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Posts tagged as ““Fame””

MUSIC MONDAY: “AfroBowie” – A Soul-Filled David Bowie Collection (LISTEN)

MUSIC MONDAY: “AfroBowie” – A Soul-Filled David Bowie Collection (LISTEN)

By goodblacknews on July 24, 2023

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

I’m back with another batch of tracks. “AfroBowie” is a collection devoted to David Bowie, who,  in a 1976 Playboy interview, described his own album Young Americans as “the definitive plastic soul record. It’s the squashed remains of ethnic music as it survives in the age of Muzak, written and sung by a white limey.”

[spotifyplaybutton play=”https://open.spotify.com/playlist/1jO16S5awIEKB9cpxkcTJf?si=9c8629b0d66f41fa”]

Though those funky soulful tracks made Bowie one of the few white performers to be invited to perform on Soul Train.

He would also go on to call out MTV on not featuring Black artists: “I’m floored by the fact that there are so few Black artists featured on [MTV]. Why is that?” “The only few black artists one does see are on in about 2:30 in the morning until 6:00,” Bowie continued, “Very few are featured prominently during the day.”

Almost a decade before James Brown would become constantly sampled, the Godfather of Soul would borrow Carlos Alomar’s guitar riff from David Bowie’s crossover hit “Fame” to create his track “Hot”.

Bowie would later team up with Queen Latifah for a version “Fame” in 1990. This collection features Bowie covers from Black artists like Robert Glasper & Bilal, Durand Jones & The Indications, Rhonda Dakar and others.

There are Bowie tracks written with his longtime collaborator Alomar including: “D.J.”, “Fame”, “Never Let Me Down”, “Red Money” and “The Secret Life of Arabia”. And of course his team-up with young Luther Vandross on “Young Americans” is in the mix.

I’ve included David Bowie’s covers of “Almost Grown” by Chuck Berry, Nina Simone’s “Wild is the Wind” and versions of “Knock on Wood” (by Eddie Floyd) and “Here Today, Gone Tomorrow” (by Ohio Players) from DAVID LIVE.

There are a few tracks from Ziggy Stardub, a spectacular reggae recasting “Ziggy Stardust” by the Easy Star All-Stars.

There are also songs from the tribute record Modern Love. It features covers from across Bowie’s catalog by Helado Negro, Khruangbin, Jeff Parker, We Are KING, Meshell Ndegeocello, and more. P

lus, Seu Jorge’s beautiful set of Bowie covers from Wes Anderson’s The Life Aquatic with Steve Zissou. Hope you enjoy AfroBowie as much as I’ve enjoyed making it.

As always, stay safe, sane, and kind. See ya next month.

Marlon West (photo courtesy Marlon West)
Celebrating Phylicia Rashad and Debbie Allen on #NationalSiblingsDay (LISTEN)

Celebrating Phylicia Rashad and Debbie Allen on #NationalSiblingsDay (LISTEN)

By goodblacknews on April 10, 2022

by Lori Lakin Hutcherson (@lakinhutcherson)

On #NationalSiblingsDay, we celebrate Tony and Emmy award-winning sisters Phylicia Rashad and Debbie Allen in today’s GBN Daily Drop podcast.

To read about them, read on. To hear about them, press PLAY:

[You can follow or subscribe to the Good Black News Daily Drop Podcast through Apple Podcasts, Spotify, Google Podcasts, rss.com or create your own RSS Feed. Or just check it out every day here on the main website. Full transcript below]:

Hey, this Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a daily drop of Good Black News for Sunday, April 10, 2022, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing, also known as Palm Sunday and in the United States as National Siblings Day.

As the daughters of poet Vivian Ayers Allen (who was featured in April 8th’s Daily Drop), sisters Phylicia Rashad and Debbie Allen likely grew up believing the sky was the limit. Both are Howard University graduates and award-winning stars of stage and screen.

Phylicia won the Tony Award for Lead Actress in a Play for the 2004 revival of A Raisin in the Sun, and Debbie won Emmys in 1982, 1983 and 1991 for her choreography on Fame and Motown 30: What’s Goin’ On!

https://youtu.be/ObGtzzLLjlA

In 2001 Allen opened the Debbie Allen Dance Academy in Los Angeles, and in 2008 she directed the all-African American Broadway production of Cat on a Hot Tin Roof starring big sis Rashad as Big Mama.

In 2020, Debbie Allen became a Kennedy Center Honoree and in 2021, they kept the sister love going with Phylicia’s guest appearance in a Debbie-directed episode of Grey’s Anatomy.

