This is the last week of African-American Music Appreciation Month. And what a month it has been. 2020 is shaping up to be Black History Year.
I am honored to offer one more playlist for this final week of June. I hope you enjoy this freewheeling and eclectic collection of Black woman vocalists.
Here is almost a century of recordings spanning Blues, Gospel, Jazz, Soul, and Hip-Hop. Yes. You’ll find Beyoncé,Missy Elliott, Mahaila Jackson, Tina Turner, Chaka Khan, Erykah Badu, Big Mama Thornton, Sister Rosetta Tharpe,Brittany Howard and more all on this playlist.
Coming in at over 9 hours, it is barely the tip of the iceberg of the musical offering and impact of African-American women.
We’ve been keeping it American musicians here in June, though next week I plan to sling some reggae music. Sistas and brothas from Jamaica, UK, and Africa have had a thing or two to say about protest and conscious music as well.
As Good Black News continues its month-long tribute to Stevie Wonder in his 70th year on planet Earth, Marlon West has compiled a new Spotify playlist celebrating the times Wonder has graciously and successfully shared the spotlight with other artists.
Although Wonder’s collaborative skills are most famously remembered from the 1986 Grammy-winning chart topper “That’s What Friends Are For” with Dionne Warwick, Elton John and Gladys Knight that raised over $3 million dollars for AIDS research and prevention, he’s been at it for decades with a wide variety of artists and in the name of so many worthy causes and ideas.
Stevie Wonder and Paul McCartney (photo via libraryofcongress.gov)
This playlist ranges from Stevie’s work with the Queen of the Beyhive (Beyoncé) on a heartfelt Luther Vandross tribute, to his duet with a former Beatle (Paul McCartney) to confront racism, a reworking one of his best-loved love songs with a Canadian diva (Celine Dion), to a loving back-and-forth with his first-born daughter (Aisha Morris, who famously made her debut on 1976’s “Isn’t She Lovely” when still a baby).
In Marlon’s words:
Hello and Happy Monday, you all! Stevie Wonder is one if the most distinctive and prolific voices in popular music. He is a singer, composer, and multi-instrumentalist.
The brotha is one of greatest solo artists and bandleaders of our times. That said, Stevie Wonder has made many collaborations with other artists. He’s done duets, been a guest artist, and even a session musician one dozens of records. This playlist is devoted to Stevie Wonder’s duets. Do enjoy!
According to Vulture, last week Beyoncé’s BeyGOOD initiative announced it is pledging $6 million to help fund organizations that tackle an often-overlooked element of the coronavirus pandemic: the mental-health toll on communities and essential workers.
In a statement, the organization announced that it is partnering with UCLA and Twitter CEO Jack Dorsey’s #startsmall efforts to provide “to organizations providing mental wellness services.”
BeyGOOD also will also partner with the National Alliance on Mental Illness to provide local support in Houston, New York, New Orleans, and Detroit. The statement from BeyGOOD on Beyoncé’s website states:
“Beyoncé’s BeyGOOD recognizes the immense mental and personal health burdens being placed on essential workers during the COVID-19 pandemic. In our major cities, African-Americans comprise a disproportionate number of workers in these indispensable occupations, and they will need mental health support and personal wellness care, including testing and medical services, food supplies and food deliveries, both during and after the crisis.”
Actors, directors, musical artists, filmmakers and politicians such as Oprah Winfrey, Beyoncé, Stacey Abrams, Ava DuVernay, Viola Davis, Samuel L. Jackson, Spike Lee, Tiffany Haddish, Whoopi Goldberg, Reginald Hudlin and Halle Berry showed up to support filmmaker and entrepreneur Tyler Perry as he formally opened his Tyler Perry Studios in Atlanta.
Tyler Perry Studios marks the first time that an African-American person has owned and operated a major film studio anywhere in the U.S.
Perry also reportedly named his twelve sound stages after living and late legends such as Denzel Washington, Oprah Winfrey, Halle Berry, Sydney Poitier, Della Reese, Spike Lee, Harry Belafonte, Cicely Tyson, Whoopi Goldberg, Diahann Carroll and Will Smith.
“Why did it take so long?” Goldberg wondered in an interview with The Hollywood Reporter. “Why was he the first to get it? Now he’s the man who makes the decisions, chooses the movies, and he doesn’t have to ask anybody for shit. There’s nothing better than that. He’s never on his knees. He gets what he needs because he provided it.”
Davis concurred by saying, “Tonight is history. Tonight is not just entertainment and flamboyancy, it’s not just an excuse to get dressed up. It’s an excuse to celebrate a historic moment, which is a black artist taking control of their artistic life and the vision that God has for their life,” she said. “What’s happened with us historically is we’re waiting for people to get us. We’re waiting for people to throw us a crumb. That’s not what Tyler Perry has done. I want to be able to look back on this and say ‘I was there.'”
Winfrey added of Perry: “Tyler is my little big brother. To see him rise to this moment that I know he’s dreamed about, planned, defined, clarify for himself, it’s just a fulfillment of a dream. It’s wonderful to see.”
DuVernay, among others, touchingly reported on the momentous occasion on her Instagram and Twitter:
Billionaires Robert Smith, Oprah Winfrey, top; Beyonce and Jay Z, bottom (photos via Creative Commons)
EDITOR’S NOTE: For some time now, we here at GBN have struggled with the fact that while our operating directive is always to present positive stories, there are so many issues that affect our communities that don’t fit that philosophy, but would love to find a way to present that doesn’t stray from our core mission. It recently dawned on us that the steps we as individuals and societies take to solve problems, large or small, could perhaps be our way in. Solutions can only come first through awareness and acknowledgement of the issue, learning about it, discussing it, then figuring out ways to act that may help solve it.
In that spirit, we introduce “Let’s Talk About It” – a new GBN feature we will occasionally present about problems that need ideas for solutions. Our first entry is a share from, appropriately enough, The Conversation, a website GBN has partnered with to bring to you exactly this type of content.
First up: How can we as a community begin to solve the black student debt crisis? Should we follow the lead of billionaire Robert F. Smith, who single-handedly relieved the debt of Morehouse College’s graduating class of 2019, and task the wealthiest among us to pitch in and help out? Or are there other ways for us to alleviate this issue? Read below, and if you’d like, let’s discuss!
-Lori Lakin Hutcherson, GBN Founder and Editor-in-Chief
by Mako Fitts Ward, professor at Arizona State University
When billionaire Robert F. Smith decided to pay off the student loans of the graduating class of 2019 at Morehouse College, he suggested that others follow his lead.
“Let’s make sure every class has the same opportunity going forward, because we are enough to take care of our own community,” Smith declared in his commencement speech.
But is there even enough black private wealth in the United States to pay off all black student loan debt?
As a scholar in social transformation and African American studies, I’m intrigued by this question. It provides an opportunity to examine black wealth, higher education and the possibilities for alleviating debt, which in turn opens the door to new economic opportunities.
That’s a lot of money, and he’s done it before. Before his gift to Morehouse, Smith donated $50 million to Cornell University, his alma mater, in part to support African American and female students at Cornell University’s College of Engineering.
Other black celebrities have also stepped up to fund education. Powerhouse couple Beyonce and Jay Z gave more than $1 million in scholarships to students who lived in cities they were touring in 2018.
Rapper Nicki Minaj gave 37 “Student of the Game” scholarships. LeBron James, through his foundation, promised to pay for 2,300 students to attend the University of Akron – at an estimated price tag of $100 million. Oprah Winfrey has donated more than $400 million to educational causes.
Apart from giving away more than $1 million dollars in scholarship funds to students across America, The Carters have been working overtime to raise more than $6 million dollars for the City Of Hope charity, Forbes reports.
The organization, which specializes in cancer treatment and research, held a gala earlier this week in Santa Monica, California. The power couple was in attendance to help raise money for the non-profit organization.
JAY-Z and Beyonce partnered with Warner/Chappell Publishing CEO and Chairman Jon Platt to combine their efforts to bring forth a well-rounded event with top-notch industry players. According to Forbes, Dr. Dre, Tiffany Haddish, Usher, Quincy Jones, Wiz Khalifa, Timbaland, Kelly Rowland, and Rita Ora showed up in support of the event.
With more than 1,200 members of the entertainment industry present, Beyonce performed “Halo” and “Ave Maria” for the crowd.
The combined billionaires have greatly given back to their communities over their decades-long careers and constantly prove why they are considered the king and queen of hip-hop and evidently philanthropy.
If you would like to donate to City of Hope’s cancer research and treatment fund or find out more about the organization, click here.
The U.S. is one of 13 countries in the world where maternal mortality rates are worse than they were two decades ago. And that alarming statistic hits one group of women the hardest.
For women of color, pregnancy and childbirth are often a matter of life and death. The risk of death from pregnancy-related causes for black women is three to four times higher than for women of other races. It’s something California Senator Kamala Harris has been vocal about in the past. And she’s pushing to make sure this maternal mortality crisis is being recognized and rectified through new legislation, as well.
Harris (along with 13 Democratic colleagues) introduced a bill Wednesday that she hopes will help lessen the discrepancies in treatment. The Maternal Care Access and Reducing Emergencies (CARE) Actwould create two grant programs. One will address implicit bias based on stereotypes by supporting special training programs in medical, nursing, and other training schools. The other will incentivize maternal health care providers to offer integrated health care services to pregnant women and new mothers and reduce adverse maternal health outcomes, maternal deaths, and racial health disparities.
“Health equity for Black women can only happen if we recognize and address persistent biases in our health system,” Harris said in a press release.
The maternal health of black women has long been suffered in the dark, but in recent months we’ve heard harrowing stories of pregnancy and childbirth complications from two of the most famous women in the world: Serena Williams and Beyoncé.
Williams has been incredibly open about her emergency C-section, followed by blood clots in her lungs that threatened her life and required further surgery. And the intensely private Beyoncé revealed in Vogue‘s September issue that she had been on bed rest prior to the birth of twins Rumi and Sir due to toxemia (or preeclampsia) which causes swelling and hypertension. She, too, required an emergency C-section as her life, and the lives of her twins, were at risk.
For Harris, the bill is a continuation of her fight to bring black women’s maternal health care front and center. Earlier this year, she introduced a resolution to designate April 11-17 Black Maternal Health Week.
According to the CDC, the cause of an increase of pregnancy-related mortalities in America is unclear. For women of color, who face a myriad of health care disparities from access to racial bias perpetuated by stereotypes, the combination has proved life-threatening. Racism, researchers say, is at the center of this crisis.
“For example, even when we take medical history into account, black women are two to three times more like to die from pregnancy-related complications than white women with the same condition. And while maternal mortality rates are certainly greater for poor women than wealthier women, poverty alone can’t explain these disparities either. An analysis of maternal deaths in New York City found that black women who had at least a college degree still had greater mortality rates than white women who had not graduated high school,” obstetrician and gynecologist Jamila Perritt wrote for Glamour after Williams came forward with her childbirth experience.
“The bottom line is, black women are dying wholly preventable deaths.”
The Los Angeles Times notes that Sen. Harris’ bill could face an “uphill battle” given that Republicans currently control Congress and few bills may pass in an election year. Other sponsors of the bill include U.S. Senators Kirsten Gillibrand (D-NY), Ben Cardin (D-MD), Ron Wyden (D-OR), Richard Blumenthal (D-CT), Bill Nelson (D-FL), Doug Jones (D-AL), Jeff Merkley (D-OR), Tammy Duckworth (D-IL), Tom Carper (D-DE), Sherrod Brown (D-OH). Tammy Baldwin (D-WI), Mazie Hirono (D-HI) and Debbie Stabenow (D-MI).
“This bill is a step towards ensuring that all women have access to culturally competent, holistic care, and to address the implicit biases in our system,” Harris said.
Beyoncé and husband Jay Z may be raking in the dollars with their highly acclaimed On The Run II tour, but they are pouring those dollars back into communities all over the country, too.
The Carters announced a new scholarship program that will award $1 million in scholarships to “exceptional” high school seniors with financial needs, the couple’s representatives announced Saturday. The scholarships of $100,000 each will go to one qualified student in each of the following cities: Atlanta, Orlando, Miami, Arlington, New Orleans, Houston, Phoenix, Los Angeles, San Diego, Santa Clara and Seattle. Each of the cities is a site where the OTRII tour is appearing.
The Boys and Girls Club of America will choose the winners, according to the announcement.
The students must demonstrate “academic excellence” and “financial need” so great that it threatens to prevent them from attending college for the 2018-2019 academic year.
This is not the first time that the power couple has extended outreach toward needy students.
The Shawn Carter Foundation hosts tours to historically Black colleges and universities and offers scholarships to students headed to college. The organization was founded in 2003 by Jay Z and his mother, Gloria Carter.
The BeyGood initiative, headed by Beyoncé, has created a merit program called the Formation Scholars Award. The program helps female students reach educational goals. Another program, the Homecoming Scholars Award, provides resources for students to study at HBCUs, according to the announcement.
The Boys and Girls Clubs of America is based in Atlanta and has been in existence for 150 years. The organization runs more than 4,300 clubs that serve about 4 million young people and provides mentoring and youth development programs during non-school hours. Clubs are located all over – in cities, towns, public housing and Native American lands as well as on military installations.
According to huffingtonpost.com, musical icon Beyoncé received unprecedented control over the cover of the upcoming September issue of Vogue magazine, and in turn hired Tyler Mitchell, 23, to be her photographer. Mitchell will become the first black photographer to shoot a cover in the publication’s 126-year history.
Vogue, according to two sources who are familiar with the agreement between Vogue and Beyoncé, is contractually obligated to give Beyoncé full control over the cover, the photos of her inside the magazine and the captions, which she has written herself and are in long-form. Beyoncé is also not granting Vogue a sit-down interview for the September 2018 issue, as is typical of its cover subjects.
Mitchell, a New York University graduate from Atlanta, quickly became a recognized name in the art world through his work in Cuba and his featured work on Instagram.
The New York Times’ “Up Next” series featured Mitchell in December. Huffingtonpost.com writes that 23-year-old first gained attention in 2015 with his self-published book of photos, El Paquete, which focused on Cuban skate culture and architecture. Mitchell captured the book’s 108 photos while in Cuba for six weeks as part of a documentary photography program, according to the Times.
Mitchell also photographed Parkland shooting survivors including Sarah Chadwick, Nza-Ari Khepra, Emma Gonzalez and Jaclyn Corin for Teen Vogue’s piece on the #NeverAgain gun control movement.
“I depict black people and people of color in a really real and pure way,” Mitchell told The New York Times in December. “There is an honest gaze to my photos.”
INDIO, Calif. — Let’s just cut to the chase: There’s not likely to be a more meaningful, absorbing, forceful and radical performance by an American musician this year, or any year soon, than Beyoncé’s headlining set at the Coachella Valley Music and Arts Festival Saturday night.
It was rich with history, potently political and visually grand. By turns uproarious, rowdy, and lush. A gobsmacking marvel of choreography and musical direction.
And not unimportantly, it obliterated the ideology of the relaxed festival, the idea that musicians exist to perform in service of a greater vibe. That is one of the more tragic side effects of the spread of festival culture over the last two decades. Beyoncé was having none of it. The Coachella main stage, on the grounds of the Empire Polo Club here, was her platform, yes, but her show was in countless ways a rebuke.
It started with the horns: trumpets, trombones, sousaphones. For most of the night, the 36-year-old star was backed by an ecstatic marching band, in the manner of historically black college football halftime shows. The choice instantly reoriented her music, sidelining its connections to pop and framing it squarely in a lineage of Southern black musical traditions from New Orleans second line marches to Houston’s chopped-and-screwed hip-hop.
Her arrangements were alive with shifts between styles and oodles of small details, quick musical quotations of songs (Pastor Troy’s “No Mo’ Play in G.A.,” anyone?) that favored alertness and engagement. As always, one of the key thrills of a Beyoncé performance is her willingness to dismantle and rearrange her most familiar hits. “Drunk in Love” began as bass-thick molasses, then erupted into trumpet confetti. “Bow Down” reverberated with nervy techno. “Formation,” already a rapturous march, was a savage low-end stomp here. And during a brief trip through the Caribbean part of her catalog, she remade “Baby Boy” as startling Jamaican big band jazz.
She does macro, too — she was joined onstage by approximately 100 dancers, singers and musicians, a stunning tableau that included fraternity pledges and drumlines and rows of female violinists in addition to the usual crackerjack backup dancers (which here included bone breakers and also dancers performing elaborate routines with cymbals).
