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Posts tagged as “Janet Jackson”

REVIEW: I’ve Got Such Big Feelings for WILLOW’s Emotive, Exploratory and Excellent New LP “empathogen”

by Lori Lakin Hutcherson, GBN Editor-in-Chief

I’m starting off straight up corny by saying I’ve been a “transparent soul” with anyone who’d listen to me about my anticipation of WILLOW’s sixth and latest solo LP, which finally dropped May 3rd.

My owning of my corniness, turns out, totally vibes with the messages about the freedom to express & accept your feelings, warts and all, coursing throughout the #greatalbum “empathogen” (2024).

Not only do I absolutely love how WILLOW wrestles lyrically (and musically) with Big Ideas such as existence, ego, anxiety, pain, self-sabotage, fear and love, she does so in such soul-felt, sophisticated & surprising ways, I have to compliment the precise production by WILLOW and her fellow producers Chris Greatti, Eddie Benjamin and Jon Batiste.

There are myriad sounds, echo effects and vocal arrangements involved in each track, even the stripped down ones, but none ever feel overdone — just purposeful and fresh. It’s as if WILLOW threw her hands into the cosmic river of music, tapped into its source, and allowed it to flow freely through her.

There’s a lot going on technically in the music I can’t speak on with any authority (e.g. the multiple time signatures, turnarounds, uncommon verse/chorus structures) but what I can talk about is how it hits the ears and how it feels — free, unexpected, relatable, or, in one word — embracing.

WILLOW is clearly a student of music and draws on varied influences (her IG post of her working her voice out to Ella Fitzgerald’s legendary scat on “How High The Moon” blew my mind a few months ago and still lives rent free in what’s left of my head), but right now she’s reminding me most of the great Esperanza Spalding, particularly during her “Emily’s D+Evolution” (2016) jazz/pop/rock era.

WILLOW’s own pop/rock/punk/soul explorations from the past few years also inform her current jazz/funk/fusion present (and hopefully future).

The singles released from the LP, “symptom of life” and “bigfeelings”, are the best ambassadors for this tight 12-song offering which literally begins with what sounds like an off-mic Jon Batiste screeching, as if being born, “I love everything!”

(BTW, could Batiste be on more of a roll? He also co-produces and co-writes “Ameriican Requiem”, the opening track on COWBOY CARTER. If I’m an artist, I’m thinkin get this man to help kick off my LP, stat, cuz greatness will surely follow!)

After Batiste, we hear steady rimshots underneath WILLOW’s “ah oo ah ah” breaths until she sings “I live my life” — and I didn’t conjure my previous cosmic music river metaphor out of nowhere as WILLOW then sings “I trust this river to carry me / home” in this mystifyingly captivating LP opener titled “home”.

GBN Daily Drop Podcast: #JanetJacksonAppreciationDay (LISTEN)

by Lori Lakin Hutcherson (@lakinhutcherson)

Even though most Americans think of today as Super Bowl Sunday, on GBN’s Daily Drop podcast bonus episode we instead celebrate what’s been the day’s other moniker since 2018 — #JanetJacksonAppreciationDay.

You can follow or subscribe to the Good Black News Daily Drop Podcast through Apple Podcasts, Spotify, Google Podcasts, rss.com or create your own RSS Feed. Or just check it out every day here on the main website (transcript below):

SHOW TRANSCRIPT:

Hey, this Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a bonus daily drop of Good Black News for Sunday, February 13th, 2022, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing.

Although today is known by most Americans as Super Bowl Sunday, for the past four years, thanks to Academy Award-winning filmmaker Matthew A. Cherry, it’s known among millions on Twitter and beyond as #JanetJacksonAppreciationDay.

#JanetJacksonAppreciationDay is where fans of Janet Jackson (aka “#JanFam”) flood their social media timelines with loving GIFs, memes, and videos of the legendary “Rhythm Nation” performer.

This annual trend began in 2018 in reaction to Justin Timberlake being invited to headline that year’s Super Bowl halftime. In 2004, when Jackson and Timberlake performed together at halftime, Jackson alone bore the blame for the “wardrobe malfunction” that occurred when Timberlake ripped a revealing part of her costume.

The moment that came to be called “Nipplegate” sparked controversy and damaged Jackson’s career for years while Timberlake’s soared.

