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Posts tagged as “GBN Daily Drop Podcast”

How “Decoration Day” in May 1865, Held by African Americans in South Carolina Led to Memorial Day

How “Decoration Day” in May 1865, Held by African Americans in South Carolina Led to Memorial Day

By goodblacknews on May 30, 2022

by Lori Lakin Hutcherson (@lakinhutcherson)

On Memorial Day 2022, we take a look at the African American origins of the federal holiday established to remember America’s fallen soldiers.

To read about it, read on. To hear about it, press PLAY:

[You can follow or subscribe to the Good Black News Daily Drop Podcast through Apple Podcasts, Spotify, Google Podcasts, rss.com or create your own RSS Feed. Or just check it out every day here on the main website. Full transcript below]:

Hey, this is Lori Lakin Hutcherson, founder and Editor-in-Chief of goodblacknews.org, here to share with you a daily drop of Good Black News for Monday, May 30th, 2022, which is also Memorial Day, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing.

Although May 30, 1868 is cited as the first national commemoration of Memorial Day at Arlington National Cemetery, events lead by African Americans in Charleston, South Carolina to decorate the graves of fallen Civil War soldiers occurred on May 1, 1865, less than a month after the Confederacy surrendered.

Reports of this early version of Memorial Day or “Decoration Day” as it was called, were rediscovered in the Harvard University archives in the late 1990s by historian David Blight, author of the 2018 biography Frederick Douglass: Prophet of Freedom.

To quote from history.com:

When Charleston fell and Confederate troops evacuated the badly damaged city, those freed from enslavement remained. One of the first things those emancipated men and women did was to give the fallen Union prisoners a proper burial. They exhumed the mass grave and reinterred the bodies in a new cemetery with a tall, whitewashed fence inscribed with the words: “Martyrs of the Race Course.”

And then on May 1, 1865, something even more extraordinary happened. According to two reports that Blight found in The New York Tribune and The Charleston Courier, a crowd of 10,000 people, mostly freed slaves with some white missionaries, staged a parade around the race track.

Three thousand Black schoolchildren carried bouquets of flowers and sang “John Brown’s Body.” Members of the famed 54th Massachusetts and other Black Union regiments were in attendance and performed double-time marches. Black ministers recited verses from the Bible.

Despite the size of the gathering and newspaper coverage, the memory of this event was “suppressed by white Charlestonians in favor of their own version of the day,” Blight stated in the New York Times in 2011.

On May 31, 2010, near a reflecting pool at Hampton Park, the city of Charleston reclaimed this history by installing a plaque commemorating the site as the place where Blacks held the first Memorial Day on May 1, 1865.

During the dedication of the plaque, the city’s mayor at the time, Joe Riley, was present to celebrate the historic occasion which included a brass band and a reenactment of the Massachusetts 54th Regiment.

In 2017, the City of Charleston erected yet another sign reclaiming the history and commemorating the event:

“On May 1, 1865 a parade to honor the Union war dead took place here. The event marked the earliest celebration of what became known as “Memorial Day.” The crowd numbered in the thousands, with African American school children from newly formed Freedmen’s Schools leading the parade. They were followed by church leaders, Freedpeople, Unionists, and members of the 54th Massachusetts 34th and 104th U.S. Colored Infantries. The dead were later reinterred in Beaufort.”

To learn more about African Americans’ role in the creation of Memorial Day, check out the links to sources provided in today’s show notes and in the episode’s full transcript posted on goodblacknews.org.

This has been a daily drop of Good Black News, written, produced and hosted by me, Lori Lakin Hutcherson.

Beats provided by freebeats.io and produced by White Hot.

If you like these Daily Drops, follow us on Apple, Google Podcasts, RSS.com, Amazon,Spotify or wherever you get your podcasts. Leave a rating or review, share links to your favorite episodes, or go old school and tell a friend.

For more Good Black News, check out goodblacknews.org or search and follow @goodblacknews anywhere on social.

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Inspirational Quote from Track and Field Legend Wilma Rudolph for #MothersDay (LISTEN)

Inspirational Quote from Track and Field Legend Wilma Rudolph for #MothersDay (LISTEN)

By goodblacknews on May 8, 2022

[Wilma Rudolph and her parents Ed and Blanche Rudolph as they rode in a parade after Olympic victory in Rome. Rudolph agreed to participate only if the event was desegregated. This was the first desegregated public event in Clarksville, Tennessee. Photo credit: Bob Ray via https://digital.library.nashville.org/digital/collection/nr/id/2227/]

by Lori Lakin Hutcherson (@lakinhutcherson)

On Mother’s Day 2022, we offer a quote from three-time Olympic gold medalist and international track star Wilma Rudolph, who rightfully and fatefully choose to believe her mother.

