Apart from giving away more than $1 million dollars in scholarship funds to students across America, The Carters have been working overtime to raise more than $6 million dollars for the City Of Hope charity, Forbes reports.
The organization, which specializes in cancer treatment and research, held a gala earlier this week in Santa Monica, California. The power couple was in attendance to help raise money for the non-profit organization.
JAY-Z and Beyonce partnered with Warner/Chappell Publishing CEO and Chairman Jon Platt to combine their efforts to bring forth a well-rounded event with top-notch industry players. According to Forbes, Dr. Dre, Tiffany Haddish, Usher, Quincy Jones, Wiz Khalifa, Timbaland, Kelly Rowland, and Rita Ora showed up in support of the event.
With more than 1,200 members of the entertainment industry present, Beyonce performed “Halo” and “Ave Maria” for the crowd.
The combined billionaires have greatly given back to their communities over their decades-long careers and constantly prove why they are considered the king and queen of hip-hop and evidently philanthropy.
If you would like to donate to City of Hope’s cancer research and treatment fund or find out more about the organization, click here.
The U.S. is one of 13 countries in the world where maternal mortality rates are worse than they were two decades ago. And that alarming statistic hits one group of women the hardest.
For women of color, pregnancy and childbirth are often a matter of life and death. The risk of death from pregnancy-related causes for black women is three to four times higher than for women of other races. It’s something California Senator Kamala Harris has been vocal about in the past. And she’s pushing to make sure this maternal mortality crisis is being recognized and rectified through new legislation, as well.
Harris (along with 13 Democratic colleagues) introduced a bill Wednesday that she hopes will help lessen the discrepancies in treatment. The Maternal Care Access and Reducing Emergencies (CARE) Actwould create two grant programs. One will address implicit bias based on stereotypes by supporting special training programs in medical, nursing, and other training schools. The other will incentivize maternal health care providers to offer integrated health care services to pregnant women and new mothers and reduce adverse maternal health outcomes, maternal deaths, and racial health disparities.
“Health equity for Black women can only happen if we recognize and address persistent biases in our health system,” Harris said in a press release.
The maternal health of black women has long been suffered in the dark, but in recent months we’ve heard harrowing stories of pregnancy and childbirth complications from two of the most famous women in the world: Serena Williams and Beyoncé.
Williams has been incredibly open about her emergency C-section, followed by blood clots in her lungs that threatened her life and required further surgery. And the intensely private Beyoncé revealed in Vogue‘s September issue that she had been on bed rest prior to the birth of twins Rumi and Sir due to toxemia (or preeclampsia) which causes swelling and hypertension. She, too, required an emergency C-section as her life, and the lives of her twins, were at risk.
According to the CDC, the cause of an increase of pregnancy-related mortalities in America is unclear. For women of color, who face a myriad of health care disparities from access to racial bias perpetuated by stereotypes, the combination has proved life-threatening. Racism, researchers say, is at the center of this crisis.
“For example, even when we take medical history into account, black women are two to three times more like to die from pregnancy-related complications than white women with the same condition. And while maternal mortality rates are certainly greater for poor women than wealthier women, poverty alone can’t explain these disparities either. An analysis of maternal deaths in New York City found that black women who had at least a college degree still had greater mortality rates than white women who had not graduated high school,” obstetrician and gynecologist Jamila Perritt wrote for Glamour after Williams came forward with her childbirth experience.
“The bottom line is, black women are dying wholly preventable deaths.”
The Los Angeles Times notes that Sen. Harris’ bill could face an “uphill battle” given that Republicans currently control Congress and few bills may pass in an election year. Other sponsors of the bill include U.S. Senators Kirsten Gillibrand (D-NY), Ben Cardin (D-MD), Ron Wyden (D-OR), Richard Blumenthal (D-CT), Bill Nelson (D-FL), Doug Jones (D-AL), Jeff Merkley (D-OR), Tammy Duckworth (D-IL), Tom Carper (D-DE), Sherrod Brown (D-OH). Tammy Baldwin (D-WI), Mazie Hirono (D-HI) and Debbie Stabenow (D-MI).
“This bill is a step towards ensuring that all women have access to culturally competent, holistic care, and to address the implicit biases in our system,” Harris said.
Beyoncé and husband Jay Z may be raking in the dollars with their highly acclaimed On The Run II tour, but they are pouring those dollars back into communities all over the country, too.
The Carters announced a new scholarship program that will award $1 million in scholarships to “exceptional” high school seniors with financial needs, the couple’s representatives announced Saturday. The scholarships of $100,000 each will go to one qualified student in each of the following cities: Atlanta, Orlando, Miami, Arlington, New Orleans, Houston, Phoenix, Los Angeles, San Diego, Santa Clara and Seattle. Each of the cities is a site where the OTRII tour is appearing.
The Boys and Girls Club of America will choose the winners, according to the announcement.
The students must demonstrate “academic excellence” and “financial need” so great that it threatens to prevent them from attending college for the 2018-2019 academic year.
This is not the first time that the power couple has extended outreach toward needy students.
The Shawn Carter Foundation hosts tours to historically Black colleges and universities and offers scholarships to students headed to college. The organization was founded in 2003 by Jay Z and his mother, Gloria Carter.
The BeyGood initiative, headed by Beyoncé, has created a merit program called the Formation Scholars Award. The program helps female students reach educational goals. Another program, the Homecoming Scholars Award, provides resources for students to study at HBCUs, according to the announcement.
The Boys and Girls Clubs of America is based in Atlanta and has been in existence for 150 years. The organization runs more than 4,300 clubs that serve about 4 million young people and provides mentoring and youth development programs during non-school hours. Clubs are located all over – in cities, towns, public housing and Native American lands as well as on military installations.
According to huffingtonpost.com, musical icon Beyoncé received unprecedented control over the cover of the upcoming September issue of Vogue magazine, and in turn hired Tyler Mitchell, 23, to be her photographer. Mitchell will become the first black photographer to shoot a cover in the publication’s 126-year history.
Vogue, according to two sources who are familiar with the agreement between Vogue and Beyoncé, is contractually obligated to give Beyoncé full control over the cover, the photos of her inside the magazine and the captions, which she has written herself and are in long-form. Beyoncé is also not granting Vogue a sit-down interview for the September 2018 issue, as is typical of its cover subjects.
Mitchell, a New York University graduate from Atlanta, quickly became a recognized name in the art world through his work in Cuba and his featured work on Instagram.
The New York Times’ “Up Next” series featured Mitchell in December. Huffingtonpost.com writes that 23-year-old first gained attention in 2015 with his self-published book of photos, El Paquete, which focused on Cuban skate culture and architecture. Mitchell captured the book’s 108 photos while in Cuba for six weeks as part of a documentary photography program, according to the Times.
According to Business Insider, Jay Z is creating a fund called Marcy Venture Partners, which could be an ode to Marcy Houses, the Brooklyn housing projects he grew up in as a kid. In addition to Jay Z, Walden Venture Capital’s managing director, Lawrence Marcus, and Roc Nation’s president, Jay Brown, will also spearhead the founding venture capital firm.
However, this isn’t the first time the “Marcy Me” rapper hedged his bets in Silicon Valley. In 2017, he immersed himself in the venture capital world by launching investment platform Arrive to aid start-ups and businesses with branding support.
By adding more investment opportunities to his business repertoire, it looks like the hip-hop mogul, who, per Forbes, has a net worth of $900 million, is well on his way to becoming “the next Black Bill Gates in the making.”
INDIO, Calif. — Let’s just cut to the chase: There’s not likely to be a more meaningful, absorbing, forceful and radical performance by an American musician this year, or any year soon, than Beyoncé’s headlining set at the Coachella Valley Music and Arts Festival Saturday night.
It was rich with history, potently political and visually grand. By turns uproarious, rowdy, and lush. A gobsmacking marvel of choreography and musical direction.
And not unimportantly, it obliterated the ideology of the relaxed festival, the idea that musicians exist to perform in service of a greater vibe. That is one of the more tragic side effects of the spread of festival culture over the last two decades. Beyoncé was having none of it. The Coachella main stage, on the grounds of the Empire Polo Club here, was her platform, yes, but her show was in countless ways a rebuke.
It started with the horns: trumpets, trombones, sousaphones. For most of the night, the 36-year-old star was backed by an ecstatic marching band, in the manner of historically black college football halftime shows. The choice instantly reoriented her music, sidelining its connections to pop and framing it squarely in a lineage of Southern black musical traditions from New Orleans second line marches to Houston’s chopped-and-screwed hip-hop.
Her arrangements were alive with shifts between styles and oodles of small details, quick musical quotations of songs (Pastor Troy’s “No Mo’ Play in G.A.,” anyone?) that favored alertness and engagement. As always, one of the key thrills of a Beyoncé performance is her willingness to dismantle and rearrange her most familiar hits. “Drunk in Love” began as bass-thick molasses, then erupted into trumpet confetti. “Bow Down” reverberated with nervy techno. “Formation,” already a rapturous march, was a savage low-end stomp here. And during a brief trip through the Caribbean part of her catalog, she remade “Baby Boy” as startling Jamaican big band jazz.
She does macro, too — she was joined onstage by approximately 100 dancers, singers and musicians, a stunning tableau that included fraternity pledges and drumlines and rows of female violinists in addition to the usual crackerjack backup dancers (which here included bone breakers and also dancers performing elaborate routines with cymbals).
Jay Z released his video for his single “Family Feud” last night exclusively on Tidal, although it was more than a standard music video premiere. Much like anything else he and Beyoncé create, it was a cultural event to punctuate 2017 with the most inclusive, woke A-list cast you will ever see in a music video.