Today’s #JanetJacksonAppreciationDay is particularly special because just a few weeks ago, the four-part documentary Janet Jackson and brother Randy Jackson executive produced on her life and career aired in the U.S. on Lifetime and A&E. In it, Janet shared footage and information from her life and career that had never seen or heard before by the public.

The widely watched doc set off a current surge of appreciation for Jackson’s contributions to popular culture in the following ways:

  1. top ratings in the U.S. and airings across the globe
  2. soaring iTunes sales and streams of her singles and albums, with Control hitting the #1 spot on the iTunes pop album charts 36 years after its release.
  3. Twitter and IG filled with fan and celebrity tributes alike.

As a #JanFam member myself since childhood – from Good Times, Diff’rent Strokes, the early albums and on – well, today I personally would like to appreciate Janet Jackson who, since 1989, has used her music to tackle and highlight issues such as racism, sexism, illiteracy, domestic violence and homophobia.

I wrote a piece on Good Black News about it last year and created a playlist to which I’ve included links in this episode’s show notes.

But I also appreciate Janet’s decades-long contributions to charities and causes such as the NAACP, the United Negro College Fund, Feeding America, and the American Foundation for AIDS Research, among so many others.

Currently, Janet is selling her vintage tour swag on The Real Real to support the non-profit organization Girls Leadership, which teaches girls to exercise the power of their voices through programs grounded in social emotional learning.

Some other sources that can help you get your Janet Jackson appreciation on are the incredible book in the 33 and 1/3 series dedicated to Velvet Rope by Ayanna Dozier, and Janet’s own 2011 part memoir, part health and lifestyle bestseller True You: A Journey to Finding and Loving Yourself written with David Ritz.

There’s also an awesome podcast called Janet Today, Janet Tomorrow, Janet Forever where cousins Courtney and Kam discuss Janet’s music and videos song by song, as well as conduct fun and informative interviews with musicians, dancers, stylists and the like who have worked with Janet throughout her career.

There’s also Janet Jackson’s own Instagram, her IG stories and Twitter, the hashtag #janfam to see posts from her devoted fan base and the hashtag #JanetsLegacyMatters, whose creators helped organize the grassroots push for Janet’s induction into the Rock and Roll Hall of Fame, which happened in 2019.

And of course, you can always jump on social yourself and add to or check out the #JanetJacksonAppreciationDay tributes that are all for her! Links to everything I mentioned and more are provided in today’s show notes.

Additional sources:

This has been an extra-long bonus daily drop of Good Black News, based on the “A Year of Good Black News Page-A-Day Calendar for 2022,” published by Workman Publishing, and available at workman.com, Amazon, Bookshop and other online retailers.

Music used in today’s episode includes “The Knowledge” off Janet Jackson’s Rhythm Nation: 1814 album, “Control (The Video Mix)” from the Control: The Remixes album, “All For You” from the 2001 album of the same name, and “The Pleasure Principle (Dub Edit – The Shep Pettibone Mix)” from Control: The Remixes.

For more Good Black News, check out goodblacknews.org or search and follow @goodblacknews anywhere on social.

Btw, GBN’s Page-A-Day®️ Calendar for 2022 is 50% off at workman.com with code:50CAL until 2/28/22!

(paid links)

MUSIC MONDAY: “Black and Proud”: A Black History Month Playlist (LISTEN)

by Lori Lakin Hutcherson (@lakinhutcherson)

Hey, it’s Lori, GBN’s Editor-in-Chief, with this week’s Music Monday share. Although it’s one day early, I offer a list to set the vibe for what February signifies to many in these United States: Black History Month!

Today’s playlist, “Black and Proud: Songs About Being Black” features songs that examine, express, critique and celebrate differing iterations of what it means to be Black in America.

The gamut of human emotions are present in this collection, as African Americans have been creating genres like Jazz, Blues, Soul and Hip Hop and transforming others from the 1600s on.

Artists such as Louis Armstrong, Chuck Berry, James Brown, Stevie Wonder, Beyonce, Esperanza Spalding, india.arie, Prince, Janet Jackson, Mickey Guyton, Nas, Jay Z, Common and Kendrick Lamar all have their takes on Blackness and the perceptions of it by themselves, lovers, strangers, authorities and oppressors.

