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Posts tagged as “Fisk University”

Easter Flowers for Composer and Musician Thomas A. Dorsey, the “Father of Gospel Music” (LISTEN)

by Lori Lakin Hutcherson (@lakinhutcherson)

On Easter Sunday, GBN celebrates Thomas A. Dorsey, who once worked as Ma Rainey‘s pianist and musical director, and wrote and sang blues songs as the “Georgia Tom” half of the Georgia Tom and Tampa Red duo before revolutionizing gospel music by integrating the feeling of the blues into sacred songs.

To read about Dorsey, read on. To hear about him, press PLAY:

[You can subscribe to the Good Black News Daily Drop Podcast via Apple Podcasts, Spotify, Google Podcasts, rss.com or create your own RSS Feed. Or listen every day here on the main page. Full transcript below]:

Hey, this is Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a daily drop of Good Black News for Sunday, April 17, 2022, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing.

[Cue “Roll Jordan Roll” by the Fisk Jubilee Quartet]

Gospel music existed before Georgia native Thomas Dorsey turned his ear and pen to it, but it was never the same after.

Working most famously as the piano player and musical director for blues legend Gertrude “Ma” Rainey in the 1920s under the moniker “Georgia Tom.” Despite this success, Dorsey fell into a prolonged period of depression for almost two years and barely performed.

In 1928, Dorsey attended a spirited church service where he claimed a minister pulled a live serpent from his throat. From that point on, Dorsey vowed to dedicate himself to composing gospel music. Dorsey wrote “If You See My Savior” in honor of a friend who passed, which combined a blues feeling into a more traditional hymnal structure:

[Excerpt of “If You See My Savior”]

Dorsey tried to sell his new sacred songs directly to publishers and churches but initially had no luck and returned to writing the blues. With duet partner Tampa Red, as “Georgia Tom” Dorsey had a big hit in 1928, selling over seven million copies of “It’s Tight Like That”:

[Excerpt of “It’s Tight Like That”]

This type of “dirty blues” or “Hokum” songs proved to be popular and the duo recorded and performed for years until Dorsey finally turned to gospel music for good.

He formed a gospel blues choir in Chicago, which helped the new style catch on, and soon became the musical director for Pilgrim Baptist Church and running his own music publishing company.

Dorsey worked with a young Mahalia Jackson in the late 1920s and originally composed for Jackson what became a beloved song not only in gospel blues circles, but country & western as well.

[Excerpt of “Peace in the Valley” by Red Foley & the Sunshine Boys]

“Peace in the Valley” has been recorded by over the decades by artists such as Sister Rosetta Tharpe, Little Richard, Red Foley & the Sunshine Boys, Johnny Cash, Elvis Presley and Dolly Parton.

And while he was still in his gospel group in the 1960s, Sam Cooke and his Soul Stirrers took their turn in the valley as well:

[Excerpt of “Peace in the Valley” by Sam Cooke & the Soul Stirrers]

In Dorsey’s lifetime, which was long – he lived to 93 – Dorsey composed over 3,000 songs, including the one Martin Luther King, Jr. said was his favorite, the one Mahalia Jackson ended up singing at his funeral, “Take My Hand, Precious Lord”:

[Excerpt of “Take My Hand, Precious Lord”]

Dorsey’s songs changed the sound of sacred music and influenced generations to come, which is why he is often called “The Father of Gospel Music.”

Dorsey has been inducted into the Gospel Hall of Fame, the Blues Hall of Fame, the Nashville Songwriters Hall of Fame and the Songwriters Hall of Fame. In 2002, the Library of Congress honored Dorsey by adding his album Precious Lord: New Recordings of the Great Songs of Thomas A. Dorsey, to the United States National Recording Registry.

To learn more about Thomas Dorsey, watch the 1982 musical documentary Say Amen, Somebody, currently available on YouTube and DVD, check out his collection of papers archived at Fisk University, read 1994’s The Rise of Gospel Blues: The Music of Thomas Andrew Dorsey in the Urban Church by Michael W. Harris, which you can borrow from the Internet Archive, and 2015’s Anointed to Sing the Gospel: The Levitical Legacy of Thomas A. Dorsey by Kathryn B. Kemp.

https://youtu.be/_9IJljbyVok

You can also watch 2005’s The Story of Gospel Music documentary, which is currently available on DVD.

