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Posts tagged as “Halle Berry”

Black Oscar Firsts: A Brief History of the Trailblazing Academy Award Winners in Each Category (LISTEN)

by Lori Lakin Hutcherson (@lakinhutcherson)

You might know about Hattie McDaniel, Sidney Poitier or Halle Berry being the first Black recipients of Oscars in their respective acting categories, but have you ever wondered who were the first in all the others? Writing? Producing? Hair and Make-Up? Sound?

Today’s GBN Daily Drop podcast is a bonus episode for Sunday, March 27 — the day the 94th Academy Awards ceremony are being held — that takes note of every Black Oscar first:

You can follow or subscribe to the Good Black News Daily Drop Podcast through Apple Podcasts, Spotify, Google Podcasts, rss.com or create your own RSS Feed. Or just check it out every day here on the main website.

SHOW TRANSCRIPT:

Hey, this Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a bonus daily drop of Good Black News for Sunday, March 27th, 2022, based on the format of the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing.

The 94th Academy Awards ceremony is being held today and with Will Packer producing, Wanda Sykes and Regina Hall among the hosts and Will Smith, Denzel Washington, Aunjanue Ellis and Questlove among the nominees, I thought I’d take a brief look at the talented Black people in film who were the first in their category to ever win an Oscar.

The very very first was Hattie McDaniel, who won in the Best Supporting Actress category for the 1939 film Gone With The Wind.

In 1948, actor James Baskett received a special Academy award for his characterization of Uncle Remus in Song of the South, but the next to win an award in competition was Sidney Poitier in 1963, who won Best Actor for his role in Lilies of the Field.

It took almost a decade after that for the next win, which was Isaac Hayes in the Original Song category for 1971’s “Theme from Shaft.”

[Excerpt from “Theme from Shaft”]

Up next 11 years later was Lou Gossett, Jr. for his Best Supporting Actor win in 1982 for An Officer and a Gentleman.

[Excerpt of “The Beautiful Ones”]

In 1984 Prince won Best Original Song Score for Purple Rain, and he was the first and last Black person to win in that category because after 1984, it was retired as a category from the Academy.

Contrary to popular belief, Prince didn’t win for the actual song “Purple Rain” — the Original Song Oscar that year went to Stevie Wonder for “I Just Called to Say I Love You” from the film The Woman in Red.

[Excerpt of “I Just Called To Say I Love You”]

The following year, in 1985, jazz titan Herbie Hancock took home the Oscar for his Original Score for ‘Round Midnight.

And jazz kept the Gold Guys a coming – in 1988 Willie D. Burton accepted the Best Sound Oscar for his and his team’s work on the Charlie Parker biopic Bird, and in 1994, though nominated for several of his scores, the Oscar that Quincy Jones brought home was the Jean Hersholt Humanitarian Award.

In 2001, Halle Berry won the Best Lead Actress Oscar for her work in Monster’s Ball, and 2009 saw Roger Ross Williams win for Best Documentary Short Subject for Music By Prudence and Geoffrey Fletcher won for Best Adapted Screenplay for Precious, which was based on the novel Push by Sapphire.

In 2012, T.J. Martin won for Best Documentary Feature for Undefeated, and in 2013, Steve McQueen shared his Best Picture Oscar with his producing partners for 12 Years A Slave.

In 2017, NBA legend Kobe Bryant won in the Best Animated Short Film category for Dear Basketball, and Jordan Peele won in the Best Original Screenplay category for Get Out.

The following year, Peter Ramsey won an Oscar in the Animated Feature Film category for co-directing Spider-Man: Into the Spider-Verse. 2018 also saw Ruth Carter win in the Costume Design category for her work on Black Panther and Hannah Beachler for Production Design for the same marvel of a movie directed by Ryan Coogler.

And for 2020, Travon Free won in the Best Live Action Short Film category for Two Distant Strangers, and Mia Neal and Jamika Wilson took home Oscars in the Make-Up and Hairstyling category for Ma Rainey’s Black Bottom.

