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“We Got Game”: Who Was the 1st African American Person to Appear on a U.S. Postage Stamp? (LISTEN)

“We Got Game”: Who Was the 1st African American Person to Appear on a U.S. Postage Stamp? (LISTEN)

By goodblacknews on April 7, 2022

by Lori Lakin Hutcherson (@lakinhutcherson)

Today’s Daily Drop is based on the Thursday, April 7 entry in the “A Year of Good Black News” Page-A-Day®️ Calendar for 2022 and is the year’s third foray into our Black Trivia category called “We Got Game.” 

All due respect to Chuck D, some of our heroes actually did appear on stamps, the first doing so 82 years ago #onthisday. Question is, who was the first one? To read the choices, read on. To hear them, press PLAY:

You can follow or subscribe to the Good Black News Daily Drop Podcast through Apple Podcasts, Amazon, Spotify, Google Podcasts, rss.com or create your own RSS Feed. Or just check it out every day here on the main website (transcript below):

Hey, this is Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a daily drop of Good Black News for Thursday, April 7th, 2022, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing. It’s in the category for Black Trivia we call “We Got Game”:

Okay, so I’m going to read a multiple-choice question that you will get time to think about and answer.

What I’m going to do is read the question, read the choices — and they’ll be four of them — and then I’ll prompt you to pause the episode if you want to take longer than the 10 seconds that will pass before I share the answer.

Sound good? Ready to see if you got game? All right, here we go:

Who was the first African American to be featured on a U.S. Postage Stamp? Was it…

  1. W.E.B. DuBois
  2. Frederick Douglass
  3. Harriet Tubman, or
  4. Booker T. Washington

Now go ahead and pause the episode if you want to take more than 10 seconds before you hear the answer. Otherwise, I’ll be back in 10… Okay, time’s up.

The answer is… D: Booker T. Washington.

Although the other three have since been featured on USPS stamps — 1992 for DuBois, 1967 for Douglas and 1978 for Tubman — Booker T. Washington was the first Black person to be honored in this way 82 years ago on April 7, 1940.

After several petitions from African American supporters, President Franklin D. Roosevelt pushed to make Washington’s stamp happen.

Issued at a cost of 10 cents and celebrated with a ceremony at the Tuskegee Institute, Washington’s stamp was part of the U.S. Postal Service’s Famous Americans Series.

The most recent African American person celebrated on a postage stamp is sculptor Edmonia Lewis, who is the 45th subject of the USPS Black Heritage stamp series, issued in January of this year.

To learn more about the history of African Americans on U.S. postage stamps, check out the links provided in today’s show notes and the episode’s full transcript posted on goodblacknews.org.

This has been a daily drop of Good Black News, based on the “A Year of Good Black News Page-A-Day Calendar for 2022,” published by Workman Publishing.

Beats provided by freebeats.io and produced by White Hot.

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Happy Birthday, Ms. Jackson! GBN Celebrates with “The Knowledge”: a Playlist and Videos of Janet Jackson’s Social Justice Music (LISTEN and WATCH)

Happy Birthday, Ms. Jackson! GBN Celebrates with “The Knowledge”: a Playlist and Videos of Janet Jackson’s Social Justice Music (LISTEN and WATCH)

By goodblacknews on May 16, 2021

by Lori Lakin Hutcherson (@lakinhutcherson)

Today being her birthday would have been reason enough to honor the life and career of the one and only Janet Jackson.

But in 2021, it’s also turned out to be once-in-a-lifetime event — the weekend Ms. Jackson has decided to sell over 1,000 personal and professional items via Julien’s Auctions to fans and collectors alike — and donate a portion of the proceeds to children’s charity Compassion International.

(Sunday, May 16 is the last day to watch and/or bid during the auction. You can do so here.)

As a personal fan who lives in Los Angeles, I was able to go to the public display prior to the auction. Seeing her iconic outfits and costumes along with personal items from her childhood and homes was, in a word, mesmerizing.

If you’ve grown up with her like I and a lot of GenX has, it’s easy to take Janet’s legacy and prowess for granted. But when you look at the history, the music, the videos, her eras across the decades and the impact of them all represented in one place, you fully realize what a uniquely innovative, influential artist she has been, is, and always will be.

On top of all she’s contributed to music and culture, with her 1989 album Rhythm Nation 1814 some 30 years ago when she was in her early 20s, Janet Jackson has also used her platform and lyrics to speak on social ills and speak out about injustices.