To read it and about her, read on. To hear it and more about Rudolph, press PLAY:

[You can follow or subscribe to the Good Black News Daily Drop Podcast through Apple Podcasts, Spotify, Google Podcasts, rss.com or create your own RSS Feed. Or just check it out every day here on the main website. Full transcript below]:

Hey, this is Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a daily drop of Good Black News for Sunday, May 8th, 2022, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing.

US athlete Wilma Rudolph shows the gold medal she won at the Women’s 100 meters Summer Olympic Games sprint event on September 2, 1960 in Rome, Italy. (AP Photo)

Today, for Mother’s Day, we offer a quote from three-time Olympic Gold Medalist and National Track and Field Hall of Famer Wilma Rudolph, who had polio as a young child:

“My doctors told me I’d never walk again. My mother told me I would. I believed my mother.”

Wilma Glodean Rudolph was born prematurely in June 1940 and after contracting Scarlet Fever, pneumonia, polio and infantile paralysis, Rudolph wore braces on her legs until she was nine years old.

Because there was so little medical care available to Black people in 1940s Clarksville, Tennessee, Wilma’s mother Blanche took her on weekly bus trips 50 miles away to Nashville to get Wilma treatment at Meharry Medical College.

Blanche and other family members also massaged Wilma’s weakened leg four times a week until Wilma had enough strength to no longer need braces, or the orthopedic shoe she wore until she was 11.

By the time she was 16, Wilma was running in the 1956 Melbourne Olympics, bringing home a bronze medal in the 400-meter relay.

Rudolph earned a college scholarship to Tennessee State and in 1960, she headed to Rome with the goal of becoming the best woman runner in the world. She surpassed that goal, winning three gold medals and breaking world records in the 100 and 200 meters.

She was nicknamed “The Tornado” and became an international track star. Rudolph graduated college with a degree in elementary education, and taught for the majority of her life after she retired from athletics. Let’s hear a clip from Rudolph describing the last race she ever ran before she retired:

“It was Palo Alto, California, Stanford University, Russia versus the United States. I was running well, but the heart wasn’t there anymore. I mean, what do you dowhen you win all of it? To keep yourself motivated, you have to be a little bit hungry, to be there and stay there and to stay on top.

And this particular day, we were running a relay we were behind when we started off. And you always think on a staggered start and you know, on a staggered start that, okay, she’s gonna catch her in the turn. And by the time that baton is passed, we were going to be even. That didn’t happen. And then when they pass it the next time I said, well, by the time they get to the next person, we will be even, or be one step ahead.

And by the time it got to me, I saw that we were behind, and I made myself a promise that day I said, if you catch the Russian it’s history – retire. If you do not catch the Russian, you will have to run another four years for the Olympics in Tokyo, Japan. I caught the Russian. I retired, it became history.

It was the fastest single race that I’ve ever ran in the history of my career. And to get a standing ovation in my home country, outdoors, which I’ve never had before, I think it was the grandest moment in my career. I retired that day, and I have never regretted it.”

Rudolph passed in 1994 of brain cancer, the same year her mother Blanche passed. Rudolph has been honored with a U.S. postage stamp, induction into the U.S. Olympic Hall of Fame and National Women’s Hall of Fame, and in 2012 her hometown built the Wilma Rudolph Event Center. A life-sized bronze statue of Rudolph stands near the entrance of the building.

 To learn more about Wilma Rudolph, watch videos of her Olympic races on YouTube, read her 1977 autobiography Wilma: The Story of Wilma Rudolph, Wilma Rudolph: A Biography from 2006 by Maureen Margaret Smith and the children’s book Wilma Rudolph: Athlete and Educator by Alice K. Flanagan and check out the 1977 movie Wilma starring Cicely Tyson, Shirley Jo Finney and Denzel Washington, available on Vudu.

Links to these sources and more are provided in today’s show notes and in the episode’s full transcript posted on goodblacknews.org.

This has been a daily drop of Good Black News, written, produced and hosted by me, Lori Lakin Hutcherson.

Beats provided by freebeats.io and produced by White Hot.

If you like these Daily Drops, follow us on Apple, Google Podcasts, RSS.com, Amazon,Spotify or wherever you get your podcasts. Leave a rating or review, share links to your favorite episodes, or go old school and tell a friend.

For more Good Black News, check out goodblacknews.org or search and follow @goodblacknews anywhere on social. 

Sources:

(amazon links are paid links)

Learn More About Karine Jean-Pierre, Political Strategist, Activist and New White House Press Secretary (LISTEN)

Learn More About Karine Jean-Pierre, Political Strategist, Activist and New White House Press Secretary (LISTEN)

By goodblacknews on May 7, 2022

by Lori Lakin Hutcherson (@lakinhutcherson)

A few days ago, Karine Jean-Pierre made history when she was announced as the next White House Press Secretary, taking over from current Press Secretary Jen Psaki on May 13. Jean-Pierre will be the first Black woman and openly LGBTQ+ person to hold the high-profile position.

