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Posts tagged as “Eddie Murphy”

MUSIC MONDAY: “Ultimate Soul of the Season” – The Black Christmas Soundtrack – Expanded Edition 2023

MUSIC MONDAY: “Ultimate Soul of the Season” – The Black Christmas Soundtrack – Expanded Edition 2023

By goodblacknews on December 4, 2023

by Jeff Meier (FB: Jeff.Meier.90)

Welcome to the holiday season, Good Black News family!  We hope you had a wonderful Thanksgiving – and are counting down the 25 days of Christmas now that it’s December.

In what’s become a holiday tradition, we’ve updated our now massive Black Christmas music Spotify playlist with a whole heap of new songs. The month of November was spent searching far and wide across the internet for new releases, old classics now on Spotify, and other tunes and artists we missed in previous years.

So here it is – a refreshed and revived “Ultimate Soul of the Season – The Black Christmas Soundtrack – Expanded Edition 2023”.

We’ve now got over 700 songs across 40+ hours (and we’ll add more if some crucial tunes get released in the next few weeks) – with the goal to be one of the most definitive Black Christmas playlists around.

If you’re still subscribed to the list from a previous year, we’re here to let you know it’s now updated and bigger/better than ever.

If you’ve not subscribed, check it out while you are wrapping presents, baking cookies, decorating your tree, or just sitting cozily in front of a nice roaring fire, with football on mute in the next room.

As a reminder, we set out to make a mainstream Christmas radio station that you can use in the background all season long. But in the GBN tradition, the focus is on Black artists (plus occasional duet partners and a little Robin Thicke).

While other holiday radio focuses on Brenda Lee and Bing Crosby, we’ve got Ella Fitzgerald and Nat King Cole. When they play Michael Buble, we play John Legend, or Hamilton star Leslie Odom.

Of course, we’ve got The Jackson 5, Donny Hathaway, the original Eartha Kitt version of “Santa Baby,” Stevie Wonder, and two different renditions of The Temptations doing “Silent Night.” And just like everyone else, Mariah Carey!

We’ve sequenced the list carefully – so that you don’t overload on the same songs, tempos or artists too frequently. You can just let it play – or hit shuffle. Or you can even use it as a base of songs to edit down into your own personal list of favorites.

In addition to soul and pop, there’s some jazz, some gospel, some blues, some a capella, and even disco, reggae and Black country in the mix. Hopefully you find all the classics you need, and some brand new surprises you didn’t know you wanted.

This year’s big new Christmas releases include albums from Brandy (currently starring in the new Netflix hit Best. Christmas. Ever!), jazz star Gregory Porter, and hot new soul star October London.

Ace producer Adam Blackstone has assembled an album with friends that include Keke Palmer and Boyz II Men. And on the traditional side, Grammy-winning Best New Artist Samara Joy has issued an EP, and the legendary Johnny Mathis has issued new tracks as well. We’ve got a couple songs from all of these.

MUSIC MONDAY: “Written by Wonder, First Sung by Another” – a Stevie Wonder-Composed Playlist (LISTEN)

MUSIC MONDAY: “Written by Wonder, First Sung by Another” – a Stevie Wonder-Composed Playlist (LISTEN)

By goodblacknews on May 9, 2022

by Jeff Meier (FB: Jeff.Meier.90)

If you are a regular listener of Good Black News’ Music Monday playlists, we’re sure you’ve noticed by now that we’ve got some serious Stevie Wonder fans in the house. In 2020, we even celebrated his 70th birthday with a whole month of fantastic playlists (some links below).

And now that Mr. Wonder’s birthday week again (on this Friday the 13th), we’ve got a new playlist to share – this one built around songs that he composed for other artists – it’s called “Written By Wonder, First Sung By Another”:

[spotifyplaybutton play=”https://open.spotify.com/playlist/6GAkiGK8QJRFyHcOdnCQmv?si=7b9eb6f8dd184912″]

This playlist is comprised of over 90 songs spanning from the mid-60s when he was still just a teenage songwriter, up through the list’s most recent composition, a 2011 release from smooth jazz vocalist Maysa called “Have Sweet Dreams.”

Many people already know of the hits Stevie wrote for others – classics such as The Spinners’ “It’s A Shame,” Jermaine Jackson’s “Let’s Get Serious,” Third World’s “Try Jah Love,” Rufus feat. Chaka Khan’s “Tell Me Something Good,” and of course, Smokey Robinson & The Miracles’ “The Tears of a Clown.”

But his writing legacy goes so much deeper than that.