I’ve also included several versions of “Young, Gifted and Black” by Nina Simone, Aretha Franklin, Donny Hathaway and Big Daddy Kane who each in their own way interpret the phrase popularized by playwright Lorraine Hansberry to great effect.

I hope you enjoy this compilation and that it gets you into the mood, groove and spirit of Black History Month.

Happy Birthday, Ms. Jackson! GBN Celebrates with “The Knowledge”: a Playlist and Videos of Janet Jackson’s Social Justice Music (LISTEN and WATCH)

by Lori Lakin Hutcherson (@lakinhutcherson)

Today being her birthday would have been reason enough to honor the life and career of the one and only Janet Jackson.

But in 2021, it’s also turned out to be once-in-a-lifetime event — the weekend Ms. Jackson has decided to sell over 1,000 personal and professional items via Julien’s Auctions to fans and collectors alike — and donate a portion of the proceeds to children’s charity Compassion International.

(Sunday, May 16 is the last day to watch and/or bid during the auction. You can do so here.)

As a personal fan who lives in Los Angeles, I was able to go to the public display prior to the auction. Seeing her iconic outfits and costumes along with personal items from her childhood and homes was, in a word, mesmerizing.

If you’ve grown up with her like I and a lot of GenX has, it’s easy to take Janet’s legacy and prowess for granted. But when you look at the history, the music, the videos, her eras across the decades and the impact of them all represented in one place, you fully realize what a uniquely innovative, influential artist she has been, is, and always will be.

On top of all she’s contributed to music and culture, with her 1989 album Rhythm Nation 1814 some 30 years ago when she was in her early 20s, Janet Jackson has also used her platform and lyrics to speak on social ills and speak out about injustices.

With producing partners Jimmy Jam and Terry Lewis, Jackson has crafted some of the most insightful and inspirational — and hey, let’s say it, danceable — issue-oriented songs ever.

Today, we celebrate her contributions to elevating our consciousness and calling for action on topics such as discrimination, poverty, racism, illiteracy, domestic violence, depression, sexism and homophobia with the playlist “The Knowledge” – Janet Jackson Social Justice Music:

“Rhythm Nation” is not only represented on this list by its titular track, but also by The Knowledge,” “State of the World,” “Livin’ In A World (They Didn’t Make)” and its connective tissue interludes, but also by “The Skin Game,” a track about racial discrimination from that didn’t make the album but was a B-side to its “Come Back To Me” single.

In a 2012 essay in Essence magazine, Jackson was open about her personal experiences with racial discrimination.

“Like so many Black people, I have my own stories of being profiled — of being stopped, searched and frisked twice in the same month by cops skeptical about a Black woman driving a fancy car. And you have to think, if the cops stop me, how much worse must it be for others?” she wrote. “Yet we go on.”

Janet recently revived “Skin Game” during at her State of the World Tour, at the 2018 Essence Festival and during her Global Citizens performance in 2018. Check out the kick-ass opening sequence below:

On her 1993 Janet. album, Jackson offered “New Agenda” with Public Enemy’s Chuck D, “This Time” about domestic violence with opera singer Kathleen Battle.

On 1997’s The Velvet Rope, Janet tackled self-esteem and self-worth on “You,” the unhealthy reliance on connections made through the internet on “Empty,” feelings of depression and worthlessness “Special,” homophobia on “Free Xone” and overcoming racial and gender discrimination on the hidden track “Can’t Be Stopped.”

The depth and breadth of this album’s themes are discussed deftly by Ayanna Dozier in her book on The Velvet Rope from the acclaimed 33 1/3 series about music’s most impactful albums.

“Got Til It’s Gone” (seen below) and “Together Again” are also included because visually, this pair of Afrocentric videos were all about self-possession, expression and finding joy in the most difficult of circumstances — in South Africa during apartheid in “Got Til It’s Gone,” and healing oneself through the acknowledgement of the importance of lives of those who passed from AIDS and need to celebrate not stigmatize their lives in “Together Again.”

“What About” mixes the softness of her sweetest love songs with a hard rock edge reminiscent of “Black Cat” as she delivers a tour de force on domestic violence.

