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Posts tagged as “Chuck Berry”

MUSIC MONDAY: “AfroStones” – A Blues and R&B-Filled Rolling Stones Collection (LISTEN)

MUSIC MONDAY: “AfroStones” – A Blues and R&B-Filled Rolling Stones Collection (LISTEN)

By goodblacknews on February 12, 2024

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Back in the fall of 1981 when I was in my first semester at Columbia College, I became friends with a fellow from a Chicagoland suburb.

He was a dyed-in-the-wool Rolling Stones fan. One afternoon their version of “Just My Imagination” played on the radio near us. I recall mentioning it was a Temptations cover, and with some level of indignation, he told me that Jagger and Richards wrote EVERY song The Stones performed.

I was shocked. We were decades away from being able to Google such matters at the moment. I was forced to leave him to the dubious opinion. I can only hope in the decades since that he’s come to know better.

Not only was that song a cover but the Rolling Stones, for better or worse, have been the heralds of Blues and R&B for generations of Americans who would rather enjoy Black music through the filter of whiteness.

Here is AfroStones, a collection of essential songs performed by Black artists that the Rolling Stones covered.

You will find Chuck Berry, Robert Johnson, The Drifters, and Solomon Burke to name a few. Throughout this collection, the original songs are presented back to back with the Stone’s covers.

Needless to say, along with touring as the opening act for Little Richard, the Stones learned a lot from these songs and built a 50-year career on them.

Mick Jagger has long acknowledged his debt to Black America, but is not a one-way street. This collection also features Black artists covering the Stones.

Sharon Jones, Musiq Soulchild, Etta James, and others. Merry Clayton, who’s featured prominently on “Gimme Shelter”, is present with her own version of the Stones classic.

I’ve also included tracks by De La Soul, Little Simz, Snoop Dogg, and others that feature samples of their music.

As Muddy Waters said in an interview, “They stole my music, but they gave me my name.” Yet he also provided them with their name when they adopted the title of his song, “Rollin’ Stone.”

And as always, stay safe, sane, and kind.

Marlon West (photo courtesy Marlon West)
MUSIC MONDAY: “AfroBeatles” – A Soul-Filled Beatles Collection (LISTEN)

MUSIC MONDAY: “AfroBeatles” – A Soul-Filled Beatles Collection (LISTEN)

By goodblacknews on November 20, 2023

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Happy Monday, y’all!

I’m back with another collection in my “Afro” playlist series — “AfroBeatles.”

Earlier this month the first new Beatles song “Now And Then” dropped with the help of master filmmaker, Peter Jackson, and the surviving members. It is the first new release from the group in 45 years.

The Beatles are rightly known for the unmatched songwriting partnership of John Lennon and Paul McCartney. Towards their later years, George Harrison and Ringo Starr also pitched in with originals. Together, the group created a body of work that inspired no shortage of covers.

Few songwriters have been so thoroughly covered as Lennon/McCartney, and the diversity of Beatles covers is a tribute to their indelible mark on pop music. Here at Good Black News, we are going to focus on the covers by Black artists around the world.

The Beatles (and The Rolling Stones) cut their teeth opening for Little Richard; both bands came away forever altered by his singing style and stage presence.

Paul McCartney and Mick Jagger have made no secret of biting his vocal stylings and dance moves. When it came to doing covers they overt about acknowledging it.

On their first five albums of 1963-1965, almost all of the covers were originally recorded by Black soul artists, including Arthur Alexander’s “Anna (Go To Him)”, The Cookies’ “Chains”, The Shirelles’ “Boys” & “Baby It’s You”, The Top Notes’ “Twist & Shout”, The Marvelettes’ “Please Mr. Postman”, The Miracles’ “You Really Got A Hold On Me”, The Donays’ “Devil In Her Heart”, Barrett Strong’s “Money (That’s What I Want)” and Larry Williams’ “Dizzy Miss Lizzy.”

They are all included here, including their versions of Chuck Berry, Little Richard, and other greats of Soul giants, though the lion’s share of the collection is devoted to R&B, reggae, ska, and jazz covers of Beatles songs.

Here are hours of Beatles music by Stevie Wonder, Bill Withers, Nina Simone, Marica Griffiths, Gary Clark, Jr., and so many others. Please enjoy AfroBeatles!!

And as always, stay safe, sane, and kind.

Marlon West (photo courtesy Marlon West)
GBN’s Daily Drop (bonus): Celebrating Sister Rosetta Tharpe, Rock and Roll Innovator Born On This Day in 1915 (LISTEN)

GBN’s Daily Drop (bonus): Celebrating Sister Rosetta Tharpe, Rock and Roll Innovator Born On This Day in 1915 (LISTEN)

By goodblacknews on March 20, 2022

by Lori Lakin Hutcherson (@lakinhutcherson)

Today’s GBN Daily Drop podcast is a bonus episode about rock ‘n’ roll pioneer Sister Rosetta Tharpe who was born #OnThisDay in 1915, for Sunday, March 20 and based on the “A Year of Good Black News” Page-A-Day®️ Calendar for 2022 format:

You can follow or subscribe to the Good Black News Daily Drop Podcast through Apple Podcasts, Spotify, Google Podcasts, rss.com or create your own RSS Feed. Or just check it out every day here on the main website (transcript below):

SHOW TRANSCRIPT:

Hey, this Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a bonus daily drop of Good Black News for Sunday, March 20th, 2022, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing.

When gospel and R&B guitar sensation Sister Rosetta Tharpe reportedly said, “Can’t no man play like me,” she might not have had a clue how many would actually try.

Little Richard cited Tharpe as one of his major influences, and Chuck Berry once said his career was “one long Rosetta Tharpe impression.”

Born on this day in 1915, Arkansas native Tharpe’s 1930s and 1940s recordings of “Rock Me”:

[Excerpt of “Rock Me”]

 “Strange Things Happening Every Day”:

[Excerpt of “Strange Things Happening Every Day”]

“I Want A Tall Skinny Papa”:

[Excerpt of “I Want A Tall Skinny Papa”]

and the classic “Didn’t It Rain”:

[Excerpt of “Didn’t It Rain”]

These songs melded gospel, jazz and Rhythm and Blues into what was soon and would forever be called rock n roll. In 2018, Tharpe was finally and rightfully inducted into the Rock and Roll Hall of Fame for her musicianship and influence.

To learn more about Tharpe, read the 2008 biography Shout, Sister, Shout: The Untold Story of Rock-And-Roll Trailblazer Sister Rosetta Tharpe by Gayle Wald, watch the 2011 documentary The Godmother of Rock and Roll – Sister Rosetta Tharpe, the Gibson Guitars-produced short documentary Shout, Sister, Shout: Sister Rosetta Tharpe, as well as performance clips of her available on YouTube.

This February, Gibson Guitars also debuted the Rosetta Tharpe Collection of merchandise in tribute to her, including a miniature replica of the iconic 1961 Les Paul she used to play.

Links to these sources and more are provided in today’s show notes and in the episode’s full transcript posted on goodblacknews.org.

This has been a bonus daily drop of Good Black News, based on the “A Year of Good Black News Page-A-Day Calendar for 2022,” published by Workman Publishing.

Beats provided by freebeats.io and produced by White Hot. Excerpts of songs by Rosetta Tharpe permitted under fair use.

If you like these Daily Drops, please consider following us on Apple, Google Podcasts, RSS.com, Amazon, Spotify or wherever you get your podcasts. Leave a rating or review, share links to your favorite episodes, or go old school and tell a friend.

For more Good Black News, check out goodblacknews.org or search and follow @goodblacknews anywhere on social.

Sources:

[Photo: Tony Evans/Getty]

(paid links)

MUSIC MONDAY: “Black and Proud”: A Black History Month Playlist (LISTEN)

MUSIC MONDAY: “Black and Proud”: A Black History Month Playlist (LISTEN)

By goodblacknews on January 31, 2022

by Lori Lakin Hutcherson (@lakinhutcherson)

Hey, it’s Lori, GBN’s Editor-in-Chief, with this week’s Music Monday share. Although it’s one day early, I offer a list to set the vibe for what February signifies to many in these United States: Black History Month!

Today’s playlist, “Black and Proud: Songs About Being Black” features songs that examine, express, critique and celebrate differing iterations of what it means to be Black in America.

The gamut of human emotions are present in this collection, as African Americans have been creating genres like Jazz, Blues, Soul and Hip Hop and transforming others from the 1600s on.

Artists such as Louis Armstrong, Chuck Berry, James Brown, Stevie Wonder, Beyonce, Esperanza Spalding, india.arie, Prince, Janet Jackson, Mickey Guyton, Nas, Jay Z, Common and Kendrick Lamar all have their takes on Blackness and the perceptions of it by themselves, lovers, strangers, authorities and oppressors.

I’ve also included several versions of “Young, Gifted and Black” by Nina Simone, Aretha Franklin, Donny Hathaway and Big Daddy Kane who each in their own way interpret the phrase popularized by playwright Lorraine Hansberry to great effect.

I hope you enjoy this compilation and that it gets you into the mood, groove and spirit of Black History Month.

MUSIC MONDAY: “A Song For You” – The Best of St. Louis Musical Artists (LISTEN)

MUSIC MONDAY: “A Song For You” – The Best of St. Louis Musical Artists (LISTEN)

By goodblacknews on April 26, 2021

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

I have done a few playlists, so far devoted to specific cities. Chicago, New Orleans, and DC are among them.

My own hometown, St. Louis, doesn’t get the same props as many other musical towns. Though from Josephine Baker to Chuck Berry to Donny Hathaway to Nelly, descendants of The Gateway City have made their mark.

[spotifyplaybutton play=”spotify:playlist:58kPFAGneM8Xzkh00I4PvM”]

This collection brings together artists across several genres that are from, based, or got their start in St. Louis. Though Ike Turner was from Mississippi and Tina Turner was from Tennessee, it was during a gig at St. Louis’ Club Manhattan where Tina, then Anna Mae Bullock, first grabbed Ike’s microphone on stage and their tumultuous path to fame began.

From the advent of ragtime at the turn of the 20th century to hip-hop at the turn of the 21st, though, St. Louis has always profoundly impacted the direction of American music.

As always, stay sane, safe, and kind. “See” ya next week.

Marlon West (photo courtesy Marlon West)
MUSIC MONDAY: “If 6 Was 9” – a Comprehensive Playlist of Black Rock Music (LISTEN)

MUSIC MONDAY: “If 6 Was 9” – a Comprehensive Playlist of Black Rock Music (LISTEN)

By goodblacknews on February 22, 2021

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Black artists have long been associated with R&B, Hip-Hop, Jazz, Funk, and Reggae, but not Rock. This is ironic as Rock ‘n’ Roll was derived from African American Jazz and Blues.

Sister Rosetta Tharpe, Chuck Berry, Bo Diddley, Little Richard are all often counted among Rock music’s pioneers. Jimi Hendrix and Prince appear on any serious list of greatest guitarists.

[spotifyplaybutton play=”spotify:playlist:6Wp9roH0OvXSFoAVaXbgw0″]

This collection gathers them all and features Black alternative rock, country, and heavy metal artists. It would not be a Marlon mix without the inclusion of folks that should be appreciated more for their rock and roll bonafides like The Isley Brothers and The Roots.

In addition to Living Color, TV On The Radio, Bad Brains and other established bands there are several emerging artists including Mint Green, Big Joanie, Baby Got Back Talk and others.

Do enjoy this eclectic and wide-ranging collection of Black Rock.

As always stay safe, sane, and kind.

Marlon West (photo courtesy Marlon West)
MUSIC MONDAY: “Knock Me A Kiss” – A Tribute to Louis Jordan (LISTEN)

MUSIC MONDAY: “Knock Me A Kiss” – A Tribute to Louis Jordan (LISTEN)

By goodblacknews on October 5, 2020

[Photo: Louis Jordan at the Paramount Theater in 1946. By William P. Gottlieb]

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Since the 1960s, especially when it came to emerging British rockers, the roots of Rock ’n Roll were a direct line to “authentic” Blues players. (Mainly men, but that’s the subject for another playlist.)

It’s mainly true, but it leaves out Country music, and in what Bullseye with Jesse Thorn host Jesse Thorn called “the race to find the most hard-scrabble weathered bluesman from the fields of Alabama or Mississippi or wherever” also ignores Jazz dance music.

Hugely popular in its day, it followed the big band era and was the springboard for Rhythm & Blues. Particularly the genre of “Jam Blues” and its trail-blazing, funny, and brash master of the game: Louis Jordan.

[spotifyplaybutton play=”spotify:playlist:1OmQoK2SWucRZXrOWQzjPC”/]

When it became too expensive for big bands to tour in the 1940s, Jordan led a revolution by cutting his band in half. The Tympany Five was a horn section, drums, guitar, bass, and piano. Jordan played saxophone and sang lead vocals himself, which was a rare move at the time.

R.I.P Chuck Berry, 90; Musical Legend and Architect of Rock ’n’ Roll

R.I.P Chuck Berry, 90; Musical Legend and Architect of Rock ’n’ Roll

By goodblacknews on March 18, 2017


article by Jon Pareles via nytimes.com
Chuck Berry, who with his indelible guitar licks, brash self-confidence and memorable songs about cars, girls and wild dance parties did as much as anyone to define rock ’n’ roll’s potential and attitude in its early years, died on Saturday. He was 90.
The St. Charles County Police Department in Missouri confirmed his death on its Facebook page. The department said it responded to a medical emergency at a home and Mr. Berry was declared dead after lifesaving measures were unsuccessful.
While Elvis Presley was rock’s first pop star and teenage heartthrob, Mr. Berry was its master theorist and conceptual genius, the songwriter who understood what the kids wanted before they knew themselves. With songs like “Johnny B. Goode,” “Maybellene” and “Roll Over Beethoven,” he gave his listeners more than they knew they were getting from jukebox entertainment.

Chuck Berry (photo via nytimes.com)

His guitar lines wired the lean twang of country and the bite of the blues into phrases with both a streamlined trajectory and a long memory. And tucked into the lighthearted, telegraphic narratives that he sang with such clear enunciation was a sly defiance, upending convention to claim the pleasures of the moment. In “Sweet Little Sixteen,” “You Can’t Catch Me,” “Rock n Roll Music” and other songs, Mr. Berry invented rock as a music of teenage wishes fulfilled and good times.  (The Beach Boys reworked his “Sweet Little Sixteen” into “Surfin’ U.S.A.” Mr. Berry sued them and won a songwriting credit.)
Born Charles Edward Anderson Berry on Oct. 18, 1926, in St. Louis, he grew up in a segregated, middle-class neighborhood there, soaking up gospel, blues, and rhythm and blues, along with some country music.He spent three years in reform school after a spree of car thefts and armed robbery.
He received a degree in hairdressing and cosmetology and worked for a time as a beautician; he married Themetta Suggs in 1948 and started a family. By the early 1950s, he was playing guitar and singing blues, pop standards and an occasional country tune with local combos. Shortly after joining Sir John’s Trio, led by the pianist Johnnie Johnson, he reshaped the group’s music and took it over.

From the Texas guitarist T-Bone Walker, Mr. Berry picked up a technique of bending two strings at once that he would rough up and turn into a rock ’n’ roll talisman, the Chuck Berry lick, which would in turn be emulated by the Rolling Stones and countless others. He also recognized the popularity of country music and added some hillbilly twang to his guitar lines. Mr. Berry’s hybrid music, along with his charisma and showmanship, drew white as well as black listeners to the Cosmopolitan Club in St. Louis.

In 1955, Mr. Berry ventured to Chicago and asked one of his idols, the bluesman Muddy Waters, about making records. Waters directed him to the label he recorded for, Chess Records, where one of the owners, Leonard Chess, heard potential in Mr. Berry’s song “Ida Red.”

A variant of an old country song by the same name, “Ida Red” had a 2/4 backbeat with a hillbilly oompah, while Mr. Berry’s lyrics sketched a car chase, the narrator “motorvatin’” after an elusive girl. Mr. Chess renamed the song “Maybellene,” and in a long session on May 21, 1955, Mr. Chess and the bassist Willie Dixon got the band to punch up the rhythm.

“The big beat, cars and young love,” Mr. Chess outlined. “It was a trend and we jumped on it.”

The music was bright and clear, a hard-swinging amalgam of country and blues. More than 60 years later, it still sounds reckless and audacious.

To read full article, go to: https://www.nytimes.com/2017/03/18/arts/chuck-berry-dead.html

Rock n’ Roll Hall of Fame in Cleveland Honors Chuck Berry

By goodblacknews on October 28, 2012
Honoree Chuck Berry performs during the 2012 Awards for Lyrics of Literary Excellence at The John F. Kennedy Presidential Library And Museum on February 26, 2012 in Boston, Massachusetts. (Photo by Marc Andrew Deley/Getty Images)

Honoree Chuck Berry performs during the 2012 Awards for Lyrics of Literary Excellence at The John F. Kennedy Presidential Library And Museum on February 26, 2012 in Boston, Massachusetts. (Photo by Marc Andrew Deley/Getty Images)

Berry, a rock pioneer with early hits that included “Roll Over Beethoven,” ”Sweet Little Sixteen” and “Johnny B. Goode,” was in 1986 the first inductee into the Hall of Fame.  To mark the American Music Masters award presentation, the rock hall has mounted a special exhibition with items including Berry’s stage clothes, a guitar and his 1958 Chess Records recording contract.