Mavis Staples is eighty-four years old as I peck these words. She has been a gospel and soul singer longer than Elizabeth II wore the crown.
Many R&B vocalists started in gospel music, though she and her family have always kept a foot in both worlds. The Staple Singers have brought their spirituality, and devotion to civil rights to all of their studio and stage offerings.
From the churches across the South Side of Chicago and the Rock ‘n Stages with artists a third her age, Mavis Staples has brought her unique smokey voice to audiences for decades.
This collection brings together her many works with The Staple Singers from 1948 until 1999, and her own solo offerings from 1969 to the present.
Mavis Staples is still an in-demand guest vocalist to boot. She has dueted or sung background with Mahalia Jackson, The Band, Gorillaz, Jon Batiste, Run the Jewels, Hozier, Benjamin Booker, Sheryl Crow, Abraham Alexander and so many others.
Mavis Staples is the only subject of one of these playlists that I have had the pleasure of spending any meaningful time with. Back in 2012 I was honored to be one of the Alumni Of The Year at Columbia College Chicago. She received an honorary doctorate from the college.
I was delighted to spend hours visiting with her that graduation weekend. She could not have been more warm, insightful, and kind.
Please enjoy this collection featuring decades of Doctor Mavis’ work with The Staple Singers, as a solo artist, and generous collaborator.
It’s Music Monday! In celebration of Easter and #JazzAppreciationMonth, here is a collection of Sacred Jazz.
When jazz emerged in the first half of the 20th century as music of liberation, entertainment and modernism, it provoked a backlash among cultural and religious-establishment figures.
Many of them went so far as to call it “the music of the devil.” By the middle 1950s, jazz had found its way into the church, sometimes employed in the ritualistic proceedings of liturgies and other traditional ceremonies, or presented in other thematic ways in overt religious homage.
Religion, in some respects, was there from the jump. Many African-American musicians grew up attending and performing in church services, and the imprint of that experience can be found in albums ranging from John Coltrane‘s landmark 1965 LP A Love Supreme to Miles Davis‘ Kind Of Blue.
It was inspired in part, in the words of Davis, “some other kind of sound I remembered from being back in Arkansas, when we were walking home from church and playing these bad gospels.”
This collection features Mahalia Jackson and Rosetta Tharpe contributions to gospel and sacred jazz, along with pianist and composer Mary Lou Williams, known for her Jazz Masses in the 1950s.
Duke Ellington, Kamasi Washington, Pharaoh Sanders, The Free Nationals and many others are on hand too.
On Easter Sunday, GBN celebrates Thomas A. Dorsey, who once worked as Ma Rainey‘s pianist and musical director, and wrote and sang blues songs as the “Georgia Tom” half of the Georgia Tom and Tampa Red duo before revolutionizing gospel music by integrating the feeling of the blues into sacred songs.
To read about Dorsey, read on. To hear about him, press PLAY:
[You can subscribe to the Good Black News Daily Drop Podcast via Apple Podcasts, Spotify, Google Podcasts, rss.comor create your own RSS Feed. Or listen every day here on the main page. Full transcript below]:
Hey, this is Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a daily drop of Good Black News for Sunday, April 17, 2022, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing.
Gospel music existed before Georgia native Thomas Dorsey turned his ear and pen to it, but it was never the same after.
Working most famously as the piano player and musical director for blues legend Gertrude “Ma” Rainey in the 1920s under the moniker “Georgia Tom.” Despite this success, Dorsey fell into a prolonged period of depression for almost two years and barely performed.
In 1928, Dorsey attended a spirited church service where he claimed a minister pulled a live serpent from his throat. From that point on, Dorsey vowed to dedicate himself to composing gospel music. Dorsey wrote “If You See My Savior” in honor of a friend who passed, which combined a blues feeling into a more traditional hymnal structure:
[Excerpt of “If You See My Savior”]
Dorsey tried to sell his new sacred songs directly to publishers and churches but initially had no luck and returned to writing the blues. With duet partner Tampa Red, as “Georgia Tom” Dorsey had a big hit in 1928, selling over seven million copies of “It’s Tight Like That”:
[Excerpt of “It’s Tight Like That”]
This type of “dirty blues” or “Hokum” songs proved to be popular and the duo recorded and performed for years until Dorsey finally turned to gospel music for good.
He formed a gospel blues choir in Chicago, which helped the new style catch on, and soon became the musical director for Pilgrim Baptist Church and running his own music publishing company.