Jackson’s performance at the 1998 VH1 Fashion Awards was poignant, powerful and unforgettable:

Rounding out the playlist are the songs “Black Eagle” and “Shoulda Known Better” from her number-one album from 2015, Unbreakablewhich acknowledge the work that still needs to be done, how difficult it is to overcome the complex issues of racism and abject poverty and how heart-breaking they are, but why it’s still worth trying.

Though not released as a single or official video, “Shoulda Known Better” was used by a fan to make a video tribute to the victims of the Orlando shooting in 2016, and Janet Jackson shares it as part of her official YouTube channel:

I hope I get to add new songs to this list later this year, if Janet resumes the Black Diamond Tour and releases the Black Diamond album, both postponed from 2020 due to the global pandemic.

Or even if she records an entirely new project, I have no doubt that in some form, Ms. Jackson’s outspoken caring and compassion for the world will come through once again.

Janet Jackson Two-Night Documentary Event to Debut on Lifetime and A&E Networks in 2022

by Lori Lakin Hutcherson (@lakinhutcherson)

Finally!

Internationally renowned, Grammy Award-winning, Rock N Roll Hall of Fame inductee Janet Jackson will be the focus of an upcoming documentary on Lifetime and A&E Networks in 2022.

The two-night, four-hour documentary will coincide with the 40th anniversary of Jackson’s first album – no, not Control – that 1986 juggernaut was her third LP and first collaboration with producers Jimmy Jam and Terry Lewis – but rather 1982’s eponymous Janet Jackson, which was released on the A&M records label and offered her early R&B hits “Say You Do” and “Young Love.”

Jackson is an executive producer with Randy Jackson, and according to Variety.com, producing teams from Workerbee and Associated Entertainment Corporation already have been working on the project with Janet for over three years.

To quote Variety.com:

The doc follows Janet as her family is going through the loss of her father, Joseph, the patriarch of the Jackson dynasty who passed in 2018. Producers were granted exclusive access to archival footage and never-before-seen home videos while developing the documentary for the past three years.

“JANET” will also detail the most talked-about moments of her life, including her 2004 Super Bowl appearance with Justin Timberlake in which she inadvertently exposed a portion of her breast, sparking controversy that would hover for more than a decade. The docu will also explore Jackson’s reaction to the death of her brother, the legendary and also controversial Michael Jackson, and her process of becoming a mother.

It’s about time the impact of Janet Jackson and her legacy on popular music and culture will be realized in-depth and, as a major Janet stan since even before her first LP – I’m talking Good Times and Fame days, people – I can’t wait! And I’m sure I’m not alone.

But until then, we’ll always have THIS:

MUSIC: “Don’t Look Any Further” – a Celebration of Ultimate ’80s “Slow Jams” (LISTEN)

by Jeff Meier (FB: Jeff.Meier.90)

Heading into a hot summer weekend a few weeks ago, Good Black News brought you a mellow, all-day playlist of ’70s slow jams (click here if you haven’t checked it out yet).

Since so many responded to it, we decided to follow it up with a playlist for the ’80s generation to call its own. Thus, on this warm late-July weekend, we happily offer you a throwback “quiet storm” collection: “Ultimate ’80s Champagne Slow Jams.”

[spotifyplaybutton play=”spotify:playlist:7KuOYglomITRDyxqbrPsMv”/]

Following the civil rights-infused, raw, expansive, pioneering music of the ’70s, the ’80s found soul music veering towards more urbane and sophisticated sounds. Smooth adult soul was the name of the game, with polished veteran artists like Dionne Warwick, Patti Labelle, The Isley Brothers, Melba Moore, Gladys Knight, Michael Jackson all hitting new career highs more than a decade into their illustrious careers.

Many of the decade’s most celebrated newcomers – Whitney Houston, Luther Vandross, Sade, Anita Baker, Freddie Jackson, to name a few – were also decked out in fine fashions, singing ballads that married the lush instrumentation of Philly Soul with the new smooth jazz grooves.

The ’80s were also the peak decade for the superstar duet – from Teena Marie & Rick James to Patti Austin & James Ingram to Kashif & Meli’sa Morgan to Dennis Edwards & Siedah Garrett – and our playlist has all the ones you remember.

But BET’s Midnight Love video show wasn’t only packed with slick romance for “grown folks” – the ’80s also had a cavalcade of teen stars working to replicate Michael Jackson/Jackson 5-level superstardom.