And every year, Dorsey’s hometown of Villa Rica, Georgia holds an annual Thomas A. Dorsey Birthplace Heritage Festival of gospel music. This year’s will be held on June 25thand 26th.

Links to these sources and more are provided in today’s show notes and the episode’s full transcript posted on goodblacknews.org.

And before we go, let’s hear a clip of Thomas Dorsey himself speaking on the meaning of gospel:

“Down through the ages gospel – what? What did they say was? You mean to tell me you don’t know that good news? On down to the ages, gospel was good news. Now if you don’t know that I’ll rush you out of here myself.”

This has been a daily drop of Good Black News, written, produced and hosted by yours truly, Lori Lakin Hutcherson. Intro and outro beats provided by freebeats.io and produced by White Hot.

“Roll Jordan Roll” by the Fisk Jubilee Singers is in the Public Domain.

Excerpts of songs composed by Thomas A. Dorsey are included under Fair Use.

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Sources:

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GBN’s Daily Drop: Learn About Harlem Renaissance Visionary Aaron Douglas – “The Father of African American Art” (LISTEN)

by Lori Lakin Hutcherson (@lakinhutcherson)

Today’s GBN Daily Drop podcast is based on the Wednesday, February 23 entry in the “A Year of Good Black News” Page-A-Day®️ Calendar for 2022 and offers a quote from renowned Harlem Renaissance artist and arts educator Aaron Douglas:

You can follow or subscribe to the Good Black News Daily Drop Podcast through Apple Podcasts, Spotify, Google Podcasts, rss.com or create your own RSS Feed. Or just check it out every day here on the main website (transcript below):

FULL TRANSCRIPT:

Hey, this Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a daily drop of Good Black News for Wednesday, February 23rd, 2022, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing. Today we offer a quote from Kansas-born artist and arts educator Aaron Douglas:

“Labor has been one of the most important aspects of our development . . .  It is a thing that we should be proud of, because we have that part of our life that has gone into the building of America. Not only of ourselves, but in the building of American life.”

As a young artist in the 1920s, Douglas illustrated Alain Locke’s The New Negro: An Interpretation as well as James Weldon Johnson’s collection of poems, God’s Trombones: Seven Negro Sermons in Verse. Douglas established an expressive, geometric style that drew upon his study of African art and his understanding of the intersection of cubism and art deco.

Douglas created a style that soon became the visual signature of the Harlem Renaissance and earned him the moniker “The Father of African American Art.”

Aspects of Negro Life: Song of the Towers by Aaron Douglas, 1934 (courtesy nypl.org)

Douglas went on to paint several public murals including the Aspects of Negro Life mural series at the Countee Cullen branch of the New York Public Library, which is still there today.

Douglas influenced artists such as Jacob Lawrence and Romare Bearden, and he schooled countless others while serving as chair of the art department and HBCU Fisk University for over 25 years.

To learn more about Douglas’ life and work, you could read the 1995 biography Art, Race and the Harlem Renaissance by Amy Helene Kirschke, take a look at several of his works on wikiart.org, watch the New York Met’s video about his work on YouTube and check out the links to other sources provided in today’s show notes and in the episode’s full transcript posted on goodblacknews.org.

Sources:

This has been a daily drop of Good Black News, based on the “A Year of Good Black News Page-A-Day Calendar for 2022,” published by Workman Publishing, and available at workman.com, Amazon,Bookshop and other online retailers.

Beats provided by freebeats.io and produced by White Hot.

For more Good Black News, check out goodblacknews.org or search and follow @goodblacknews anywhere on social.

(paid links)

R.I.P. John Lewis, 80, U.S Representative and Civil Rights Movement Icon

John Lewis (photo by Rick Diamond / Getty Images)

Rep. John Lewis, an iconic pioneer of the Civil Rights Movement and Freedom Rider who literally shed his blood in the fight for Black voting rights and went on to become a 17-term Democratic member of Congress, died yesterday from pancreatic cancer. He was 80 years old.