To learn more about Black Academy Award winners and nominees, read Black Oscars: From Mammy to Minny, What the Academy Awards Tell Us About African Americans by Frederick Gooding, Jr. and check out the links to more sources provided in today’s show notes and in the episode’s full transcript posted on goodblacknews.org.

This has been a bonus daily drop of Good Black News, based on the “A Year of Good Black News Page-A-Day Calendar for 2022,” published by Workman Publishing.

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Halle Berry Sells Her Directoral Debut “Bruised” to Netflix for $20 Million

(Photo from “Bruised” via TIFF)

According to Variety.com, Academy Award-winning actress Halle Berry landed a $20 million distribution deal from Netflix for her directorial debut of “Bruised.” 

Berry’s “Bruised,” still in the process of completion, is screening on Saturday at the Toronto Film Festival (virtually, of course). Berry also stars in the dramatic feature about “a washed-up MMA fighter struggling for redemption as both an athlete and a mother.”

The film was written by Michelle Rosenfarb. Producers on the project include Basil Iwanyk, Brad Feinstein, Guymon Casady, Erica Lee, Paris Kassidokostas-Latsis, Terry Dougas, Linda Gottlieb and Gillian Hormel.

As of yet there is no set release date for when the movie will appear on the streaming service.

History-Making Tyler Perry Studios Has Grand Opening Gala in Atlanta with Oprah, Beyonce and More

Tyler Perry (photo via commons.wikipedia.org)

Actors, directors, musical artists, filmmakers and politicians such as Oprah Winfrey, Beyoncé, Stacey Abrams, Ava DuVernay, Viola Davis, Samuel L. Jackson, Spike Lee, Tiffany Haddish, Whoopi Goldberg, Reginald Hudlin and Halle Berry showed up to support filmmaker and entrepreneur Tyler Perry as he formally opened his Tyler Perry Studios in Atlanta.

Tyler Perry Studios marks the first time that an African-American person has owned and operated a major film studio anywhere in the U.S.

Perry also reportedly named his twelve sound stages after living and late legends such as Denzel Washington, Oprah Winfrey, Halle Berry, Sydney Poitier, Della Reese, Spike Lee, Harry Belafonte, Cicely Tyson, Whoopi Goldberg, Diahann Carroll and Will Smith.

“Why did it take so long?” Goldberg wondered in an interview with The Hollywood Reporter. “Why was he the first to get it? Now he’s the man who makes the decisions, chooses the movies, and he doesn’t have to ask anybody for shit. There’s nothing better than that. He’s never on his knees. He gets what he needs because he provided it.”

Davis concurred by saying, “Tonight is history. Tonight is not just entertainment and flamboyancy, it’s not just an excuse to get dressed up. It’s an excuse to celebrate a historic moment, which is a black artist taking control of their artistic life and the vision that God has for their life,” she said. “What’s happened with us historically is we’re waiting for people to get us. We’re waiting for people to throw us a crumb. That’s not what Tyler Perry has done. I want to be able to look back on this and say ‘I was there.'”

Winfrey added of Perry: “Tyler is my little big brother. To see him rise to this moment that I know he’s dreamed about, planned, defined, clarify for himself, it’s just a fulfillment of a dream. It’s wonderful to see.”

DuVernay, among others, touchingly reported on the momentous occasion on her Instagram and Twitter:

https://twitter.com/ava/status/1180950995892879361

To read and see more, go to: https://www.hollywoodreporter.com/news/inside-tyler-perry-studios-grand-opening-gala-1245752

