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Posts tagged as “African-American television drama”

‘Empire’ Returns Big, Draws Second-Best Rating to Date; ‘Rosewood’ Starring Morris Chestnut Solid

empire premiere season 2 ratings
“Empire” Season 2 (Photo via CHUCK HODES/FOX)

UPDATE: In rush nationals ordered by Fox, “Empire” was revised up to a 6.7 in adults 18-49 and 16.2 million total viewers for its second-season premiere. In the demo, that puts it ahead of its two-hour finale average from March (6.5) and only a bit behind that night’s second hour (6.9).
Fox juggernaut “Empire” showed no signs of slowing down in its sophomore season, returning Wednesday to its second best ratings to date. The network dominated the opening Wednesday of the season overall, with its “Rosewood,” the only series premiere on the night, benefiting from pre-“Empire” tune-in to deliver solid scores.
ABC’s comedy block returned strong, with “The Middle” and “The Goldbergs” on par with last year and “Modern Family” and “Black-ish” a hearty second to “Empire” in the 9 o’clock hour. CBS’ “Survivor” was down a bit but remains potent kicking off its 31st edition.
According to preliminary national estimates from Nielsen, “Empire” averaged a huge 6.5 rating/20 share in adults 18-49 and 16.0 million viewers overall — beating the ratings for all but the show’s final episode from last season. Its 9 p.m. episode on finale night in March averaged a 6.9/21 in 18-49 and 17.62 million total viewers (and its two-hour finale night average of 6.5 matched last night’s premiere).
The show had seen its overall audience grow with every episode during its first season, but that amazing streak came to an end on Wednesday.
Compared with last season’s premiere in January, “Empire” on Wednesday was up by 71% in 18-49 (6.5 vs. 3.8) and by 62% in total viewers (16.0 million vs. 9.9 million). This is the biggest improvement from season 1 premiere to season 2 premiere for any scripted series since Fox’s “House” in 2004 and 2005.

And in total viewers, “Empire” also towered over the Wednesday pack. Its 16.0 million was more than 6 million viewers higher than runner-up “Survivor” on CBS (9.6 million).
“Empire” was also a social-media superstar last night, with 1.3 million tweets sent during the episode — making it the most-tweeted one-hour broadcast drama series on record (since Nielsen began tracking about four years ago). Perhaps most impressively, and a true indication of the show’s wide appeal and reach, the tweets generated 63 million impressions.
The most-tweeted minute occurred at 9:30 p.m. with 32,363 tweets after Anika (“Boo Boo Kitty”) was dancing.
Leading off Wednesday for Fox was medical drama “Rosewood” (2.4/9 in 18-49, 7.3 million viewers overall) starring Morris Chestnut. Though it hadn’t generated much buzz leading into the season, it clearly found an opening-night audience. The 2.4 rating in 18-49 makes it the young season’s No. 4-rated series premiere, behind “Blindspot,” “The Muppets” and “Life in Pieces.” It saw a big jump in the second half-hour (2.7 vs. 2.1 at 8 p.m.), a clear sign of pre-“Empire” tune-in.
Elsewhere, ABC had to be pleased with its returning comedy block: “The Middle” (2.1/8 in 18-49, 8.2 million viewers overall), “The Goldbergs” (2.4/8 in 18-49, 7.6 million viewers overall), “Modern Family” (3.1/10 in 18-49, 9.3 million viewers overall) and “Black-ish” (2.4/7 in 18-49, 7.3 million viewers overall). “Middle” and “Goldbergs” were identical to their demo premieres of last year and topped their final nine episodes of last season.
“Modern” and “Black-ish” were down as expected, lower by 18% and 27% respectively from last year’s opening Wednesday when the competition on Fox was considerably softer (“Red Band Society” did a 1.1 in 18-49). The 2.4 for “Black-ish” matches the show’s highest rating to date opposite an episode of “Empire.”
Closing out the night, “Nashville” (1.3/4 in 18-49, 5.0 million viewers overall) was within a tenth of its year-ago premiere.
CW aired “America’s Next Top Model” (0.4/2 in 18-49, 1.4 million viewers overall) and the finale of “A Wicked Offer” (0.2/1 in 18-49, 0.5 million viewers overall). “Arrow” and “Supernatural” kick off their seasons on Oct. 7.
article by Rick Kissell via Variety.com