One of the last surviving leaders of the 1960s Civil Rights era and members of the Rev. Martin Luther King Jr.’s inner circle, (the Rev. C.T. Vivian passed yesterday as well), Lewis was diagnosed with advanced pancreatic cancer in December.

Regardless of his health issues, Lewis took to the streets again in early June to join protests for racial justice near the White House that were in response to the police killings of George Floyd, Breonna Taylor and Rayshard Brooks, among others.

Lewis was born in Troy, Alabama and attended segregated schools before earning his college degree at Fisk University in Nashville.

While a student there, Lewis organized his first sit-in demonstration at a lunch counter and was soon arrested for what he started to call “good trouble, necessary trouble.”

Dr. Saint Elmo Brady, 1st African American to Earn Ph.D. in Chemistry, Honored With a National Historic Chemical Landmark

Dr. Saint Elmo Brady (Credit: University of Illinois Archives)

According to jbhe.com, Dr. Saint Elmo Brady, the first African-American to receive a Ph.D. in chemistry, has been honored by the American Chemical Society with a National Historic Chemical Landmark dedicated to him on the University of Illinois campus, where Brady earned his Ph.D. in 1916.

Additionally, plaques in his memory will be mounted on the campuses of four HBCUs where he served on the faculty: Fisk University, Tuskegee University, Howard University, and Tougaloo College.

Dr. Brady was born in Louisville, Kentucky in 1884. He earned a bachelor’s degree from Fisk in 1908. After graduating from Fisk, he taught for four years at Tuskegee before leaving to earn his Ph.D. at U. of Illinois. He returned to teach at Tuskegee once again, followed by positions at Tougaloo, Howard, and Fisk. He served as chair of the chemistry departments at both Howard and Fisk. Dr. Brady passed away on December 25, 1966.

“This landmark designation recognizes the outstanding accomplishments and leadership impact that Dr. Brady has had on the chemical profession,” says ACS Immediate Past President Peter K. Dorhout, who presented the plaque at the designation ceremony on February 5.

“I am proud to be an alumnus of the university that was part of his legacy — dreaming, designing and executing the creation of four outstanding and impactful chemistry programs that have each worked to ensure access to higher education and the chemical professions for so many young African-American men and women over the last century.”

Source: https://www.jbhe.com/2019/02/saint-elmo-brady-honored-with-a-national-historical-chemical-landmark/

HISTORY: Pioneering African-American Librarians Share Their Stories

Jessie Carney Smith in 1965, her first year as a university librarian at Fisk University in Nashville.
Jessie Carney Smith in 1965, her first year as a university librarian at Fisk University in Nashville. (photo via americanlibrariesmagazine.org)

by  via americanlibrariesmagazine.org

When Jessie Carney Smith arrived at Fisk University in Nashville in 1965, she says many people there did not know about black literature. Smith, the dean of the library, says, “Many scholars were told that blacks had no history.” But African Americans within the library profession have certainly had a long history, with one of the first librarians of color, Edward C. Williams, joining the American Library Association (ALA) in 1896—20 years after the founding of the Association. And today, African Americans comprise roughly 14,250 of the estimated 190,000 librarians in the United States, according to the US Bureau of Labor Statistics.

American Libraries spoke with five leading African-American librarians about their careers, the changes they have witnessed over the decades, and the current issues in librarianship. While no two people have the same story, all five interviewees note inclusivity as an important theme. They discuss libraries as safe havens, the Black Lives Matter movement, and the history and future of the Association, as well as their legacies within the profession.
As library professor Alma Dawson says, “Even in this day and age, we still have to tell our own stories.”


Satia Orange
Satia Orange

Satia Orange

When Satia Orange, 75, was growing up in the 1950s, she saw what she described as “the grinding work” of her parents, both librarians.
Her father was A. P. Marshall, an ALA Councilor and director of libraries at Lincoln University in Jefferson City, Missouri, and Eastern Michigan University in Ypsilanti. Orange saw him come “home for dinner and then return to the library until 9 or 10 p.m., doing budgets.”
Orange herself later went on to become director of ALA’s Office for Literacy and Outreach Services, retiring from ALA in 2009. “I was pulled into the profession kicking and screaming,” she jokes.
She began her career in education, teaching in Milwaukee in the mid-1960s, when she received a call one day from Virginia Lacy Jones, dean of Atlanta University’s School of Library Sciences and the first—and at that time only—black library school. Jones offered her a fellowship, promising Orange that she would be able to work with young children, something she enjoyed as part of her prior experience working in the library in the Atlanta school system.
It wasn’t until she started attending conferences that Orange began to view librarianship as her profession. As she participated in midwinter meetings and annual conferences, she recalled what her father had told her years ago: “This was a profession that has a national and international impact.”