Helmed by Ava DuVernay, the seven-minute-plus video is a short film, serves up some sci-fi, futuristic realness that can very well be a taste of what’s to come in the celebrated director’s adaptation of A Wrinkle in Time. Joining JayZ, Beyoncé and the heiress to their throne, Blue Ivy, includes an inspiring roster of actors from every part of the color spectrum: Michael B. Jordan, Trevante Rhodes, Thandie Newton, Jessica Chastain, Irene Bedard, Omari Hardwick, David Oyelowo, Emayatzy Corinealdi, AmericaFerrera, Aisha Hinds, Henry G. Sanders, and Storm Reid — who is the star of Wrinkle in Time. Rounding out the cast is the “founding mothers”, which feature Mindy Kaling, Rashida Jones, Rosario Dawson, Janet Mock, Brie Larson, Constance Wu, Niecy Nash, and Susan Kelechi Watson, who, as the video shows, are different women from all walks of life who are enlisted to change the country’s constitution.
Even though there is a cinematic scope to the video, which was co-written by Jay-Z and DuVernay, it is highly personal for the Grammy-nominated rapper, who uses the track from his critically acclaimed 4:44 album to confess his sins to his wife and all-around queen of everything, Beyoncé. Where Beyoncé used her visual album, Lemonade as a platform for working through her personal issues with Jay-Z, he used 4:44 to respond and tell his side of the story. In other words, it’s an artistic way of saying, “Yea, I messed up.”
Jay’s track serves as an atonement and one key lyric sets the tone for the short film: “nobody wins when the family feuds.” Of course, he is referring to his familial relationships, but it goes beyond that and applies it to feuding within the country and the world. There’s layers of meaning in the short that starts off with a poignant James Baldwin quote and goes into a Godfather-meets-Game of Thrones scene, moments of war, moments reflecting today’s volatile political climate, and a group of empowering females looking to build a utopian rather than dystopian future.
DuVernay took to Twitter to share her thoughts, inspiration and behind-the-scenes photos from the video.
“Hand in Hand: A Benefit for Hurricane Harvey Relief” will air live at 8 p.m. ET across ABC, CBS, NBC, Fox, and basic cable channel CMT. Country superstar George Strait will appear on the telecast in concert from the Majestic Theater in San Antonio, Texas. The telecast will originate from the Universal Studios lot, Times Square and Nashville’s Grand Ole Opry.
Money raised from the event will be distributed to a range of charities aiding recovery efforts in Houston, which was devastated last week by the storm and widespread flooding left in Harvey’s wake. The organizations include the United Way of Greater Houston, Habitat for Humanity, Save the Children, Feeding Texas and the Mayor’s Fund for Hurricane Harvey Relief.
The death toll from Harvey has hit 63, according to CBS News. Tens of thousands of people in the southeast Texas region have been displaced from homes that were damaged or destroyed after days of torrential rain and winds.
Other celebrities set to appear in live or taped segments include Karlie Kloss, Rob Lowe, Matthew McConaughey, Dennis Quaid, Adam Sandler, Ryan Seacrest, and Blake Shelton.
“Hand in Hand” was the brainchild of music manager and producer Scooter Braun’s SB Projects. Braun and Allison Kaye will serve as executive producers along with Den of Thieves’ Jesse Ignjatovic and Evan Prager and Houston-based rapper Bernard ‘Bun B’ Freeman.
Beyoncé has pledged to do her part to help Hurricane Harvey victims. The Houston native released an exclusive statement Monday afternoon to the Houston Chronicle regarding the devastating effects still being felt throughout the city. “My heart goes out to my hometown, Houston, and I remain in constant prayer for those affected and for the rescuers who have been so brave and determined to do so much to help,” she said. “I am working closely with my team at BeyGOOD as well as my pastor (Rudy Rasmus at St. John’s in downtown Houston) to implement a plan to help as many as we can.”
BeyGOOD, launched in 2013 during the Mrs. Carter World Tour, is a philanthropic effort that partners with global charity organizations to get people employed and provide clothing, counseling, housing, food and medical assistance.
Beyoncé posted a black and white photo on Instagram of herself holding the Texas flag with the caption, “Texas you are in my prayers.” In less than a day it’s received more than 1 million likes.Drake, Chris Young and Lady Antebellum have also dedicated money and resources to Hurricane Harvey victims.
Beyoncé‘s visual album Lemonade was released a year ago this week, but its impact continues to unfold. Just last week, the project won a Peabody Award. But the singer is also focusing on making its resonance felt through a very different vehicle: a group of scholarships called the “Formation Scholars” awards.
Announcing the program this morning on her website, she says that the scholarships are meant “to encourage and support young women who are unafraid to think outside the box and are bold, creative, conscious and confident.” The awards specifically are geared to students studying either “creative arts,” music, literature or African-American studies.
There will be one recipient — either an incoming or current undergraduate or graduate student — at each of the four participating institutions: Berklee College of Music in Boston; Howard University in Washington, D.C.; Parsons School of Design in New York City; and Spelman College in Atlanta.