To read about her, read on. To hear about her, press PLAY:

[You can follow or subscribe to the Good Black News Daily Drop Podcast through Apple Podcasts, Spotify, Google Podcasts, rss.com or create your own RSS Feed. Or just check it out every day here on the main website. Full transcript below]:

(via
Karine Jean-Pierre (photo via Twitter)

Hey, this is Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a bonus daily drop of Good Black News for Saturday, May 7th, 2022, based on the format of the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing.

Earlier this week, Karine Jean-Pierre was named the new White House Press Secretary after serving as the Principal Deputy Press Secretary for the Biden Administration. Jean-Pierre will be the first Black woman and openly LGBTQ-plus person to serve in this position.

Jean-Pierre, the daughter of Haitian parents, grew up in New York City from the age of five and attended the New York Institute of Technology before earning her Masters in Public Administration at Columbia University.

After working in a few different political positions and then the Barack Obama Presidential Campaign and in Obama’s administration, Jean-Pierre joined the faculty at her alma mater Columbia, where she was a lecturer in international and public affairs.

In 2016, Jean-Pierre became MoveOn.org’s national spokesperson and on June 1, 2019, Jean-Pierre famously intervened during a MoveOn Forum where then-presidential candidate Kamala Harris was rushed by an audience member who grabbed her microphone.

Jean-Pierre put herself between the man and Harris until security and Harris’ husband Doug Emhoff removed the man from the stage.

Jean-Pierre then worked as a senior advisor on the Joe Biden presidential campaign, and after the election, was appointed to serve as Principal Deputy Press Secretary. On May 13, 2022, Jean-Pierre will take over from Jen Psaki and officially begin her new duties.

Here’s a clip from Jean-Pierre speaking about her new appointment and its importance overall:

“Wow, I am still processing it. Because as Jen said, at the top, this is a historic moment, and it’s not lost on me.

I understand how important it is for so many people out there. So many different communities that I stand on their shoulders, and I have been throughout my career. And so, it is an honor and a privilege to be behind this podium in about a week or so when Jen is ready.

And that, that is something that I will honor and, and do my best to represent this President and the First Lady the best that I can, but also the American people. And so it is, you know, it’s a very emotional day.

That’s probably the best way that I can explain it a very emotional day. And I just appreciate this time in this moment, and I hope that I make people proud.”

To learn more about Karine Jean-Pierre, check out her 2019 book Moving Forward: A Story of Hope, Hard Work, and the Promise of America, her 2020 interview on the Today show and links to more sources provided in today’s show notes and in the episode’s full transcript posted on goodblacknews.org.

This has been a bonus daily drop of Good Black News, written, produced and hosted by me, Lori Lakin Hutcherson.

Beats provided by freebeats.io and produced by White Hot.

If you like these Daily Drops, follow us on Apple, Google Podcasts, RSS.com, Amazon, Spotify or wherever you get your podcasts. Leave a rating or review, share links to your favorite episodes, or go old school and tell a friend.

For more Good Black News, check out goodblacknews.org or search and follow @goodblacknews anywhere on social.

Sources:

Dr. Ernest Green, First Male President of the American Nurses Association (LISTEN)

Dr. Ernest Green, First Male President of the American Nurses Association (LISTEN)

By goodblacknews on May 6, 2022

by Lori Lakin Hutcherson (@lakinhutcherson)

Today, on National Nurses Day, GBN highlights Dr. Ernest Green, the first male and current president of the American Nurses Association.

To read about him, read on. To hear about him, press PLAY:

[You can follow or subscribe to the Good Black News Daily Drop Podcast through Apple Podcasts, Spotify, Google Podcasts, rss.com or create your own RSS Feed. Or just check it out every day here on the main website. Full transcript below]:

Hey, this is Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a daily drop of Good Black News for Friday, May 6th, 2022, also known as National Nurses Day, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing.

Happy Nurses’ Day! It’s kind of ironic that Ernest Grant, the first male president of the American Nurses Association, is also a doctor… of nursing!

An internationally recognized burn care and safety expert, Dr. Grant holds a Ph.D. in nursing from the University of North Carolina at Greensboro.

The doctor took office in January 2019 after being elected to represent the four million nurses in the ANA, about 90 percent of whom are women.

To learn more about Ernest Grant, history of nursing as well as African American nurses, check out the links provided in today’s show notes and in the episodes full transcript posted on goodblacknews.org.

This has been a daily drop of Good Black News, written, produced and hosted by me, Lori Lakin Hutcherson.

Beats provided by freebeats.io and produced by White Hot.

If you like these Daily Drops, follow us on Apple, Google Podcasts, RSS.com, Amazon, Spotify or wherever you get your podcasts. Leave a rating or review, share links to your favorite episodes, or go old school and tell a friend.

For more Good Black News, check out goodblacknews.org or search and follow @goodblacknews anywhere on social.

