Tag: Michael B. Jordan

It’s Official: ‘Black Panther’ Tops ‘Star Wars: The Last Jedi’ in Historic $242 Million 4-Day Opening

Disney-Marvel’s Black Panther” is re-writing the record books, topping “Star Wars: The Last Jedi” for the second-highest four-day domestic opening of all time, with $242 million at 4,020 North American locations.The superhero pic set a record for top Monday domestic gross ever, with $40.2 million, edging the previous high set by “Star Wars: The Force Awakens” at $40.1 million. The Monday total came in $7 million above the studio’s projections and lifted the four-day haul to $242 million.

Black Panther” has grossed the second-highest four-day total of all time, behind only “Star Wars: The Force Awakens” at $288.1 million and $400,000 ahead of “Star Wars: The Last Jedi.”

Disney also reported Tuesday that the international total has reached $184.6 million to lift the worldwide take to $426.6 million, led by South Korea at $27.1 million and the U.K. at $26.7 million.

The tentpole, starring Chadwick Boseman and directed by Ryan Coogler, has blown past its original tracking. The film, which carries an estimated $200 million production budget, had been tracking to bring in between an impressive $100 and $120 million when first projections emerged on Jan. 25.

Since then, “Black Panther” has become a must-see event as it’s veered into record-setting territory and has continued to shatter all projections since then. It has the highest three-day debut ever for a February film and the fifth-biggest of all time behind only “Star Wars: The Force Awakens” at $248 million, “Star Wars: The Last Jedi” at $220 million, “Jurassic World” at $208.8 million, and “The Avengers” at $207.4 million.

“Black Panther” has demolished the record for the largest Presidents Day weekend, blowing past “Deadpool’s” 2016 mark of $152 million.

Source: http://variety.com/2018/film/news/black-panther-box-office-tops-star-wars-last-jedi-1202704917/

Weekend Box Office: ‘Black Panther’ Bounds to Record-Shattering $218 Million-Plus Opening

The movie scores one of the top openings of all time in North America; overseas, it amasses $169 million for a $387 million global debut.
“Black Panther” (Courtesy of Marvel Studios)
In a defining moment for Hollywood, Disney and Marvel StudiosBlack Panther exploded at the Presidents Day box office, bounding to a record-shattering estimate of $192 million for the three-day weekend and a projected $218 million-plus for the four-day holiday frame.

The Ryan Coogler-directed movie — unprecedented in being a big-budget studio tentpole featuring a virtually all-black cast — secured the fifth-biggest domestic opening of all time after blasting past all expectations. It’s also the best launch of any superhero film behind fellow Marvel title The Avengers (2012), which earned $207.4 million in its first three days, not accounting for inflation.

The weekend isn’t over, however, and Black Panther could climb even higher. Many rival studios show a four-day total of $222 million to $225 million, as well as a higher three-day total in the $195 million range.

Other records broken include that of the biggest opening for an African-American director, the top-scoring superhero film on Rotten Tomatoes (97 percent) and the biggest February bow, supplanting previous champ Deadpool, which took in $152.2 million over the four-day Presidents Day weekend in 2016.

Playing in 4,020 theaters, Black Panther was fueled by a diverse audience. According to comScore, 37 percent of ticket buyers were African-American. Caucasians made up the next largest group (35 percent), followed by Hispanics (18 percent). That sort of demographic breakdown is unheard of for a marquee superhero tentpole. On average, African-Americans make up about 15 percent of the audience for such fare.

“There are seven billion people on this planet and they come from all walks of life. Audiences deserve to see themselves reflected on the big screen. Beyond being the right thing to do, it makes for richer storytelling,” says Disney distribution chief Dave Hollis.

Adds Imax Entertainment CEO Greg Foster, “Representation matters. Get Out, Wonder Woman, Coco and now Black Panther show Hollywood that authenticity and inclusiveness wins.”

Black Panther, which cost $200 million to make before marketing, was a bold move on the part of Disney and Marvel’s Kevin Feige.

In the film, Chadwick Boseman stars as T’Challa/Black Panther alongside Lupita Nyong’o, Michael B. Jordan, Daniel Kaluuya, Letitia Wright, Winston Duke, Angela Bassett, Forest Whitaker and Andy Serkis. The story, described as a tale of black power and black pride in addition to its superhero themes, follows T’Challa as he is sworn in as king of Wakanda, a cloaked, technologically advanced nation in Africa that is home to the exotic metal vibranium, the source of Black Panther’s powers.

Audiences bestowed Black Panther with an A+ CinemaScore (the only other Marvel title to earn the mark was Avengers).

Black Panther hits theaters almost a year after Jordan Peele‘s maverick horror film Get Out transformed into a box-office sensation, although that was a genre pic. And in summer 2017, filmmaker Patty Jenkins’ Wonder Woman, featuring a female protagonist, became the highest-grossing live-action film from a female director.

Overseas — where American films with a black cast can face challenges — Black Panther opened in virtually every major market save for Russia (Feb. 22), Japan (March 1) and China (March 9). The movie earned a mighty $169 million for an estimated global bow of $387 million through Monday, including a hefty $52 million from Imax locations around the world.

Black Panther came in ahead of expectations overseas, but certainly not to the extent it did in North America. Still, it secured the fifteenth-biggest international opening of all time, opening No. 1 in almost every territory. South Korea led with $25.3 million, the fifth-biggest start ever for a Western title. The U.K./Ireland followed with a $24.8 million launch, the best showing of any Marvel title behind Avengers: Age of Ultron and eclipsing the entire runs of Justice League, Ant-Man and the first installments in the Captain America and Thor franchises.

In North America, the only movies that dared to open nationwide opposite Black Panther were Lionsgate and Aardman Animation’s family film Early Man and PureFlix’s faith-based pic Samson. Early Man placed No. 7 with an estimated four-day gross of $4.2 million from 2,492 theaters, while Samson came in No. 11 with an estimated $2.4 million from 1,249 cinemas.

Source: https://www.hollywoodreporter.com/heat-vision/weekend-box-office-black-panther-bounds-record-shattering-218m-debut-1085932

Chadwick Boseman and Ryan Coogler on How ‘Black Panther’ Makes History | Variety

Black Panther Variety Cover
CREDIT: ART STREIBER FOR VARIETY

by Ramin Satoodeh via Variety.com

Chadwick Boseman struggled to catch his breath after he was cast as Black Panther. When he first tried on his spandex suit for 2016’s “Captain America: Civil War,” it felt too restricting. “It was suffocating,” recalls Boseman. “Literally, it closed off every possibility of air getting to you. I was in it, put the mask on. I said, ‘Hey, you got to get me out of this!’” By the time he headlined his own movie, as the first black Marvel superhero with his name on the poster, Boseman was more comfortable in his re-engineered costume. “I think it begins to feel like skin after a while,” says the 41-year-old actor. “But it takes time to get to that place.”

The same can be said for Disney’s long-awaited tentpole “Black Panther,” which opens in theaters on Feb. 16. For decades, actors, directors, producers and fans have wondered why Hollywood was so slow to bring black superheroes to the big screen. It’s not that there weren’t attempts along the way. In the ’90s, Warner Bros. had originally tapped Marlon Wayans to portray Robin in a “Batman” movie, before Chris O’Donnell landed the sidekick role. Wesley Snipes starred in the vampire superhero franchise “Blade,” which spawned two sequels. In 2004, Halle Berry headlined “Catwoman,” which was ridiculed by critics and tanked at the box office. And 12 years later, Will Smith, the co-star of the juggernaut “Men in Black,” popped up in “Suicide Squad” as the under-seen assassin Deadshot.

“Black Panther,” directed by Ryan Coogler, is a movie that doubles as a movement, or at least a moment that feels groundbreaking in the same way that last year’s runaway hit “Wonder Woman” inspired millions of women. “Panther” marks the first time that a major studio has greenlit a black superhero movie with an African-American director and a primarily black cast, including Forest Whitaker, Angela Bassett, Michael B. Jordan, Lupita Nyong’o, Danai Gurira and Letitia Wright as Shuri, the princess of the fictional African country Wakanda.

The reality of this milestone isn’t lost on Coogler, the 31-year-old director of the Sundance darling “Fruitvale Station” and the “Rocky” sequel “Creed.” “I think progress comes in ebbs and flows,” Coogler says. “I hope things continue to open up. As more content gets made, more opportunities like ours can come about for folks. But you’ve got to put your foot on the gas when it comes to that or things can go back to where they were.”

“Black Panther” chronicles an origin story for a Marvel character who first made his debut in the comic books in 1966. On the big screen, he’s a warrior named T’Challa, who returns home to an Afro-futuristic country to inherit the throne as king. The release of the movie coincides with a crossroads in America. Racial tensions are heightened as a result of a president who continually makes reprehensible remarks about immigrants from nonwhite countries. “Black Panther” also arrives on the heels of #OscarsSoWhite, the two consecutive years (2015 and 2016) that the Motion Picture Academy failed to nominate any actors of color for awards.

Anticipation for the release of “Black Panther” is much higher than for the last outings from Batman and Thor. In May 2016, the hashtag #BlackPantherSoLIT started trending on Twitter as casting details around the movie emerged. “Panther” is poised to break box office records for February, a typically quieter time as audiences catch up on romantic comedies around Valentine’s Day. Marvel’s latest crown jewel is tracking to gross an estimated $150 million on its opening weekend. Strong business for “Black Panther,” which cost nearly $200 million to produce and roughly $150 million more to market, would send a clear message to the movie industry that certain communities are still widely underserved. While domestic ticket sales plummeted last year, the number of frequent African-American moviegoers nearly doubled to 5.6 million in 2016, according to a survey by the Motion Picture Assn. of America.

Some are paying attention. “Representation matters,” says Alan Horn, chairman of Walt Disney Studios, which owns Marvel. “It’s a powerful and important thing for people to know they are seen and to see themselves reflected in our films and the stories we tell.” Horn believes that “Black Panther” is part of a wave of change. “In terms of gender diversity, we’ve done very well,” he says, pointing to his studio’s own roster that includes “Beauty and the Beast,” “Coco” and the upcoming live-action “Mulan.” “When it comes to diversity reflecting color and ethnicity, I’d say yes, you will see more.” Continue reading “Chadwick Boseman and Ryan Coogler on How ‘Black Panther’ Makes History | Variety”

Jay-Z’s ‘Family Feud’ Video Directed by Ava DuVernay Enlists A-List Cast

Jay Z released his video for his single “Family Feud” last night exclusively on Tidal, although it was more than a standard music video premiere. Much like anything else he and Beyoncé create, it was a cultural event to punctuate 2017 with the most inclusive, woke A-list cast you will ever see in a music video.

Helmed by Ava DuVernay, the seven-minute-plus video is a short film, serves up some sci-fi, futuristic realness that can very well be a taste of what’s to come in the celebrated director’s adaptation of A Wrinkle in Time. Joining JayZ, Beyoncé and the heiress to their throne, Blue Ivy, includes an inspiring roster of actors from every part of the color spectrum: Michael B. Jordan, Trevante Rhodes, Thandie Newton, Jessica Chastain, Irene Bedard, Omari Hardwick, David Oyelowo, Emayatzy Corinealdi, America Ferrera, Aisha Hinds, Henry G. Sanders, and Storm Reid — who is the star of Wrinkle in Time. Rounding out the cast is the “founding mothers”, which feature Mindy Kaling, Rashida Jones, Rosario Dawson, Janet Mock, Brie Larson, Constance Wu, Niecy Nash, and Susan Kelechi Watson, who, as the video shows, are different women from all walks of life who are enlisted to change the country’s constitution.

Even though there is a cinematic scope to the video, which was co-written by Jay-Z and DuVernay, it is highly personal for the Grammy-nominated rapper, who uses the track from his critically acclaimed 4:44 album to confess his sins to his wife and all-around queen of everything, Beyoncé. Where Beyoncé used her visual album, Lemonade as a platform for working through her personal issues with Jay-Z, he used 4:44 to respond and tell his side of the story. In other words, it’s an artistic way of saying, “Yea, I messed up.”

Jay’s track serves as an atonement and one key lyric sets the tone for the short film: “nobody wins when the family feuds.” Of course, he is referring to his familial relationships, but it goes beyond that and applies it to feuding within the country and the world. There’s layers of meaning in the short that starts off with a poignant James Baldwin quote and goes into a Godfather-meets-Game of Thrones scene, moments of war, moments reflecting today’s volatile political climate, and a group of empowering females looking to build a utopian rather than dystopian future.

DuVernay took to Twitter to share her thoughts, inspiration and behind-the-scenes photos from the video.

To read more, go to:  Jay-Z’s ‘Family Feud’ Directed By Ava DuVernay Enlists A-List Cast | Deadline

Michael B. Jordan to Star as Equal Justice Lawyer Bryan Stevenson in Drama ‘Just Mercy’ at Warner Bros.

by Justin Kroll via Variety.com

Michael B. Jordan has set legal drama “Just Mercy” as the next feature he will shoot, as Warner Bros. picks up the rights for the story.

The film was originally set up at Broad Green Pictures, but after the studio shuttered earlier this year, producers began looking for a new home, and Warner Bros. was eager to work with Jordan.

Sources say that Jordan would shoot “Just Mercy” at the beginning of 2018, and would follow that up with “Creed 2,” where he would reprise his role as Adonis Creed. “Creed 2” is slated to bow on Nov. 21, 2018. It’s currently unknown if it will stick to that date, but as of now, there’s no plan to move the release.

“Short Term 12” director Destin Cretton is helming and co-wrote the script with Andrew Lanham. Jordan will produce with Gil Netter. Niija Kuykendall will oversee for the studio.

Based on the book “Just Mercy: A Story of Justice and Redemption,” it follows the true story of Bryan Stevenson, a gifted young lawyer’s defense of the most vulnerable in our country and his fight for equal justice in a flawed legal system.

Along with “Just Mercy,” Jordan also recently set up his directing debut with “Stars Beneath Our Feet.” The actor is also gaining traction as a producer, as he is on board to produce a reboot of “The Thomas Crown Affair,” “Raising Dion,” and and untitled project with Tarell Alvin McCraney for OWN.

To read more, go to: http://variety.com/2017/film/news/michael-b-jordan-just-mercy-warner-bros-1202627412/

Netflix Orders Black Superhero Family Drama ‘Raising Dion,’ from Michael B. Jordan and MACRO

Michael B. Jordan to Executive Produce and appear in “Raising Dion” for Netflix (via shadowandact.com)

by Trey Magnum via shadowandact.com

A black superhero family drama from Michael B. Jordan and Charles D. King’s MACRO is coming to Netflix. The streaming giant has greenlit Raising Dion for a 10-episode, straight-to-series order. It is based on Dennis Liu‘s viral short film of the same name, which revolves around a black mother who discovers her young son has multiple and constantly changing abilities.

Jordan will executive produce and also appear in the series in a supporting capacity. Veteran showrunner Carol Barbee is on board and wrote the Netflix adaptation and will serve as showrunner and will executive produce. Liu will direct and executive produce MACRO’s Charles D. King, Kim Roth and Poppy Hanks are also executive producing along with Kenny Goodman and Michael Green. This is the first TV series order for MACRO.

The Netflix series will follow a woman named Nicole Reese, who raises her son Dion after the death of her husband Mark (Jordan). The normal dramas of raising a son as a single mom are amplified when Dion starts to manifest several magical, superhero-like abilities. Nicole must now keep her son’s gifts secret with the help of Mark’s best friend Pat, and protect Dion from antagonists out to exploit him while figuring out the origin of his abilities.

According to THR, the show, which first began development in 2016, was retooled and tapped a new showrunner in Barbee after the success of Eleven on Netflix’s Stranger Things, so the shows would not overlap. At the end of 2016 it got back on track and Jordan joined the project in early 2017. Casting started in February, but as of now, Jordan is the only one attached to appear.

The original Raising Dion short film is below. A comic book companion was also released.

To read full article, go to: Netflix orders black superhero family drama ‘Raising Dion,’ from Michael B. Jordan and MACRO

WATCH: Marvel’s “Black Panther” Teaser Trailer is Here!

Chadwick Boseman, Michael B. Jordan, Lupita Nyong’o starring, Ryan Coogler directing. Out in theaters on Feb. 16, 2018.  Mark the date – we can’t wait!

The Good Things Black People Do, Give and Receive All Over The World
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