Dorsey worked with a young Mahalia Jackson in the late 1920s and originally composed for Jackson what became a beloved song not only in gospel blues circles, but country & western as well.
[Excerpt of “Peace in the Valley” by Red Foley & the Sunshine Boys]
“Peace in the Valley” has been recorded by over the decades by artists such as Sister Rosetta Tharpe, Little Richard, Red Foley & the Sunshine Boys, Johnny Cash,Elvis Presley and Dolly Parton.
And while he was still in his gospel group in the 1960s, Sam Cooke and his Soul Stirrers took their turn in the valley as well:
[Excerpt of “Peace in the Valley” by Sam Cooke & the Soul Stirrers]
In Dorsey’s lifetime, which was long – he lived to 93 – Dorsey composed over 3,000 songs, including the one Martin Luther King, Jr. said was his favorite, the one Mahalia Jackson ended up singing at his funeral, “Take My Hand, Precious Lord”:
[Excerpt of “Take My Hand, Precious Lord”]
Dorsey’s songs changed the sound of sacred music and influenced generations to come, which is why he is often called “The Father of Gospel Music.”
Dorsey has been inducted into the Gospel Hall of Fame, the Blues Hall of Fame, the Nashville Songwriters Hall of Fame and the Songwriters Hall of Fame. In 2002, the Library of Congress honored Dorsey by adding his album Precious Lord: New Recordings of the Great Songs of Thomas A. Dorsey, to the United States National Recording Registry.
You can also watch 2005’s The Story of Gospel Musicdocumentary, which is currently available on DVD.
And every year, Dorsey’s hometown of Villa Rica, Georgia holds an annual Thomas A. Dorsey Birthplace Heritage Festivalof gospel music. This year’s will be held on June 25thand 26th.
Links to these sources and more are provided in today’s show notes and the episode’s full transcript posted on goodblacknews.org.
And before we go, let’s hear a clip of Thomas Dorsey himself speaking on the meaning of gospel:
“Down through the ages gospel – what? What did they say was? You mean to tell me you don’t know that good news? On down to the ages, gospel was good news. Now if you don’t know that I’ll rush you out of here myself.”
This has been a daily drop of Good Black News, written, produced and hosted by yours truly, Lori Lakin Hutcherson. Intro and outro beats provided by freebeats.io and produced by White Hot.
“Roll Jordan Roll” by the Fisk Jubilee Singers is in the Public Domain.
Excerpts of songs composed by Thomas A. Dorsey are included under Fair Use.
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There was a great moment that happened at last night’s Academy Awards, but because it happened directly after a shocking moment, it’s not getting the all the flowers and love it should.
So for this #MusicMonday, we are fully celebrating the fact that Summer of Soul, the feature documentary about the 1969 Harlem Cultural Festival directed by The Roots co-founder and musical impresario Questlove, won a much-deserved Oscar. And if you (like so many of us) missed his acceptance speech, here it is:
https://youtu.be/IPbOF4wpEVw
Still streaming on Hulu and available on DVD, Summer of Soul is an education and gift to the eyes and ears and if you don’t currently have access to Summer of Soul, the movie, listening to the music from the acts featured in the film is the next best thing:
I’ve included the playlist of the official soundtrack album along with an extended playlist.
From Sly and the Family Stone to the Fifth Dimension,Stevie Wonder,Nina Simone, Gladys Knight and the Pips, The Edwin Hawkins Singers, The Staples Singers, Mongo Santamaria,David Ruffin,Mahalia Jackson,Mavis Staples and others, the music on display and the stories behind the event are close to (if not completely) mind-blowing.
And if you need another push to check it out (or revisit it), here’s the trailer of the documentary:
Thank you, again, Questlove and all the artists involved that helped bring the “Summer of Soul” into our lives for all seasons. You all truly made — and resurrected — important cultural history.
Hello on this MLK Day Monday! Hope this missive finds you all well. I put together this collection of tracks to celebrate this day. I’ve included songs that speak directly to the struggle for Civil Rights.
Some of these tracks were favorite songs of Dr. King’s and other leaders of the movement. While other tracks both classic and new are inspired by their efforts and sacrifice.
I have also included a few excerpts for the great man’s speeches as well. Mahalia Jackson, Sam Cooke, Gil Scott-Heron, and Nina Simone are all present. Though so are Common, Steel Pulse, Killer Mike, and others that came in their wake.