International Hits "Moonlight," "Hidden Figures," and "Straight Outta Compton" Disprove Hollywood Myth That "Black Films Don't Travel"

By goodblacknews on March 28, 2017

(image via latimes.com)

article by Tre’vell Anderson via latimes.com
On his way to winning a best picture Oscar for “Moonlight,” a film made for a minuscule $1.5 million, writer-director Barry Jenkins took time between awards-season red carpet appearances for a six-city European promotion tour. It was time well spent.
“Moonlight,” about a poor black boy living in the projects of Miami and struggling with his sexuality, wasn’t supposed to be the kind of movie that wins the best picture Oscar. Its modest coming-of-age narrative, unconventional story structure and outsider characters with no mega stars made it, as filmmaker Mark Duplass said recently with admiration, “a bit of a miracle” that it even reached U.S. theaters. Certainly, it’s not the kind of movie that was expected to make money overseas. After all, says a longstanding Hollywood myth, black films don’t travel.
Yet as of Tuesday, “Moonlight” has made $28.6 million at the international box office — more than its $27.5 million domestic take — for a worldwide total of $56.1 million. With the film still in theaters, even more is expected.“This black film is definitely selling overseas,” Jenkins said to The Times on the red carpet for the Screen Actors Guild Awards, just after he’d returned from Europe.
“Every time there’s a success, it gets swept under the rug,” says Jeff Clanagan, president of Lionsgate’s Codeblack Films, which primarily produces films with African American casts. “It’s almost like there’s an asterisk on it. They chalk it off as an anomaly.”
For 1988’s “Coming to America,” the anomaly was the comedic genius of Eddie Murphy, who “transcended race” when the film grossed $160.6 million internationally for a $288.8 million worldwide take. (Samuel L. Jackson, Morgan Freeman, Will Smith, Kevin Hart, Denzel Washington and Don Cheadle are other box office champs for whom the “transcended race” label has been applied.)
For 1995’s “Bad Boys” and its 2003 sequel — which together pulled in a combined $210.3 million internationally and $414.7 million worldwide — it was the fact that the film was an action flick, never mind leads Smith, Martin Lawrence and Gabrielle Union. For 2015’s “Straight Outta Compton,” a $40.4 million payoff internationally (and $201.6 million worldwide), it was the popular music of rap group N.W.A.
Even as three-time Oscar nominee “Hidden Figures,” with its predominantly black cast, has so far made $48.8 million internationally — helping to push its $166 million domestic sales to nearly $215 million worldwide and counting — the myth persists.
When asked about the myth, Octavia Spencer, Oscar-nominated for her “Hidden Figures” role, responded simply: “I have two words for you: Will Smith.”
“He was told the same thing [at the beginning of his career] — that he wasn’t going to be taken to promote his film,” she said at the annual pre-Oscars Sistahs Soiree honoring women of color in the industry. “Had he not paid for himself to fly all over the world that very first time, he would not be an international box office star. So they have to start investing and taking black actresses and actors across the world just like they do with unknown white actors. They need to do the same thing for black actors. If you don’t know ’em, why would you go support the film?”
To read full article, go to: Disproving the ‘black films don’t travel’ Hollywood myth – LA Times

Eddie Murphy Honored with Kennedy Center Mark Twain Prize

By goodblacknews on October 16, 2015
Eddie Murphy Emmy Awards
Eddie Murphy (photo via GETTY IMAGES)

