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Learn about Brad Lomax, Black Panther and Disability Rights Activist Who Co-Lead the “504 Sit-In” (LISTEN)

Learn about Brad Lomax, Black Panther and Disability Rights Activist Who Co-Lead the “504 Sit-In” (LISTEN)

By goodblacknews on April 28, 2022

[Photo credit: HolLynn D’Lil. Brad Lomax, center, next to activist Judy Heumann at a rally in 1977 at Lafayette Square in Washington.]

by Lori Lakin Hutcherson (@lakinhutcherson)

Today, GBN celebrates Brad Lomax, the Black Panther Party member and disability activist who helped lead the “504 Sit In” to demand the federal government provide accessibility in a federal buildings and institutions.

To read about Lomax, read on. To hear about him, press PLAY:

[You can subscribe to the Good Black News Daily Drop Podcast via Apple Podcasts, Spotify, Google Podcasts, rss.com or create your own RSS Feed. Or listen every day here on the main page. Full transcript below]:

Hey, this is Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a daily drop of Good Black News for Thursday, April 28th, 2022, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing.

As a young adult, Black Panther Party member Brad Lomax was diagnosed with multiple sclerosis. When he started using a wheelchair every day, Lomax began to notice an often unseen “ism” — ableism.

Public buildings and transit without ramps. Inaccessible schools, housing, and workplaces. Lomax joined the Center for Independent Living, the Bay Area group which successfully lobbied for curb cuts on street corners.

In 1977, Lomax helped lead a protest that became known as the “504 Sit-In” in the San Francisco Federal Building, where disabled activists took the federal government to task for not implementing Section 504 of the Rehabilitation Act of 1973, which required accessibility in all federal programs and institutions.

The protest lasted longer than any other sit in in United States history. The protestors were assisted by Lomax’s fellow Black Panthers, who delivered provisions to the activists daily.

After a month, the government finally began to implement Section 504 in all federal programs and institutions and this action helped pave the way for the 1990 Americans with Disabilities Act.

To learn more about Brad Lomax, the 504 sit in and the disability rights movement, read the 2020 New York Times feature article on Lomax from its Overlooked No More series, read The Disability Rights Movement: From Charity to Confrontation by Doris Fleischer and Frieda James from 2011, and watch the 2020 documentary Crip Camp, now on Netflix.

Links to these sources and more are provided in today’s show notes and in the episodes full transcript posted on goodblacknews.org.

This has been a daily drop of Good Black News, written, produced and hosted by me, Lori Lakin Hutcherson.

Beats provided by freebeats.io and produced by White Hot.

If you like these Daily Drops, follow us on Apple, Google Podcasts, RSS.com, Amazon, Spotify or wherever you get your podcasts. Leave a rating or review, share links to your favorite episodes, or go old school and tell a friend.

For more Good Black News, check out goodblacknews.org or search and follow @goodblacknews anywhere on social.

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GBN Daily Drop: Remembering Richard Pryor, the “Comedian’s Comedian” (LISTEN)

GBN Daily Drop: Remembering Richard Pryor, the “Comedian’s Comedian” (LISTEN)

By goodblacknews on April 27, 2022

by Lori Lakin Hutcherson (@lakinhutcherson)

Today, GBN celebrates revolutionary and insightful comedian, writer and actor Richard Pryor as we highlight a joke from his 1983 comedy concert film Here and Now, which is as relevant now as it was almost 40 years ago.

To read about Pryor, read on. To hear about him, press PLAY:

[You can subscribe to the Good Black News Daily Drop Podcast via Apple Podcasts, Spotify, Google Podcasts, rss.com or create your own RSS Feed. Or listen every day here on the main page. Full transcript below]:

Hey, this is Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a daily drop of Good Black News for Wednesday, April 27th, 2022, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing.

It’s in the category for Black Comedians we call “Yeah, You Funny” and it’s a quote of a joke from groundbreaking and innovative comedian Richard Pryor, taken from his self-directed 1983 concert film/documentary entitled Here and Now: 

“I went to Zimbabwe. I know how white people feel in America now: relaxed! ‘Cause when I heard the police car, I knew they weren’t coming after me!”

Richard Franklin Lennox Thomas Pryor, Sr. was born in Peoria, Illinois in 1940 and by his early 20s was a working comedian in nightclubs around the country, performing material that was funny but ultimately considered middlebrow and safe.