With producing partners Jimmy Jam and Terry Lewis, Jackson has crafted some of the most insightful and inspirational — and hey, let’s say it, danceable — issue-oriented songs ever.

Today, we celebrate her contributions to elevating our consciousness and calling for action on topics such as discrimination, poverty, racism, illiteracy, domestic violence, depression, sexism and homophobia with the playlist “The Knowledge” – Janet Jackson Social Justice Music:

“Rhythm Nation” is not only represented on this list by its titular track, but also by “The Knowledge,” “State of the World,” “Livin’ In A World (They Didn’t Make)” and its connective tissue interludes, but also by “The Skin Game,” a track about racial discrimination from that didn’t make the album but was a B-side to its “Come Back To Me” single.

In a 2012 essay in Essence magazine, Jackson was open about her personal experiences with racial discrimination.

“Like so many Black people, I have my own stories of being profiled — of being stopped, searched and frisked twice in the same month by cops skeptical about a Black woman driving a fancy car. And you have to think, if the cops stop me, how much worse must it be for others?” she wrote. “Yet we go on.”

Janet recently revived “Skin Game” during at her State of the World Tour, at the 2018 Essence Festival and during her Global Citizens performance in 2018. Check out the kick-ass opening sequence below:

On her 1993 Janet. album, Jackson offered “New Agenda” with Public Enemy’s Chuck D, “This Time” about domestic violence with opera singer Kathleen Battle.

On 1997’s The Velvet Rope, Janet tackled self-esteem and self-worth on “You,” the unhealthy reliance on connections made through the internet on “Empty,” feelings of depression and worthlessness “Special,” homophobia on “Free Xone” and overcoming racial and gender discrimination on the hidden track “Can’t Be Stopped.”

The depth and breadth of this album’s themes are discussed deftly by Ayanna Dozier in her book on The Velvet Rope from the acclaimed 33 1/3 series about music’s most impactful albums.

“Got Til It’s Gone” (seen below) and “Together Again” are also included because visually, this pair of Afrocentric videos were all about self-possession, expression and finding joy in the most difficult of circumstances — in South Africa during apartheid in “Got Til It’s Gone,” and healing oneself through the acknowledgement of the importance of lives of those who passed from AIDS and need to celebrate not stigmatize their lives in “Together Again.”

“What About” mixes the softness of her sweetest love songs with a hard rock edge reminiscent of “Black Cat” as she delivers a tour de force on domestic violence.

Jackson’s performance at the 1998 VH1 Fashion Awards was poignant, powerful and unforgettable:

Rounding out the playlist are the songs “Black Eagle” and “Shoulda Known Better” from her number-one album from 2015, Unbreakable, which acknowledge the work that still needs to be done, how difficult it is to overcome the complex issues of racism and abject poverty and how heart-breaking they are, but why it’s still worth trying.

Though not released as a single or official video, “Shoulda Known Better” was used by a fan to make a video tribute to the victims of the Orlando shooting in 2016, and Janet Jackson shares it as part of her official YouTube channel:

I hope I get to add new songs to this list later this year, if Janet resumes the Black Diamond Tour and releases the Black Diamond album, both postponed from 2020 due to the global pandemic.

Or even if she records an entirely new project, I have no doubt that in some form, Ms. Jackson’s outspoken caring and compassion for the world will come through once again.

Universal Hip Hop Museum in the Bronx Awarded $3.75 Million Grant by New York State

Universal Hip Hop Museum in the Bronx Awarded $3.75 Million Grant by New York State

By goodblacknews on December 27, 2019
Universal Hip Hop Museum at Bronx Terminal Market (image via Kevin Ross/radiofacts.com)

New York state officials have approved a $3.75 million grant to help build the Universal Hip Hop Museum, according to cnn.com.

The museum will be located in the Bronx and is the brainchild of local hip hop aficionados. New York Governor Andrew Cuomo announced the $3.75M grant last Thursday to the nation’s first museum dedicated to hip-hop.

To quote from CNN:

Now at a temporary location in the Bronx Terminal Market, The Universal Hip Hop Museum is the brain child of New Yorkers who have been on the hip-hop scene since the very beginning. One of these New Yorkers is executive director Rocky Bucano. Born and raised in the Bronx, Bucano was a DJ as a teenager in the early 1970’s.