Thirty-five years ago an unknown teenager from Brooklyn made an uncredited cameo in a lackluster episode of a network variety show on the verge of collapse. By the next episode that kid got his first real shot on screen and he never looked back. Soon enough, the only thing keeping “Saturday Night Live” from dying in the post-Lorne Michaels era was legendary-comedian-in-the-making Eddie Murphy.
Within two years Murphy was performing standup on “The Tonight Show” with Johnny Carson, and turning in iconic parodic performances on “SNL” as Buckwheat, Gumby and Mr. Robinson in sketches that would be forever emblazoned in the annals of American pop culture. By 1984, Murphy was a hugely bankable movie star, making his mark in comic masterpieces like “48 Hours,” “Trading Places” and “Beverly Hills Cop,” which catapulted Murphy to international fame and spawned two sequels.
On Oct. 18, the man with one of the most infectious laughs in comedy will receive the 18th annual Kennedy Center Mark Twain Prize for American Humor.  Kathy Griffin, who will present clips of Murphy’s 1982 “Tonight Show” debut at the Kennedy Center gala event, says Murphy’s brilliance stems from his gutsy approach to standup comedy.
“In an era when everyone is apologizing for everything, it is fun and liberating to go back and watch him express anything that he thinks is funny without filters,” she says. “He is not a safe comedian and isn’t that what standup comedy is really about?”
Of course, Murphy is also one of the most commercially successful African-American actors in film history. His movies have averaged $100 million at the box office, including such hits as “Coming to America,” “Shrek” and “The Nutty Professor.” Although he’s been absent from the big screen for several years, Imagine Entertainment is reportedly developing a Netflix comedy feature with Murphy.
“Eddie is an icon and a terrific actor who has been making us laugh for 35 years,” says Cappy McGarr, executive producer of the Mark Twain Prize.  He adds that Murphy’s early films were brilliant not only because they were funny, but also because they tackled themes of racism in America. “Trading Places,” released in 1983, explored the divide between the haves and have-nots.
“That movie is just as relevant now as when it was made,” McGarr says. “Like Richard Pryor, who received the first Mark Twain Prize, Eddie has been an incredible influence on all those who followed him.”
Comedians Murphy influenced and inspired include Arsenio Hall, Dave Chappelle and Chris Rock, who’s called Murphy his “idol.” He will be among the presenters at the Kennedy Center ceremony, along with fellow “SNL” alumni Will Ferrell, who received the Mark Twain Prize in 2011, and Tina Fey, who was honored with the award in 2010.
Griffin says the Mark Twain Prize is the ultimate award for comedians, especially since they are typically overlooked at the Oscars. (Murphy’s one nomination is for his dramatic turn in Bill Condon’s 2006 musical “Dreamgirls.”)
“This is a huge honor for Eddie,” Griffin says. “Everyone in comedy wants this. The ones that have it all brag about it and the ones that don’t are pissed. This is it.”
Per McGarr, the Mark Twain Award may not be enough validation for a genius such as Murphy: “I just wish we could give him more than one medal.”
article by Stuart Miller via Variety.com

Eddie Murphy Joins Cast of Richard Pryor Biopic Directed by Lee Daniels

By goodblacknews on March 13, 2015
Eddie Murphy Beverly Hills Cop
(PHOTO: GABRIEL OLSEN/FILMMAGIC)

Eddie Murphy is in talks to join the cast of Lee Daniels’ untitled Richard Pryor biopic, sources confirm.  He will play the late comedian’s father, LeRoy “Buck Carter” Pryor, a boxer and WWII veteran, in the Weinstein Co. drama.
Mike Epps is attached to star as the legendary comedian.
Daniels teased the Murphy casting Thursday night on Instagram with a photo of himself and the actor.


Murphy, who recently appeared in the “SNL” 40th Anniversary special, grew up idolizing and impersonating Pryor as a comedian in the ’70s.
“Richard’s the one that made me want to do comedy,” he previously said. “When I was little I used to sneak into my basement and put his albums on.”
Daniels is riding the success of his hit TV drama “Empire,” which Fox just renewed for a second season. He also directed “The Butler” for the Weinstein Co.
Murphy can be seen next in the culinary drama “Cook.”
article via Variety.com

TV Ratings: Larry Wilmore's "Nightly Show" Makes a Solid Entry

By goodblacknews on January 21, 2015
Larry Wilmore Nightly Show - H 2015
“Nightly Show” host Larry Wilmore

Larry Wilmore debuted Comedy Central’s new Nightly Show on Monday, and the veteran writer, comedian and Daily Show correspondent brought a solid sampling for his first time at bat.

The series premiere attracted 963,000 viewers at 11:30 p.m. and a 0.5 rating among adults 18-49, according to the Hollywood Reporter.
Any disappointment over Wilmore not cracking 1 million viewers should be taken lightly. The premiere happened on the tail-end of the Martin Luther King Jr. Day holiday weekend, with a modest 1.2 million lead-in from The Daily Show. Comedy Central’s late-night block, like all of TV, also has been bringing in more and more viewers with time-shifting — and Wilmore stands to grow significantly after people sample throughout the week.
The first outing has been greeted warmly by critics, with The Hollywood Reporter‘s Tim Goodman writing, “As for first impressions, I liked it. Wilmore himself is a smart, funny performer who is no stranger to The Daily Show crowd. Most viewers to his show probably knew what to expect for the most part.”
“The Nightly Show” replaces “The Colbert Report,” whose host will succeed David Letterman at CBS in September.

Wilmore was the “senior black correspondent” for the “The Daily Show with Jon Stewart,” and is a respected comedian, writer and producer who says that he is ready to mix it up on late night TV, according to blackamericaweb.com.