Sources:

GBN Daily Drop: The Empire Strikes “Black” with Lando Calrissian 42 Years Ago, Making Sci-Fi Film History (LISTEN)

GBN Daily Drop: The Empire Strikes “Black” with Lando Calrissian 42 Years Ago, Making Sci-Fi Film History (LISTEN)

By goodblacknews on May 4, 2022

by Lori Lakin Hutcherson (@lakinhutcherson)

History was made 42 years ago in May 1980 when the burgeoning Star Wars franchise added the character of Lando Calrissian to its universe played by 1970s heartthrob Billy Dee Williams.

To read about it and see links to sources, read on. To hear about it, press PLAY:

[You can follow or subscribe to the Good Black News Daily Drop Podcast through Apple Podcasts, Spotify, Google Podcasts, rss.com or create your own RSS Feed. Or just check it out here on the main website. Full transcript below]:

Hey, this is Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a daily drop of Good Black News for Wednesday, May 4th, 2022, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing.

[Excerpt from “Star Wars Main Theme”]

The Force was in full effect in May 1980 when Star Wars sequel The Empire Strikes Back introduced intergalactic charmer and scoundrel Lando Calrissian to the franchise.

Played by 1970s heartthrob Billy Dee Williams, Lando was the second Black character to have a significant and recurring role in popular science fiction television or film. (Nichelle Nichols’ Lieutenant Uhura on the original Star Trek TV show was the first.)

The Star Wars universe later added the featured characters of Jedi Master Mace Windu played by Samuel L. Jackson in its prequel trilogy, John Boyega as Finn in The Force Awakens and Forest Whitaker as Saw Gerrera in Rogue One.

And from the beginning, present in voice if not body, has been James Earl Jones as Darth Vader.

To learn about even more Black representation in Star Wars, check out the links to sources provided in today’s show notes and in the episode’s full transcript posted on goodblacknews.org.

This has been a daily drop of Good Black News, written, produced and hosted by me, Lori Lakin Hutcherson.

Intro and outro beats provided by freebeats.io and produced by White Hot.

Excerpts from the Star Wars theme by John Williams included under Fair Use.

If you like these Daily Drops, follow us on Apple, Google Podcasts, RSS.com, Amazon, Spotify or wherever you get your podcasts. Leave a rating or review, share links to your favorite episodes, or go old school and tell a friend.

For more Good Black News, check out goodblacknews.org or search and follow @goodblacknews anywhere on social.

Sources:

Celebrating Jazz Architect, Genius and Legend Louis Armstrong to Close Out #JazzAppreciationMonth (LISTEN)

Celebrating Jazz Architect, Genius and Legend Louis Armstrong to Close Out #JazzAppreciationMonth (LISTEN)

By goodblacknews on April 30, 2022

by Lori Lakin Hutcherson (@lakinhutcherson)

We end our celebration of #JazzAppreciationMonth today with a short tribute to a seminal architect of the sound, the legendary New Orleans son, Louis Armstrong.

To read about Armstrong, read on. To hear about him, press PLAY:

[You can subscribe to the Good Black News Daily Drop Podcast via Apple Podcasts, Spotify, Google Podcasts, rss.com or create your own RSS Feed. Or listen every day here on the main page. Full transcript below]:

Hey, this is Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a daily drop of Good Black News for Saturday, April 30th, 2022, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing.

Today, we’d like to close out #JazzAppreciationMonth, with a short tribute to a primary architect of the sound, the legendary New Orleans son, Louis Armstrong:

[“St. Louis Blues” by Louis Armstrong]

“No him, no me,” is how jazz innovator Dizzy Gillespie described the impact of musician Louis Armstrong.

Widely believed to be the first great jazz soloist, Armstrong’s improvisations on the cornet and trumpet influenced every jazz musician after him and elevated the musical style to a new, exciting standard.

Born in August of 1901, during one of the more challenging times of his childhood, Armstrong was sent to a home for boys in 1912 after firing his stepfather’s gun in the air during a New Year’s Eve celebration.

While at the “Colored Waifs Home for Boys” as it was called, Armstrong learned how to play the cornet. When Armstrong was released, as he worked odd jobs he was mentored on his horn by one of the best players in town — Joe “King” Oliver – and eventually replaced Oliver on cornet in Kid Ory’s band.

Armstrong soon reunited with Oliver when Oliver formed his own band in Chicago, which lead to Armstrong’s first recorded solo on record, 1923’s “Chimes Blues.”

[Excerpt of “Chimes Blues”]

Armstrong soon left his mentor to join Fletcher Henderson’s Orchestra, the top  Black big band in New York. But the big city lifestyle and creative restraints Armstrong encountered lead him back to New Orleans to play with his wife Lil Armstrong’s band at the Dreamland Café.

Armstrong also began recording with his studio band – first the Hot Five and then Hot Sevens – even though they weren’t who he played with for live performances.

