Tag: Jordan Peele

Spike Lee Gets Rights to Use Unreleased Prince Song in New Film, ‘BlacKkKlansman’

Director Spike Lee attends the after party for the New York premiere of ‘BlacKkKlansman’ (Photo by Michael Loccisano/Getty Images) and Prince speaks onstage during The 57th Annual GRAMMY Awards at the at the STAPLES Center on February 8, 2015 in Los Angeles, California. (Photo by Kevork Djansezian/Getty Images)

by Kia Morgan-Smith via thegrio.com

While Spike Lee’s upcoming BlacKkKlansman movie has already received critical acclaim ahead of its August 10th release, viewers are in for a treat at the end of the movie when a Prince song plays; something the award-winning director believes was meant to be.

Lee spoke to Rolling Stone about the Prince cover of the Negro spiritual Mary Don’t You Weep” that plays at the end of the movie. Lee said that the song was perhaps a divine sign from the deceased singer.

“I knew that I needed an end-credits song. I’ve become very close with Troy Carter, one of the executives at Spotify [and a Prince estate advisor],” said Lee. “So, I invited Troy to a private screening. And after, he said, ‘Spike, I got the song.’ And that was ‘Mary Don’t You Weep,’ which had been recorded on cassette in the mid-Eighties.”

“Prince wanted me to have that song, I don’t care what nobody says. My brother Prince wanted me to have that song, for this film,” he says emphatically.

“There’s no other explanation to me. This cassette is in the back of the vaults. In Paisley Park. And all of a sudden, out of nowhere, it’s discovered? Nah-ah. That ain’t an accident.”

According to The Hollywood Reporter, during the world premiere of BlacKkKlansman at the  Cannes film festival, the audience broke out in applause about a half-dozen times during the movie. And they were so moved by the end of the film, that they clapped for four minutes during the credits and then stood up for a six-minute standing ovation.

Making this feature even more timely and culturally significant is the fact that Lee has decided to release it on August 10th, the one-year anniversary of the Charlottesville, Va., white nationalist rally. Denzel Washington’s son, John David Washington, portrays the movie’s lead character, Ron Stallworth. The movie is based on a true story.

Here’s part of his Rolling Stone interview.

On Jordan Peele’s initial BlacKkKlansman script and what was missing:

“They acquired Ron Stallworth’s book and felt it needed more flava. And that’s what I brought. I was grateful for the opportunity because I had never heard of Stallworth. I didn’t know his story. People say, “That is too unbelievable to be true.” And that’s what makes it such a great story.”

On deciding to include footage from the Charlottesville riots:

“We started shooting in September. When Charlottesville happened, I knew that was going to be the ending. I first needed to ask Ms. Susan Bro, the mother of Heather Heyer, for permission. This is someone whose daughter has been murdered in an American act of terrorism — homegrown, apple-pie, hot-dog, baseball, cotton-candy Americana. Mrs. Bro no longer has a daughter because an American terrorist drove that car down that crowded street. And even people who know that thing is coming, when they see it, it’s like, very quiet.”

On if he saw any of Denzel Washington in John David Washington:

“John David is amazing in this movie. That phrase ‘the fruit doesn’t fall far from the tree’ — there’s a reason people say that. He is Denzel Washington’s first son. That’s a big, big burden. But he’s also his own man. I have a history with him. His first film was Malcolm X. At the end of the movie, when the kids say, “My name is Malcolm X!” He’s one of the kids. He was about six years old.”

Source: https://thegrio.com/2018/08/06/spike-lee-nabs-unreleased-prince-song-for-new-movie-blackkklansman/

Jordan Peele to Produce Sci-Fi Anthology Series ‘Weird City’ at YouTube Premium

by Joe Otterson via Variety.com

YouTube Premium has ordered a comedic sci-fi anthology series from co-creators Jordan Peele and former “Key & Peele” writer Charlie SandersVariety has learned.

“Weird City,” as it is called, is set in the not-too-distant future metropolis of Weird. Each episode is an exploration of issues that pertains to present day life, stories that could only be told now through the prism of sci-fi and comedy.