Fresh from the pages of Right On Magazine came Stacy Lattisaw & Johnny Gill, New Edition, The Jets, the DeBarge family and Tracie Spencer, among others. Of course, the most successful of those teens was Janet Jackson – and she’s here along with other Minneapolis Sound stars like SOS Band and Human League, all inspired by the one and only Prince, during his premiere pre-symbol peak years.

In the years before hip hop gained a mainstream foothold on the charts, the ’80s provided many of the jams that would ultimately be sampled by rappers – so you can hear some of the underlying inspirations of Notorious B.I.G., Eric B & Rakim, and LL Cool J – along with LL Cool J himself, with the first enormous hip-hop slow jam, “I Need Love.”

Musically, the ’80s also represented the decade where spiritual messages met more traditional soul balladry in a new kind of contemporary gospel that felt at home on R&B radio. Our playlist closes with a set of tracks from The Winans, Howard Hewett, Tramaine Hawkins, The Clark Sisters and others.

So, calling all you ’80s people, whether you’re slipping into a warm bath by candlelight, sipping champagne at sunset on a yacht or imagining yourself doing so, or maybe just seeking a mellow playlist as background to your umpteenth day sheltering in place – we’ve got you covered.

In fact, it’s a mega-playlist long enough to fill most of your weekend waking hours without repeat – you can set it and forget it.  Hope you enjoy!

Chaka Khan, Janet Jackson, Tupac Shakur and Chic Among 2017 Rock & Roll Hall of Fame Nominees

(L-R) Chaka Khan, Tupac, Janet Jackson (Getty Images)
(L-R) Chaka Khan, Tupac, Janet Jackson (photo via eurweb.com)

article via eurweb.com
The Rock and Roll Hall of Fame announced the nominees for its 2017 induction ceremony today.  This year’s nominees include Tupac Shakur, in his first year of eligibility, Chaka KhanJanet Jackson, and 11-time nominee Chic.
Ballots to select the final 2017 inductees will be sent out to more than 800 artists, historians, and members of the music industry. The public will also get an opportunity to vote at rockhall.com. Public voting ends Dec. 5 at 11:59 p.m. ET.
To be considered for induction, an individual artist or band must have released its first single or album at least 25 years prior to the year of nomination.
In addition to Tupac, this year also marks the first year of eligibility for fellow 2017 nominees Pearl Jam, Bad Brains, Depeche Mode, Electric Light Orchestra, Jane’s Addiction, Joan Baez, Journey, and Steppenwolf.
The Rock and Roll Hall of Fame 2017 inductees will be announced at an unspecified date in December. The induction ceremony will be held at the Barclay’s Center in New York City in April 2017.
Read the full list of this year’s nominees include:
Bad Brains
Chaka Khan
Chic
Depeche Mode
Electric Light Orchestra
J. Geils Band
Jane’s Addiction
Janet Jackson
Joan Baez
Joe Tex
Journey
Kraftwerk
MC5
Pearl Jam
Steppenwolf
The Cars
The Zombies
Tupac Shakur
Yes

Watch Inspiring Mash-Up of Janet Jackson's "Can't Be Stopped" with Jesse Williams' BET Awards Speech (VIDEO)


My fellow GBN Editor Lesa Lakin just e-mailed me this mash-up of Janet Jackson‘s “Can’t Be Stopped” with #BlackLivesMatter footage and Jesse Williams‘ now-classic speech from the 2016 BET Awards .  Not sure who made it and posted it on Vimeo five days ago, but thank you – great message and inspiration!  Keep protesting, speaking out, being creative and rising up!
Lori Lakin Hutcherson, GBN Editor-in-Chief

MUSIC: All 9 Jackson Family Siblings Have Now Had Solo Hits on the Billboard Charts

The Jackson Five photographed in Amsterdam circa 1977.   (GIJSBERT HANEKROOT/REDFERNS)
article by Trevor Anderson via billboard.com
Tito Jackson joins his brothers and sisters like Michael and Janet, and scores his first solo hit on the Billboard charts with “Get It Baby.”  With the single’s recent debut, Tito becomes the ninth and final Jackson family sibling to place a solo single on the charts.
Michael Jackson’s Top 50 Billboard Hits
For over 45 years, the Jackson family has been charting hits — stretching back to the 1969 debut of the Jackson 5’s “I Want You Back” on the Billboard Hot 100. In the following decades, the children of Joe and Katherine Jackson all embarked on solo careers, most spectacularly with Michael Jackson. By 1989, eight of the nine siblings had reached the charts.
“Get It Baby,” featuring Big Daddy Kane, debuts at No. 30 on the Billboard + Twitter Top Tracks chart dated June 11, and climbs 29-26 on the Adult R&B Songs airplay chart in its second week.