These recordings with smaller groups of musicians were an early influence on what would that become the norm after the swing band/orchestra’s hey day in the 1930s that ushered in the bebop era in the 1940s.

Armstrong’s stop-time solos on numbers like “Cornet Chop Suey” and “Potato Head Blues” changed jazz history, featuring daring rhythmic choices, swinging phrasing and incredible high notes.

[Excerpt “Potato Head Blues”]

Armstrong also innovated with his vocals, and his riff-style “scat” singing was emulated by popular singers like Ella Fitzgerald and Billie Holiday.

[Excerpt of “Heebie Jeebies”]

Armstrong’s influence on other musicians was impactful and immediate. A young pianist from Pittsburgh, Earl Hines, assimilated Armstrong’s ideas into his piano playing, and together, they made some of the greatest recordings in jazz history in 1928, including their duet on “West End Blues”:

[Excerpt of “West End Blues”]

“West End Blues” proved without a doubt that popular dance music like jazz music was also capable of producing high art.

As Armstrong’s reputation grew, he toured in Europe, began recording hit songs of the day and appeared in Hollywood movies such as Pennies From Heaven and High Society with Bing Crosby, The Glenn Miller Story with Jimmy Stewart and New Orleans with Billie Holiday. Armstrong also recorded with a smaller six-piece combo, the All Stars.

The personnel of this combo would frequently change, but Armstrong would perform live with his All Stars until the end of his career. Members, at one time or another, included Jack Teagarden, Earl Hines, Sid Catlett, Barney Bigard, Trummy Young, Edmond Hall, Billy Kyle and Tyree Glenn, among other jazz legends.

During this time in the 1940s and 1950s, Armstrong had hits with his versions of songs such as “That Lucky Old Sun,” “A Kiss to Build a Dream On,” “Blueberry Hill” “La Vie En Rose” and one of the biggest hits of his career, his version of “Mack The Knife”:

[Excerpt from “Mack The Knife”]

As times advanced and changed, Armstrong’s style was seen as outmoded and outdated. He received criticism for remaining silent on politics and not lending his voice to the fight against racism and for civil rights.

Even when Armstrong did speak up, as in 1957 when he called out President Eisenhower for allowing Governor Orval Faubus to use the National Guard to prevent the Little Rock Nine from integrating Little Rock Central High School, he was met with criticism from whites and Blacks alike – the former for saying anything and the latter for seeming to speak out too late.

Yet and still, Armstrong kept on with doing what he wanted to do musically and defying all odds and at the height of the British invasion of the rock and roll era, he scored a #1 Billboard pop hit in 1964 at the age of 63 with his version of “Hello, Dolly”:

[Excerpt of “Hello, Dolly”]

In 1965, Armstrong started performing the Fats Waller tune “Black and Blue” live again a decade after removing it from his repertoire. He changed a lyric from being “I’m white inside” to “I’m right inside” and turned it into a protest that he would continue to play for the rest of his life:

[1965 version of “Black and Blue” from East Germany]

Three years later however, Armstrong’s version of “What A Wonderful World” did not get the same reception in the United States. But it was a number one hit overseas in England and South Africa in 1967, and after its appearance almost two decades later in the 1986 movie Good Morning, Vietnam, “What a Wonderful World” became a signature tune and perennial favorite of Armstrong’s, known the world over to this day.

[Excerpt of “What a Wonderful World”]

Armstrong’s home in Corona, Queens, which he shared with his fourth wife Lillian from 1943 until his passing in 1971, was declared a National Historic Landmark in in 1977. Today, the house is home to the Louis Armstrong House Museum, which annually receives thousands of visitors from all over the world.

Even though his most famous nickname was “Satchmo” for his “satchel mouth,” New Orleans native Armstrong was more lovingly known among musicians as “Pops,” as he was the father of it all.

[excerpt from “When The Saints Go Marching In”]

To learn more about Louis Armstrong, check out his 1936 autobiography, Swing That Music, his 1954 autobiography Satchmo: My Life in New Orleans, 1999’s Louis Armstrong in His Own Words, and other written offerings such as Satchmo: The Genius of Louis Armstrong by Gary Giddins from 2001, Pops: The Life of Louis Armstrong from 2009 by Terry Teachout, and All of Me: The Complete Discography of Louis Armstrong by Jos Willems from 2006. And of course, buy or stream his music.

You can also watch the 1957 documentary Satchmo the Great which is currently posted on YouTube, Ken Burn’s Jazz miniseries on PBS, and be on the lookout for what Apple Original Films announced last year would be the definitive Louis Armstrong documentary produced by Imagine Entertainment where the story will be told entirely through Armstrong’s own words titled Black & Blues: The Colorful Ballad of Louis Armstrong.