R.I.P. Tony-Award Winning Dancer, Actor and Artist Geoffrey Holder

By goodblacknews on October 6, 2014

Geoffrey Holder, the dancer, choreographer, actor, composer, designer and painter who used his manifold talents to infuse the arts with the flavor of his native West Indies and to put a singular stamp on the American cultural scene, not least with his outsize personality, died on Sunday in Manhattan. He was 84.

Charles M. Mirotznik, a spokesman for the family, said the cause was complications of pneumonia. Few cultural figures of the last half of the 20th century were as multifaceted as Mr. Holder, and few had a public presence as unmistakable as his, with his gleaming pate atop a 6-foot-6 frame, full-bodied laugh and bassoon of a voice laced with the lilting cadences of the Caribbean.

Mr. Holder directed a dance troupe from his native Trinidad and Tobago, danced on Broadway and at the Metropolitan Opera and won Tony Awards in 1975 for direction of a musical and costume design for “The Wiz,” a rollicking, all-black version of “The Wizard of Oz.”

His choreography was in the repertory of the Alvin Ailey American Dance Theater and the Dance Theater of Harlem. He acted onstage and in films and was an accomplished painter, photographer and sculptor whose works have been shown in galleries and museums. He published a cookbook.

Mr. Holder acknowledged that he achieved his widest celebrity as the jolly, white-suited television pitchman for 7Up in the 1970s and ’80s, when in a run of commercials, always in tropical settings, he happily endorsed the soft-drink as an “absolutely maaarvelous” alternative to Coca-Cola — or “the Un-Cola,” as the ads put it.

Long afterward, white suit or no, he would stop pedestrian traffic and draw stares at restaurants. He even good-naturedly alluded to the TV spots in accepting his Tony for directing, using their signature line “Just try making something like that out of a cola nut.”

Born on This Day in 1958: Michael Jackson, the Incomparable King of Pop

By goodblacknews on August 29, 2014

It’s been 5 years since Michael Jackson died.  Five.  There have been constant tributes, celebrations and memorials since that shocking June 25th in 2009, when we collectively learned that one of the most undeniable musical forces ever to walk the Earth was no longer with us.  So it’s not like there hasn’t been time to process the reality and finality of his passing – but for me (and I know I’m not alone), as every year passes, Michael’s death hits harder and harder.

I love that his music and legacy live on not only in his family and children, but also in every (and I do mean every) modern entertainer alive today.  Usher, Justin Timberlake, Justin Bieber, Jason Derulo, NeYo, Bruno Mars, Chris Brown, Beyoncé… who among them doesn’t echo Michael in their movements, their singing, their showmanship?  But when I hear the posthumous Jackson album “Xscape” from earlier this year – which, even though critically referred to as “B” level Michael, is better than most pop music currently out there – or a current song that sounds like it could have been a Michael song (see Timberlake’s “Take Back The Night”), the totality of his loss is all the more evident.

There is comfort in the fact that he existed at all and gave us a lifetime filled with thrilling, soul-stirring and oft-emulated art via dance and song.  And according to the Orlando Sentinel, today, on what would have been Jackson’s 56th birthday, he is being remembered in different ways around the world.

Cirque du Soleil in Las Vegas has launched the #MJWeAreOne campaign in conjunction with MichaelJackson.com.
Fans worldwide are urged to use Instagram by sharing videos — using the hashtag #MJWeAreOne — honoring MJ and sharing ideas of how to make the world a better place.
The MJ Global Party has fans celebrating Jackson’s birthday in live-time around the world using the hashtag #MJGBP2014. Check out the website here.
The fifth annual Michael Jackson Tribute Festival of the Arts is underway in Jackson’s birth home of Gary, Indiana. The three-day festival celebrates Jackson’s life and career while helping revitalize part of Gary.
So on this day, remember the King of Pop in your own way. Listen to your favorite MJ song. Watch your favorite Michael video for the thousandth time.
Below I’m posting one of my all-time favorite Jackson songs and videos, the John Singleton-directed “Remember The Time” and I know I’m going to shake my head (for the thousandth time) when Magic Johnson says “Behold, great Pharoah Ramses!”, laugh (for the thousandth time) when Eddie Murphy’s eyes bug out at Iman crushing on Michael, stare in awe (for the thousandth time) at the dance moves, and lose it (for the thousandth time) when Michael sings the “Rah dah /dah dah dah / What about us, girl?!” part because it is just so uniquely Michael, uniquely musical and uniquely inspiring.