That same year, Rashad was appointed Dean of Howard University’s Chadwick A. Boseman College of Fine Arts.

And just this week in 2022, Allen was honored by the Dance Theater of Harlem with the Arthur Mitchell Vision Award.

To learn more about these talented sisters, check out the siblings’ conversation from 2020 where they share stories, their history together and life lessons on IG live, posted on the True Exclusives channel on YouTube and check out the links to more sources provided in today’s show notes and the episode’s full transcript posted on goodblacknews.org.

This has been a daily drop of Good Black News, based on the “A Year of Good Black News Page-A-Day Calendar for 2022,” published by Workman Publishing.

Beats provided by freebeats.io and produced by White Hot.

If you like these Daily Drops, please consider following us on Apple, Google Podcasts, RSS.com, Amazon, Spotify or wherever you get your podcasts. Leave a rating or review, share links to your favorite episodes, or go old school and tell a friend.

For more Good Black News, check out goodblacknews.org or search and follow @goodblacknews anywhere on social.

Sources:

Janet Jackson Two-Night Documentary Event to Debut on Lifetime and A&E Networks in 2022

Janet Jackson Two-Night Documentary Event to Debut on Lifetime and A&E Networks in 2022

By goodblacknews on March 4, 2021

by Lori Lakin Hutcherson (@lakinhutcherson)

Finally!

Internationally renowned, Grammy Award-winning, Rock N Roll Hall of Fame inductee Janet Jackson will be the focus of an upcoming documentary on Lifetime and A&E Networks in 2022.

The two-night, four-hour documentary will coincide with the 40th anniversary of Jackson’s first album – no, not Control – that 1986 juggernaut was her third LP and first collaboration with producers Jimmy Jam and Terry Lewis – but rather 1982’s eponymous Janet Jackson, which was released on the A&M records label and offered her early R&B hits “Say You Do” and “Young Love.”

Jackson is an executive producer with Randy Jackson, and according to Variety.com, producing teams from Workerbee and Associated Entertainment Corporation already have been working on the project with Janet for over three years.

To quote Variety.com:

The doc follows Janet as her family is going through the loss of her father, Joseph, the patriarch of the Jackson dynasty who passed in 2018. Producers were granted exclusive access to archival footage and never-before-seen home videos while developing the documentary for the past three years.

“JANET” will also detail the most talked-about moments of her life, including her 2004 Super Bowl appearance with Justin Timberlake in which she inadvertently exposed a portion of her breast, sparking controversy that would hover for more than a decade. The docu will also explore Jackson’s reaction to the death of her brother, the legendary and also controversial Michael Jackson, and her process of becoming a mother.

It’s about time the impact of Janet Jackson and her legacy on popular music and culture will be realized in-depth and, as a major Janet stan since even before her first LP – I’m talking Good Times and Fame days, people – I can’t wait! And I’m sure I’m not alone.

But until then, we’ll always have THIS:

R.I.P. Grammy Award-Winning Legend David Bowie, Global Icon and Innovator in Music, Art and Fashion

R.I.P. Grammy Award-Winning Legend David Bowie, Global Icon and Innovator in Music, Art and Fashion

By goodblacknews on January 11, 2016

David Bowie with Supermodel wife Iman (photo via popsugar.com)
David Bowie with Supermodel wife Iman (photo via popsugar.com)

As Stevie Wonder so aptly put it in his 1976 tribute to the 20th-century pioneers of sound, “Sir Duke”: “Music is a world within itself / With a language we all understand / With an equal opportunity / For all to sing, dance and clap their hands.”
Sir David Robert Jones, aka “Ziggy Stardust”, aka “The Thin White Duke”, but most commonly known around the world as David Bowie, fully understood and embodied the language of this universality, and connected with audiences around the world, no matter what genre he chose to explore. Some of his greatest commercial success came from his exploration of R&B music (“Young Americans”, “Fame”, “Golden Years”,  “Under Pressure,” “Let’s Dance”), but his musical life was one of constant change and innovation, which made this unique singer, songwriter, multi-instrumentalist, record producer, arranger, painter and actor a prominent, global figure in popular music for over four decades.
According to the New York Times, Bowie’s last album, “Blackstar,” a collaboration with a jazz quartet that was typically enigmatic and exploratory, was released on Friday — his birthday.  He had also collaborated on an Off Broadway musical, “Lazarus,” which was a surreal sequel to the 1976 film that featured his definitive screen role, “The Man Who Fell to Earth.”