Hope you enjoy the collection of soul, jazz, gospel, reggae, and hip-hop track to celebrate the King Holiday.
As always, stay safe sane, and kind. “See” ya soon!
I spotted Christmas decorations in Costco by early October and Hallmark Channel has been airing non-stop holiday movies already for weeks, but like many, our family has always marked Thanksgiving to be the point where we officially kick off the holiday season, including breaking out the yuletide tunes.
With that in mind, Good Black News is happy to offer the “Ultimate Soul of the Season Christmas Soundtrack” as a playlist to guide you through the holidays with ease.
This is a mega-playlist – 25 hours of music in honor of the 25 days of Christmas leading up to the big day. It is not meant to be listened to all in one sitting – but rather to be just one-click away as your go-to soundtrack for the month. You can set it and forget it, or hit shuffle and mix it up.
Our inspiration was to capture the mood of those many radio stations around the country that turn to a festive Christmas musical format in the month of December – but with our own specific Good Black News twist.
In our playlist, ALL the songs are by or feature Black artists. Have it on in the background for decorating, cooking, wrapping presents, or just sitting in front of the fire sipping eggnog – and in the process you’ll be supporting Black artists through your streams.
Of course, it would take a superstar group of powerful Black women to sell and make a movie about The Clark Sisters, the pioneering Detroit siblings who are now in their fifth decade of rocking the gospel music world.
Tonight’s “The Clark Sisters: First Ladies of Gospel” (airing on Lifetime at 8PM) comes from executive producers Queen Latifah, Mary J. Blige and Missy Elliott, co-executive producer Holly Davis Carter, writer Camille Tucker and director Christine Swanson.
I had my own Clark Sisters experience while working as an executive at TV One back in 2007-08, where The Clark Sisters were the subjects of one of the very first episodes of network’s successful biography series “UnSung,” a show I developed and initially oversaw.
At the time, I generally knew enough about The Clark Sisters to recognize their breakthroughs in transforming the gospel music sound – and I felt that the world had not generally afforded them enough credit for that. But I didn’t know much else about their personal story and ended up fascinated by the conflicts and struggle, and of course, all the music. It’s not a surprise to me that producer Carter said she’s been trying to make this movie for 15 years – it is a worthy story to tell.
In honor of this movie accomplishment, Good Black News offers a career-spanning Spotify playlist below to allow you to keep enjoying the patented Clark Sister Sound all weekend long.
The Clark Sisters Playlist was crafted to include most of the key hits from The Clark Sisters – as well as highlights from the solo careers of Karen Clark Sheard, Dorinda Clark-Cole, Twinkie Clark, and even from next generation Clark family gospel superstar Kierra Sheard (who plays her mom Karen in the movie). For good measure, there’s also a rare solo track from Jacky Clark-Chisholm (a duet with movie exec producer Blige), and a coda from Dr. Mattie Moss Clark herself.
Jacky, Denise, Elbernita (Twinkie), Dorinda, and Karen were the five daughters of Mattie Moss Clark, a pioneering gospel music figure herself, who while raising her daughters also served as a minister of music for the Church of God In Christ, first at the local level in Michigan, but eventually at the national level.
Ms. Reese performed in concert in 2001 as part of Detroit 300, a festival celebrating the city’s 300th anniversary. As a singer, she had her first big hit record in 1957, with the romantic ballad “And That Reminds Me.” (Credit: Paul Warner/Associated Press)
Della Reese, the husky-voiced singer and actress who spent almost a decade playing a down-to-earth heavenly messenger on the CBS series “Touched by an Angel” and became an ordained minister in real life, died on Sunday night at her home in Encino, Calif. She was 86.
Her death was confirmed by her manager, Lynda Bensky. She did not specify the cause but said that Ms. Reese had diabetes.
Ms. Reese had been under contract to Jubilee Records for three years when, in 1957, she had her first big hit record, the romantic ballad “And That Reminds Me.”
Named the year’s most promising “girl singer” by Billboard, Variety and Cash Box, she was soon making regular appearances on the leading television variety shows of the day. Her biggest hit was “Don’t You Know” — adapted from “Musetta’s Waltz,” an aria from “La Bohème” — which reached No. 2 on the Billboard singles chart in 1959.
But she became best known as an actress, particularly in the sentimental drama series “Touched by an Angel,” which had its premiere in 1994 and evolved into one of prime time’s top-rated shows. It placed in the Nielsen Top 10 from 1996 to 2000, with an average of more than 20 million weekly viewers at one point.
