robert Chartoff, who produced the original film, will produce with Stallone and Kevin King. article by Justin Kroll via Variety.com
As he became an accomplished wide receiver at Sacramento State and a budding filmmaker, Coogler’s father later came down with ALS. All of the touchstones of his life are rolled into this movie and it required him to win the trust of Sylvester Stallone, who was very protective over his first and most memorable character creation. When the movie became a reality, there was no one else he wanted to play the role of Apollo Creed’s son (it started out as grandson, but that evolved).
One of the biggest highlights of the evening was Nyong’o’s acceptance speech, where she honored those who suffered so she could shine:
