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Posts tagged as “Aaron Douglas”

GBN’s Daily Drop: Learn About Harlem Renaissance Visionary Aaron Douglas – “The Father of African American Art” (LISTEN)

GBN’s Daily Drop: Learn About Harlem Renaissance Visionary Aaron Douglas – “The Father of African American Art” (LISTEN)

By goodblacknews on February 23, 2022

by Lori Lakin Hutcherson (@lakinhutcherson)

Today’s GBN Daily Drop podcast is based on the Wednesday, February 23 entry in the “A Year of Good Black News” Page-A-Day®️ Calendar for 2022 and offers a quote from renowned Harlem Renaissance artist and arts educator Aaron Douglas:

You can follow or subscribe to the Good Black News Daily Drop Podcast through Apple Podcasts, Spotify, Google Podcasts, rss.com or create your own RSS Feed. Or just check it out every day here on the main website (transcript below):

FULL TRANSCRIPT:

Hey, this Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a daily drop of Good Black News for Wednesday, February 23rd, 2022, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing. Today we offer a quote from Kansas-born artist and arts educator Aaron Douglas:

“Labor has been one of the most important aspects of our development . . .  It is a thing that we should be proud of, because we have that part of our life that has gone into the building of America. Not only of ourselves, but in the building of American life.”

As a young artist in the 1920s, Douglas illustrated Alain Locke’s The New Negro: An Interpretation as well as James Weldon Johnson’s collection of poems, God’s Trombones: Seven Negro Sermons in Verse. Douglas established an expressive, geometric style that drew upon his study of African art and his understanding of the intersection of cubism and art deco.

Douglas created a style that soon became the visual signature of the Harlem Renaissance and earned him the moniker “The Father of African American Art.”

Aspects of Negro Life: Song of the Towers by Aaron Douglas, 1934 (courtesy nypl.org)

Douglas went on to paint several public murals including the Aspects of Negro Life mural series at the Countee Cullen branch of the New York Public Library, which is still there today.

Douglas influenced artists such as Jacob Lawrence and Romare Bearden, and he schooled countless others while serving as chair of the art department and HBCU Fisk University for over 25 years.

To learn more about Douglas’ life and work, you could read the 1995 biography Art, Race and the Harlem Renaissance by Amy Helene Kirschke, take a look at several of his works on wikiart.org, watch the New York Met’s video about his work on YouTube and check out the links to other sources provided in today’s show notes and in the episode’s full transcript posted on goodblacknews.org.

Sources:

This has been a daily drop of Good Black News, based on the “A Year of Good Black News Page-A-Day Calendar for 2022,” published by Workman Publishing, and available at workman.com, Amazon,Bookshop and other online retailers.

Beats provided by freebeats.io and produced by White Hot.

For more Good Black News, check out goodblacknews.org or search and follow @goodblacknews anywhere on social.

(paid links)

The New Yorker’s Tribute to the Schomburg Center for Research In Black Culture Is Everything

By goodblacknews on February 15, 2016

Newyorker
article via clutchmagonline.com
The New Yorker recently unveiled its latest illustrated cover, and it’s gorgeous.
Featuring Kadir Nelson’s stunning “Harlem On My Mind” painting, the Feb. 16 issue pays homage to the Schomburg Center for Research In Black Culture.
Nelson said he wanted his painting to be “a stylistic montage” that honors “the great Harlem Renaissance painters: Aaron Douglas, William H. Johnson, Norman Lewis, Jacob Lawrence, Elizabeth Catlett, Archibald Motley, and Palmer Hayden.”
Also included in the beautiful illustration are Black cultural giants Zora Neale Hurston, Malcolm X, James Baldwin, Billie Holiday, Duke Ellington, and the Nicholas Brothers.

Philadelphia Museum of Art to Open “Represent: 200 Years of African American Art” Exhibit in January 2015

By goodblacknews on December 16, 2014

The Annunciation, (1898), Henry Ossawa Tanner. (Courtesy the Philadelphia Museum of Art, Purchased with the W. P. Wilstach Fund, 1899)
The Annunciation, (1898), Henry Ossawa Tanner. (Courtesy the Philadelphia Museum of Art, Purchased with the W. P. Wilstach Fund, 1899)

In January, the Philadelphia Museum will open “Represent: 200 Years of African American Art,” a sprawling survey of its holdings of works by black artists. Featuring 75 artworks by over 50 artists, the show’s earliest pieces include silhouettes by Moses Williams that date to 1802, pre-Civil War decorative arts by free and enslaved artists, and potter David Drake’s bible-inscribed storage jar sculpture.
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Birds in Flight (1927) by Aaron Douglas (Courtesy the Philadelphia Museum of Art, © Heirs of Aaron Douglas/Licensed by VAGA, New York)

“Presenting these works together now, we are mindful of the many anniversaries of the civil rights movement that have recently passed or are soon to come, and are thinking equally about the way race remains a key topic of conversation in the United States today—in politics, society, popular culture, and, of course, the arts,” said Philadelphia Museum of Art director Timothy Rub said in a statement. “This is an important moment in which to explore the historic development and continuing growth of the Museum’s collections of African American art.”
A centerpiece of the exhibition is undoubtedly Henry Ossawa Tanner’s 1898 painting titled The Annunciation, reports the Wall Street Journal. Acquired by the museum in 1899, it was the first piece by an African American artist added to its collection. The show traces black artists through many of the major movements in American art history, from Cubism with Aaron Douglas’s Birds in Flight (1927) to Modernism with works by William Henry Johnson and Elizabeth Catlett. A combination of both can be seen in the figurative painting of Harlem Renaissance artist Jacob Lawrence.
Other, more contemporary, highlights include Barbara Chase-Riboud’s large-scale bronze and fiber sculpture Malcolm X #3, as well as pieces by Carrie Mae Weems, Glenn Ligon, Lorna Simpson, and Kara Walker.
“Represent: 200 Years of African American Art” will be on view at the Philadelphia Museum of Art January 10, 2015 though April 5, 2015. (Preview a selection of artworks from the exhibition below.)