Chadwick Boseman and Ryan Coogler on How ‘Black Panther’ Makes History | Variety

Black Panther Variety Cover
CREDIT: ART STREIBER FOR VARIETY

by Ramin Satoodeh via Variety.com
Chadwick Boseman struggled to catch his breath after he was cast as Black Panther. When he first tried on his spandex suit for 2016’s “Captain America: Civil War,” it felt too restricting. “It was suffocating,” recalls Boseman. “Literally, it closed off every possibility of air getting to you. I was in it, put the mask on. I said, ‘Hey, you got to get me out of this!’” By the time he headlined his own movie, as the first black Marvel superhero with his name on the poster, Boseman was more comfortable in his re-engineered costume. “I think it begins to feel like skin after a while,” says the 41-year-old actor. “But it takes time to get to that place.”
The same can be said for Disney’s long-awaited tentpole “Black Panther,” which opens in theaters on Feb. 16. For decades, actors, directors, producers and fans have wondered why Hollywood was so slow to bring black superheroes to the big screen. It’s not that there weren’t attempts along the way. In the ’90s, Warner Bros. had originally tapped Marlon Wayans to portray Robin in a “Batman” movie, before Chris O’Donnell landed the sidekick role. Wesley Snipes starred in the vampire superhero franchise “Blade,” which spawned two sequels. In 2004, Halle Berry headlined “Catwoman,” which was ridiculed by critics and tanked at the box office. And 12 years later, Will Smith, the co-star of the juggernaut “Men in Black,” popped up in “Suicide Squad” as the under-seen assassin Deadshot.
“Black Panther,” directed by Ryan Coogler, is a movie that doubles as a movement, or at least a moment that feels groundbreaking in the same way that last year’s runaway hit “Wonder Woman” inspired millions of women. “Panther” marks the first time that a major studio has greenlit a black superhero movie with an African-American director and a primarily black cast, including Forest Whitaker, Angela Bassett, Michael B. Jordan, Lupita Nyong’o, Danai Gurira and Letitia Wright as Shuri, the princess of the fictional African country Wakanda.
The reality of this milestone isn’t lost on Coogler, the 31-year-old director of the Sundance darling “Fruitvale Station” and the “Rocky” sequel “Creed.” “I think progress comes in ebbs and flows,” Coogler says. “I hope things continue to open up. As more content gets made, more opportunities like ours can come about for folks. But you’ve got to put your foot on the gas when it comes to that or things can go back to where they were.”
“Black Panther” chronicles an origin story for a Marvel character who first made his debut in the comic books in 1966. On the big screen, he’s a warrior named T’Challa, who returns home to an Afro-futuristic country to inherit the throne as king. The release of the movie coincides with a crossroads in America. Racial tensions are heightened as a result of a president who continually makes reprehensible remarks about immigrants from nonwhite countries. “Black Panther” also arrives on the heels of #OscarsSoWhite, the two consecutive years (2015 and 2016) that the Motion Picture Academy failed to nominate any actors of color for awards.
Anticipation for the release of “Black Panther” is much higher than for the last outings from Batman and Thor. In May 2016, the hashtag #BlackPantherSoLIT started trending on Twitter as casting details around the movie emerged. “Panther” is poised to break box office records for February, a typically quieter time as audiences catch up on romantic comedies around Valentine’s Day. Marvel’s latest crown jewel is tracking to gross an estimated $150 million on its opening weekend. Strong business for “Black Panther,” which cost nearly $200 million to produce and roughly $150 million more to market, would send a clear message to the movie industry that certain communities are still widely underserved. While domestic ticket sales plummeted last year, the number of frequent African-American moviegoers nearly doubled to 5.6 million in 2016, according to a survey by the Motion Picture Assn. of America.
Some are paying attention. “Representation matters,” says Alan Horn, chairman of Walt Disney Studios, which owns Marvel. “It’s a powerful and important thing for people to know they are seen and to see themselves reflected in our films and the stories we tell.” Horn believes that “Black Panther” is part of a wave of change. “In terms of gender diversity, we’ve done very well,” he says, pointing to his studio’s own roster that includes “Beauty and the Beast,” “Coco” and the upcoming live-action “Mulan.” “When it comes to diversity reflecting color and ethnicity, I’d say yes, you will see more.”