Robert Wedgeworth
Robert Wedgeworth

Robert Wedgeworth

Robert Wedgeworth, 80, knows well about the profession’s impact. Wedgeworth became ALA executive director in 1972, at a time of significant financial challenges, with one library publication suggesting that bankruptcy was imminent. But Wedgeworth said he received “some very good advice from friends in the banking industry”; after analyzing the Association’s finances, “they advised me that ALA didn’t have financial problems—it had control problems.”
Wedgeworth balanced ALA’s budget within two years.
During his 12-year tenure, ALA membership increased by more than 25%, and its annual budget more than doubled. The Association also resolved an ongoing building development issue with the construction of Huron Plaza, which has since brought more than $18 million into ALA endowments, and took over operation of National Library Week from the National Book Committee.
Wedgeworth’s forward-thinking approach is also evident in how he applied what he learned from the 1962 Century 21 Exposition in Seattle. He was one of 75 librarians that ALA chose to work at the futuristic Library 21 exhibit, and he was, as he says, “in the first group of librarians to apply computers to library problems” when he became assistant chief acquisitions librarian at Brown University in 1966.
His career in libraries has spanned decades: working as a 14-year-old in libraries over the summer and continuing throughout his four years in college, where a librarian “influenced me to consider librarianship as a career.”
Since leaving ALA, Wedgeworth has served as dean of the School of Library Service at Columbia University in New York and university librarian at the University of Illinois at Urbana-Champaign, and he is currently president of ProLiteracy Worldwide, a nonprofit that promotes adult literacy.


Alma Dawson
Alma Dawson

Alma Dawson

As Russell Long professor and professor emeritus in library and information science at Louisiana State University (LSU), Alma Dawson, 74, was one of the primary forces in the long-term rebuilding of libraries after Hurricanes Katrina and Rita in 2005. She led Project Recovery, an Institute of Museum and Library Services grant-funded project to educate librarians in south Louisiana to compensate for staff losses after the hurricanes. “It was important to me to make sure that we were connecting what the students were doing in the classroom to everyday experience,” Dawson says. Students recruited for Project Recovery met LSU graduate school requirements and were then admitted into the library program, and all of them went on to professional library positions.
Dawson has also worked to document the history of African Americans in librarianship. “Even in this day and age, we still have to tell our own stories,” she says. “We can stress the importance of figuring out where people are, the kind of positions they have, and the research they’re doing.”
Dawson was, if not recruited to librarianship early, at least welcomed to the library in her youth. “I worked with a librarian in high school who let me help with the library and helped me get scholarships,” she says. “I was the first person in the family to go to college, and it was all on scholarships.”
She didn’t initially work at the library as a student at Grambling (La.) State University, but she was friendly with the librarians there. She also worked in a segregated public school during the Jim Crow era, in the 1960s. “We didn’t really have the resources for students, so we had to raise all the money to buy materials for the library. It was always my goal to find a way to have the resources that the students needed,” she says.


Gladys Smiley Bell
Gladys Smiley Bell

Gladys Smiley Bell

It was Dorothy Porter, curator of Howard University’s Moorland-Spingarn Research Center and the major force behind building it into a premiere collection for the study of African-American history, who encouraged Gladys Smiley Bell, 68, to go to library school. “When I was a student, I didn’t know about ALA and the Black Caucus of the American Library Association (BCALA), so I try to encourage people to join now,” she says.
She’s also worked to help librarians forge connections through professional activities. Bell cochaired the first Joint Council of Librarians of Color (JCLC) in 2006, the first-ever shared conference among ALA’s five ethnic affiliate associations: BCALA, the American Indian Library Association, the Asian/Pacific American Librarians Association, the Chinese American Librarians Association, and Reforma.
With that conference, she says she “was very excited for how we could change the profession in terms of diversity and how we could come together to serve the people,” Bell says. A second JCLC was held in 2012, and a third will take place in Albuquerque, New Mexico, in September.
Bell is now the Peabody Librarian of the William R. and Norma B. Harvey Library at Hampton (Va.) University.