Actor/Producer Idris Elba and Director Thomas Ikimi Land Deal with Fox to Develop TV Drama "The Crusaders"

elbaikimi
Getty Images

Fox has put in development The Crusaders, an hourlong drama series from Legacy writer-director Thomas Ikimi, the 2010 film’s star Idris Elba, Legendary TV and studio-based Di Bonaventura Television.
Written by Ikimi, The Crusaders, which has a script commitment, focuses on an extended family of second-generation Africans living in the U.S. who specialize in locating and returning valuable objects stolen from Africa during colonial occupation. UK-born Ikimi and Elba are both of African descent. Elba executive produces the project through his Green Door Pictures, along with Ikimi through T&T Studios and Lorenzo di Bonaventura and Dan McDermott via Di Bonaventura Television.
Elba previously executive produced Fox’s Luther remake, which went to pilot stage but has had problems casting the lead, played by Elba in the original British series.

Ikimi’s short film Nostradamus premiered at this year’s Tribeca Film Festival.
article by Denise Petski via deadline.com

50 Cent-Produced Drama "Power" Lands 3rd Season Renewal From Starz

Power Starz Renewed
(PHOTO COURTESY OF STARZ)

Starz has ordered a third season of drama “Power,” on the heels of the show’s record-setting season-two premiere on Saturday.  The June 6 premiere set a new Starz benchmark as the most-watched episode of an original series in the pay cabler’s history. In live ratings the episode brought in 1.43 million viewers, a tally that rose to 3.62 million in the live-plus-same-day ratings.
Starz has ordered 10 episodes for season three.
The CBS Television Studios drama stars Omari Hardwick as a drug lord who lives a double life as a chic nightclub owner. Courtney Kemp Agboh is executive producer and showrunner along with Curtis “50 Cent” Jackson, Mark Canton, Randall Emmett and Gary Lennon.
“I am thrilled to learn that season three of ‘Power’ has been officially ordered by Starz. It is an honor to work with Chris Albrecht, Carmi Zlotnik, Ken Segna and the whole Starz team. Their support has been steadfast from the beginning, and I look forward to a bright future together,” Agboh said.
“’Power’ is a project I have been passionate about since day one,” added executive producer and co-star Curtis “50 Cent” Jackson. “I am glad the audience loves the show as much as we do, and we are just getting started.”
article by Cynthia Littleton via Variety.com

Steve McQueen’s HBO Drama "Codes Of Conduct" Picked Up As Limited Series

12 Years A Slave Town Hall Portraits, September 25, 2014
HBO is moving forward with Steve McQueen‘s drama pilot Codes Of Conduct, giving the project a six-episode limited series order. The 12 Years A Slave helmer will direct all six episodes of Codes Of Conduct, on which he had teamed with World War Z co-writer Matthew Michael Carnahan; hip-hop mogul/producer Russell Simmons, who has a deal at HBO; Oscar-winning producers Iain Canning and Emile Sherman (The King’s Speech); and HBO veteran Alan Poul (The Newsroom, Six Feet Under). All six will executive produce.
devonterrellCo-written by McQueen and Carnahan, Codes Of Conduct is carrying McQueen’s signature style of provocative filmmaking and is described as an exploration of a young African-American man’s experience entering New York high society, with a past that might not be what it seems. It centers on Beverly Snow (newcomer Devon Terrell), a young man from Queens as talented as he is ambiguous. His self-confidence will enable him to break into the social circles of Manhattan’s elite, testing the boundaries of access and social mobility. Paul Dano, Helena Bonham Carter and Rebecca Hall co-star.
CodHBO blue logoes Of Conduct follows the model employed by HBO’s buzzy drama True Detective, which also started as a limited series. The cable network also has upcoming miniseries True Justice. HBO’s 2015 drama series slate includes new entries Westworld, from JJ Abrams, Jonah Nolan and Jerry Weintraub; Untitled Rock ‘n’ Roll project, from Martin Scorsese, Mick Jagger and Terence Winter; and Ballers, from Dwayne Johnson, Mark Wahlberg and Steve Levinson.
article by Nellie Andreeva via deadline.com

"Empire" Breaks Ratings Record for 9th Straight Week, Grows Viewership to 14.7 Million

empire fox ratings
(IMAGE COURTESY OF FOX)

