According to Variety.com, award-winning musical artist H.E.R. will play Belle in ABC’s upcoming hybrid special celebrating the 30th anniversary of Disney‘s animated musical classic Beauty and the Beast.
H.E.R. is a five-time Grammy Award winner, including last year’s Song of the Year Grammy for “I Can’t Breathe” inspired by George Floyd, from her 2021 album Back of My Mind.
In 2021, H.E.R. also won the Academy Award for Best Original Song for “Fight For You” from the film Judas and the Black Messiah.
“I can’t believe I get to be a part of the ‘Beauty and the Beast’ legacy,” H.E.R. said. “The world will see a Black and Filipino Belle! I have always wanted to be a Disney princess, and I get to work with two wonderful directors Hamish Hamilton and my favorite, Jon M. Chu. It is very surreal and I couldn’t be more grateful.”
Beauty and the Beastwas originally released in 1991 and achieved box office success as well as critical acclaim. In 1992, it became the first animated film to be nominated for the Oscar for Best Picture, which helped motivate the creation of a separate Oscar category for animated films.
Although it didn’t win Best Picture that year, Beauty and the Beast won Oscars for Best Original Score and Best Original Song.
In addition to re-screening the film in its entirety, the special will also include live, never-before-seen musical performances and feature brand-new sets and costumes inspired by the story.
The special will air on ABC on Dec. 15 at 8pm and will stream the following day on Disney+.
H.E.R. will make her feature acting debut in the upcoming Warner Bros. adaptation of the Broadway musical version of The Color Purple.
At yesterday’s Grammy Awards, power group Silk Sonic (featuring Anderson .Paak and Bruno Mars) and its signature song “Leave The Door Open” had a huge night, winning in both major categories for singles — Song of the Year and Record of the Year.
FYI, Silk Sonic was not nominated for Album of the Year — that Grammy went to Jon Batiste for We Are.
Black artists weren’t always so frequently celebrated in the key main categories. As recently as 2015, there were no songs performed by Black artists in the Song of the Year or Record of the Year categories. And wins for Black artists in the main categories have been infrequent through many of the past 6 decades+ of the Awards.
The Grammys, of course, have honored Black artists in the R&B and Hip Hop categories. And they did it with Silk Sonic and “Leave The Door Open” last night too, as it tied with Jazmine Sullivan for Best R&B Performance and won in one more singles category that wasn’t televised — Best R&B Song.
It’s a favorite sport of music fans to second guess whether the Grammys got it right or not, but, as you’ll hear in today’s list, almost all the winners have ended up being — like “Leave The Door Open” is already — truly classic jams.
If you’ve been watching the Grammys for years, you know by now that the Academy of Recording Arts and Sciences gives awards in Performance and Record categories (which go to the artists) and in the Song category (going to the songwriters – but not the artist, unless they also wrote the song).
In the twists and turns of the Grammy Awards, a single R&B Performance of the Year honor has actually not been given out consistently through the years.
Although it was awarded up through most of the ’60s (completely ignoring Motown and Stax, by the way, in favor of Ray Charles), it was then discontinued in favor of separate performance categories for Male R&B Performance, Female R&B Performance and Duo or Group R&B Performance – three categories that awarded artists up until 2011, when they were combined once again into a collective R&B Performance of the Year Award.
So R&B Song of the Year essentially became a unique declaration of the Grammys’ top choice in R&B music, starting in 1969 with Otis Redding‘s “Sittin’ on the Dock of the Bay” and continuing to today.
It’s clear that the Grammys favored some trends and artists more than others. After ignoring Motown in the 1960s, Grammy jumped into Motown fandom in the 1970s with Stevie Wonder and The Temptations – but in the process managed to almost completely ignore Philly Soul.
The Academy began to embrace Disco, but while awarding a Donna Summer song one year, the Grammy voters managed to relegate all the biggest Nile Rodgers & Bernard Edwards compositions to runner-up status through the years, yet somehow ended up awarding the R&B Song of the Year in 1978 to Leo Sayer‘s “You Make Me Feel Like Dancing” over The Commodores’“Easy” and “Brick House,”Thelma Houston‘s “Don’t Leave Me This Way” and The Emotions’“Best of My Love.”
By the 1980s, the Grammys favored slick adult soul in the vein of Luther Vandross, Stephanie Mills, Earth, Wind & Fire’s “After the Love Has Gone” and George Benson over more funky fare.
In fact, Prince won the R&B Song Grammy for penning “I Feel For You” when it was a hit for Chaka Khan. But his first R&B Song of the Year nomination for one of his own recordings – for “Kiss” in 1987 – was defeated by Anita Baker‘s breakthrough “Sweet Love.”
The 1990s brought multiple wins for Babyface compositions for Boyz II Men and Whitney Houston, a win for Jimmy Jam & Terry Lewis for their work with Janet Jackson, and yes, a win for R. Kelly.
And, if you wanted to win a R&B Song Grammy in the 2000s, you should have been writing songs for female performers, because the decade’s honorees were dominated by Alicia Keys, Mariah Carey, Mary J. Blige, Destiny’s Child and Beyoncé tunes.
In the past decade, as hip hop has continued to dominate the story of Black artists crossing over to the mainstream, R&B crossover success on the charts has declined, along with the reach of R&B radio.
The Grammys have begun awarding more rootsy and alternative R&B fare. While the vast majority of all the winning songs for decades had been major R&B and often major pop hits, multiple winners in the past decade have not even hit the Top 10 on Billboard R&B charts, including songs from Robert Glasper, P.J. Morton, D’Angelo and John Legend with the Roots.
Grammy finally seems to be putting musical achievement over sales figures. We hope you’ll enjoy this chronological journey through R&B history.
Today, on World Purple Day (which began in 2008 to increase awareness around epilepsy), we share a quote from Pulitzer Prize and National Book Award-winning authorAlice Walkerin our GBN Daily Drop podcast.
You can follow or subscribe to the Good Black News Daily Drop Podcast through Apple Podcasts, Spotify, Google Podcasts, rss.comor create your own RSS Feed. Or just check it out every day here on the main website (transcript below):
SHOW TRANSCRIPT:
Hey, this Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a daily drop of Good Black News for Saturday, March 26th, 2022, based on the “A Year of Good Black News Page-A-Day Calendar”, published by Workman Publishing.
Today, on World Purple Day, which was started in 2008 to increase worldwide awareness around epilepsy, we offer a quote from Pulitzer Prize and National Book Award-winning author Alice Walker:
“I think it pisses God off if you walk by the color purple in a field somewhere and don’t notice it.”
That quote of course, is from Walker’s acclaimed 1982 novel The Color Purple, a phrase and a title she will forever be remembered for. It was recently announced that The Color Purple, having already been a successful movie directed by Steven Spielberg in 1985, oh, it was also a Tony Award-winning 2005 Broadway sensation that has had numerous revivals… well, now The Color Purple will become a 2023 movie musical based on the Broadway version.
And it will star Fantasia, Taraji P. Henson, Danielle Brooks, Ciara, Halle Bailey, Coleman Domingo, Corey Hawkins and H.E.R., among others.To learn more about all the Color Purples, and author Alice Walker, check out the links to sources provided in today’s show notes and in the episode’s full transcript posted on goodblacknews.org.
This has been a daily drop of Good Black News, based on the “A Year of Good Black News Page-A-Day Calendar for 2022,” published by Workman Publishing.
Beats provided by freebeats.io and produced by White Hot.
If you like these Daily Drops, please consider following us on Apple, Google Podcasts, RSS.com, Amazon, Spotify or wherever you get your podcasts. Leave a rating or review, share links to your favorite episodes, or go old school and tell a friend.
For more Good Black News, you can check out goodblacknews.org or search and follow @goodblacknews anywhere on social.
Hey, it’s Lori, GBN’s Editor-in-Chief, stepping in with this week’s Music Monday share. It’s a list I created for myself at the beginning of 2021 called “VIBES: Cuts for the ‘Chill’ Room” to help me keep it together after almost a full year of lockdown.
The vaccines were being rolled out, and the pandemic’s end seemed to be in sight. We all just had to chill a little bit longer.
Whelp. Here we are again, another year gone and still struggling with this beast of a global health challenge. So it seems appropriate to turn to my “chill music” playlist once again, and to share it this time, as we collectively grapple with the latest surge:
When I say “chill music,” I’m talking about the kinds of songs you’d hear in the “chill room” of a rave. Back in the 1990s when raves were at their zenith, they were often held in spaces with multiple floors or rooms.
A “chill room” gave partygoers an option to briefly escape the pounding “thumpa thumpa” and the steamy sweat generated on the main dance floor. The music played in there was on the low-key side, but still kept the vibe and pulse of the night going.
Chill room music allowed you to cool down, chillax, maybe even have a conversation with friends or fellow club lovers before going back into the space where the pounding sounds practically replaced the pounding of your own heartbeats.
This playlist features artists from those days such as Soul II Soul, Sade, Jamiroquai, Dimitri in Paris, Blue Six, Supreme Beings of Leisure, Air, Massive Attack and Mr. Fingers, plus artists like Roy Ayers whose earlier 1970s cuts (e.g. “Everybody Loves The Sunshine”) inspired much “chill room”-style music to come.
Contemporary artists Solange, Lucky Daye, Chloe X Halle, Moon Boots, Yasmin Lacey, Drake, Trackademiks, Mr. Day, Esperanza Spalding, Janelle Monae, The Internet, H.E.R., Amber Mark and Thundercat are also represented in this mix.
I personally listen to this one whenever I need to grab a moment of mellow, yet still be focused. I find it a great list to write to, pay bills… to let it be my steady, toned down pulse as I relax, refresh and reset before re-entering the “main floor.”
Michelle and Barack Obama announced yesterday that they have executive produced and Netflix will stream We the People, a 10-episode television series aimed at educating children on United States civics lessons, starting on July 4 of this year.
Across all three-minute music videos, the Obamas have enlisted artists such as Grammy and Academy Award winner H.E.R., Andra Day, Janelle Monáe, rapper Cordae, rock singer Adam Lambert, Frozenand Frozen 2composers Robert and Kristen Anderson-Lopez, Hamilton‘s Daveed Diggs, Brittany Howard, In the Heights and Hamilton creator Lin-Manuel Miranda, Brandi Carlile, KYLE, Bebe Rexha, , and Biden inaugural poet Amanda Gorman to perform original songs and compositions that will soundtrack each narrative.
Episodes were directed by Peter Ramsey, Trisha Gum, Victoria Vincent, Benjy Brooke, Mabel Ye, Tim Rauch, Jorge R. Gutierrez, Daron Nefcy, Everett Downing, and Kendra Ryan. Each episode will offer lessons on basics of U.S. citizenship and rights, evoking the beloved Schoolhouse Rock series that originally aired on ABC in the 1970s.
Other producers on the project include Black-ishcreator Kenya Barris and Doc McStuffins creator Chris Nee.
Ahead of We the People‘s July 4 premiere date on Netflix, the show will premiere at a free screening in the DOCS Talks section of the American Film Institute‘s DOCS film festival on Thursday, June 24.
Prince will receive an all-star Grammy tribute featuring Alicia Keys, Beck and H.E.R. along with Sheila E., The Time and The Revolution.
— Read on variety.com/2020/music/news/prince-all-star-grammy-tribute-alicia-keys-beck-sheila-e-the-time-1203461660/