[youtube https://www.youtube.com/watch?v=aASwsMOy-pA]

The Jackson siblings’ solo chart runs date back to October 30, 1971, when Michael Jackson’s debut single, “Got to Be There,” started at No. 89 on the Hot 100. Since Michael kicked off his string, nine of the Jackson children have scored hits on a Billboard songs chart (listed in birth order):
Maureen “Rebbie” Jackson – seven charted titles on the Hot R&B/Hip-Hop Songs chart, including two top 10s in 1984’s “Centipede” (No. 4) and 1988’s “Plaything” (No. 8).
Sigmund “Jackie” Jackson – two charted titles on the Hot R&B/Hip-Hop Songs chart, including a 1989 top 40 hit “Stay” (No. 39).
Tito Jackson – “Get It Baby” debuted at No. 29 on Adult R&B Songs on the June 4, 2016 chart and Billboard + Twitter Top Tracks the following week.
Jermaine Jackson – 17 charted titles on the Hot 100, including two top 10 hits: “Daddy’s Home” in 1973 and “Let’s Get Serious” in 1980. Both cuts peaked at No. 9.
LaToya Jackson – nine charted titles on the Hot R&B/Hip-Hop Songs chart, including four top 40 hits. Her highest ranking track, “Bet’cha Gonna Need My Lovin’” climbed to No. 22 in 1983.
Marlon Jackson – two charted titles on the Hot R&B/Hip-Hop Songs chart, including the No. 2 smash “Don’t Go” in 1987.
Michael Jackson – 50 charted titles on the Hot 100, including 13 No. 1s, the most by any male artist in Hot 100 history.
Steven “Randy” Jackson – three charted titles on the Hot R&B/Hip-Hop Songs chart (one as a solo artist and two as part of Randy & The Gypsys). Of those three, 1990’s “Love You Honey” scored the best rank, topping out at No. 16.
Janet Jackson – 40 charted titles on the Hot 100, including 10 No. 1s.
Of course, the Jacksons also made music history working together. The Jackson 5 — a lineup consisting of Jackie, Jermaine, Marlon, Michael and Tito — scored Hot 100 No. 1s with their first four releases on Motown: “I Want You Back,” “ABC,” “The Love You Save” and “I’ll Be There.”
After a break with the label, the group shifted to Epic Records and was renamed The Jacksons (with Randy replacing Jermaine). The new quintet racked up three more Hot 100 top 10s between 1977 and 1984.

Q-Tip Named Kennedy Center's 1st Artistic Director of Hip-Hop

Q-Tip (photo via eurweb.com)
Q-Tip (photo via eurweb.com)

article by Maeve McDermott via usatoday.com
Before last year, Kennedy Center hosting hip hop shows seemed like an unlikely prospect.
But after hosting Kendrick Lamar’s sold-out performance with the National Symphony Orchestra last year, the center’s 2016 season includes its first hip hop culture series, bringing on rapper and producer Q-Tip as their first artistic director of hip hop.
The social justice-oriented rapper is best known as a founding member of the seminal hip hop group A Tribe Called Quest, and has worked with many of music’s biggest names, including Kanye West, Kendrick Lamar, the Beastie Boys, Janet Jackson, Mary J. Blige and Pharrell Williams.
The Kennedy Center, which celebrates John F. Kennedy’s 100th birthday this year, announced details of six events celebrating different facets of hip hop culture, including a poetry slam, a teach-in and a dance competition. Cellist Yo-Yo Ma and soprano Renee Fleming were also appointed at-large artistic advisers for the 2016-2017 season, according to the AP.
“This new programmatic platform recognizes Hip Hop’s contributions to global culture and its role in promoting values such as courage, freedom, justice, and service,” the center announced in a release.
To read more, go to: http://www.usatoday.com/story/life/music/2016/03/08/q-tip-named-kennedy-center-first-hip-hop-director/81485882/