Pyror was about to perform another standard set in 1967 when, as he shared in his 1995 autobiography Pryor Convictions, he had an epiphany and walked away.

 When he returned to comedy the next year, what he did was nothing short of revolutionary. Not only did he use profanity, he tackled social issues, racial issues and told real life stories as well as created characters to tell stories and delivery laser sharp satire and commentary on the human condition.

Pryor recorded several critically and commercially successful Grammy award winning comedy albums in the 1970s, starred in television specials, his own short-lived television series, several movies like Uptown Saturday Night, Which Way Is Up?, Bingo Long and the Traveling All-Stars & Motor Kings, Silver Streak and Stir Crazy, as well as his wildly popular comedy concert films, 1979’s Richard Pryor: Live In Concert, 1982’s Richard Pryor: Live on The Sunset Strip and 1983’s Here and Now, which he also directed and where today’s quote is from.

Pryor’s difficult childhood and troubles with substance abuse informed his comedy as well – making his searing observations all the more poignant and intimate when he chose to turn his commentary inward.

Pryor had health challenges from the mid-1980s until his passing in 2005, but worked whenever he could, and remained acknowledged and respected for his contributions to the evolution of stand-up comedy as an art form.

Known as “the comedian’s comedian,” in 1998, Pryor was the first comedian to receive the now-coveted Mark Twain Prize for American Humor from the John F. Kennedy Center for the Arts, and in 2006 was posthumously awarded a Grammy Lifetime Achievement Award.

In 2015, a life-size bronze statue of Pryor was unveiled in his hometown of Peoria, Illinois with the title “Richard Pryor: More Than Just a Comedian.”

To learn more about Richard Pryor, read his 1995 autobiography Pryor Convictions, the 2014 biography Furious Cool: Richard Pryor and the World That Made Him by David Henry and Joe Henry, and Becoming Richard Pryor by Scott Saul.

You can also watch the 2013 documentary Richard Pyror: Omit the Logic, now on Hulu, the 2019 documentary I Am Richard Pryor, or the 2021 episode of ABC.com’s Superstar series dedicated to Pryor.

There are also several DVD collections available of his feature films and his filmed concerts, and of course, his comedy albums. Links to these sources and more are provided in today’s show notes and in the episodes full transcript posted on goodblacknews.org.

This has been a daily drop of Good Black News, written, produced and hosted by me, Lori Lakin Hutcherson.

Beats provided by freebeats.io and produced by White Hot.

If you like these Daily Drops, follow us on Apple, Google Podcasts, RSS.com, Amazon,Spotify or wherever you get your podcasts. Leave a rating or review, share links to your favorite episodes, or go old school and tell a friend.

For more Good Black News, check out goodblacknews.org or search and follow @goodblacknews anywhere on social.

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Black Lexicon: The Origins of “Bop” (LISTEN)

Black Lexicon: The Origins of “Bop” (LISTEN)

By goodblacknews on April 26, 2022

by Lori Lakin Hutcherson (@lakinhutcherson)

For #JazzAppreciationMonth, we explore the term “bop” — a word often used today to describe a song with a good groove. I

ts musical reference origins however, are rooted in the early 1940s when “bop” was used to describe an new and exciting intricate form of jazz. To read about it, read on. To hear about it, press PLAY:

[You can follow or subscribe to the Good Black News Daily Drop Podcast through Apple Podcasts, Spotify, Google Podcasts, rss.com or create your own RSS Feed. Or just check it out every day here on the main website. Full transcript below]:

Hey, this is Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a daily drop of Good Black News for Tuesday, April 26th, 2022, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing.

It’s in the category we call “Lemme Break It Down,” where we explore the origins and meanings of words and phrases rooted in the Black Lexicon and Black culture. Today’s phrase is another one in honor of #JazzAppreciationMonth… “Bop.”

[Excerpt from “Be-Bop” by Dizzy Gillespie]

“Bop” is a slang term most currently used to mean a really good song, but originally used to reference the jazz genre “bebop,” “rebop” or “hard bop.”

Invented in the 1940s and 1950s by musicians like Charlie Parker, Dizzy Gillespie, Sonny Rollins, Charlie Christian, Max Roach, Miles Davis, Mary Lou Williams and Thelonious Monk – right now you’re listening to the song called “Be-Bop” by Dizzy Gillespie, originally written, recorded and released by him in 1945.

The “bop” style of playing consisted of intricate phrasings and harmonic improvisations over chord melodies of standards as well as original compositions. Dizzy Gillespie even titled his 1979 autobiography To Be or Not to Bop.

To learn more about the term “bop,” links to sources are provided in today’s show notes and in the episode’s full transcript posted on goodblacknews.org.

This has been a daily drop of Good Black News, written, produced and hosted by me, Lori Lakin Hutcherson.

Intro and outro beats provided by freebeats.io and produced by White Hot.

The excerpt from “Be Bop” by Dizzy Gillespie is included under Fair Use.

If you like these Daily Drops, follow us on Apple, Google Podcasts, RSS.com, Amazon, Spotify or wherever you get your podcasts. Leave a rating or review, share links to your favorite episodes, or go old school and tell a friend.

For more Good Black News, check out goodblacknews.org or search and follow @goodblacknews anywhere on social.

Sources:

(amazon links are paid links)

MUSIC MONDAY: Born #OnThisDay in 1917 — “First Lady of Song” Ella Fitzgerald (LISTEN)

MUSIC MONDAY: Born #OnThisDay in 1917 — “First Lady of Song” Ella Fitzgerald (LISTEN)

By goodblacknews on April 25, 2022

[Photo: Ella Fitzgerald via ellafitzgerald.com]

by Lori Lakin Hutcherson (@lakinhutcherson)

GBN is pulling a trifecta today — celebrating #MusicMonday, #JazzAppreciationMonth, and dropping in on absolutely one of the best singers past, present — or ever — Ella Fitzgerald!

Born 105 years ago #OnThisDay, through her stunningly timeless gifts (and vast catalog), Ella Fitzgerald is still surprising and delighting music lovers and casual fans alike.

To read about her, read on. To hear about her, press PLAY:

[You can follow or subscribe to the Good Black News Daily Drop Podcast through Apple Podcasts, Spotify, Google Podcasts, rss.com or create your own RSS Feed. Or just check it out every day here on the main website. Full transcript below]:

Hey, this is Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a daily drop of Good Black News for Monday, April 25th, 2022, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing.

Today, we offer a quote from the “First Lady of Song” born 105 years ago on this date, the incomparable Ella Fitzgerald.

“The only thing better than singing is more singing.”

Born in 1917 in Newport News, Virginia, Ella Fitzgerald’s earliest artistic ambitions were to become a dancer.

When the loss of her mother when she was 15 lead to a relocation to Harlem to live with her aunt and stints in an orphanage and a state reformatory school for girls, Fitzgerald hustled to get by on the streets and at 17 took her terpsichorean talents to Amateur Night at the Apollo Theater.

But when she saw two sisters with a dance act go on before her and wow the crowd, Ella didn’t think she could compete so she switched up her talent from dancing to singing and took to the stage to sing “Judy” and “The Object of My Affection” and won first prize in 1934.

Although she didn’t record either at the time, in 1968 Ella gave “The Object of My Affection” another onstage go when she sang it for her Live At Chautauqua, Volume 1 LP:

[Excerpt from “The Object of My Affection”]

Ella’s Amateur night win lead to an audition with Chick Webb to become the girl singer in his orchestra, and one of the best collaborations between bandleader and singer in the swing era.

Webb and Ella had hits with “Love and Kisses,” “(If You Can’t Sing It) You’ll Have to Swing It (Mr. Paganini)” and the classic turn on a nursery rhyme co-written by Ella that become of the best-selling songs in it’s decade, “A Tisket, A Tasket”:

[Excerpt from “A Tisket, A Tasket”]

Even as Chick Webb took the young Ella under his wing, his serious health challenges ended his life way too soon in 1939.

Ella stepped up and lead and toured with the orchestra for a few more years until she went solo as jazz turned increasingly towards the newer sounds of bebop.

It was around this time, while working with Dizzy Gillespie and his band, Ella developed her scat singing style, lauded on songs such as “Oh, Lady Be Good” and “Flying Home”:

[Excerpt from “Flying Home”]

Ella not only navigated and interpreted jazz standards with dazzling dexterity and clarity, during her heyday, she, like her quote implied, sang and sang and sang some more.

Ella took on several of America’s most popular composers with her unparalleled series of “songbooks,” where she devoted entire albums to covering the songs of Cole Porter, George Gershwin, Duke Ellington, Rodgers and Hart, Johnny Mercer, Jerome Kern and Irving Berlin.

You can’t go wrong with any of these incredible recordings, so I’ll share a personal favorite from Ella Sings Gershwin – Ella’s plaintively tender version of “Someone to Watch Over Me”:

[Excerpt of “Someone to Watch Over Me”]

Ella also paired up with jazz royalty, recording an album with Count Basie, three with Louis Armstrong, four with guitarist Joe Pass and four with Duke Ellington, one which included her version of – I can’t think of any better word than “banging” because Ella just goes so hard in “It Don’t Mean a Thing If It Ain’t Got That Swing”:

[Excerpt of “It Don’t Mean a Thing If It Ain’t Got That Swing”]

From big band to bebop to Broadway, standards, pop and R&B, throughout her career, Ella Fitzgerald recorded over 200 albums and 2,000 songs.

Because frankly, with a voice like hers, the only thing better than Ella singing was more Ella singing. I’m going to put a link to a much longer Ella playlist in the show notes, but let’s hear from her one more time, in 1977, when one of her biggest fans, Stevie Wonder, lovingly sings her praises right before she helps him sing his song:

[Excerpt of “You Are the Sunshine Of My Life”]

To learn more about Ella Fitzgerald, watch the 2019 documentary Ella Fitzgerald: Just One of Those Things now streaming on Netflix, the 1999 American Masters biography on Ella called Something To Live For currently posted on YouTube, read ELLA: A Biography of the Legendary Ella Fitzgerald by Geoffrey Mark from 2018, Ella Fitzgerald: A Biography of the First Lady of Jazz by Stuart Nicholson from 1994.Watch incredible clips of her on YouTube performing with Duke Ellington, Frank Sinatra and Count Basie.

And of course, buy or stream as much of her music as you can. Links to these sources and more are provided in today’s show notes and in the episodes full transcript posted on goodblacknews.org.

This has been a daily drop of Good Black News, written, produced and hosted by me, Lori Lakin Hutcherson.

Intro and outro beats provided by freebeats.io and produced by White Hot.

All excerpts of Ella Fitzgerald’s music are included under Fair Use.

If you like these Daily Drops, follow us on Apple, Google Podcasts, RSS.com, Amazon, Spotify or wherever you get your podcasts. Leave a rating or review, share links to your favorite episodes, or go old school and tell a friend.

For more Good Black News, check out goodblacknews.org or search and follow @goodblacknews anywhere on social.

Sources:

Artist Derrick Adams Secures $1.25 Million from Mellon Foundation to Create Black Baltimore Digital Database

Artist Derrick Adams Secures $1.25 Million from Mellon Foundation to Create Black Baltimore Digital Database

By goodblacknews on April 24, 2022

[Photo: Derrick Adams; Photographer: Mark Poucher]

According to news.artnet.com, Brooklyn-based, Baltimore-born artist Derrick Adams will receive $1.25 million from the Andrew W. Mellon Foundation to build the Black Baltimore Digital Database, a new archive cataloguing important cultural contributions by Black Baltimoreans.

The archive will catalogue local achievements in art, entrepreneurship, and other areas and will be developed over the next three years, with the Mellon Foundation supporting two years of organizational capacity.

“The Black American experience has strong roots in Baltimore—I am both honored and eager to share this project with the city,” Adams said in a statement. “It will live as a modernized historical society, whose dedication is equally important and inclusive.”

To quote news.artnet.com:

With the funding, the database will set up shop in a new building in the city’s historic Waverly neighborhood. It will feature a gallery (named after the late Baltimore photographer I. Henry Phillips, Sr.,), a digital archive lab, and a screening room, as well as a cafe and gift shop that will spotlight local Black-owned businesses.

The Baltimore Museum of Art and the Johns Hopkins campus are in close proximity to the future site of the database. It is also near Last Resort Artist Retreat, a residency program for Black creatives that was also founded by Adams.

The two upstart initiatives will work together closely and collaborate on programming. Charm City Cultural Cultival, a local non-profit supporting cultural projects in Baltimore’s inner city, will also contribute to programming efforts.

“Our goal,” Adams explained, “is to provide a distinct entry point for a wider network of initiatives. This will not only support our archival endeavors, but also local community building—social engagement through events, workshops, and conversation.

Read more: https://news.artnet.com/art-world/mellon-foundation-derrick-adams-black-culture-database-2096560

#JazzAppreciationMonth: The Savoy Ballroom – Harlem’s “Home of Happy Feet” (LISTEN)

#JazzAppreciationMonth: The Savoy Ballroom – Harlem’s “Home of Happy Feet” (LISTEN)

By goodblacknews on April 24, 2022

by Lori Lakin Hutcherson (@lakinhutcherson)

As #JazzAppreciationMonth nears its end, today GBN celebrates the “Home of Happy Feet” that was one of the first integrated public entertainment spaces in the U.S., Harlem’s once famous  Savoy Ballroom.

To read about the Savoy, read on. To hear about it, press PLAY:

[You can subscribe to the Good Black News Daily Drop Podcast via Apple Podcasts, Spotify, Google Podcasts, rss.com or create your own RSS Feed. Or listen every day here on the main page. Full transcript below]:

Hey, this is Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a bonus daily drop of Good Black News for Sunday, April 24th, 2022, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing.

It’s in the category for Black Museums and Landmarks we call “Get The Knowledge”:

Located in Harlem, New York, the Savoy Ballroom was known as “The World’s Finest Ballroom” and the “Home of Happy Feet” from its 1926 opening to its 1958 close.

Unlike other ballrooms of the era, the Savoy always had a no-discrimination policy and showcased the finest swing music in the city.

The Savoy offered non-stop music from two bandstands that attracted dancing pros like Whitey’s Lindy Hoppers as well as everyday people looking to have a good time.

Chick Webb, of the prominent house band leaders at the Savoy, had a top 10 hit in 1934 with the song composed by his saxophonist Edgar Sampson that you are hearing now, called – what else – “Stompin’ At The Savoy.”

In 2022, Frankie Manning and Norma Miller, members of Whitey’s Lindy Hoppers, unveiled a commemorative plaque for the Savoy Ballroom on Lenox Avenue:

To learn more about the Savoy Ballroom, check out welcometothesavoy.com, a site that’s restoring the Savoy with a VR experience, and they have a great collection of photos from the Savoy’s heyday on view now, watch the 1992 television movie Stompin’ At The Savoy directed by Debbie Allen, available on Amazon Prime Video or Roku.

Watch clips about the history of the Savoy on YouTube, or read Swinging At The Savoy: The Memoir of a Jazz Dancer by Norma Miller. Links to these and other sources are provided in today’s show notes and in the episode’s full transcript posted on goodblacknews.org

This has been a bonus daily drop of Good Black News, written, produced and hosted by me, Lori Lakin Hutcherson.

Intro and outro beats provided by freebeats.io and produced by White Hot.

“Stompin’ At The Savoy” by Chick Webb’s Orchestra is included under fair use.

If you like these Daily Drops, follow us on Apple, Google Podcasts, RSS.com, Amazon, Spotify or wherever you get your podcasts. Leave a rating or review, share links to your favorite episodes, or go old school and tell a friend.

For more Good Black News, check out goodblacknews.org or search and follow @goodblacknews anywhere on social.

Sources:

Remembering Activist Hazel M. Johnson, the “Mother of Environmental Justice,” on #EarthDay

Remembering Activist Hazel M. Johnson, the “Mother of Environmental Justice,” on #EarthDay

By goodblacknews on April 22, 2022

[Photo: Hazel M. Johnson via peopleforcommunityrecovery.org]

by Lori Lakin Hutcherson (@lakinhutcherson)

Today, GBN celebrates Hazel M. Johnson, the community activist who sought to clean up the “Toxic Doughnut” that encircled her community on the South Side of Chicago, and in the process became known as the “Mother of Environmental Justice.”

To read about Johnson, read on. To hear about her, press PLAY:

[You can subscribe to the Good Black News Daily Drop Podcast via Apple Podcasts, Spotify, Google Podcasts, rss.com or create your own RSS Feed. Or listen every day here on the main page. Full transcript below]:

Hey, this is Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a daily drop of Good Black News for Friday, April 22nd, 2022, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing.

Known as the “Mother of Environmental Justice,” Hazel M. Johnson did not choose the path that lead her to her title, but rather was called to it when her husband died of cancer in 1969 and her world was turned upside down.

Soon after his passing, the widowed mother of seven learned from a local TV program that people who lived on the South Side of Chicago had the highest cancer rates in the city. Hazel was determined to find out why.

Johnson discovered that chemical companies, refineries, and steel mills nearby were shooting toxins into the air and dumping industrial waste into the local river, which locals fished in, making Altgeld Gardens where she lived a perfect storm of air, water and land contamination which Johnson herself would later call the “Toxic Doughnut.”

She also found out that Altgeld Gardens had a toxic past that went even deeper.

Originally established as a federal housing project for World War II African American veterans, Altgeld Gardens was built atop land that had been an industrial sludge dump for the Pullman Motor Company from 1863 until the early 20th century.

Altgeld Gardens, it turned out, had the highest concentration of hazardous waste sites in the entire nation.

Hazel Johnson went door-to-door collecting data from friends and neighbors and started calling city and state health departments to investigate the industrial pollution in her community.

In 1982, she founded an organization called People for Community Recovery to fight environmental racism at the grassroots level.

PCR, made up mainly of mothers and local residents who were volunteers, pushed for city and state officials to do epidemiological studies of Altgeld Gardens because before Hazel started pushing and organizing, no legislative mandate existed to address how industrial pollution was affecting the quality of life for low-income and minority communities.

Hazel and PCR also worked to get rid of the toxins in their physical living spaces and put pressure on the Chicago Housing Authority to remove asbestos from Altgeld Gardens.

Johnson was equally instrumental in convincing city health officials to test the drinking water at Maryland Manor, a South Side neighborhood dependent on well water. Hazel convinced city and state officials to meet her in Altgeld Gardens and she took them on a “toxic tour” so they could see the problems first-hand.

After this tour, tests were conducted in 1984, which revealed cyanide and toxins in the water, and that lead to the installation of new water and sewer lines.

Black Firsts: Dr. Carla D. Hayden, U.S. Librarian of Congress (LISTEN)

Black Firsts: Dr. Carla D. Hayden, U.S. Librarian of Congress (LISTEN)

By goodblacknews on April 21, 2022

by Lori Lakin Hutcherson (@lakinhutcherson)

Today, GBN celebrates Dr. Carla D. Hayden who in 2016 became the first woman and first African American person to serve the nation as Librarian of Congress.

To read about Dr. Hayden, read on. To hear about her, press PLAY:

[You can subscribe to the Good Black News Daily Drop Podcast via Apple Podcasts, Spotify, Google Podcasts, rss.com or create your own RSS Feed. Or listen every day here on the main page. Full transcript below]:

Hey, this is Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a daily drop of Good Black News for Thursday, April 21st, 2022, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing.

 It’s in the category of Black Firsts we call “It’s About Time.”

When President Barack Obama hired Dr. Carla D. Hayden in 2016, he was doing things by the book – literally! University of Chicago graduate Hayden became the first woman and first African American person to hold the position of Librarian of Congress.

Sworn in on September 14th of that year, Hayden also became the first professional librarian to hold the post in over 60 years.

Hayden was president of the American Library Association from 2003 to 2004. In 1995, she was the first African American person to receive Library Journal’s Librarian of the Year Award in recognition of her outreach services at the Pratt Library, which included an after-school center for Baltimore teens offering homework assistance and college and career counseling.

Hayden received a B.A. from Roosevelt University and an M.A. and Ph.D. from the Graduate Library School of the University of Chicago.

And just last week, Columbia University announced that Dr. Hayden will receive its honorary doctorate of letters during commencement this May.To learn more about Dr. Hayden, follow her on Twitter @LibnofCongress, watch her testifying in a recent U.S. Senate hearing regarding the efforts to modernize the Library of Congress on C-SPAN, read The Black Librarian in America: Reflections, Resistance, and Reawakening by Shauntee Burns-Simpson, or read the children’s book Carla Hayden: Librarian of Congress by Kate Moening from the Women Leading the Way series.