And speaking of Louis Armstrong’s words, let’s hear a bit of him speaking about love and life from an audio clip posted on louisarmstronghouse.org:

[Clip of Louis Armstrong speaking]

This has been a daily drop of Good Black News, written, produced and hosted by me, Lori Lakin Hutcherson.

Intro and outro beats provided by freebeats.io and produced by White Hot.

Excerpts from Louis Armstrong’s music are included under fair use.

If you like these Daily Drops, follow us on Apple, Google Podcasts, RSS.com, Amazon,Spotify or wherever you get your podcasts. Leave a rating or review, share links to your favorite episodes, or go old school and tell a friend.

For more Good Black News, check out goodblacknews.org or search and follow @goodblacknews anywhere on social.

Sources:

(amazon links are paid links)

#BornOnThisDay in 1899: Duke Ellington, American Composer and Synesthete (LISTEN)

#BornOnThisDay in 1899: Duke Ellington, American Composer and Synesthete (LISTEN)

By goodblacknews on April 29, 2022

by Lori Lakin Hutcherson (@lakinhutcherson)

Although we dropped in on Duke Ellington earlier this month on April 6th when we shared a quote from him and a snapshot of his career and contributions, today, on his birthday, this prolific composer and musician gets a much-deserved second look, because one thing we didn’t share last time about the Black, Brown and Beige maestro?

He had synesthesia, the neurological condition where sounds and colors blend.

To read about Ellington, read on. To hear about him, press PLAY:

[You can subscribe to the Good Black News Daily Drop Podcast via Apple Podcasts, Spotify, Google Podcasts, rss.com or create your own RSS Feed. Or listen every day here on the main page. Full transcript below]:

Hey, this is Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a daily drop of Good Black News for Friday, April 29th, 2022, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing.

Although we dropped in on Duke Ellington earlier this month on April 6th when we shared a quote from him and a snapshot of his career and contributions, today this prolific composer and musician gets a much-deserved second look:

Born on this day in 1899, Edward Kennedy “Duke” Ellington made an indelible mark on American music for more than six decades. A pianist, composer and bandleader, Ellington created such now-classic standards as “Prelude to a Kiss,” “Mood Indigo,” and “It Don’t Mean a Thing if it Ain’t Got That Swing”– as well as full-length compositions such as Black, Brown and Beige and Jump For Joy and film scores for Anatomy of a Murder and Paris Blues.

Perhaps there were so many hues to Duke’s music because he had synesthesia, the neurological condition where sounds and colors blend. Other noted musicians who are also reported to be synesthetes are Pharrell Williams, Mary J. Blige, Frank Ocean and Kanye West.

To learn more about Ellington, check out our April 6th daily drop and its resources, and if you want to learn more about synesthesia, check out the links provided in today’s show notes and in the episode’s full transcript posted on goodblacknews.org.

This has been a daily drop of Good Black News, written, produced and hosted by me, Lori Lakin Hutcherson.

Intro and outro beats provided by freebeats.io and produced by White Hot.

Excerpts from Black, Brown & Beige, Part 1 composed by Duke Ellington are included under fair use.

If you like these Daily Drops, follow us on Apple, Google Podcasts, RSS.com, Amazon,Spotify or wherever you get your podcasts. Leave a rating or review, share links to your favorite episodes, or go old school and tell a friend.

For more Good Black News, check out goodblacknews.org or search and follow @goodblacknews anywhere on social.

Sources:

Learn about Brad Lomax, Black Panther and Disability Rights Activist Who Co-Lead the “504 Sit-In” (LISTEN)

Learn about Brad Lomax, Black Panther and Disability Rights Activist Who Co-Lead the “504 Sit-In” (LISTEN)

By goodblacknews on April 28, 2022

[Photo credit: HolLynn D’Lil. Brad Lomax, center, next to activist Judy Heumann at a rally in 1977 at Lafayette Square in Washington.]

by Lori Lakin Hutcherson (@lakinhutcherson)

Today, GBN celebrates Brad Lomax, the Black Panther Party member and disability activist who helped lead the “504 Sit In” to demand the federal government provide accessibility in a federal buildings and institutions.

To read about Lomax, read on. To hear about him, press PLAY:

[You can subscribe to the Good Black News Daily Drop Podcast via Apple Podcasts, Spotify, Google Podcasts, rss.com or create your own RSS Feed. Or listen every day here on the main page. Full transcript below]:

Hey, this is Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a daily drop of Good Black News for Thursday, April 28th, 2022, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing.

As a young adult, Black Panther Party member Brad Lomax was diagnosed with multiple sclerosis. When he started using a wheelchair every day, Lomax began to notice an often unseen “ism” — ableism.

Public buildings and transit without ramps. Inaccessible schools, housing, and workplaces. Lomax joined the Center for Independent Living, the Bay Area group which successfully lobbied for curb cuts on street corners.