Jessie Carney Smith
Jessie Carney Smith

Jessie Carney Smith

Jessie Carney Smith, 87, is not a historian even though some people call her that. “I’m a librarian who has done some historical work,” she says. As dean of the library at Fisk University in Nashville, she has published extensively on African-American history, including three books of biographies of black women and two books of biographies of black men. “I looked for areas that had not been talked about,” Smith says.
After college, she moved to Nashville but couldn’t find a teaching job because of the limited openings in segregated schools. She found a job as a clerk-typist at Fisk University under librarian and writer Arna Bontemps. “I was impressed by his work and the contact he had with other writers and publishers,” Smith says.
She earned a master’s and eventually a PhD in library science, returning to Fisk when Bontemps retired. “When I became familiar with what was then called ‘Negro collections,’ I thought, ‘Why not do some work that would use those materials and promote them to others?’”
And that history is important to having a complete picture. “You may have an interest in one particular topic, and that’s fine,” she says. “But you need to know about the whole of America, not just white but black and Hispanic and other ethnic groups as well.”


Many recent events have been extremely disruptive to communities, ranging from natural disasters to unrest following police shootings or white nationalist rallies. What should a library’s role be in responding to events like these?
Satia Orange: Our Librarian of Congress [Carla Hayden] provided an example of how to respond [as director of Enoch Pratt Free Library in Baltimore]. After the police confrontation, she opened up the library the next day. They were busy because people needed to do what they needed to do but also to understand what was happening in their neighborhood.
In Ferguson, Missouri, the director [of Ferguson Municipal Public Library, Scott Bonner] was brand new, but his training and intuition let him go in and keep the library open and make it the center of the community for information, safety, and resources.
Robert Wedgeworth: Libraries have to be responsive to their constituents, and they need to present themselves as a place where people can find information that helps to explain and understand the current issues affecting their lives. That has been a very important role for libraries over the years, and it will continue to be one. It’s not the social issue itself but that the library can be an active place in helping people to respond to issues as they present themselves.
In the 1960s, librarians were asking what extent they should be active participants in protests and combating certain topics. That continues to be a question raised in the ranks of professionals, and it will always be controversial. Different people will feel different levels of responsibility in dealing with various circumstances, but there will always be a professional role to helping people understand what’s going on in their lives and in their world.
Alma Dawson: First of all, people need information. If they’re just running on emotion, they don’t have the correct info. If we’re talking about Black Lives Matter and other issues of the day, the library has background information that is not just emotional. They have the history right there. When the hurricanes came, people went to the library because that’s where they could connect with family and the community. Librarians can be the right group of people to help.
Gladys Smiley Bell: In my opinion, those protests are political. It’s just appalling to know that things like that are happening today. But libraries can open their doors during times of crisis to provide resources and displays. Schools tend to shut down, but libraries seem to gear up. There is someone out there archiving those events for the future, maybe with the collection of what happens over the years, so that things can be better in the future. Libraries play a role in that because their doors are open to everybody to come and find out for themselves why, who, and what to do about these issues.
Jessie Carney Smith: We have a difficult job to do to help people cope with natural disasters and increasing violence. One has a right to protest, but keep violence out of it. Libraries can help by becoming involved in local dialogue, as we are doing in Nashville. But what works in one community might not work in another. You have to find ways to soften the ugly, tense moments that we have to face. Having grown up in the South, I have seen a lot of ugly and tense moments. We must find a way to deal with the bad as well as the good and let people know that we are dealing with community problems.

