Press "Enter" to skip to content

Posts tagged as “Esperanza Spalding”

REVIEW: I’ve Got Such Big Feelings for WILLOW’s Emotive, Exploratory and Excellent New LP “empathogen”

REVIEW: I’ve Got Such Big Feelings for WILLOW’s Emotive, Exploratory and Excellent New LP “empathogen”

By goodblacknews on May 10, 2024
by Lori Lakin Hutcherson, GBN Editor-in-Chief

I’m starting off straight up corny by saying I’ve been a “transparent soul” with anyone who’d listen to me about my anticipation of WILLOW’s sixth and latest solo LP, which finally dropped May 3rd.

My owning of my corniness, turns out, totally vibes with the messages about the freedom to express & accept your feelings, warts and all, coursing throughout the #greatalbum “empathogen” (2024).

Not only do I absolutely love how WILLOW wrestles lyrically (and musically) with Big Ideas such as existence, ego, anxiety, pain, self-sabotage, fear and love, she does so in such soul-felt, sophisticated & surprising ways, I have to compliment the precise production by WILLOW and her fellow producers Chris Greatti, Eddie Benjamin and Jon Batiste.

There are myriad sounds, echo effects and vocal arrangements involved in each track, even the stripped down ones, but none ever feel overdone — just purposeful and fresh. It’s as if WILLOW threw her hands into the cosmic river of music, tapped into its source, and allowed it to flow freely through her.

There’s a lot going on technically in the music I can’t speak on with any authority (e.g. the multiple time signatures, turnarounds, uncommon verse/chorus structures) but what I can talk about is how it hits the ears and how it feels — free, unexpected, relatable, or, in one word — embracing.

WILLOW is clearly a student of music and draws on varied influences (her IG post of her working her voice out to Ella Fitzgerald’s legendary scat on “How High The Moon” blew my mind a few months ago and still lives rent free in what’s left of my head), but right now she’s reminding me most of the great Esperanza Spalding, particularly during her “Emily’s D+Evolution” (2016) jazz/pop/rock era.

WILLOW’s own pop/rock/punk/soul explorations from the past few years also inform her current jazz/funk/fusion present (and hopefully future).

The singles released from the LP, “symptom of life” and “bigfeelings”, are the best ambassadors for this tight 12-song offering which literally begins with what sounds like an off-mic Jon Batiste screeching, as if being born, “I love everything!”

(BTW, could Batiste be on more of a roll? He also co-produces and co-writes “Ameriican Requiem”, the opening track on COWBOY CARTER. If I’m an artist, I’m thinkin get this man to help kick off my LP, stat, cuz greatness will surely follow!)

After Batiste, we hear steady rimshots underneath WILLOW’s “ah oo ah ah” breaths until she sings “I live my life” — and I didn’t conjure my previous cosmic music river metaphor out of nowhere as WILLOW then sings “I trust this river to carry me / home” in this mystifyingly captivating LP opener titled “home”.

MUSIC MONDAY: “Ear Food” – A New Jazz Playlist (LISTEN)

MUSIC MONDAY: “Ear Food” – A New Jazz Playlist (LISTEN)

By goodblacknews on April 11, 2022

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Happy #JazzAppreciationMonth, good people! For most the word “Jazz” conjures up images of the giants like Charlie Parker, Ella Fitzgerald, John Coltrane, Miles Davis, Sarah Vaughan, and Louis Armstrong.

Though this collection, “Ear Food: A New Jazz Playlist“ features a new school of Jazz artists re-imagining and reinventing Jazz for today:

They are staying true to the game while infusing a spectrum of R&B, Hip-Hop and other influences.

Many will recognize names like Kamasi Washington, Robert Glasper, Meshell Ndegeocello, Esperanza Spalding, and the late Roy Hargrove, but this collection features some new talents that are not as well-known.

I hope you’ll dig artists like: Ezra Collective, Al Strong, Steam Down, Somi, Nubya Garcia, Tom Misch, and Moses Boyd, too.

It’s great to see and hear a new generation adopt and reinvent the sound of a timeless genre, proving that Jazz not only still lives, but thrives.

While I’ve generally moved to monthly offerings, I’ll be back during this month devoted to Jazz appreciation with another collection next week.

Stay sane, safe, and kind!

Marlon

Marlon West (photo courtesy Marlon West)
Welcome to Jazz Appreciation Month 2022 (LISTEN)

Welcome to Jazz Appreciation Month 2022 (LISTEN)

By goodblacknews on April 1, 2022

by Lori Lakin Hutcherson (@lakinhutcherson)

No fooling, in the U.S. April 1st denotes the start of Jazz Appreciation Month (aka “JAM”), where the art form born out of Congo Square in New Orleans became a unique and true African American and American musical expression that continues to evolve across the decades and centuries.

Started by the Smithsonian Museum of American History in 2001, “JAM is intended to stimulate and encourage people of all ages to participate in jazz – to study the music, attend concerts, listen to jazz on radio and recordings, read books about jazz, and more.”

To hear our Drop about it, press PLAY:

You can follow or subscribe to the Good Black News Daily Drop Podcast through Apple Podcasts, Spotify, Google Podcasts, rss.com or create your own RSS Feed. Or just check it out every day here on the main website. Full transcript below:

Hey, this Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a daily drop of Good Black News for Friday, April 1st, 2022, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing.

No fooling, April 1st in the United States also kicks off Jazz Appreciation Month. It’s a time to savor the musical gumbo first cooked up in early 20th century New Orleans by master chefs including Jelly Roll Morton, Sidney Bechet, King Oliver, and Louis “Pops” Armstrong.

During the 1930s and ‘40s, bandleaders such as Lionel Hampton, Chick Webb, Count Basie and Duke Ellington swung the nation and defined the sound­–as did singers Ella Fitzgerald, Billie Holiday, Sarah Vaughan and Billy Eckstine.

Dizzy Gillespie, Charlie Parker, Miles Davis, Thelonious Monk, Charles Mingus and John Coltrane were the vanguard through the 1950s and 60s, leading to the free jazz of Ornette Coleman, Taj Mahal, the Jazz Messengers and today’s pot stirrers Kamasi Washington, Esperanza Spalding and MacArthur “genius” Cecile McLorin Salvant.

To quote Wynton Marsalis, the most famous trumpet player in modern times and the managing and artistic director of Jazz at Lincoln Center:

“Jazz is the nobility of the race put into sound; it is the sensuousness of romance in our dialect; it is the picture of the people in all their glory.”

To learn more about Jazz music and its history, read Jazz: A History of America’s Music by Geoffrey C. Ward and Ken Burns, which is the companion book to the 10-part documentary miniseries Jazz on PBS, read Downbeat Magazine’s The Great Jazz Interviews – A 75 Year Anthology edited by Frank Alkyer, check out jazzinamerica.org’s timeline on the development and evolution of jazz, the 1987 album from Smithsonian Folkways entitled The History of Jazz by Mary Lou Williams.

And if you are feeling hands-on and adventurous, check out Herbie Hancock’s MasterClass in Jazz online.

Links to these sources and more are provided in today’s show notes and in the episode’s full transcript posted on goodblacknews.org

This has been a daily drop of Good Black News, based on the “A Year of Good Black News Page-A-Day Calendar for 2022,” published by Workman Publishing.

Intro and outro beats provided by freebeats.io and produced by White Hot.

“Dippermouth Blues” by King Oliver’s Jazz Band and composed by Oliver and Louis Armstrong is used with permission under Public Domain.

If you like these Daily Drops, please consider following us on Apple, Google Podcasts, RSS.com, Amazon, Spotify or wherever you get your podcasts. Leave a rating or review, share links to your favorite episodes, or go old school and tell a friend.

For more Good Black News, you can check out goodblacknews.org or search and follow @goodblacknews anywhere on social.

Sources:

(paid links)

MUSIC MONDAY: “Black and Proud”: A Black History Month Playlist (LISTEN)

MUSIC MONDAY: “Black and Proud”: A Black History Month Playlist (LISTEN)

By goodblacknews on January 31, 2022

by Lori Lakin Hutcherson (@lakinhutcherson)

Hey, it’s Lori, GBN’s Editor-in-Chief, with this week’s Music Monday share. Although it’s one day early, I offer a list to set the vibe for what February signifies to many in these United States: Black History Month!

Today’s playlist, “Black and Proud: Songs About Being Black” features songs that examine, express, critique and celebrate differing iterations of what it means to be Black in America.

The gamut of human emotions are present in this collection, as African Americans have been creating genres like Jazz, Blues, Soul and Hip Hop and transforming others from the 1600s on.

Artists such as Louis Armstrong, Chuck Berry, James Brown, Stevie Wonder, Beyonce, Esperanza Spalding, india.arie, Prince, Janet Jackson, Mickey Guyton, Nas, Jay Z, Common and Kendrick Lamar all have their takes on Blackness and the perceptions of it by themselves, lovers, strangers, authorities and oppressors.

I’ve also included several versions of “Young, Gifted and Black” by Nina Simone, Aretha Franklin, Donny Hathaway and Big Daddy Kane who each in their own way interpret the phrase popularized by playwright Lorraine Hansberry to great effect.

I hope you enjoy this compilation and that it gets you into the mood, groove and spirit of Black History Month.

MUSIC MONDAY: “Cool Yule” – A Jazzy Christmas Collection (LISTEN)

MUSIC MONDAY: “Cool Yule” – A Jazzy Christmas Collection (LISTEN)

By goodblacknews on November 29, 2021

by Lori Lakin Hutcherson (@lakinhutcherson)

With Thanksgiving firmly in our rearview, it is officially time to bring on the peppermint, egg nog and, best of all (at least in my mind), Christmas music playlists!

This season Good Black News is starting off with a playlist chestnut we dropped last Christmas Eve, perhaps missed by anyone who was traveling, already out and about or otherwise engaged in the spirit. So one more again, I am happy to bring to you “Cool Yule”: A Jazzy Christmas Collection:

From Take 6 to Duke Ellington to Geri Allen to Oscar Peterson, this playlist includes vocal and instrumental jazz renditions of traditional and modern Christmas and end-of-year classics for all to enjoy.

Ella Fitzgerald, Nancy Wilson, Sarah Vaughan, Lena Horne, Betty Carter, Dianne Reeves, Etta James, Dinah Washington, Esperanza Spalding and Billie Holiday are among the female jazz vocalists represented on “Cool Yule,” with Billy Eckstine, Nat King Cole, Leslie Odom, Jr. and Louis Armstrong lending their deeper pipes to the playlist.

Also represented are jazz titans Miles Davis, John Coltrane, the Count Basie Orchestra, Benny Carter, Kenny Burrell, Wynton Marsalis, Roy Hargrove, the McCoy Tyner Trio, Jimmy Smith, the Elvin Jones Quintet and the Ramsey Lewis Trio.

Wishing you all the best as we warm into the winter season, and in the coming new year. Enjoy!

Grammy Award Winner Esperanza Spalding Joins Harvard's Department of Music as a Professor

By goodblacknews on July 26, 2017

Esperanza Spalding (Photo: Sandrine Lee)

via blavity.com
Esperanza Spalding is at the top of her field. She’s won just about every award a musician can win: four Grammys, a Smithsonian award, an NAACP Image Award, a Frida Kahlo award, a Boston Music Award — we could go on for ten minutes. And now, according to a press release from Harvard University, Spalding is going to teach others how she did it.
The bassist and singer has been appointed the a professor of the practice in the university’s Department of Music. The university’s professors of the practice are individuals “who have a national or international reputation as leaders” and who are “the best in the field.” That certainly sounds like Spalding. The press release refers to the artist as “a national treasure with global resonance” who “stands apart for the intelligence and deep sense of humanity” found in her work.

This won’t be Spalding’s first time in front of students, either. She taught at Boston’s Berklee College of Music from 2005 to 2008, and has instructed many pupils as an artist in residence in the years since. At Harvard, Spalding will lead courses in songwriting, improvisation and performance. The school also promises that Spalding will bring her “commitment to music as a voice for social justice” to the classroom with her.
To read full article, go to: Esperanza Spalding Is Now A Harvard Professor | BLAVITY

Alex Hibbert and Jacob Piner, Youth Stars of Oscar-winning “Moonlight,” to Receive Keys to City of Miami Gardens

By goodblacknews on March 16, 2017

Alex Hibbert and Jaden Piner of “Moonlight” (photo via thegrio.com)

article by Kimberly Wilson via thegrio.com
The boys of “Moonlight” will be getting their moment.
Both 13-year-old Alex Hibbert and 12-year-old Jaden Piner, are slated to receive keys to the city of Miami Gardens, FL at this year’s Jazz in the Gardens Music Festival. The two students from Norland Middle School in Miami Gardens had starring roles in the Oscar-winning film “Moonlight,” with Alex playing young Chiron and Jaden playing Kevin, Chiron’s best friend.
“We think it’s a great opportunity for us to acknowledge what they’ve done at a young age, and tell them how proud we are of them,” shares Miami Gardens Mayor Oliver G. Gilbert III. “Because so often when you hear about young black kids, people don’t want to tell you the stories of these kids and areas that they excel in,” continues Mayor Gilbert. “We aren’t talking about them most times. Most times we’re talking about young black boys in a negative context, so anytime we get an opportunity to tell them how extraordinary they are, we will do it. And ‘Jazz In The Gardens’ is the biggest stage that we can offer in the city.”
The key ceremony will be just one highlight of the highly-anticipated weekend. As the staple event each year in the city of Miami Gardens, Jazz in the Gardens Music Festival is back for its 12th year, and is quickly growing beyond its borders. Hosted again by veteran comedian Rickey Smiley, the city can expect more than 70,000 music lovers from all over the United States and Caribbean Islands.
The festival will take place this upcoming weekend, March 17-19 at Hard Rock Stadium, featuring performances by Jill Scott, Esperanza Spalding, Common, and LLCoolJ.
To read more, go to: Young stars of Oscar-winning “Moonlight” to receive keys to the city of Miami Gardens | theGrio

Obamas Sing Happy Birthday To Usher At White House [VIDEO]

By goodblacknews on October 19, 2015

Usher and the Obamas (photo via youtube)
Usher and the Obamas (photo via youtube)

Usher may be the reigning King of R&B, but, right now, we’re pretty sure he’s feeling like the King of the World.”
The soulful singer spent October 14, his 37th birthday, recording a taping of PBS’ concert series “In Performance at the White House.” He and his bride Grace were chatting with President Barack Obama and First Lady Michelle Obama when they surprised him by singing “Happy Birthday” and presented him with a cupcake topped with a single candle.
[youtube https://www.youtube.com/watch?v=c9D6jk3cRHo&w=560&h=315]
The former “The Voice” coach seemed humbled — and in total disbelief — by the experience, at one point, turning to the videographer and asking, “Are you getting this?
After the First Couple were done singing to Usher, President Obama said, “That’s a good cupcake, too.”
Along with Usher, Queen Latifah, Smokey Robinson, and Esperanza Spalding also performed at the White House for the concert series.
See the Obamas serenade Usher in the video above.
article via newsone.com

Jazz Legend Wayne Shorter Releases "Without A Net" CD This Week

By goodblacknews on February 4, 2013

(Photo: Robert Yager/The New York Times)

The standard line on Wayne Shorter is that he’s the greatest living composer in jazz, and one of its greatest saxophonists. He would like you to forget all of that. Not the music, or his relationship to it, but rather the whole notion of pre-eminence, with its granite countenance and fixed coordinates. “We have to beware the trapdoors of the self,” he said recently.

“You think you’re the only one that has a mission,” he went on, “and your mission is so unique, and you expound this missionary process over and over again with something you call a vocabulary, which in itself becomes old and decrepit.” He laughed sharply.

Mr. Shorter will turn 80 this year. Decrepitude hasn’t had a chance to catch up to him. Last week he appeared at Carnegie Hall as a featured guest with the Orpheus Chamber Orchestra, which played several of his compositions. On Tuesday “Without a Net,” easily the year’s most-anticipated jazz album, will become his first release on Blue Note in more than four decades. And next Saturday he’ll be at the Walt Disney Concert Hall with the Los Angeles Philharmonic for the premiere of “Gaia,” which he wrote as a showcase for the bassist and singer Esperanza Spalding.

Smithsonian Magazine Awards Esperanza Spalding with New Honor

By goodblacknews on December 9, 2012

Bassist Esperanza Spalding is still wooing crowds with her peculiar style of music; blending jazz, R&B, and classical for one phenomenal sound.

She was awarded for her groundbreaking compositions at the first annual Smithsonian Magazine American Ingenuity Awards. Artists in all categories, including technology, performing and visual arts, natural and physical sciences, education, historical scholarship, social progress and youth achievement were also recognized at a gala event at the National Portrait Gallery in Washington, D.C. on November 28.

Herbie Hancock presented the award to Spalding, and said, “She is magnificent and poetic.”

Since stepping out onto the scene, Spalding has created a genre all her own, fascinating millions and winning over audiences with all types of musical interests. She’s been recently dubbed the “First Lady of Jazz,” and has played with Stevie Wonder for President Barack Obama.

article by Brittney M. Walker via eurweb.com