Daylight Saving Time may have sapped the ratings strength of mere mortal television shows over the past week, but it had little effect on Fox phenomenon “Empire,” which on Wednesday grew its audience for a ninth consecutive airing heading into next week’s two-hour finale.
According to preliminary national estimates from Nielsen, “Empire” averaged a 5.6 rating/17 share in adults 18-49 (down a tick from last week’s prelim score) to more than double the rating of any other program on the night.
In total viewers, it gained about 400,000 to set yet another milestone with 14.7 million.  Last night’s episode of “Empire” also drew a series-high 750,258 tweets during the live broadcast, according to Nielsen Social Guide/Twitter. As a result, its average for the season (451,270) is now ahead of AMC’s “The Walking Dead” (444,029) and ABC’s “Scandal” (354,085).
“Empire” again more than doubled its “American Idol” lead-in (2.3/8 in 18-49, 9.3 million viewers overall) though the music reality competition was up a couple of ticks from last week to edge out CBS’ “Survivor” (2.2/8 in 18-49, 9.4 million viewers overall) both head-to-head and as the night’s No. 2 program in 18-49.
article by Rick Kissell via Variety.com

Phylicia Rashad to Star in CBS’ "For Justice" Drama Pilot

Phylicia Rashad
(KEVIN MAZUR/GETTY IMAGES)

Phylicia Rashad has been cast as a series regular in CBS’ drama “For Justice.”
“The Cosby Show” co-star will play a gay woman by the name of Georgina Howe in the pilot, set to be directed by “Selma’s” Ava DuVernay.
Rashad’s character is described has a savvy Washington player who has faced discrimination for her race and sexual orientation, and fights to protect the independence and integrity of her high-profile Civil Rights Division.
The project, based on James Patterson’s novel “The Thomas Berryman Number,” follows a female FBI agent working in the Criminal Section of the Department of Justice’s Civil Rights Division who finds herself caught between her radical real family and her professional family.
“Law & Order” vet Rene Balcer wrote the pilot and will serve as executive producer, alongside DuVernay, Robert De Niro, Jane Rosenthal, James Patterson, Bill Robinson and Leopoldo Gout. Berry Welsh will co-executive produce. CBS TV is the studio.
article by Elizabeth Wagmeister via Variety.com

"Empire" Grows Audience for 7th Straight Week; Growth Spurt Fueled by Young Women, Urban Markets