The series is written by Jordan and Sanders and produced by Peele’s Monkeypaw Productions, Sonar Entertainment, Mosaic, and Raskal Productions. Jose Molina will serve as showrunner and executive producer. The six-episode series will debut on YouTube Premium in 2019. Emmy winner Adam Bernsteinis set to direct the first two episodes.

“Writer/creator Charlie Sanders and I collaborated on some ‘Key & Peele’ sketches that took on everything from the ‘Black Republicans’ to ‘Continental Breakfasts’ to ‘Family Matters’,” said Peele. “Now, with YouTube we present a series of comedy driven twisted-ass science fiction stories that take place in a world close to ours but just a little bit off.”

This is not the only anthology series Peele has in the works. He is also executive producing a reboot of “The Twilight Zone” at CBS All Access. 

In addition to his film work, Peele currently has multiple TV projects set up across a range of networks and streaming services. He is also an executive producer on the Tracy Morgan-led comedy “The Last OG” at TBS, which just wrapped up its first season. At HBO, he is executive producing “Lovecraft Country,” based on the book of the same name by Matt Ruff.

On the streaming side, in addition to “The Twilight Zone” reboot, Peele has set up the Nazi hunter drama “The Hunt” and a Lorena Bobbitt docu-series at Amazon. The Oscar-winner and his Monkeypaw Productions banner recently signed a first-look television deal with the streaming giant.

Source: https://variety.com/2018/tv/news/jordan-peele-youtube-premium-weird-city-1202861064/

Jordan Peele Becomes 1st African-American to Win Academy Award for Best Original Screenplay

Jordan Peele – Original Screenplay – ‘Get Out’ 90th Annual Academy Awards, Los Angeles, USA – 04 Mar 2018 (Photo by Rob Latour/REX/Shutterstock)

by Lori Lakin Hutcherson (@lakinhutcherson)

At last night’s 90th Annual Academy Awards ceremony, “Get Out” writer/director/actor Jordan Peele won the Oscar for Best Original Screenplay, the first African American to ever earn this honor. On Saturday evening, Peele also won Independent Spirit Awards for Best Feature and Best Director.

Last year, “Moonlight” writers Barry Jenkins and Tarell Alvin McCraney won the Oscar for Best Adapted Screenplay, and the first African American to win an Oscar in either writing category was Geoffrey Fletcher for “Precious” in 2009. The only other African-American to win for writing is John Ridley in 2013 for the Adapted Screenplay to “12 Years A Slave.” “Mudbound” writer/director Dee Rees made her own bit of history this year by being the first African-American woman nominated in the Best Adapted Screenplay category; the first woman ever nominated in either category was Suzanne DePasse in 1972 for “Lady Sings The Blues.”

Retired NBA superstar Kobe Bryant took home the Oscar with his creative partner Glen Keane for “Dear Basketball,” the first nomination and win for an African American in the Best Animated Short category.

The complete list of last night’s winners is below:

Best Picture:“The Shape of Water” (WINNER)
“Call Me by Your Name”
“Darkest Hour”
“Dunkirk”
“Get Out”
“Lady Bird”
“Phantom Thread”
“The Post”
“Three Billboards Outside Ebbing, Missouri”

Actress:

Frances McDormand, “Three Billboards Outside Ebbing, Missouri” (WINNER)
Sally Hawkins, “The Shape of Water”
Margot Robbie, “I, Tonya”
Saoirse Ronan, “Lady Bird”
Meryl Streep, “The Post”

Actor:

Gary Oldman, “Darkest Hour” (WINNER)
Timothée Chalamet, “Call Me by Your Name”
Daniel Day-Lewis, “Phantom Thread”
Daniel Kaluuya, “Get Out”
Denzel Washington, “Roman J. Israel, Esq.”