In 1977, Lomax helped lead a protest that became known as the “504 Sit-In” in the San Francisco Federal Building, where disabled activists took the federal government to task for not implementing Section 504 of the Rehabilitation Act of 1973, which required accessibility in all federal programs and institutions.

The protest lasted longer than any other sit in in United States history. The protestors were assisted by Lomax’s fellow Black Panthers, who delivered provisions to the activists daily.

After a month, the government finally began to implement Section 504 in all federal programs and institutions and this action helped pave the way for the 1990 Americans with Disabilities Act.

To learn more about Brad Lomax, the 504 sit in and the disability rights movement, read the 2020 New York Times feature article on Lomax from its Overlooked No More series, read The Disability Rights Movement: From Charity to Confrontation by Doris Fleischer and Frieda James from 2011, and watch the 2020 documentary Crip Camp, now on Netflix.

Links to these sources and more are provided in today’s show notes and in the episodes full transcript posted on goodblacknews.org.

This has been a daily drop of Good Black News, written, produced and hosted by me, Lori Lakin Hutcherson.

Beats provided by freebeats.io and produced by White Hot.

If you like these Daily Drops, follow us on Apple, Google Podcasts, RSS.com, Amazon, Spotify or wherever you get your podcasts. Leave a rating or review, share links to your favorite episodes, or go old school and tell a friend.

For more Good Black News, check out goodblacknews.org or search and follow @goodblacknews anywhere on social.

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Black Lexicon: The Origins of “Bop” (LISTEN)

Black Lexicon: The Origins of “Bop” (LISTEN)

By goodblacknews on April 26, 2022

by Lori Lakin Hutcherson (@lakinhutcherson)

For #JazzAppreciationMonth, we explore the term “bop” — a word often used today to describe a song with a good groove. I

ts musical reference origins however, are rooted in the early 1940s when “bop” was used to describe an new and exciting intricate form of jazz. To read about it, read on. To hear about it, press PLAY:

[You can follow or subscribe to the Good Black News Daily Drop Podcast through Apple Podcasts, Spotify, Google Podcasts, rss.com or create your own RSS Feed. Or just check it out every day here on the main website. Full transcript below]:

Hey, this is Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a daily drop of Good Black News for Tuesday, April 26th, 2022, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing.

It’s in the category we call “Lemme Break It Down,” where we explore the origins and meanings of words and phrases rooted in the Black Lexicon and Black culture. Today’s phrase is another one in honor of #JazzAppreciationMonth… “Bop.”

[Excerpt from “Be-Bop” by Dizzy Gillespie]

“Bop” is a slang term most currently used to mean a really good song, but originally used to reference the jazz genre “bebop,” “rebop” or “hard bop.”

Invented in the 1940s and 1950s by musicians like Charlie Parker, Dizzy Gillespie, Sonny Rollins, Charlie Christian, Max Roach, Miles Davis, Mary Lou Williams and Thelonious Monk – right now you’re listening to the song called “Be-Bop” by Dizzy Gillespie, originally written, recorded and released by him in 1945.

The “bop” style of playing consisted of intricate phrasings and harmonic improvisations over chord melodies of standards as well as original compositions. Dizzy Gillespie even titled his 1979 autobiography To Be or Not to Bop.

To learn more about the term “bop,” links to sources are provided in today’s show notes and in the episode’s full transcript posted on goodblacknews.org.

This has been a daily drop of Good Black News, written, produced and hosted by me, Lori Lakin Hutcherson.

Intro and outro beats provided by freebeats.io and produced by White Hot.

The excerpt from “Be Bop” by Dizzy Gillespie is included under Fair Use.

If you like these Daily Drops, follow us on Apple, Google Podcasts, RSS.com, Amazon, Spotify or wherever you get your podcasts. Leave a rating or review, share links to your favorite episodes, or go old school and tell a friend.

For more Good Black News, check out goodblacknews.org or search and follow @goodblacknews anywhere on social.

Sources:

(amazon links are paid links)

MUSIC MONDAY: Born #OnThisDay in 1917 — “First Lady of Song” Ella Fitzgerald (LISTEN)

MUSIC MONDAY: Born #OnThisDay in 1917 — “First Lady of Song” Ella Fitzgerald (LISTEN)

By goodblacknews on April 25, 2022

[Photo: Ella Fitzgerald via ellafitzgerald.com]

by Lori Lakin Hutcherson (@lakinhutcherson)

GBN is pulling a trifecta today — celebrating #MusicMonday, #JazzAppreciationMonth, and dropping in on absolutely one of the best singers past, present — or ever — Ella Fitzgerald!

Born 105 years ago #OnThisDay, through her stunningly timeless gifts (and vast catalog), Ella Fitzgerald is still surprising and delighting music lovers and casual fans alike.

To read about her, read on. To hear about her, press PLAY:

[You can follow or subscribe to the Good Black News Daily Drop Podcast through Apple Podcasts, Spotify, Google Podcasts, rss.com or create your own RSS Feed. Or just check it out every day here on the main website. Full transcript below]:

Hey, this is Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a daily drop of Good Black News for Monday, April 25th, 2022, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing.