Bucano describes the 8-year-old museum as an “ambitious, audacious dream.” Bucano’s co-founders include hip-hop legends Kurtis Blow and Grand Wizzard Theodore, who helped pioneer the popular DJ technique known as scratching.

According to CNN the founding board of directors includes Ice-T and cultural ambassadors include New York natives LL Cool J, Rakim, Big Daddy Kane, Grandmaster Flash, Fab Five Freddy and Nas.

In 2018, the Universal Hip Hop Museum announced that Public Enemy’s Chuck D would serve as the chairman of the museum’s celebrity board.

Thanks to the state funding, the 50,000-square-foot hip-hop museum will have a permanent place to call home in Bronx Point come 2023. The museum’s construction will begin in the summer of 2020.

The museum will showcase all aspects of hip-hop culture — from fashion and breakdancing, as well as the evolution of hip-hop — highlighting artists new and old, from the late ’70s to today. The museum will offer workshops, mentorships and programming to help area youths.

To visit the museum’s site for tickets or to donate, go to: https://www.uhhm.org

To read more: https://www.cnn.com/2019/12/20/us/new-york-hip-hop-museum-trnd/index.html

Public Enemy Drops Timely New Video "No Sympathy From The Devil"

By goodblacknews on August 4, 2015

[youtube https://www.youtube.com/watch?v=cjgsNc6qlHE&w=560&h=315]
For those who grew up in the 1980s, Public Enemy was one of a handful of nationally-known hip-hop acts that created socially-conscious rap almost exclusively.  From “Don’t Believe The Hype” to “Fight The Power” (from Spike Lee‘s still-all-too-relevant movie about racism and police brutality Do The Right Thing) to “By The Time I Get To Arizona”, Chuck D, Flavor Flav, Terminator X and the crew were on the forefront of calling out media manipulation, systemic racism and bigotry, and the widespread mistreatment of black people in America.
Public_Enemy_Man_Plans_God_LaughsNow, over 30 years after they’ve formed and three years since their last album, Public Enemy has released Man Plans God Laughs, offering much-needed and necessary protest music once again.  The video for the single “No Sympathy From The Devil” was just released today, and it packs a chilling punch.  It ties historical acts of racism with the racism of today – and so much of it looks the same (at the 1:56 mark, Sandra Bland‘s mug shot appears and has the effect of a gut punch).
The entire album, which was released a few weeks ago on July 15, can be heard on Spotify:
https://open.spotify.com/album/1pmsTgxfLMkCw7C5LuSHFD
article by Lori Lakin Hutcherson (follow @lakinhutcherson)

Ice-T Breaks Down Why "Art of Rap" Festival in July is Important to Hip-Hop, Art and Music

By goodblacknews on May 2, 2015

Screen Shot 2015-05-02 at 1.14.35 PM
“The Message” by Grandmaster Flash and the Furious Five is by far one of the most important records known to man.  A “total knock out of the park” as Public Enemy’s Chuck D once told Rolling Stone, the 1982 record marked a pivotal moment for hip-hop.  The first of its kind, at seven-minutes rapper Melle Mel and co-writer Duke Bootee traded clear-cut lines about the everyday struggle and decay in America’s ghettos. From the ubiquitous “broken glass” to the “junkies in the alley” and how the kids that are “born with no state of mind” end up succumbing to the live fast, die young statistic. It’s an monumental piece of recording that perfectly demonstrates the foundation on which hip-hop was founded.
Beyond that though, it’s also the very record that Mickey Bentson, co-founder of The Universal Zulu Nation, and Ice-T brought up during a phone conversation with REVOLT. “Grandmaster Flash and Melle Mel made one of the hardest records ever: “The Message” with no cursing. Wow. That’s unbelievable,” Bentson exclaimed.  “Where you gonna get all this stuff at? Nowhere but at the Art of Rap Festival baby.”
In 2012, Ice-T chronicled the rich foundation and importance of the hip-hop into a one hour-and-a-half epic, better known as the critically-acclaimed documentary, “Something From Nothing: The Art of Rap.” An intimate journey that uncovers the layers, elements, and science of hip-hop, the film took it back to the essence, while bringing along famous faces like Dr. Dre, Kanye West, Eminem, Q-Tip, Chuck D and many more for a discussion on the art form. Three years since he opened the conversation, Ice-T,  joined by Bentson, has added another layer (and new meaning) to the “The Art of Rap,” with an inaugural event he is calling “the most prolific and essential hip-hop festival ever.”
The Art of Rap Festival, which will take place over the course of two days in California, features a dream team line-up of emcees that range from Big Daddy Kane to Rakim, Afrika Bambaataa, EPMD, Doug E. Fresh, Grandmaster Melle Mel, King T, Kurtis Blow, Biz Markie, and more. Just like the film, the festival, which will feature co-headliners including Game and Ice-T at its July 18th Irvine date and Ice-T at the July 19th Mountain View show, takes it back to the essence.
Speaking about the summer must-attend festival, Ice-T and Mickey Bentson hopped on the phone with REVOLT and discussed just how and why this event came together.
In 2012, Ice-T, you released this film and now it has transformed into a full blown festival. How did you two come together for this?
Ice-T: Well, [The Art of Rap] happened for me, I was sitting around and for a while when you would say you an emcee, people actually had this heavy respect for you. Well the point that when you would say ‘rapper,’ people would kind of look at you like a clown. Rappers were kind of acting up and I didn’t like that, so I said you know what I want to make a film that makes people really respect the art of rap. It’s not a game, it’s real stuff. I worked really hard on my music, I grew up with [Big Daddy] Kane and Rakim and people like that, and I said this is serious business. So we shot the film, it did what it was supposed to do, make people understand that it is an art form and the next obvious move was to take it on the road. The Art of Rap Tour is meant to be about the craft and the culture of hip-hop, so we go all the way from The Soulsonic Force to somebody like The Game.
As you mentioned, this festival is about the craft and culture. Why is this such an important element for this event? 
T: We want people to take pride in what they do. If you take pride in your music, you’re going to do good music. If you look at music as just a way to get paid, then you might throw up any ol’ shit, and you also ain’t gonna represent it right, [because] when you get interviewed you gonna say any ol’ s*** — and that bothers the artists. That’s like me coming into jazz and not knowing who Miles Davis was, and there’s going to be people who’s going to have feelings about that. 

Chuck D Getting an Honorary Doctorate from Adelphi University

By goodblacknews on May 11, 2013

chuck dLegendary rapper Chuck D will be a featured speaker at Adelphi University and will also receive an honorary doctorate degree during the school’s 117th graduation on May 19.
He actually attended the university from 1978 to 1984 and received a Bachelor of Fine Arts degree and had a hand in expanding the school’s radio programming.
In an interview with Ebony magazine earlier this year, he spoke of his work with the university’s program.
“I always used to do a lot of hosting and I was on college radio in the early 80s. So I was always a part of something that wanted to break deejays and parties out,” he said. “And that was with Hank Shocklee and Spectrum [City] back on Long Island. What made me want to become a recording artist; I was the first artist that was repeatedly asked by a label to record with them. That label was Def Jam Records.”
He continues, “So I was the first recruited artist ever by them. I originally told them no, but a year later, I eventually said yes. It wasn’t like I sent someone a demo. I was feverishly requested to make records.”
article by Brittney M. Walker via eurweb.com

Public Enemy’s ‘It Takes A Nation Of Millions To Hold Us Back’ Still Powerful 25 Years Later

By goodblacknews on April 17, 2013
Flavor Flav and Chuck D of Public Enemy
Flavor Flav and Chuck D of Public Enemy

The greatest hip-hop album ever was made 25 years ago this month.  Its title alone speaks volumes: It Takes A Nation Of Millions To Hold Us Back.  At the time, it was a metaphor for African-American people, a nod to the systemic racism plaguing America, but for others, it also represented the uphill battle Public Enemy faced.

The album was crafted at a time, 1988, when hip-hop had no boundaries and every landmark album was groundbreaking. But Public Enemy broke ground that went clear through to the other side of the world when they made It Takes A Nation Of Millions To Hold Us Back. The album is what we call a Magnum Opus (Latin for ‘great work’).
PE’s second album, It Takes A Nation boasts one of the slickest intros, but it forecasted what was to come — world domination.  It Takes A Nation kicks off from a recording in London, while the Long-Island-born group toured the world on the 1987 Def Jam tour. They were informing America that they had already been approved by the world and now it was America’s turn.
Of course, hardcore hip-hop heads had already embraced their first album, Yo! Bum Rush The Show, but this was special.
Read the full article here: Public Enemy’s ‘It Takes A Nation Of Millions To Hold Us Back’ still powerful 25 years later | theGrio.