Director:

“The Shape of Water,” Guillermo del Toro (WINNER)
“Dunkirk,” Christopher Nolan
“Get Out,” Jordan Peele
“Lady Bird,” Greta Gerwig
“Phantom Thread,” Paul Thomas Anderson

Original Song:

“Remember Me” from “Coco,” Kristen Anderson-Lopez, Robert Lopez (WINNER)
“Mighty River” from “Mudbound,” Mary J. Blige
“Mystery of Love” from “Call Me by Your Name,” Sufjan Stevens
“Stand Up for Something” from “Marshall,” Diane Warren, Common
“This Is Me” from “The Greatest Showman,” Benj Pasek, Justin Paul

Original Score:

“The Shape of Water,” Alexandre Desplat (WINNER)
“Star Wars: The Last Jedi,” John Williams
“Dunkirk,” Hans Zimmer
“Phantom Thread,” Jonny Greenwood
“Three Billboards Outside Ebbing, Missouri,” Carter Burwell

Cinematography:

“Blade Runner 2049,” Roger Deakins (WINNER)
“Darkest Hour,” Bruno Delbonnel
“Dunkirk,” Hoyte van Hoytema
“Mudbound,” Rachel Morrison
“The Shape of Water,” Dan Laustsen

Original Screenplay:

“Get Out,” Jordan Peele (WINNER)
“Three Billboards Outside Ebbing, Missouri,” Martin McDonagh
“The Big Sick,” Emily V. Gordon & Kumail Nanjiani
“Lady Bird,” Greta Gerwig
“The Shape of Water,” Guillermo del Toro, Vanessa Taylor
Continue reading “Jordan Peele Becomes 1st African-American to Win Academy Award for Best Original Screenplay”

Weekend Box Office: ‘Black Panther’ Bounds to Record-Shattering $218 Million-Plus Opening

The movie scores one of the top openings of all time in North America; overseas, it amasses $169 million for a $387 million global debut.
“Black Panther” (Courtesy of Marvel Studios)
In a defining moment for Hollywood, Disney and Marvel StudiosBlack Panther exploded at the Presidents Day box office, bounding to a record-shattering estimate of $192 million for the three-day weekend and a projected $218 million-plus for the four-day holiday frame.

The Ryan Coogler-directed movie — unprecedented in being a big-budget studio tentpole featuring a virtually all-black cast — secured the fifth-biggest domestic opening of all time after blasting past all expectations. It’s also the best launch of any superhero film behind fellow Marvel title The Avengers (2012), which earned $207.4 million in its first three days, not accounting for inflation.

The weekend isn’t over, however, and Black Panther could climb even higher. Many rival studios show a four-day total of $222 million to $225 million, as well as a higher three-day total in the $195 million range.

Other records broken include that of the biggest opening for an African-American director, the top-scoring superhero film on Rotten Tomatoes (97 percent) and the biggest February bow, supplanting previous champ Deadpool, which took in $152.2 million over the four-day Presidents Day weekend in 2016.

Playing in 4,020 theaters, Black Panther was fueled by a diverse audience. According to comScore, 37 percent of ticket buyers were African-American. Caucasians made up the next largest group (35 percent), followed by Hispanics (18 percent). That sort of demographic breakdown is unheard of for a marquee superhero tentpole. On average, African-Americans make up about 15 percent of the audience for such fare.

“There are seven billion people on this planet and they come from all walks of life. Audiences deserve to see themselves reflected on the big screen. Beyond being the right thing to do, it makes for richer storytelling,” says Disney distribution chief Dave Hollis.

Adds Imax Entertainment CEO Greg Foster, “Representation matters. Get Out, Wonder Woman, Coco and now Black Panther show Hollywood that authenticity and inclusiveness wins.”

Black Panther, which cost $200 million to make before marketing, was a bold move on the part of Disney and Marvel’s Kevin Feige.

In the film, Chadwick Boseman stars as T’Challa/Black Panther alongside Lupita Nyong’o, Michael B. Jordan, Daniel Kaluuya, Letitia Wright, Winston Duke, Angela Bassett, Forest Whitaker and Andy Serkis. The story, described as a tale of black power and black pride in addition to its superhero themes, follows T’Challa as he is sworn in as king of Wakanda, a cloaked, technologically advanced nation in Africa that is home to the exotic metal vibranium, the source of Black Panther’s powers.

Audiences bestowed Black Panther with an A+ CinemaScore (the only other Marvel title to earn the mark was Avengers).

Black Panther hits theaters almost a year after Jordan Peele‘s maverick horror film Get Out transformed into a box-office sensation, although that was a genre pic. And in summer 2017, filmmaker Patty Jenkins’ Wonder Woman, featuring a female protagonist, became the highest-grossing live-action film from a female director.

Overseas — where American films with a black cast can face challenges — Black Panther opened in virtually every major market save for Russia (Feb. 22), Japan (March 1) and China (March 9). The movie earned a mighty $169 million for an estimated global bow of $387 million through Monday, including a hefty $52 million from Imax locations around the world.

Black Panther came in ahead of expectations overseas, but certainly not to the extent it did in North America. Still, it secured the fifteenth-biggest international opening of all time, opening No. 1 in almost every territory. South Korea led with $25.3 million, the fifth-biggest start ever for a Western title. The U.K./Ireland followed with a $24.8 million launch, the best showing of any Marvel title behind Avengers: Age of Ultron and eclipsing the entire runs of Justice League, Ant-Man and the first installments in the Captain America and Thor franchises.

In North America, the only movies that dared to open nationwide opposite Black Panther were Lionsgate and Aardman Animation’s family film Early Man and PureFlix’s faith-based pic Samson. Early Man placed No. 7 with an estimated four-day gross of $4.2 million from 2,492 theaters, while Samson came in No. 11 with an estimated $2.4 million from 1,249 cinemas.

Source: https://www.hollywoodreporter.com/heat-vision/weekend-box-office-black-panther-bounds-record-shattering-218m-debut-1085932

“Get Out”, “Mudbound,” Jordan Peele, Dee Rees, Octavia Spencer, Daniel Kaluuya and more Garner Academy Award Nominations for 2017

Oscar nominees Jordan Peele, Daniel Kaluuya (top); Mary J. Blige, Dee Reese (bottom)

via shadowandact.com

The nominees for the 90th Academy Awards were announced Monday morning by Girls Trip star Tiffany Haddish and Black Panther star Andy Serkis.

Get Out picked up several big nods, including Best Picture, Best Original Screenplay and  Best Director for Jordan Peele and Best Actor for Daniel Kaluuya.

Mary J. Blige (Mudbound) and Octavia Spencer (The Shape of Water) were both nominated for Best Supporting Actress, Mudbound scored a Best Adapted Screenplay nomination for writer/director Dee Rees and co-writer Virgil Williams, and Denzel Washington was also nominated for Best Actor for Roman J. Israel, Esq. 

Jimmy Kimmel will host the awards at the Dolby Theatre at Hollywood & Highland Center in Hollywood on March 4, and it will be broadcast on ABC.

View the list of nominees below:

Best Picture

Call Me By Your Name
Darkest Hour
Dunkirk
Get Out
Lady Bird
Phantom Thread
The Post
The Shape of Water
Three Billboards

Best Director

Christopher Nolan, Dunkirk
Jordan Peele, Get Out
Greta Gerwig, Lady Bird
Paul Thomas Anderson, Phantom Thread
Guillermo del Torro, The Shape of Water

Best Actor

Timothée Chalamet
Daniel Day-Lewis
Daniel Kaluuya
Gary Oldman
Denzel Washington

Best Actress

Sally Hawkins
Frances McDormand
Margot Robbie
Saoirse Ronan
Meryl Streep

Best Supporting Actor

Willem Dafoe
Woody Harrelson
Richard Jenkins
Christopher Plummer
Sam Rockwell

Best Supporting Actress
Mary J. Blige
Allison Janney
Lesley Manville
Laurie Metcalf
Octavia Spencer

Best Adapted Screenplay

Call Me By Your Name
The Disaster Artist
Logan
Molly’s Game
Mudbound

Best Original Screenplay

The Big Sick
Get Out
Lady Bird
The Shape of Water
Three Billboards Continue reading ““Get Out”, “Mudbound,” Jordan Peele, Dee Rees, Octavia Spencer, Daniel Kaluuya and more Garner Academy Award Nominations for 2017″

“Girls Trip, “Get Out,” “Black-ish,” Garner Multiple Wins at 49th NAACP Image Awards

The cast and crew of “black-ish” accepts award for outstanding comedy series at the 49th annual NAACP Image Awards at the Pasadena Civic Auditorium, in Pasadena, Calif. Pictured from left are Laurence Fishburne, Anthony Anderson, Jeff Mecham, Jenifer Lewis, Tracee Ellis Ross, Kenya Barris, Yara Shahidi, Miles Brown, Peter Mackenzie, Marsai Martin, and Marcus Scribner (Credit: Photo by Chris Pizzello/Invision/AP/Shutterstock)

by Lori Lakin Hutcherson (@lakinhutcherson)

The winners of the 49th NAACP Image Awards were announced last night during the live broadcast from the Pasadena Civic Auditorium which aired on TV One. The two-hour live special was hosted by Anthony Anderson and opened with a powerful moment in support of #TIMESUP featuring Angela Robinson, Kerry Washington, Jurnee Smollett-Bell, Laverne Cox, Lena Waithe and Tracee Ellis Ross.

Ava DuVernay was honored as the NAACP Entertainer of the Year. NAACP Chairman Leon W. Russell presented the NAACP Chairman’s Award to William Lucy, NAACP President and CEO Derrick Johnson presented the NAACP President’s Award to Danny Glover and several members of the Memphis Sanitation “I Am A Man” Workers were also in attendance – they were presented with the NAACP Vanguard Award earlier in the week during a press conference at the National Civil Rights Museum in Memphis, TN.

Gap Band leader Charlie Wilson was honored with the Music Makes a Difference honor which is bestowed upon an individual within the recording industry who has achieved worthwhile success and inspiration for civic engagement, criminal justice, education, economic opportunity, or criminal justice.

“Girls Trip” triumphed as the winner in the Outstanding Motion Picture category, and picked up a second award for its breakout star Tiffany Haddish in the Supporting Actress category.

Jordan Peele

Jordan Peele‘s horror opus “Get Out” received three awards, including Best Actor honors for lead Daniel Kaluuya, and Best Director and Best Writing wins for Peele. “Black-ish” took home the award for best television series, while host Anderson won Best Actor, Tracee Ellis Ross repeated as Best Actress and Marsai Martin won for Best Supporting Actress in a TV series.

In recording, Bruno Mars took home awards for Outstanding Male Artist, Outstanding Music Video/Visual Album  and Outstanding Song – Traditional for “That’s What I Like.” Kendrick Lamar owned the Outstanding Album, Outstanding Song – Contemporary and Outstanding Duo, Group or Collaboration categories (the latter with Rihanna).

The winners of the 49th NAACP Image Awards in the non-televised categories were announced during a gala dinner celebration that took place Sunday, January 14, 2018, at the Pasadena Conference Center – the event was hosted by The Real’s Adrienne Houghton, Loni Love, Jeannie Mai and Tamera Mowry-Housley.

The NAACP Image Awards is the premiere multicultural awards show. It celebrates the accomplishments of people of color in the fields of television, music, literature and film, and also honors individuals or groups who promote social justice through creative endeavors.

For all information and the latest news, please visit the official NAACP Image Awards website at: http://www.naacpimageawards.net.

Below are all of the winners for the 49th NAACP Image Awards:

MOTION PICTURE

Outstanding Motion Picture – “Girls Trip” (Universal Pictures)

Outstanding Directing in a Motion Picture – Jordan Peele – “Get Out” (Universal Pictures)

Outstanding Actor in a Motion Picture – Daniel Kaluuya – “Get Out” (Universal Pictures)

Outstanding Actress in a Motion Picture – Octavia Spencer – “Gifted” (Fox Searchlight Pictures)

Outstanding Supporting Actor in a Motion Picture – Idris Elba – “THOR: Ragnarok” (Marvel Studios)

Outstanding Supporting Actress in a Motion Picture – Tiffany Haddish – “Girls Trip” (Universal Pictures)

Outstanding Independent Motion Picture – “Detroit” (Annapurna Pictures)

Outstanding Writing in a Motion Picture – Jordan Peele – “Get Out” (Universal Pictures) Continue reading ““Girls Trip, “Get Out,” “Black-ish,” Garner Multiple Wins at 49th NAACP Image Awards”

Jordan Peele’s ‘Get Out’ Wins Two Critics’ Choice Awards; Sterling K. Brown and RuPaul win in TV Categories

Daniel Kaluyaa, Lil Rel Howery and Jordan Peele at 2018 Critics Choice Awards (photo: Getty Images)

by Cortney Wills via thegrio.com

The 23rd Annual Critics’ Choice Awards went down in Los Angeles on Thursday evening. Jay Pharaoh presented the first award of the night for Best Comedy to The Big Sick after opening the show with a freestyle rapping skit alongside host, Olivia Munn.

Jordan Peele’s hit horror film, Get Out won the award for Best Screenplay. The film also won Best Sci-Fi or Horror Movie.

TheGrio caught up with one of the film’s stars on the red carpet and he had a lot to say about the provocative project.

Lil Rey Howery, admitted he was pleasantly surprised by the world’s reaction to Peele’s groundbreaking film, Get Out.

“It’s surreal. When I read the script I looked at Jordan and said, ‘Are they really gonna let you do this, brother? I’m in!’ It’s really dope. I’m really proud of Jordan for taking his time. It took him eight years to write it. He’s the only one who could execute what was in his brain,” he said before revealing that his character, Officer Rod Williams, was written just for him.

“So many experiences in the movie felt like experiences I have had before. It’s just genius. He wrote the character in my voice and I knew it. It sounded just like me.”

Aside from Peele being honored for Get Out, there were only a few people of color who came out on top.

Sterling K. Brown took home the award for Best Actor in a Drama Series for his role in This Is Us. 

During his acceptance speech, he joked about the crowd not being able to tell that he was blushing before revealing one of the reasons he’s so grateful to work on the hit NBC series.

“I speak on behalf of my show that’s not the darkest, or the sexiest, but we have a lot of heart,” he said. “And in some dark times right now, it’s nice to be a part of something that reminds us that we’re all in this thing called life together.”

RuPaul won Best Reality Show Host for RuPaul’s Drag Race, rounding out the short list of African American winners for the night.

Source: https://thegrio.com/2018/01/12/jordan-peeles-get-out-wins-best-original-screenplay-at-critics-choice-awards/

 

‘Twilight Zone’ Reboot Executive Produced by Jordan Peele Gets Greenlight at CBS

Jordan Peele (COURTESY: CBS)

by Joe Ottterson via Variety.com

“The Twilight Zone” reboot at CBS All Access has officially been ordered to series, the streaming service announced Wednesday.

Jordan Peele, Simon Kinberg and Marco Ramirez will serve as executive producers and collaborate on the premiere episode. Win Rosenfeld and Audrey Chon will also serve as executive producers. The new series will be produced by CBS Television Studios in association with Peele’s Monkeypaw Productions and Kinberg’s Genre Films. “Too many times this year it’s felt we were living in a twilight zone, and I can’t think of a better moment to reintroduce it to modern audiences,” said Peele.

The original “Twilight Zone,” created by Rod Serling, was an anthology series that delved into science fiction, fantasy, and horror in every episode. It aired on CBS from 1959-1964. CBS Corp. CEO Leslie Moonves first announced plans for a new version of the series back in November. The series has been revived twice before. The first reboot premiered in 1986 on CBS and ran for 110 episodes. The second, featuring Forest Whitaker in Serling’s on-air role, premiered in 2002 on UPN and lasted 43 episodes. A 1983 feature-film version, “The Twilight Zone: The Movie,” included vignettes directed by John Landis, Steven Spielberg, Joe Dante and George Miller.

The news also comes after Peele made a splash in the horror genre with his box office smash hit film “Get Out” earlier this year. He is also attached as an executive producer on the anthology horror series “Lovecraft Country” currently in development at HBO.

To read full article, go to: http://variety.com/2017/tv/news/twilight-zone-reboot-cbs-all-access-jordan-peele-simon-kinberg-marco-ramirez-1202632108/

Jordan Peele and ABC President Channing Dungey to Be Honored by African American Film Critics Association

Filmmaker Jordan Peele (l), ABC Entertainment President Channing Dungey (r) [photo credit: Getty Images via hollywoodreporter.com]
by Arlene Washington via hollywoodreporter.com

The African American Film Critics Association (AAFCA) has named Get Out writer-director Jordan Peele and ABC Entertainment President Channing Dungey among the recipients of its special achievement honors.

Alcon Entertainment’s co-CEOs Broderick Johnson and Andrew Kosove and Los Angeles Film Festival president Claudia Puig will also be recognized at AAFCA’s special achievement luncheon in 2018, which along with its annual awards ceremony will be a “Celebration of Women in Cinema.” The success of female-helmed films this year, from big-budget features including Patty JenkinsWonder Woman to Dee Rees‘ anticipated Mudbound (which recently screened at New York Film Festival), has inspired AAFCA — the largest group of black film critics — to proclaim 2017 the “Year of the Woman in Cinema.”

The organization stated that with films including The Zookeeper’s Wife, A United Kingdom, Detroit and The Beguiled, “women are rightfully being recognized for their long overdue equity in potential for quality, successful filmmaking.” “There is no argument that women have made a bold step forward this year in Hollywood,” says AAFCA president Gil Robertson, who co-founded the organization in 2003 with Shawn Edwards. “The evidence demonstrated during the past year speaks for itself both in terms of box office and critical recognition by women, and we predict that there will be continued momentum going forward. We are also pleased that African American women are a part of this progress and are taking advantage of increased opportunities to make their cinematic imprint.”

The organization also said that future projects, including Ava DuVernay‘s A Wrinkle in Time in March 2018, show that women and African American directors are heading toward a normalcy in getting more big-screen opportunities. “Women wrote, produced and directed some of the year’s most compelling, provocative and culturally relevant movies,” adds Edwards. “However, there is still a lot of work to be done to ensure that women have a permanent place at the table with equal representation.”

In addition to the AAFCA special achievement luncheon on Feb. 3 in Marina del Rey, Calif., the organization’s annual awards program will take place on Feb. 7 at the Taglyan Complex in Hollywood.

Source: Jordan Peele, ABC’s Channing Dungey to Be Feted by AAFCA | Hollywood Reporter

‘Get Out’ Inspires New College Course Taught by Tananarive Due, Sci-Fi Author and UCLA Professor

(photo via elev8.hellobeautiful.com)

by Tami August via elev8.hellobeautiful.com

This fall, award-winning science fiction writer and UCLA professor Tananarive Due will teach a “Get Out”–inspired course called “Sunken Place: Racism, Survival, and Black Horror Aesthetic,” i09 reports. Jordan Peele‘s directorial debut, which couches America’s history of racist scientific experimentation in a romantic horror plot, continues to make waves months after it became a blockbuster hit. “Get Out” inspired Due to consider the history of Black horror in fiction and film.

In an interview with i09’s Evan Narcisse, Due calls herself a “horror head” who considers horror a subgenre of speculative fiction, where she reigns supreme. Winner of The American Book Award, the NAACP Image Award for Outstanding Literature, and the Carl Brandon Kindred Award, Due has published over ten novels since 1995. She told i09 that “Get Out” has given film executives a way to understand her own horror adaptations for the screen.

Prior to “Get Out,” Due noted, the most popular contemporary Black horror film was “Beloved,” the movie adaptation of Toni Morrison‘s novel that didn’t perform as well in the box office as it did in the bookstore. “Get Out” may have helped Due move forward in her screenwriting projects, but it also prompted her to look back at the genre’s Black history. Due said that for African Americans, the horror genre is “a great way to address this awful, festering wound in the American psyche, the slavery and genocide that was present during our nation’s birth.”

The professor mentioned film examples such as “Blacula,” “Def by Temptation,” and “Tales From the Hood.” She also plans to teach the short fiction of W.E.B. DuBois, whose story “The Comet” imagines a Black man and White woman as the sole survivors of apocalypse in the “era of lynching.” Due said, “These are two very different artists in two very different times, but DuBois’ story is a great companion, in a way, to what Jordan Peele was doing with the Black man and White woman in his movie.”

Source: ‘Get Out’ Inspires New College Course | Elev8