article by Lori Lakin Hutcherson (follow @lakinhutcherson)

James Brown is Celebrated in "Get On Up", Opening this Friday

By goodblacknews on July 23, 2014
Chadwick Boseman as Brown in the new biopic “Get On Up.” (Credit: D Stevens/Universal Studios)

It’s just the kind of movie clip YouTube was made for. In the 1965 Frankie Avalon vehicle,“Ski Party,” James Brown and his backing vocal group, the Famous Flames, enter a ski lodge after rescuing a frozen reveler. Resplendent in a white-and-red sweater, tight black slacks, black pointy-toed shoes and a regal pompadour, Brown performs “I Got You (I Feel Good),” giving the lily-white crowd of clapping skiers a taste of the showmanship that had made him a star on the so-called “chitlin circuit” among blacks. Even in a movie as disposable as “Ski Party,” Brown turned a corny scene into genuine entertainment.

In the biopic “Get On Up,” opening Friday, the filmmakers recreate this moment, trying to see it from Brown’s point of view. While he glides through his steps, we see slow-motion shots of the listeners as if they were creatures from another, whiter planet, one Brown is reluctantly visiting in hopes of reaching a wider audience. In that scene, Brown dances off the set. In the new film, he does a split but doesn’t come up, apparently having ripped his pants. The new moment is slightly comic but undercuts Brown’s mastery.

Depicting James Brown on screen has always been a seductive proposition. As one of the greatest stage performers of the 20th century, he has inspired documentarians, playwrights, comedians and other artists who see the outlines of his greatness. But capturing the man inside, and the meaning of his life, is a tricky business.

Brown at the Roseland Ballroom in New York in 2004.CreditFrank Micelotta/Getty Images

There was a fluidity to his identity that was reflected in his many stage nicknames: Mr. Dynamite, the hardest working man in show business, Soul Brother No. 1, the Godfather of Soul and the Original Disco Man, as he variously billed himself. All enduring pop stars have the ability to shift with the culture, but Brown’s moves — from staunch integrationist to proto-black nationalist and back, from civil rights role model to wife beater, from disciplined bandleader to drug addict — suggest an inner turmoil that belied his outer confidence. Shortly after his death, I helped edit a collection of articles that spanned Brown’s long career, and in reading the pieces was struck by how many journalists saw the contours of the man but struggled to truly penetrate his psyche. With a feature film about to arrive and a coming documentary, it’s time to take stock of this imposing figure.
Brown, who died on Christmas Day 2006, began his career in the ’50s under the spell of Little Richard and ended it as a major influence on current singer-dancers like Usher and Chris Brown. Michael Jackson and Prince, of course, were acolytes. Reared on gospel, blues and jazz, Brown was a dominant force in the soul ’60s, created funk, inspired disco and laid hip-hop’s foundation with his beats.

As important as Brown was on vinyl, his stage show and personality are legendary: Tilting a mike stand far forward and, before it hit the stage, pulling it back via the cord. Dropping into and rising out of splits. Feigning exhaustion and donning a regal cape before returning to sing again. Executing every new dance from the ’60s to the ’80s with deft steps and body control made Brown a dominant figure during an explosive era for pop music.

Eddie Murphy’s Back For New ‘Beverly Hills Cop’ Film

By goodblacknews on May 4, 2014

Beverly Hills CopSeems that everything old is new again for Paramount Pictures. The studio has elected to resurrect one of its earliest and successful franchises along with its star attraction. Eddie Murphy is coming back to play Axel Foley in a new story to “Beverly Hills Cop.”

Brett Ratner will direct the film from a script by Josh Appelbaum and Andre Nemec. Set for a March 25, 2016 release, early reports says that the film will find Axel Foley “returning to his Detroit roots.”

With the exception of “Beverly Hills Cop III,” the first two installments took in $235M in 1984 and $153M in 1987 domestically at the box office. The last one, which came seven years later, did poorly with $42M. Overall, the franchise brought in over $700M worldwide for the studio.

AFI & Walt Disney Pictures' "A Cinematic Celebration Of Jerry Bruckheimer"Jerry Bruckheimer, who produced ‘Cop’ and ‘Cop II,’ is back to produce the new film.

There were plans to bring the franchise to the small screen with Brandon T. Jackson starring as Foley’s son and Murphy possible coming in on a recurring basis, but the pilot didn’t get picked up.

Murphy’s last film was 2011′s ‘Tower Heist,’ which Ratner directed. It took in over $75M domestically.

article by Wilson Morales via blackfilm.com