"Moonlight" Triumphs at Oscars, Wins Best Picture, Adapted Screenplay and Supporting Actor

Barry Jenkins accepts Best Picture Oscar for "Moonlight" (Patrick T. Fallon via nytimes.com)
Barry Jenkins accepts Best Picture Oscar for “Moonlight” (Patrick T. Fallon via nytimes.com)

article by Lori Lakin Hutcherson (@lakinhutcherson)
Moonlight topped off its amazing awards-season run by earning the Best Picture Oscar at the 89th Academy Awards. Moonlight director/writer/producer Barry Jenkins accepted the award at the end of the night after a shocking turn of events where La La Land was mistakenly called to stage to receive the Academy’s highest honor. Jenkins also won with co-writer Tarell Alvin McCraney for Best Adapted Screenplay, and Mahershala Ali became the first Muslim actor in Oscar history to win the Best Supporting Actor Award.
The star-studded evening also saw an energizing opening performance of “Can’t Stop The Feeling” by Original Song nominee Justin Timberlake, a medley of two songs from “La La Land” by its co-star John Legend (“City of Stars” went on to win the Original Song award) and a standing ovation for Best Feature Documentary presenter, Presidential Medal of Freedom honoree and NASA mathematician Katherine Johnson, who was introduced by “Hidden Figures” stars Taraji P. Henson, Octavia Spencer and Janelle Monae (and wheeled out on stage by current NASA astronaut Yvonne Cagle).
There were also Oscar presentations from Samuel L. Jackson, Halle Berry and Academy President Cheryl Boone Isaacs, but one of the biggest highlights of the evening was the speech delivered by three-time nominee and Best Supporting Actress winner Viola Davis:
Viola Davis (photo via Parade.com)
Viola Davis (photo via Parade.com)

People ask me all the time, what kind of stories do you want to tell, Viola? And I say, exhume those bodies, exhume those stories, the stories of the people who dreamed.  I became an artist, and thank God I did, because we are the only profession that celebrates what it means to live a life. So here’s to August Wilson, who exhumed and exalted the ordinary people.

Davis went on to thank her co-stars and Best Director/Best Actor nominee Denzel Washington, her family and her parents.

Halle Berry Joins Forces with Saks Fifth Avenue and Christian Louboutin for Key to the Cure Campaign

article by Dominique Hobdy via essence.com

Halle Berry is using fashion to fight for a great cause.
The actress is teaming up with Saks Fifth Avenue, Stand Up to Cancer and the Entertainment Industry Foundation for the Key to the Cure campaign.
Signing on as the official ambassador for the cause, Berry will be rocking an exclusive limited-edition T-shirt designed by Christian Louboutin in the campaign images.
“I, like so many others, have been touched by cancer, which is why I’m proud to continue to lend my support to the Entertainment Industry Foundation and Stand Up to Cancer in serving as this year’s Key to the Cure ambassador,” Berry, 49, said in a statement. “I hope everyone will join me in supporting this critical cause by purchasing a Key to the Cure T-shirt.”
To read more, go to: http://www.essence.com/2016/08/04/halle-berry-teams-christian-louboutin-saks-t-shirt-line-cause

Aretha Franklin Announces Her Upcoming Biopic

Aretha Franklin
Aretha Franklin

article by Toni Akindele via essence.com
The Queen of Soul has a lot to celebrate. During the festivities of her 74th birthday at New York City’s Ritz Carlton Hotel, Aretha Franklin announced that her biopic, which faced several delays due to negotiations, has finally been given the green-light.
“I’m in the last of the negotiations, because we have agreed on the key things and the most important things,” Franklin told Huffington Post. “It’s some of the people that were involved in ‘Straight Outta Compton,’ and this is going to be ‘Straight Outta Detroit.”
And who has she casted to play herself? Well, Aretha can’t spill all the tea, but we do know she initially considered Halle Berry and then later named Audra McDonald and Jennifer Hudson as two potential Arethas.
“It’s been a long, long haul, but I think we’re right at it now,” Franklin said. “I spoke to the young lady about a week ago — I won’t say which one of the two it was — but I spoke to her, and she’s ready. We’re going to go forward with it.”
Denzel Washington is also rumored to play Franklin’s father in the film, but all will be revealed in due time.
The film will be based on the singer’s upbringing and legendary career while also shedding light on her personal relationships, including her abusive marriage to Ted White. Plans for this project have been in play since 2011 and Franklin is excited to have been given creative control.