In the show, Ms. Reese, by then in her 60s, was cast as Tess, a stern but loving supervisor of angels who guided a softhearted and less experienced angel, Monica (Roma Downey), in helping humans at crossroads in their lives. The series told reassuring stories of forgiveness and second chances with mild irreverence. (“You get your little angel butt back to the city,” Tess told Monica in one episode.)
Ms. Reese contended that no career switch was involved. “Every time I sang the blues, I wasn’t blue,” she said in a 2008 interview for the Archive of American Television, alluding to her emotional connections and delivery as a vocalist. “I was already acting.”
Ms. Reese’s religious faith was a major influence in her career. In 1996 she told The Chicago Tribune that she had consulted with God about whether to sign on for “Angel.” “As clearly as I hear you,” she said, “I heard him say: ‘You can do this. I want you to do this, and you can retire in 10 years.’ ”
The series lasted nine years, and she continued to act for another decade after that.
The Rock and Roll Hall of Fame and Museum in Cleveland, OH is hosting its 14th annual FREE admission day in honor of Dr. Martin Luther King, Jr. on Monday, January 19, 2015 from 10 a.m. to 5:30 p.m. The Museum will offer a day filled with live performances, education programs and family activities that will highlight how people use music to find their voice and create a sense of community.
Visitors are invited to experience the Rock Hall’s many exhibits that showcase how Rock and Roll Hall of Fame inductees and other artists have used popular music to communicate ideas to a wide audience and bring about social change. The day of events is sponsored by KeyBank.
In addition to free admission, visitors will be able to enter for a chance to win a Museum membership, as five Family Roller memberships will be raffled off during the day. For a list of current exhibits and for more information about this and other Rock Hall events, visit http://www.rockhall.com. Klipsch Audio stage entertainment lineup: Jason Walker of Sounds of Entertainment will emcee the events. The Antioch Spiritual Arts Choir, an acclaimed co-ed choir from Antioch Baptist Church who focus on spirituals, folk and gospel music. West Side Community House’s Summer of Sisterhood program began in 2010 under the leadership of Ali McClain, youth services director. The program teaches girls ages 10-18 how the power of creative expression can positively change their community and even the world. The girls work intensively for eight week with professional teaching artists to create original songs, music videos, and live performances of their work. The Distinguished Gentlemen of Spoken Word, a powerful performance arts and spoken word group comprised of adolescent males (age 12-19) from various inner city Cleveland communities. Inspire *1* One, a band comprised of former students from Cleveland School of the Arts. Lake Erie Ink, a writing space for youth is a non-profit that provides creative expression opportunities and academic support to youth in the greater Cleveland community. LEI works with youth from different socio-economic, cultural and academic backgrounds, using creative writing to increase literacy and social engagement. The organization offers creative expression workshops onsite and off, to youth of all ages, including an after school program, weekly evening workshops for teens, and monthly weekend workshops and open mics. Foster Theater Programming:
Programming will be taught by the Rock Hall’s award-winning education staff. Seating is limited. Attendance will be on a first-come first-served basis. Special Presentation: “Rock and Roll and the Civil Rights Movement” This program will explore how a range of artists, from Mahalia Jackson and Sam Cooke to Berry Gordy at Motown and rock and roll pioneer Fats Domino created a popular music that empowered African Americans to take their rightful place in American society. Young people of all races flocked to their performances and embraced their music, which helped to break down the walls and barriers that the Civil Rights movement was fighting against. Album Spotlight: Marvin Gaye’s What’s Goin’ On This special presentation will focus on the making and impact of Marvin Gaye’s landmark 1971 album, which still resonates for listeners today. The full album will be played, with no interruption, with discussion to follow.
“You going to be famous in this world and walk with kings and queens,” an aunt told twelve year-old Mahalia Jackson. Born on October 26, 1911, in New Orleans, where she shared a shotgun house with thirteen people, the future could only get better.
But before it did, Jackson’s mother died when she was just four and she had to leave school in the fourth grade to help out at home. She had music though — the jazz bands that entertained the city and the gospel that healed souls, with some Bessie Smith in between. On Every Wednesday, Friday and four times on Sunday, when Jackson sang at Mt. Moriah Baptist Church, the sound wafted out into the street so that, one imagines, sinners also could enjoy her energetic contralto voice.