Professors Estella Atekwana and Nikki Giovanni Honored With Major Awards

Estella_Atekwana
Estella Atekwana (photo via africanaokstate.edu)

article via jbhe.com
Estella Atekwana, Regents Professor and director of the Boone Pickens School of Geology at Oklahoma State University, received the Outstanding Educator Award from the Society of Exploration Geophysicists. Professor Atekwana joined the faculty at Oklahoma State in 2008.
Dr. Atekwana holds bachelor’s and master’s degree from Howard University in Washington, D.C. She earned a Ph.D. at Dalhousie University in Halifax, Nova Scotia.
Nikki Giovanni (photo via kholioli.org)
Nikki Giovanni (photo via kholioli.com)

 
Nikki Giovanni, University Distinguished Professor of English in the College of Liberal Arts and Human Sciences at Virginia Tech, has been selected to receive the 2016 Literary Lifetime Achievement Award from the Library of Virginia.
She is the author of many collections of poetry, children’s books, and works of nonfiction. Professor Giovanni will be honored at ceremonies in Richmond in October. Past winners of this award include Edgar Allan Poe, Tom Wolfe, Booker T. Washington, and John Grisham.
Professor Giovanni has been teaching at Virginia Tech since 1987.  She is a graduate of Fisk University in Nashville, Tennessee.

John Hope Franklin Honored by Duke University for Pioneering Field of African-American History

John-Hope-Franklin1
Historian John Hope Franklin (Photo via Harvard Public Affairs and Communications) 
DURHAM, N.C. — John Hope Franklin, a scholar who helped create the field of African-American history, was instrumental both in documenting America’s long and long-ignored legacy of slavery and racism and in reaffirming the continuing importance of that history, Harvard President Drew Faust said during an event Thursday evening commemorating his life and scholarship.
“John Hope Franklin wrote history — discovering neglected and forgotten dimensions of the past, mining archives with creativity and care, building in the course of his career a changed narrative of the American experience and the meaning of race within it,” she said. “But John Hope also meditated about history and its place in the world, on its role as action as well as description, on history itself as causal agent, and on the writing of history as mission as well as profession.”
Franklin was born in 1915 and raised in segregated Oklahoma. Graduating from Fisk University in 1935, he earned a Ph.D. from Harvard University in 1941. Over the course of his career, he held faculty posts at a number of institutions, including Howard University and the University of Chicago, before being appointed in 1983 the James B. Duke Professor of History at Duke University. “From Slavery to Freedom: A History of African-Americans,” published in 1947, is still considered a definitive account of the black experience in America. A lecture series later published as a book, “Racial Equality in America,” became another of his most iconic works. Franklin died in 2009.
An American historian herself, Faust gave the keynote address in the last of a yearlong series of events as part of the John Hope Franklin Centenary, sponsored by Duke University to mark the 100th anniversary of his birth.

Anheuser-Busch Donates ‘Great Kings and Queens of Africa’ Art Collection and Scholarships to UNCF


ATLANTA – A popular and influential collection of artwork featuring African leaders and rulers has returned for public viewing at Morehouse College in Atlanta.  Valued at more than $1 million, “The Great Kings and Queens of Africa” collection of paintings was commissioned by Anheuser-Busch in 1975. Today, the company announced it has donated the entire collection to UNCF (United Negro College Fund), the country’s largest minority education organization, which will distribute pieces from the collection to six UNCF member colleges and universities: Morehouse College, Clark Atlanta University, Fisk University, Xavier University, Dillard University and Benedict College.

Duke University Acquires Papers Of Noted Historian John Hope Franklin


Duke University has announced that it has acquired a vast archive of papers of John Hope Franklin. Professor Franklin was the James B. Duke Professor Emeritus of History at Duke University and one of the most prolific and respected historians of the twentieth century. He died of congestive heart failure on March 25, 2009 at Duke University Hospital. He was 94 years old.
The archive includes more than 300 boxes of materials that were donated to the university by his son and daughter-in-law. Included in the archive are diaries, correspondence, manuscripts, drafts of speeches, photographs, and video recordings. The collection will be housed at the David M. Rubenstein Rare Book and Manuscript Library at Duke. The collection will be made available to researchers once it has been preserved and cataloged.
John Hope Franklin was born in Rentiesville, Oklahoma, in 1915. His grandfather had been a slave. His father was one of the first black lawyers in Oklahoma. His mother was a schoolteacher. Franklin was named after John Hope, the former president of Morehouse College and Atlanta University.
Franklin attended racially segregated schools in Oklahoma. He was valedictorian of his high school class. He wanted to attend the University of Oklahoma but at that time, and for many years later, the state’s flagship university was closed to blacks.