Timbaland Empire Fox
In music biz terms, Fox’s “Empire” is zooming up the charts with a bullet.
On Wednesday the family soap centered on a hip-hop musical mogul continued its unprecedented growth streak by gaining audience for a seventh straight week, hitting 13.9 million. No series in the history of Nielsen’s People Meters (going back to 1991) had grown with the first five episodes following its premiere, and “Empire” has now bested that by two weeks.
The 20th Century Fox TV/Imagine TV drama stunned the industry with its Jan. 7 premiere, which averaged a 3.8 rating/11 share in adults 18-49 and 9.9 million total viewers, according to Nielsen. It built on its lead-in, the season premiere of “American Idol,” by 32% in  adults 18-34 and logged the net’s top premiere score in this demo in six years.
And it’s only gotten bigger since. “Empire” is part of the ratings boom this season for series that feature diverse casts and executive producers — as exemplified by ABC’s success with comedies “Blackish” and “Fresh Off the Boat” and drama “How to Get Away With Murder.” But “Empire’s” audience is so big that it is clearly a big-tent hit with broad viewership across a range of demographics.
In adults 18-49, it has grown in six of the last seven weeks, with Wednesday night’s rating (5.4) — a monster 42% build on its premiere — the top score for a regularly scheduled broadcast drama since ABC’s “Grey’s Anatomy” in the fall of 2010.
The biggest growth spurt for “Empire” has come in women 18-34, in which last night’s rating (6.2) was 68% larger than its premiere rating (3.7).
“Empire” figures to once again rank as the week’s top-rated broadcast series in adults 18-49, having leapfrogged CBS vet “The Big Bang Theory” for the first time last week. And for the season, “Empire” is on track to finish as broadcast television’s No. 1 drama; only AMC’s “The Walking Dead” rates higher.
(Fox estimates that in the month since the “Empire” pilot aired, it has been watched by 22.6 million when all time-shifting and viewership on other nonlinear platforms are included.)
“Empire” is being driven by a young, urban audience and is faring especially well in many of the nation’s biggest cities.
Among the top 12 markets, Wednesday’s episode of “Empire” won in the 18-49 demo in every one but Boston. The top scores in those cities came from Atlanta (14.9 rating/29 share), Detroit (9.2/24), Washington, D.C. (7.8/23), Cleveland (7.5/17) and New York (7.3/20) — all well above the show’s national average of 6.0/17.
Roughly two-thirds of those age 2 and older watching “Empire” last Wednesday night (66.9%) were African-Americans. It joins ABC’s Thursday tandem of “Scandal” (42% African-American) and newcomer “How to Get Away Murder” (41%) as broadcast dramas in which more than 4 in 10 viewers are black.
In addition to “How to Get Away With Murder,” ABC has also added two solid comedies featuring minority leads (“Black-ish” and “Fresh Off the Boat”) this season while its “Cristela” has fared decently on Fridays. CW, meanwhile, has garnered critical accolades and is slowly building an audience for its comedic hour “Jane the Virgin.”
All of these series are delivering a younger skew than other shows on their networks, which only makes sense based on U.S. Census data.
According to Nielsen’s calculation of the 116 million-plus TV homes in the U.S. this season, whites make up 75% of the nation’s 50-and-older population, but they comprise 59.3% of the adults 18-49 pie — down from 63.5% just five years ago.
African-Americans make up 14.2% (up from 13.3%) and Asian-Americans have jumped to 5.6% (from 5.0), but the biggest growth spurt has come among Hispanics, which have grown from 17.6% to 20.1% of the country’s TV-viewing population.
In addition to the two-thirds of its audience that is black, “Empire” has also dominated in the top-10 Texas markets of Dallas (7.2 local rating in 18-49/19 share last night) and Houston (7.0/18), where Hispanics make up more than 40% of the population.
In fact, with about 10% of its audience Hispanic, “Empire” ranks as the season’s No. 1 new series and No. 1 broadcast drama overall with Hispanic (English-language) adults 18-49 and 18-34.
The median age for “Empire” last night was 43.5, making it the night’s youngest-skewing program on the Big Four. The net’s “Gotham” is the only other current drama on ABC, CBS, NBC or Fox this season to consistently have a median age under 50.
Another indication of just how big “Empire” has become is that while roughly 63% of its 18-49 audience is female, it also ranks as the season’s No. 1 new series in men 18-49.
“Empire” is benefiting from increasingly strong buzz in social media. Based on Nielsen Social Guide and Twitter metrics, “Empire” now has the highest average number of tweets per episode during its live airings (381,770) than any other broadcast drama this season — overtaking ABC’s “Scandal” (355,012).
And last night’s episode generated a record 714,742 social comments.
Ratings for primetime shows tend to drift downward at the onset of Daylight Saving Time (which starts March 8), so it’s likely that “Empire’s” growth streak will come to an end in one of the weeks prior to its March 25 finale. But at this point, you’d be crazy to bet against it.
article by Rick Kissell via Variety.com

"Empire" Hits New High with 6th Week of Growth and over 13 Million Viewers

Empire Ratings Fox
According to Variety.com, primetime television has never seen a ratings growth story like Fox’s smash hit drama “Empire,” which continued to defy the odds on Wednesday night by drawing a series-high audience for a sixth consecutive week.
In its 7th week of airing, “Empire” moved above the 13-million mark in total viewers for the first time (13.02 million).  As a result, it gained week to week by a big 8% in the 18-49 demographic and 9% in total viewers; and vs. its premiere on Jan. 7, it’s up 37% in 18-49 and 32% in total viewers.
Since debuting with 9.9 million viewers on Jan. 7, “Empire” has grown with each week in total viewers: 10.32 million, 11.07 million, 11.35 million, 11.47 million, 11.96 million and now roughly 12.9 million. In 18-49, it has set highs with five of its six episodes following its premiere, which did a 3.8 rating/11 share: 4.0/12, 4.4/13, 4.3/13, 4.6/14, 4.8/15 and now 5.2/15.
Compared to its premiere, last night’s “Empire” was up 34% in adults 18-49, 55% in adults 18-34 and 30% in total viewers.
Additionally, in social media tracking, last night’s “Empire” episode generated a whopping 615,461 tweets on Twitter during its on-air broadcast. (By comparison, AMC’s “The Walking Dead” drew 243,986 on Sunday.
article by Lori Lakin Hutcherson (follow @lakinhutcherson)

Oprah Winfrey and Director Ava DuVernay Team for OWN Original Drama

Oprah Winfrey Ava DuVernay OWN
(Photo: Michael Kovac/Getty Images)

Oprah Winfrey and “Selma” filmmaker Ava DuVernay are creating an original series for OWN: Oprah Winfrey Network, with Winfrey set to appear in a recurring role.
DuVernay will write, direct and exec produce the drama, adapted from the novel “Queen Sugar” by Natalie Baszile, which will follow a spirited woman, along with her teenage daughter, who leaves behind her upscale L.A. lifestyle for her Southern roots by way of an 800-acre Louisiana sugar cane farm she inherited from her recently departed father.
The project marks DuVernay’s first television series and Winfrey’s acting debut on OWN.
“I loved this book and immediately saw it as a series for OWN,” said Winfrey. “The story’s themes of reinventing your life, parenting alone, family connections and conflicts, and building new relationships are what I believe will connect our viewers to this show.”
DuVernay commented, “From the moment I was introduced to the book, I was captivated by the idea of a modern woman wrestling with identity, family, culture and the echoes of history. To bring this kind of storytelling to life alongside Oprah for her network is wildly wonderful. I’m excited about what’s in store.”
Winfrey and DuVernay worked together on “Selma,” which is nominated for best picture at the upcoming 2015 Oscars.
Production is scheduled to begin later this year.
article by Elizabeth Wagmeister via Variety.com

Lee Daniels Wants "Empire" to Expose and Help Transform Homophobia in Black America

Director Lee Daniels, actress Taraji P. Henson and actor Jussie Smollett of Fox TV's Empire pose at the Fox Winter TCA All-Star Party at the Langham Huntington Hotel on January 17, 2015 in Pasadena, California. (Photo by Kevin Winter/Getty Images)
Director Lee Daniels, actress Taraji P. Henson and actor Jussie Smollett of Fox TV’s Empire pose at the Fox Winter TCA All-Star Party at the Langham Huntington Hotel on January 17, 2015 in Pasadena, California. (Photo by Kevin Winter/Getty Images)

PASADENA, California (AP) — The creator of Fox’s prime-time soap “Empire” said he wants to “blow the lid off homophobia” in the African-American community with a depiction of the show’s lead character’s hostile relationship with his gay son.
Lee Daniels, who was also behind the movies “Lee Daniels’ The Butler” and “Precious,” said that his own father’s hostility toward gays frightened him and he knows the same attitudes are being passed on from one generation to another in households around the world.
“What we’re trying to do is to give people the opportunity to see that what they’re doing is painful,” Daniels said at a television conference on Saturday.
“Empire,” the story of a strong-willed music family whose patriarch, Lucious Lyon, is portrayed by actor Terrence Howard, has gotten off to a strong start this month at the ratings-challenged Fox network. The series had the unusual feat of growing in viewership from its premiere week to its second, compelling Fox to quickly give the go-ahead to a second season.
During the show’s first episode, Lyon learns he has a fatal disease and is battling with his just-released-from-jail wife over which of their three sons will take over their music empire. Lyon is openly hostile to his gay son Jamal. During a flashback, Lyon is shown stuffing Jamal into a garbage can when he sees the boy trying on his mother’s high heels.
“I’m glad that I can show the African-American community that this is what you’re doing to your son, this is what you’re doing to your nephew, this is what you’re doing to the kid down the street,” Howard said.
Daniels said that he believes if his father were alive today, he would have evolved in his thinking.
Jussie Smollett, the actor who portrays Jamal, said he’s been overwhelmed by the response to the story line that he has seen in social media.
If there are viewers who can see themselves in Jamal, “that’s incredibly dope and I embrace that,” Smollett said.
At a time the movie industry is under fire for its commitment to diversity — only white actors received nominations when last week’s Oscar contenders were announced — “Empire” is seen as making strides in that area.
Taraji P. Henson, the actress who plays Lucious’ wife Cookie, said entertainment executives take notice when shows dominated by minority cast members make money.
Viewers want to see people who look like them on television, Smollett said. They’re also interested in people that don’t look like them, he said.
“Right now we’re seeing people enjoy the culture of America, the culture of the world,” Daniels said. “We’re showing real life now.”
article by David Bauder, AP via thegrio.com