Links to these sources and more are provided in today’s show notes and in the episode’s full transcript posted on goodblacknews.org.

“Librarianship was really an adventure for me-to find out that there’s a profession that was dedicated to making books and reading and knowledge available to people. And that just seemed ideal. The confirmation process was really an eye-opener for me in so many ways because I got to meet legislators that were committed to not only the nation’s history, but making information available. And that made me very pleased that I was confirmed. My vision for this library is very simple: that people will realize that they have a national treasure and that it is  part of their heritage and everyone can find something in the Library of Congress, produced by the Library of Congress, that relates to their lives or where they want to go.”

This has been a daily drop of Good Black News, written, produced and hosted by yours truly, Lori Lakin Hutcherson. Beats provided by freebeats.io and produced by White Hot.

If you like these Daily Drops, follow us on Apple, Google Podcasts, RSS.com, Amazon, Spotify or wherever you get your podcasts. Leave a rating or review, share links to your favorite episodes, or go old school and tell a friend.

For more Good Black News, check out goodblacknews.org or search and follow @goodblacknews anywhere on social.

Sources:

(amazon links are paid links)

Lady Writes The Blues: Billie Holiday’s Singing and Songwriting Artistry (LISTEN)

Lady Writes The Blues: Billie Holiday’s Singing and Songwriting Artistry (LISTEN)

By goodblacknews on April 19, 2022

[Billie Holiday, from March 23, 1949. Photographer: Carl Van Vechten. from the Yale University Archives at Beinecke Rare Book and Manuscript Library]

by Lori Lakin Hutcherson (@lakinhutcherson)

In continued celebration of #JazzAppreciationMonth, today we drop in on Billie Holiday, the singer and artist who not only influenced peers and progeny alike with her innovative interpretation of and phrasing in songs, but also composed several of her signature songs which became jazz and blues standards in the decades that followed.

To read about Holiday, read on. To hear about her, press PLAY:

[You can follow or subscribe to the Good Black News Daily Drop Podcast through Apple Podcasts, Spotify, Google Podcasts, rss.com or create your own RSS Feed. Or just check it out every day here on the main website. Full transcript below]:

Hey, this is Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a daily drop of Good Black News for Tuesday, April 19th, 2022, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing.

Billie Holiday famously said she styled her singing after two major influences – blues empress Bessie Smith and jazz trumpeter and legend Louis Armstrong.

The alchemy Holiday found by combining her favorites inspired many of her contemporaries as well as subsequent generations of singers, who were impressed with her pioneering phrasing and improvisation.

What is less often praised about Holiday is her songwriting skill. She wrote several signature songs that are now standards. Let’s start with “Fine and Mellow,” which Holiday first recorded in 1939:

[Excerpt of “Fine and Mellow”]

MUSIC MONDAY: “A Love Supreme” – The Best of Sacred Jazz (LISTEN)

MUSIC MONDAY: “A Love Supreme” – The Best of Sacred Jazz (LISTEN)

By goodblacknews on April 18, 2022

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

It’s Music Monday! In celebration of Easter and #JazzAppreciationMonth, here is a collection of Sacred Jazz.

When jazz emerged in the first half of the 20th century as music of liberation, entertainment and modernism, it provoked a backlash among cultural and religious-establishment figures.

Many of them went so far as to call it “the music of the devil.” By the middle 1950s, jazz had found its way into the church, sometimes employed in the ritualistic proceedings of liturgies and other traditional ceremonies, or presented in other thematic ways in overt religious homage.

Religion, in some respects, was there from the jump. Many African-American musicians grew up attending and performing in church services, and the imprint of that experience can be found in albums ranging from John Coltrane‘s landmark 1965 LP A Love Supreme to Miles Davis‘ Kind Of Blue.

It was inspired in part, in the words of Davis, “some other kind of sound I remembered from being back in Arkansas, when we were walking home from church and playing these bad gospels.”

This collection features Mahalia Jackson and Rosetta Tharpe contributions to gospel and sacred jazz, along with pianist and composer Mary Lou Williams, known for her Jazz Masses in the 1950s.

Duke Ellington, Kamasi Washington, Pharaoh Sanders, The Free Nationals and many others are on hand too.

Do enjoy.  As always, stay safe, sane, and kind.

Marlon West (photo courtesy Marlon West)