Bowie wrote songs, above all, about being an outsider: an alien, a misfit, a sexual adventurer, a faraway astronaut. His music was always a mutable blend — rock, cabaret, jazz and what he called “plastic soul” — but it was suffused with genuine soul.  Bowie, in turn, influenced many of today’s prominent R&B, soul, pop/rock and hip-hop artists, (remember Queen Latifah’s collab on the “Fame ’90” redux?) many of whom are already honoring him:

https://twitter.com/kanyewest/status/686449257767776256?ref_src=twsrc%5Etfw
https://twitter.com/Pharrell/status/686460230318698496

Bowie is to be honored with a concert at Carnegie Hall on March 31 featuring the Roots, Cyndi Lauper and the Mountain Goats.

Bowie lost his 18-month battle with cancer on Sunday night, and is survived by his son, director Duncan Jones, wife Iman and their daughter Alexandria.

To read more about Bowie, his life and career, click here.  To see him perform live in 1974 on “The Dick Cavett Show” with Luther Vandross on background vocals, check out the video below:

[youtube https://www.youtube.com/watch?v=ydLcs4VrjZQ&w=420&h=315]

article by Lori Lakin Hutcherson (follow @lakinhutcherson)

 

FEATURE: Debbie Allen Discusses Directing TV & Her Many Roles in "Grey’s Anatomy" Season 12

By goodblacknews on September 11, 2015
Director/Producer/Actor Debbie Allen (TERENCE PATRICK FOR VARIETY)

Debbie Allen rose to fame with “Fame,” serving as a director, producer and choreographer. She was also the first black woman to be Emmy-nominated in the dramatic lead actress category. More than three decades later, she has a recurring role on “Grey’s Anatomy,” and is a frequent director — and now executive producer of the show. “It’s a little crazy, but what a great life,” Allen tells Variety. “I’m like a cat on a hot tin roof that somehow landed on all fours.”
What are your new responsibilities on “Grey’s Anatomy” Season 12, being a director, actor and executive producer?
I’m very involved in every episode, in terms of production design. I’m selecting the directors this season, looking over everything from makeup and hair to the actors’ concerns. I spend a lot of time with the writers, which I love.
How do you balance acting in an episode that you’re also directing and producing?
It’s actually how I started on “Fame.” I trained in acting, literature and theater, so talking to actors is something I’m really used to doing. That gives me a little bit of an edge sometimes. I know how to speak the actor’s language. On “Fame,” I started as Ms. Lydia Grant and I was the choreographer, but I soon became their favorite director because I knew how to shoot the dance and then I understood the acting. Doing it all at the same time is how I came into it.
Have you noticed a big change in your role on “Grey’s,” now that you’re an executive producer?
Very dramatic change. I’ve always been there as a director and somewhat of a den mom — it’s interesting; so many of them grew up on “Fame,” and I’ll never forget the first time I directed, Patrick Dempsey started singing “Fame” and doing jetes, and I’m like, “Stop it already. Stop it!” — so now, there are things that are my responsibility or things that I keep my eye on or things that I can mitigate. I’m responsible for a lot of things, which is a wonderful position to have. I’ve done this once before on “A Different World.” I was the executive producer and director on that show for five years. But this is different. It’s an hour, it’s in its twelfth season, but it feels like it’s brand new.
Speaking of Patrick Dempsey, how is the set different without him?
We had a great relationship. My nickname for him was “Dash” — Dash was the kid in “The Incredibles” that was running fast. He would come through the set like that. He was on the move. Racing cars defines him for real. Patrick is not there so it changes the dynamic of the story for Meredith.
How much will you be featured in this season?
Catherine Avery is still a guest star. She’s not a series regular, but I’m there so when they need me now — last year, they had to go and try to find me — they can take advantage of me, and it’s okay! I’m not mad about it.

Happy 47th Birthday, Grammy-Award Winner and Actress Janet Jackson (VIDEO)

By goodblacknews on May 16, 2013

[youtube http://www.youtube.com/watch?v=Q-gu1KETjVY&w=560&h=315]
Janet JacksonBorn to Joe and Katherine Jackson on May 16, 1966, Janet Damita Jo Jackson is the youngest of nine children of the musically legendary Jackson family.  Although she started her career in entertainment primarily as a television actress (Good Times, Diff’rent Strokes, Fame), it was Jackson’s music, produced by Minneapolis duo Jimmy Jam and Terry Lewis, that catapulted her to international fame and stardom.  Though Control was her third solo album, it was the first one to go multi-platinum and kick-started a career that has spanned decades and generated over 100 million record sales worldwide.  To celebrate Janet and her musical legacy, above is one of her early, iconic dance videos –  “Pleasure Principle.”  Enjoy!
article by Lori Lakin Hutcherson