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Ava DuVernay Expands and Renames AFFRM Distribution Company "Array," Focuses on Films by Minorities and Women

By goodblacknews on September 9, 2015

Ava DuVernay attends as Russell Simmons' Rush Philanthropic Arts Foundation Celebrates 20th Anniversary At Annual Art For Life Benefit at Fairview Farms on July 18, 2015 in Water Mill, New York.
“Selma” director Ava DuVernay has given an extreme makeover to her 5-year-old distribution company.  Previously known as AFFRM (African American Film Festival Releasing Movement), the filmmaker has relaunched and expanded the company as Array.
“I’ve always felt as if there were so many films that get made but not seen,” she told Variety. “The real focus of our company has always been distribution. What we’re doing now is opening our arms a little wider and enlarging our mission.”
Array announced Tuesday that it has two films due out this fall: South African director Sara Blecher’s coming-of-age drama “Ayanda and the Mechanic” and Takeshi Fukunaga’s debut feature, “Out of My Hand.”
The focus will be films by minorities and women. Array aims to significantly boost the number of films it releases beyond the original company’s two a year. AFFRM released DuVernay’s 2012 film “Middle of Nowhere.”
“It’s a definite evolution of what we were doing at AFFRM,” she said. “When I was out promoting ‘Selma,’ I became aware of so many other films that ought to be getting distribution. And this is a problem I can do something about because of my experience.”
DuVernay said Array will distribute films via the theatrical arthouse circuit as well as on streaming platforms.
Array has teamed with Netflix to release Tina Mabry’s “Mississippi Damned,” a family drama that debuted at Slamdance in 2009. That film recently began streaming on Netflix.
article via eurweb.com

Mario Macilau, a Former "Street Child" in Mozambique, Becomes Top Photographer Through Exhibitions on Isolated Groups

By goodblacknews on September 9, 2015

As a boy, I dreamed of becoming a journalist. But then I got caught up with day-to-day troubles. When your life is full of worry it is like the future does not exist.
When I was about seven, my father left our home in a township near Maputo and travelled to South Africa to look for work. I was older than my sisters and had to help bring in some money. So I started to take my mother’s biscuits into town to sell in the market.
I got into doing odd jobs in the market – washing people’s cars and helping to carry their bags. Instead of going home, I often slept overnight in the market with my friends.

Showering by Mario Macilau
A boy washes himself with soap before a meeting with charity workers (Image copyright: Mario Macilau)

It wasn’t very safe. We had nowhere to keep anything, so we stole from one another. I got into some bad habits – minor criminality, but it was a question of survival. Dog eat dog.
My mother tried several times to send me to school but she just couldn’t afford the fees. But all this time I was learning – I read books, and through volunteering with NGOs I learned English.
When I was about 14, I borrowed a friend’s camera. I started to take photographs of my surroundings, documenting people from the townships as they travelled to the city to sell their things. They were black-and-white photos, which I developed in a darkroom I made in my mother’s house. I was teaching myself how to do things, practising whenever I could, but it was difficult for me to pay for the film and the chemicals.

Dreaming of Sunset by Mario Macilau
Street children live as nomads, moving from one point to the next with nothing but a little water and hand towels to wash cars. Macilau says they mostly sleep during the day because they are scared of night-time attacks by policemen, many of whom used to be street boys. (Image copyright: Mario Macilau)White line 10 pixels

My favourite photograph was taken near the township where I grew up early one morning. It was of a woman walking into town to sell cassava. She had her back to the camera and it was raining.

Octavia Butler’s Science Fiction Novel "Dawn" Being Developed into TV Series

By goodblacknews on September 8, 2015
Octavia E. Butler Discusses Her New Book 'Fledgling'
Author Octavia Butler (Source: Malcolm Ali / Getty)

One of Octavia Butler’s books will finally see the light of film. Butler’s Dawn, which is the first book of the late sci-fi novelist’s Lilith’s Brood collection, is being developed into a TV series. According to Deadline, Allen Bain has made the novel his first acquisition under his company.
Dawn tells the story of humanity’s last survivors who are saved by an ancient alien race right before the destruction of Earth. Humans are given the choice of either mating with the aliens to create a new mixed species or go extinct.
“The Lilith’s Brood trilogy is both timely and poignantly accessible as we continually grapple with questions of racial identity in our country, as well as our own place in an increasingly globalized world.”
Butler was a pioneering sci-fi novelist, and became the first science fiction writer to win the MacArthur Fellowship, aka the “Genius Grant.” She died in 2006 and was posthumously inducted into the Science Fiction Hall of Fame in 2010.
article by Starr Rhett Roque via hellobeautiful.com

LeBron James Expands Educational Program to Help Akron, Ohio, Adults Obtain GED Diplomas

By goodblacknews on September 8, 2015
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LeBron James (ETHAN MILLER/GETTY IMAGES)

LeBron James realizes that it’s not just young teens in Akron, Ohio, who need a shot at an education, but also adults who haven’t graduated from high school with a diploma.

Last month, James announced that his LeBron James Family Foundation would provide $41 million to cover tuition at the University of Akron for 1,100 Ohio high school graduates.
Well, now James is making sure he helps those who may be the parents of some of those kids receiving the free college education. According to Cleveland.com, as part of a partnership with Project Learn of Summit County, which helps adults get their GED certificates, parents of the children enrolled in the LeBron James Family Foundation’s scholastic-mentorship program can get financial and emotional support to obtain high school equivalency credentials and learn other life skills.
Adults in the program will receive an inspirational letter from James, Hewlett-Packard laptops they can keep if they finish the classes and free bus passes and parking to attend class.
“We are so excited about the I Promise, Too program because a huge part of our foundation’s work [with children] centers around parent involvement,” Michele Campbell, executive director of the LeBron James Family Foundation, said in a news release. “This is an opportunity to help our parents make strides in their own academic careers so they are better equipped to help our students keep their educational promises. We can’t reach our students without their parents’ support, so this program is monumental for our families and their futures.”
article by Yesha Callahan via theroot.com

Vanessa Williams to Return to Miss America Pageant as Judge

By goodblacknews on September 8, 2015

Vanessa Williams (photo via deadline.com)
Vanessa Williams (photo via deadline.com)

ATLANTIC CITY, N.J. (AP) — Three decades after she gave up the crown amid a nude photo scandal, Vanessa Williams is returning to the Miss America pageant.
The Miss America Organization, Dick Clark Productions and the ABC television network announced Tuesday they are bringing back the award-winning actress and singer to serve as head judge for the 2016 competition. It begins Tuesday and culminates in the crowning of the next Miss America on Sunday.
Williams, the first African-American Miss America, won the title in 1984 but resigned after Penthouse magazine published sexually explicit photographs of her taken several years earlier.
She went on to have a successful career in film, television, music and Broadway.
“It was two drastically different images — that was the issue. It was Miss America, who is really kind of untouched and not reality, and then there was this woman in the picture that was the polar opposite of purity, and I was a normal kid in the middle,” Williams said in an interview broadcast Tuesday on “Good Morning America.” ”That’s one of the problems I’ve had to deal with in my career, not only being a Miss America, but being a scandalous Miss America.”
Sam Haskell, executive chairman and CEO of the Miss America Organization, said his friendship with Williams predated the turmoil caused by the release of the photos.
“I have been friends with Vanessa for 32 years,” he told The Associated Press. “When the photos were published, there were people urging her to fight, but close supporters knew if she lost that fight that she would be completely removed from the history books.”
Haskell has been trying for a decade to bring Williams back to the Miss America stage, but this was the first year the logistics could be arranged.
“Vanessa’s career speaks for itself, with all the success that she has had,” Haskell said. “Her return as a huge success is a way for us all to move forward and put the past behind us. It’s truly an honor to welcome her back to the Miss America Pageant.”
Since her 1988 debut album, “The Right Stuff,” Williams has sold more than 7 million records worldwide and has scored No. 1 and Top 10 hits on various Billboard album and singles charts, including pop, dance, R&B, adult contemporary, holiday, Latin, Gospel and jazz.
Her work has been honored by 4 Emmy nominations; 17 Grammy nominations (of which 11 were for her individually); a Tony nomination, 3 Screen Actors Guild award nominations; 7 NAACP Image Awards; and a Golden Globe, Grammy and an Oscar for Best Original Song for her platinum single “Colors of the Wind,” from the Disney film “Pocahontas.”
She also starred on the TV shows “Ugly Betty” and “Desperate Housewives.”
Williams co-starred with Cicely Tyson and Cuba Gooding Jr. in Broadway’s “The Trip To Bountiful” in 2013. She returned to the Great White Way the next year in the musical “After Midnight.”
She joins pageant hosts Chris Harrison and Brooke Burke-Charvet, music curator Nick Jonas and celebrity judges Brett Eldredge, Taya Kyle, Danica McKellar, Kevin O’Leary, Amy Purdy and Zendaya.
article by Wayne Parry via bigstory.ap.org

Freddie Gray’s Family to Receive $6.4 Million Settlement From Baltimore

By goodblacknews on September 8, 2015
The settlement, which stemmed from a civil lawsuit filed by the family after Gray’s unlawful arrest and death in April, is said to be one of the largest in police brutality suits since 2011. According to the Sun, the settlement is “larger than the total of more than 120 other lawsuits brought against the police department for alleged brutality,” in years. The plan is scheduled to be approved by the city’s spending panel on Wednesday, the office of Mayor Stephanie Rawlings-Blake confirmed.

“The proposed settlement agreement going before the Board of Estimates should not be interpreted as a judgment on the guilt or innocence of the officers facing trial,” the mayor said in a statement. “This settlement is being proposed solely because it is in the best interest of the city, and avoids costly and protracted litigation that would only make it more difficult for our city to heal and potentially cost taxpayers many millions more in damages.”

Unrest erupted after Gray’s funeral as human rights groups, protesters, activists, and residents of Baltimore City piled into the streets to call for reform of police practices and justice for the young man. Six officers involved in the arrest and transport of Gray have pled not guilty to a range of charges that include assault, false imprisonment, and even murder. A pre-trial motions hearing this week will determine if the six individual trials will be moved out of Baltimore.
From the Baltimore Sun:

The city is accepting all civil liability in Gray’s arrest and death, but does not acknowledge any wrongdoing by the police, according to a statement from Rawlings-Blake’s administration.
The mayor’s office declined to answer questions about the settlement, including why it was brought to the spending panel before any lawsuit was filed.
Under the proposed settlement, the city would pay $2.8 million during the current fiscal year and $3.6 million in next year, the city said. By entering into a settlement, the city would avoid a public lawsuit that could have played out in court. In such city settlements, a clause has stated that both sides cannot talk publicly about the case.

An attorney representing the Gray family has declined to comment on the settlement.
article by Christina Coleman via newsone.com

President Obama Observes Labor Day, Extends Paid Sick Leave for Employees of Federal Contractors

By goodblacknews on September 7, 2015
Barack Obama Labor Day
U.S. President Barack Obama waves to reporters after returning to the White House on board Marine One September 3, 2015 in Washington, DC. Obama spent three days in Alaska this week where he became the first sitting president to go to the Arctic Circle. (Photo by Chip Somodevilla/Getty Images)

WASHINGTON (AP) — Showing solidarity with workers on Labor Day, President Barack Obama will sign an executive order Monday requiring paid sick leave for employees of federal contractors, including 300,000 who currently receive none.

The White House wouldn’t specify the cost to federal contractors to implement the executive order, which Obama was to address at a major union rally and breakfast in Boston. The Labor Department said any costs would be offset by savings that contractors would see as a result of lower attrition rates and increased worker loyalty, but produced nothing to back that up.
Under the executive order, employees working on federal contracts gain the right to a minimum of one hour of paid leave for every 30 hours they work. Stretched out over 12 months, that’s up to seven days per year. The order will allow employees to use the leave to care for sick relatives as well, and will affect contracts starting in 2017 — just as Obama leaves office.
The Obama administration has been working on the executive order for months, and chose Labor Day to announce it as Obama works to enact what policies he can before his presidency ends despite resistance in Congress to laws he’s proposed to improve workplace conditions. That push has reverberated in the 2016 campaign, where Democratic candidates are seeking to draw a distinction with Republicans on who’s most supportive of the middle class.
“There are certain Republicans that said we can’t afford to do this,” said Labor Secretary Thomas Perez. He lamented how paid leave is seen as a partisan issue in the U.S. despite broad support in Europe. “The Republican Party is out of step with similar conservative governments around the world,” he said.
Roughly 44 million private sector workers don’t get paid sick leave — about 40 percent of the private-sector workforce, the White House said. In his speech to the Greater Boston Labor Council’s breakfast, Obama was also to renew his call for Congress to expand the requirement beyond contract workers to all but the smallest U.S. businesses, an idea that has gained little traction on Capitol Hill.
The Labor Day gathering in Boston was attracting other bold-named politicians, Sen. Elizabeth Warren, D-Mass., and Boston Mayor Marty Walsh among them. Vice President Joe Biden, who is considering entering the Democratic presidential primary, was to echo the labor rights theme in a march with AFL-CIO President Richard Trumka on Monday at a Labor Day parade in Pittsburgh.
Unable to push much of his agenda through a Republican-controlled Congress, Obama has in recent years used executive orders with frequency to apply policies to federal contractors that he lacks the authority to enact nationwide. His aim is to lay the groundwork for those policies to be expanded to all Americans. Earlier executive orders have barred federal contractors from discriminating against workers based on their sexual orientation or gender identity, raised the minimum wage for contractors and expanded the number of contract workers eligible for overtime.
Although labor groups have hailed those moves, they remain deeply skeptical of Obama’s push to secure sweeping new trade deals with the Asia-Pacific region and with Europe. Many unions have warned that the deals could lead to the widespread elimination of certain types of U.S. jobs.
The White House said it couldn’t estimate how many federal contractors don’t offer paid leave now, citing a maze of state and local laws that make crunching the numbers difficult. Officials also declined to put a dollar figure on how much contractors would face in added compensation costs.
Cecilia Muniz, director of the White House’s Domestic Policy Council, said the administration has an obligation to get the most out of every federal tax dollar.
article by Josh Lederman, AP via thegrio.com

CULTURE: West Indian American Day Parade Comes Together One Costume at a Time

By goodblacknews on September 7, 2015
Karen Maynard putting the finishing touches on a headdress for Monday’s parade. (Credit: Michelle V. Agins/The New York Times) 

Reisha Maynard-Holder meticulously cut patterns for a collar out of foam rubber as a fan whirred in the sweltering heat. Next, she turned her attention to feathers, attaching them to the collars one at a time with a glue gun. It was another grueling evening in a monthslong effort to create some of the most elaborate and spectacular costumes seen on the streets of New York.

“These are our summers,” said Mrs. Maynard-Holder, one of hundreds of people who prepare the costumes worn in the West Indian American Day Parade, scheduled for Monday morning. More than 5,000 people were expected to take part in the parade, a tradition known as “playing mas.” And, over a million people are expected to gather on Eastern Parkway in Brooklyn for the event, which celebrates Caribbean culture with food and music. But the real stars of the parade are the bright array of costumes, visually stunning concoctions of feathers and beads, with headdresses often rising several feet in the air.

“The costumes are a symbol of the flair and vibrancy of the culture and demonstrate the pride of the Caribbean,” Jamell Henderson, spokesman for Karma Carnival NYC Band, said. “They are the centerpiece and main attraction.”

The “Heaven” costume. (Credit: Marlon Smart)

Making the costumes often begins a year in advance, shortly after the parade ends, with the bands — as the groups that participate are called — selecting themes in the fall and fabric samples in the spring. Fashion shows displaying prototypes are held in early summer, followed by production until Labor Day.

Defying Expectations, Mayor Ras Baraka is Praised in All Corners of Newark

By goodblacknews on September 6, 2015
Mayor Ras Baraka of Newark speaking at Occupy the City, an anti-violence rally and march, in August. (Credit: Yana Paskova for The New York Times)

They had predicted that he would be anti-business and anti-police, that Mr. Baraka, the son of Newark’s most famous black radical, would return a city dogged by a history of riots and white flight to division and disarray.

A year later, Mr. Baraka is showering attention on black and Latino neighborhoods, as he promised he would. But he is also winning praise from largely white leaders of the city’s businesses and institutions downtown. He struggles with crime — all mayors here do — but he has also championed both the Black Lives Matter movement and the police, winning praise for trying to ease their shared suspicion.

The radical now looks more like a radical pragmatist.

Newark is still stubbornly two cities: gleaming new glass towers downtown, block after block of abandoned plots and relentless poverty in its outer wards, with five killings within 36 hours this month. But for all the expectations that Mr. Baraka would divide the city, those on both sides of the spectrum say that he has so far managed to do what his predecessors could not: make both Newarks feel as if he is their mayor.

The mayor at an awards ceremony for the Newark Fire Department. (Credit: Bryan Thomas for The New York Times)

Development plans are reaching into long-ignored neighborhoods. Projects stalled for years are moving forward, and new industries are taking root: a vertical farm, an incubator space and an investment fund for technology start-ups.

Mr. Baraka closed a $93 million hole in the city budget without layoffs. In June, Gov. Chris Christie agreed to start returning the schools to local control — something the governor had denied Cory A. Booker, Mr. Baraka’s more polished predecessor. The governor had rejected Mr. Baraka’s bid for control a year ago, deeming him “kind of hostile.”

“He’s like the local boy who grew up and said, ‘I need to fix my city.’ How do you not get inspired by that? How do you not root for a guy like that?” said Joseph M. Taylor, the chief executive of Panasonic Corporation of North America, which was lured to Newark by Mr. Booker. “I didn’t think anybody could top Cory Booker, but if anybody can, it’s Mayor Baraka.”

Not everyone is on board. Some local politicians, even those who support Mr. Baraka, say the positive reception partly reflects the low expectations set during a nasty election last spring, in which outside groups spent at least $5 million trying to defeat him. They say the talent pool at City Hall is shallow, and that Mr. Baraka has surrounded himself with friends and family members — in particular, his brother, Amiri Baraka Jr., who serves as his chief of staff — who engage in a kind of street politics that have dragged Mr. Baraka into distracting feuds.

Attendees at Occupy the City, an anti-violence march. The mayor has enlisted the help of residents in trying to curb crime. (Credit: Yana Paskova for The New York Times)

The candidate Mr. Baraka defeated, Shavar Jeffries, continues to criticize the mayor’s inability to stanch crime, dismissing Mr. Baraka’s anti-violence rallies as empty gimmicks. And presuming Mr. Baraka can complete the return of schools to local control, they remain some of the nation’s most troubled and low-performing.

Black Victorian Photos Exhibit "Black Chronicles II" at Harvard University's Cooper Gallery Through December

By goodblacknews on September 6, 2015
BlackJonas-and-Xiniwe-Photo-Hi_6053
“We are not what we seem.” When the iconic novelist Richard Wright wrote those words, in 1940, he was describing the African-American experience. As a stunning new exhibit at Harvard University’s Ethelbert Cooper Gallery shows, the complexity of seeing and identity took its own twists on the other side of the Atlantic when the relatively new art of photography began producing images of people of color in Victorian England.
In more than 100 photographs, including a striking set that has been lost for more than 120 years, “Black Chronicles II” reveals a mash-up of racist imagery and cultural tropes that in many ways will be familiar to American viewers — and still often reveals the timeless humanity of the subjects.
Current issues of cultural identity and self-determination are at the fore of the exhibit, says gallery executive director Vera Grant, although the works themselves were largely made from 1862 to 1899. Curated by Renée Mussai and Mark Sealy of the London-based arts agency Autograph ABP, “Black Chronicles II” was produced through original research in private collections in the United Kingdom in collaboration with the Hulton Archive, London, a division of Getty Images. Part of a larger ongoing project called “The Missing Chapter,” it is the second in a series of exhibitions dedicated to excavating archives that began in 2011 with a small showcase done in collaboration with Magnum Photos in London.
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Despite the anonymity of many of its subjects (research is ongoing), “Black Chronicles II” reveals the complicated nature of life for people of color in Victorian England. Ndugu M’Hali, for example, came to the public’s attention as Kalulu, the boy servant of the explorer Sir Henry Morton Stanley. In this show, he is depicted several times, in both African and Western dress, a child between cultures.
A more formal series of small portraits — largely cartes de visites, or calling cards — opens the exhibit. These include images of Sarah Forbes Bonetta, a native of West Africa who was “given” to Queen Victoria as a slave and raised as her goddaughter. In two portraits from 1862, one with her husband, she appears the essence of a calm, well-dressed Victorian lady, despite her tragic history.