Today, we offer a quote from the “First Lady of Song” born 105 years ago on this date, the incomparable Ella Fitzgerald.

“The only thing better than singing is more singing.”

Born in 1917 in Newport News, Virginia, Ella Fitzgerald’s earliest artistic ambitions were to become a dancer.

When the loss of her mother when she was 15 lead to a relocation to Harlem to live with her aunt and stints in an orphanage and a state reformatory school for girls, Fitzgerald hustled to get by on the streets and at 17 took her terpsichorean talents to Amateur Night at the Apollo Theater.

But when she saw two sisters with a dance act go on before her and wow the crowd, Ella didn’t think she could compete so she switched up her talent from dancing to singing and took to the stage to sing “Judy” and “The Object of My Affection” and won first prize in 1934.

Although she didn’t record either at the time, in 1968 Ella gave “The Object of My Affection” another onstage go when she sang it for her Live At Chautauqua, Volume 1 LP:

[Excerpt from “The Object of My Affection”]

Ella’s Amateur night win lead to an audition with Chick Webb to become the girl singer in his orchestra, and one of the best collaborations between bandleader and singer in the swing era.

Webb and Ella had hits with “Love and Kisses,” “(If You Can’t Sing It) You’ll Have to Swing It (Mr. Paganini)” and the classic turn on a nursery rhyme co-written by Ella that become of the best-selling songs in it’s decade, “A Tisket, A Tasket”:

[Excerpt from “A Tisket, A Tasket”]

Even as Chick Webb took the young Ella under his wing, his serious health challenges ended his life way too soon in 1939.

Ella stepped up and lead and toured with the orchestra for a few more years until she went solo as jazz turned increasingly towards the newer sounds of bebop.

It was around this time, while working with Dizzy Gillespie and his band, Ella developed her scat singing style, lauded on songs such as “Oh, Lady Be Good” and “Flying Home”:

[Excerpt from “Flying Home”]

Ella not only navigated and interpreted jazz standards with dazzling dexterity and clarity, during her heyday, she, like her quote implied, sang and sang and sang some more.

Ella took on several of America’s most popular composers with her unparalleled series of “songbooks,” where she devoted entire albums to covering the songs of Cole Porter, George Gershwin, Duke Ellington, Rodgers and Hart, Johnny Mercer, Jerome Kern and Irving Berlin.

You can’t go wrong with any of these incredible recordings, so I’ll share a personal favorite from Ella Sings Gershwin – Ella’s plaintively tender version of “Someone to Watch Over Me”:

[Excerpt of “Someone to Watch Over Me”]

Ella also paired up with jazz royalty, recording an album with Count Basie, three with Louis Armstrong, four with guitarist Joe Pass and four with Duke Ellington, one which included her version of – I can’t think of any better word than “banging” because Ella just goes so hard in “It Don’t Mean a Thing If It Ain’t Got That Swing”:

[Excerpt of “It Don’t Mean a Thing If It Ain’t Got That Swing”]

From big band to bebop to Broadway, standards, pop and R&B, throughout her career, Ella Fitzgerald recorded over 200 albums and 2,000 songs.

Because frankly, with a voice like hers, the only thing better than Ella singing was more Ella singing. I’m going to put a link to a much longer Ella playlist in the show notes, but let’s hear from her one more time, in 1977, when one of her biggest fans, Stevie Wonder, lovingly sings her praises right before she helps him sing his song:

[Excerpt of “You Are the Sunshine Of My Life”]

To learn more about Ella Fitzgerald, watch the 2019 documentary Ella Fitzgerald: Just One of Those Things now streaming on Netflix, the 1999 American Masters biography on Ella called Something To Live For currently posted on YouTube, read ELLA: A Biography of the Legendary Ella Fitzgerald by Geoffrey Mark from 2018, Ella Fitzgerald: A Biography of the First Lady of Jazz by Stuart Nicholson from 1994.Watch incredible clips of her on YouTube performing with Duke Ellington, Frank Sinatra and Count Basie.

And of course, buy or stream as much of her music as you can. Links to these sources and more are provided in today’s show notes and in the episodes full transcript posted on goodblacknews.org.

This has been a daily drop of Good Black News, written, produced and hosted by me, Lori Lakin Hutcherson.

Intro and outro beats provided by freebeats.io and produced by White Hot.

All excerpts of Ella Fitzgerald’s music are included under Fair Use.

If you like these Daily Drops, follow us on Apple, Google Podcasts, RSS.com, Amazon, Spotify or wherever you get your podcasts. Leave a rating or review, share links to your favorite episodes, or go old school and tell a friend.

For more Good Black News, check out goodblacknews.org or search and follow @goodblacknews anywhere on social.

Sources: