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Posts tagged as ““Firebird””

GBN’s Daily Drop: Misty Copeland, 1st African American Principal Dancer in American Ballet Theatre History (LISTEN)

GBN’s Daily Drop: Misty Copeland, 1st African American Principal Dancer in American Ballet Theatre History (LISTEN)

By goodblacknews on March 15, 2022

by Lori Lakin Hutcherson (@lakinhutcherson)

Today’s GBN Daily Drop podcast is about Misty Copeland, the first African American principal dancer in the elite American Ballet Theatre‘s 75-year history, based on the Tuesday, March 15 entry in the “A Year of Good Black News” Page-A-Day®️ Calendar for 2022:

You can follow or subscribe to the Good Black News Daily Drop Podcast through Apple Podcasts, Spotify, Google Podcasts, rss.com or create your own RSS Feed. Or just check it out every day here on the main website (transcript below):

SHOW TRANSCRIPT:

Hey, this Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a daily drop of Good Black News for Tuesday, March 15th, 2022, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing.

Misty Copeland changed the face of ballet… with her feet. Raised in San Pedro, California, Copeland began taking ballet lessons at her local Boys & Girls Club at the “late” age of thirteen. By fifteen she was dancing professionally.

Misty joined American Ballet Theatre in April 2001 and made history in 2014 as the first Black woman to perform the lead role of Odette/Odile in ABT’s Swan Lake. In June 2015, Misty was promoted to principal dancer, the first African American woman to hold the position in the company’s 75-year history.To learn more about Misty Copeland, check out her 2014 New York Times best-selling memoir Life in Motion: An Unlikely Ballerina, 2017’s Ballerina Body: Dancing and Eating Your Way to a Leaner, Stronger, and More Graceful You, and 2021’s Black Ballerinas: My Journey to Our Legacy, an illustrated nonfiction collection in which Copeland celebrates dancers of color who came before her, the odds they faced, and how they have influenced her on and off the stage.

Copeland has also authored the picture books Firebird from 2014 and 2015’s Bunheads. You can also check out her official website, mistycopeland.com, her biography and performance photos on the American Ballet Theatre site, abt.com, and her online MasterClass on Ballet Technique and Artistry at masterclass.com.

Also worth checking out is the WBUR CitySpace-hosted conversation Tell Me More! Misty Copeland And The Ballerinas Of The 152nd Street Black Ballet Legacy from 2021 on YouTube and the 2015 documentary A Ballerina’s Tale directed by Nelson George and available to rent or buy on Amazon or AppleTV.

Links to these and other sources are provided in today’s show notes and in the episode’s full transcript posted on goodblacknews.org.

This has been a daily drop of Good Black News, based on the “A Year of Good Black News Page-A-Day Calendar for 2022,” published by Workman Publishing, Intro and outro beats provided by freebeats.io and produced by White Hot.

Music from Swan Lake composed by Tchaikovsky was used in today’s episode under Public Domain license.

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Misty Copeland Lands Deal to Write "Ballerina Body", a Health-And-Fitness Book

By goodblacknews on November 22, 2015

misty copeland
ABT Principal Dancer Misty Copeland

NEW YORK (AP) — Dancer Misty Copeland is working on a health-and-fitness book.
Grand Central Life & Style, an imprint of Grand Central Publishing, announced Thursday that Copeland’s “Ballerina Body” is scheduled for 2017. Copeland, the first African-American woman to become the American Ballet Theatre’s principal dancer, is a member of President Barack Obama’s Council on Fitness, Sports & Nutrition.
Copeland said in a statement issued by her publisher that she wanted to show “all athletes have to take care of themselves from the inside out.”
Her previous books include the memoir “Life in Motion” and the picture book “Firebird.”
article via blackamericaweb.com

R.I.P. Maria Tallchief, America's 1st Native-American Prima Ballerina

By goodblacknews on April 12, 2013

Maria Tallchief
The New York Times reports today that Maria Tallchief, daughter of an Oklahoma oil family who grew up on an Indian reservation, found her way to New York and became one of the most brilliant American ballerinas of the 20th century, died on Thursday in Chicago.  She was 88.  Her daughter, the poet Elise Paschen, confirmed the death. Ms. Tallchief lived in Chicago.

Ms. Tallchief, a former wife and muse to the choreographer George Balanchine, achieved renown with Balanchine’s City Ballet, dazzling audiences with her speed, energy and fire. Indeed, the part that catapulted her to acclaim, in 1949, was the title role in the version of Stravinsky’s “Firebird,” one of many that Balanchine created for her.  In addition to “Firebird,” Balanchine created many striking roles for her, including those of the Swan Queen in his version of “Swan Lake,” the Sugar Plum Fairy in his version of “The Nutcracker,” Eurydice in “Orpheus” and principal roles in such plotless works as “Sylvia Pas de Deux,” “Allegro Brillante,” “Pas de Dix” and “Scotch Symphony.”

A daughter of an Osage Indian father and a Scottish-Irish mother, Ms. Tallchief left Oklahoma at an early age, but she was long associated with the region nevertheless. She was one of five dancers of Indian heritage, all born in Oklahoma at roughly the same time, who came to be called the Oklahoma Indian ballerinas; the others included her sister, Marjorie Tallchief, as well as Rosella Hightower, Moscelyne Larkin and Yvonne Chouteau.  Growing up at a time when many American dancers adopted Russian stage names, Ms. Tallchief, proud of her Indian heritage, refused to do so, even though friends told her that it would be easy to transform Tallchief into Tallchieva.

 In 2007, PBS aired the documentary, “Maria Tallchief” about this Kennedy Center Honor recipient’s life and work.   To read more about Tallchief, click here.  To watch Tallchief narrate her stunning “Firebird” solo, click below:

[youtube http://www.youtube.com/watch?v=0y_tWR07F7Y&w=420&h=315]

article by Jack Anderson via nytimes.com; additional reporting by Lori Lakin Hutcherson