"Empire" Star Taraji P. Henson Reigns as "Saturday Night Live" Host on April 11

Taraji P. Henson as "Cookie" in FOX's 'Empire'
Taraji P. Henson as “Cookie” in FOX’s ‘Empire’

According to usatoday.com, “Empire” star Taraji P. Henson will make her “Saturday Night Live” hosting debut on April 11, 2015.  On that day, Henson will join the short list of black women who have taken the SNL reins:  Cicely TysonKerry Washington, Queen Latifah, “Empire” castmate Gabourey Sidibe, Janet Jackson, Halle Berry and Oprah Winfrey, to name the few.
Mumford & Sons will be the show’s musical guest – their second time.
article by Lori Lakin Hutcherson (follow @lakinhutcherson)
 

Morris Chestnut Signs Three-Picture Deal with Screen Gems

Morris Chestnut

Morris Chestnut has inked a 3-picture deal with Sony’s Screen Gems, that will see him act in, as well as produce projects for the studio.
He’s already booked for the upcoming thriller “The Perfect Guy,” which he co-stars in with Sanaa Lathan and Michael Ealy, and he’s now also landed a starring role in the psychological thriller “When the Bough Breaks,” joining Regina Hall.
To be directed by Jon Cassar, “When the Bough Breaks” (previously titled “The Surrogate”), tells the story of a couple who hire a surrogate to have their baby, but, as you might expect, things don’t go entirely as expected.
Director Cassar’s resume includes helming episodes of hit TV series like “24,” “Daybreak” (which starred Taye Diggs), “La Femme Nikita,” the most recently-broadcast “24: Live Another Day,” and more. He’s also currently finishing a western titled “Forsaken,” starring Kiefer Sutherland, Donald Sutherland, and Demi Moore.
Production on “The Surrogate” is set for early winter, with Unique Features’ Bob Shaye and Michael Lynne, producing.
Meanwhile, Chestnut’s 3rd project under his 3-picture deal with Screen Gems, will be  called “The Syndicate,” from writer Cliff Dorfman (“Entourage”), which Chestnut is producing.
article by Tambay A. Obenson via blogs.indiewire.com

LisaRaye McCoy & Red Pro Launch the "LisaRaye Diamond Flatiron" in NYC

image029
LisaRaye McCoy (“Single Ladies”, “All of Us”, “The Player’s Club”) has teamed up with hair care company Red Pro Products and recently launched the eponymous “LisaRaye Celebrity Flat Iron”, the first in a series of  “Diamond Collection” styling tools.
2014-09-24 16.18.05McCoy kicked off the product’s introduction in New York, where she visited a salon in Harlem, did interviews with Vlogger contest winners “Glamfun” from Boston and “ChinaCandyCouture” from Atlanta (see their competition videos and interviews at www.youtube.com/glamfun and www.youtube.com/chinacandycouture) and partied at the Cove Lounge with Monifah of “R&B Divas,” Jamie Foster Brown of “Sister to Sister” Magazine, several other celebrities, stylists and fans.
Although infused with crushed diamonds and branded with a celebrity name, LisaRaye, not unlike Halle Berry with her Scandale Paris line for Target, wanted to create a top-quality product accessible to women in all income brackets.
“I wanted to create an awesome, professional grade flatiron that was affordable for the everyday consumer,” McCoy said. “Everyone wants to have beautiful, healthy hair, but can’t necessarily afford to go the salon every week. My flatiron solves that problem.”
The LisaRaye Flat Iron Facts:

  • Crushed diamonds are infused into the plates, which create an extra smooth surface with consistent heating, allowing styling with a finished look without the use of product.
  • Consistent heating helps prevent damage to the hair when styling, and results in a smoother, shinier, healthier head of hair.
  • Quick heat up and recovery, and variable temperature settings (up to 460 degrees)
  • Package includes hair clips, a heat-resistant comb and carrying pouch for travel
  • The flatiron is also designed for styling and curling, as well as straightening.

To learn even more about the Diamond Plated Flatiron and where to get it, click here.
article by Lori Lakin Hutcherson (follow @lakinhutcherson)